song of the day – “Abracadabra” | STEVE MILLER BAND | 1982.

colin hay strand 081617

Waiting for the real Colin Hay to begin, Rockland, Maine, 8.16.2017. He was, of course, fantastic and soulful.

Hey everyone!  Thanks so much for being patient with me, as I’ve taken an unexpected (but quite enjoyable) absence from the bloggy thing since the end of July.  There’s been work stuff, home stuff, I had a fun time attending concerts featuring Blondie, the 80s Retro Futura Tour (including Howard Jones, Modern English, Men Without Hats, Paul Young, Katrina of Katrina And The Waves, and The English Beat!), and most recently, seeing the wonderful Colin Hay in beautiful Rockland, Maine. 

I’ve also been spending a lot of quality time with the incredible and awesome Hope, my superfriend, sassy radio co-host and writing hero, which included a swim in the cold Atlantic Ocean here in Maine that changed me forever.  There’s a lot more to say, and I will, in a post coming soon that will be about Hope and that swim in the ocean and much more!  And Hope comes up again later in this post, so stay tuned!!

HopeyT and me

That’s the absolutely lovely HopeyT and me, Kettle Cove State Park, Cape Elizabeth, Maine, 9.2.2017!

When I started my tribute to my radio hero, Casey Kasem, back on June 1, school was in session and Summer was weeks away.  Well, it’s now September 9, 2017, school is back in session and Fall is less than two weeks away.  I’ve had fun bringing you this tribute to Casey (who passed away in June 2014 at the age of 82), and wanted to make sure (1) you all didn’t think I would hold out on the Number One song of this tribute, and (2) that I get this in ASAFP, because what’s a Top 40 countdown without a Number One song?

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Much like AMERICAN TOP 40, this post will be full of nerdy chart facts and then some, but first, I wanted to recap the songs I’ve posted in this series so far.  These songs (which include five (real) one-hit wonders of the 80s), are ranked at the positions they peaked at on the BILLBOARD Hot 100 (with peak year), and though they do not represent a definitive Top 40 list for me, but I love all of them, and hope you’ve enjoyed reading about them!

40. CLONES (WE’RE ALL) – ALICE COOPER (1980)

39. SLIPPING AWAY – DAVE EDMUNDS (1983)

38. PROMISES IN THE DARK – PAT BENATAR (1981)

37. WHISPER TO A SCREAM (BIRDS FLY) – ICICLE WORKS (1984; (real) one-hit wonder of the 80s)

36. SOMETIMES A FANTASY – BILLY JOEL (1980)

35. FAKE FRIENDS – JOAN JETT & THE BLACKHEARTS (1983)

34. ME MYSELF AND I – DE LA SOUL (1989)

33. PRIDE (IN THE NAME OF LOVE) – U2 (1984)

32. VALLEY GIRL – FRANK & MOON ZAPPA (1982)

31. (GHOST) RIDERS IN THE SKY – THE OUTLAWS (1981)

30. LIES – THOMPSON TWINS (1983)

29. TURN UP THE RADIO – AUTOGRAPH (1985; (real) one-hit wonder of the 80s)

28. POINT OF NO RETURN – NU SHOOZ (1986)

27. THE RIGHT THING – SIMPLY RED (1987)

26. NOT JUST ANOTHER GIRL – IVAN NEVILLE (1988)

25. TAKE ME WITH YOU – PRINCE & THE REVOLUTION featuring APOLLONIA (1985)

24. ONE WAY OR ANOTHER – BLONDIE (1979)

23. YOU CAN CALL ME AL – PAUL SIMON (1986 / 1987)

22. AIN’T NOBODY – RUFUS & CHAKA KHAN (1983)

21. FOOL IN THE RAIN – LED ZEPPELIN (1980)

20. OUR LIPS ARE SEALED – THE GO-GO’S (1982)

19. PUSH IT – SALT-N-PEPA (1988)

18. LET ME TICKLE YOUR FANCY – JERMAINE JACKSON with DEVO (1982)

17. YOU ARE THE GIRL – THE CARS (1987)

16. HOLIDAY – MADONNA (1984)

15. ONE OF THE LIVING – TINA TURNER (1985)

14. DIGGING YOUR SCENE – THE BLOW MONKEYS (1986; (real) one-hit wonder of the 80s)

13. TARZAN BOY – BALTIMORA (1986)

12. WHAT’S GOING ON – CYNDI LAUPER (1987)

11. EDGE OF SEVENTEEN – STEVEIE NICKS (1982)

10. RELAX – FRANKIE GOES TO HOLLYWOOD (1985)

09. THE ONE I LOVE – R.E.M. (1987)

08. LET THE MUSIC PLAY – SHANNON (1984)

07. WHAT I AM – EDIE BRICKELL & NEW BOHEMIANS (1989)

06. INFATUATION – ROD STEWART (1984)

05. WANNA BE STARTIN’ SOMETHIN’ – MICHAEL JACKSON (1983)

04. HEART AND SOUL – T’PAU (1987; (real) one-hit wonder of the 80s)

03. LOVE SHACK – THE B-52’S (1989)

02. DANCING IN THE DARK – BRUCE SPRINGSTEEN (1984)

Throughout this series, I’ve been mentioned how many songs peaked at each position between 1979 and 1989.  It’s only fitting that songs which reached No. 1 would have the highest number of songs hitting the apex of the BILLBOARD Hot 100.  For this post, I am only counting the songs that reached No. 1 between January 1980 and December 1989, and for that 80s time period, 232 songs went all the way to No. 1.  Let’s get nerdy now (if you’re not already there), with some chart feats about No. 1 songs during the 80s and the BILLBOARD Hot 100:

  • FOUR (REAL) ONE-HIT WONDERS reached No. 1 during the 80s – Bobby McFerrin (“Don’t Worry, Be Happy”), the second-chance single, “When I’m With You” by Sheriff, Jan Hammer’s “Miami Vice Theme,” and Vangelis (“Chariots Of Fire (Titles)”), though the composer did reach the chart separately twice in the early 80s as part of the duo Jon & Vangelis, with Jon Anderson of Yes.

miami vice theme

  • MOST WEEKS SPENT AT NO. 1 IN THE 80s (27); MOST NO. 1 SONGS FROM ONE ALBUM (5); MOST NO. 1 SONGS IN THE 80s (9) – Michael Jackson.  The King Of Pop reached No. 1 in the 80s with “Rock With You” (1980; 4 weeks at No. 1), “Billie Jean” (1983; 7 weeks), “Beat It” (1983; 3 weeks), “Say Say Say,” with Paul McCartney (1983 / 1984; 6 weeks), “I Just Can’t Stop Loving You,” with Siedah Garrett (1987; 1 week), “Bad” (1987; 2 weeks), “The Way You Make Me Feel” (1988; 1 week), “Man In The Mirror” (1988; 2 weeks); “Dirty Diana” (1988; 1 week).beat it
  • MOST NO. 1 SONGS IN THE 80s (if you’re NOT Michael Jackson): Madonna (7), Phil Collins (7 solo hits), Whitney Houston (7), George Michael (6 solo hits, which includes “Careless Whisper”), Daryl Hall & John Oates (5), Lionel Richie (5).

crazy 4 U

  • NO. 1 WITH MOST WEEKS SPENT ON THE HOT 100 – 40 – “Red Red Wine” – UB40. It spent 25 weeks on the Hot 100, including a week at No. 1 in 1988, and had charted for 15 weeks in its first chart run in 1984.

red red wine

  • MOST CONFIGURATIONS AT NO. 1 – PAUL McCARTNEY, with Wings (“Coming Up (Live At Glasgow),” 1980), with Stevie Wonder (“Ebony And Ivory,” 1982), and with Michael Jackson (“Say Say Say,” 1983 / 1984).

coming up

  • NO. 1 WITH MOST WEEKS SPENT IN THE TOP 10 OF THE HOT 100 (15) – “Physical – OLIVIA NEWTON-JOHN (1981 / 1982), and “Eye Of The Tiger” – SURVIVOR (1982).  SUPER NERDY FUN FACT: the song which spent the most weeks in the Top 10 in the 80s didn’t even reach No. 1 – “Hurts So Good” by John Mellencamp spent 16 weeks in the Top 10, with four of those weeks in the runner-up spot.

survivor

  • MOST WEEKS SPENT AT NO. 1 IN THE 80s (10) – “Physical” by Olivia Newton-John (1981 / 1982).  While it’s more commonplace on the Hot 100 these days, the biggest song of the 1980s would be the only song to spend at least 10 weeks at No. 1 on the chart for next 10 years.  In 1992, Boyz II Men spent a then-record 13 weeks at No. 1 with “End Of The Road.”  Two No. 1 songs later, Whitney Houston would break that record with “I Will Always Love You,” which spent its 14th and final week on top in late February 1993.  The current record is 16 weeks at No. 1.

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In the most recent tabulation of the Greatest Of All Time Hot 100 songs for BILLBOARD’s legendary singles chart, many songs from the 80s were represented, and are currently ranked as follows:

08. “Physical” – OLIVIA NEWTON-JOHN (1981 / 1982; 10 weeks at No. 1)

15. “Bette Davis Eyes” – KIM CARNES (1981; 9 weeks)

16. “Endless Love” – DIANA ROSS & LIONEL RICHIE (1981; 9 weeks)

24. “Eye Of The Tiger” – SURVIVOR (1982; 6 weeks)

29. “Every Breath You Take” – THE POLICE (1983; 8 weeks)

31. “Flashdance…What A Feeling” – IRENE CARA (1983; 6 weeks)

40. “Another One Bites The Dust” – QUEEN (1980; 3 weeks)

41. “Say Say Say” – PAUL McCARTNEY & MICHAEL JACKSON (1983 / 1984; 6 weeks)

54. “Call Me” – BLONDIE (1980; 6 weeks)

57. “Lady” – KENNY ROGERS (1980; 6 weeks)

63. “Centerfold” – THE J. GEILS BAND (1982; 6 weeks)

64. “(Just Like) Starting Over” – JOHN LENNON (1980 / 1981; 5 weeks)

68. “I Love Rock ’N Roll” – JOAN JETT & THE BLACKHEARTS (1982; 7 weeks)

73. “Ebony And Ivory” – PAUL McCARTNEY & STEVIE WONDER (1982; 7 weeks)

75. “That’s What Friends Are For” – DIONNE & FRIENDS (1986; 4 weeks)

77. “Upside Down” – DIANA ROSS (1980; 4 weeks)

83. “Billie Jean” – MICHAEL JACKSON (1983; 7 weeks)

86. “Abracadabra” – THE STEVE MILLER BAND (1982; 2 weeks)

89. “Say You, Say Me” – LIONEL RICHIE (1985 / 1986; 4 weeks)

91. “All Night Long (All Night)” – LIONEL RICHIE (1983; 4 weeks)

95. “Waiting For A Girl Like You” – FOREIGNER (1981 / 1982; 10 weeks at No. 2; still tied for a record for spending the most weeks peaked at No. 2 on the Hot 100)

98. “Hurts So Good” – JOHN MELLENCAMP (1982; 4 weeks at No. 2)

So, for now, the 80s represent more than a fifth of the greatest hits to grace the BILLBOARD HOT 100.  Pretty damn cool.  I know it won’t always be like that, and I always wonder why some huge hits like Prince’s “When Doves Cry” (No. 1 for 1984) or Pink Floyd’s “Another Brick In The Wall” (No. 2 for 1980) aren’t up there, but songs these days tend to stay atop the Hot 100 (and the chart as a whole) a lot longer than they did back in the day, but honestly, I’m grateful for the songs that are still there. 

When I was preparing for this hefty blog post (prolly my second-longest, save for the Prince tribute post in April 2016), I was going through the list of No. 1 songs, and there are some songs I’ve already featured as a “song of the day” (Tears For Fears’ “Everybody Wants To Rule The World” comes to mind, and has often as of late), and there are many others I love. 

TFF

U2_des_7But, I concede that there are some real stinkers in there, too: Will To Power’s awful covers medley of “Baby, I Love Your Way” and “Freebird” (subtitled “Freebaby,” which is just heinous)?!  How in THE HELL did that get to go to No. 1 and “I Don’t Want Your Love” by Duran Duran stops at No. 4, and U2’s “Desire” stops at No. 3?!  For the love of all things holy!  And though I admit enjoying the movie MANNEQUIN, “Nothing’s Gonna Stop Us Now” by Starship?!  Are you kidding me?!  Even Grace Slick denounced that piece of shit.  While the go-to “worst song of the 80s” award is usually 1985’s “We Built This City,” I can tolerate that way more over “Nothing’s Gonna Stop Us Now.”  Yes, I’m THAT guy.

If I was going for my absolute favorite No. 1 song of the 80s, there’s no competition.  It’s “Don’t You (Forget About Me)” by Simple Minds.  It’s also my all-time favorite song.  But it’s a post I want to save for another time.  So, I thought it would be fun to bring in Hope, my writing hero, who, unlike yours truly, doesn’t obsess and write about nerdy chart facts or Top 40 hits, let alone ones that hit No. 1.  I thought it would be cool to have her choose the song for this post.

don't you

On August 11, 2017, Hope was kind enough to send me her list of her picks for No. 1 songs from the 80s, many of which have been already mentioned in this post!  One of those songs, and a song that is almost universally loved (like “Let’s Dance” by David Bowie, “Time After Time” by Cyndi Lauper, or the aforementioned Tears For Fears, Prince and Simple Minds gems) is “Abracadabra” by The Steve Miller Band.abracadabra7

Hope had included “Abracadabra” under the category of “Situational” No. 1 songs.  For Hope, “Abracadabra” was popular during the Summer after her high school graduation (“the glamorous Summer in The Hamptons!”), and she loves the line, “black panties with an angel’s face.”  Who wouldn’t love that line?!  It’s awesome (much like Hope herself)!

Milwaukee, Wisconsin native Steve Miller formed his Psychedelic Rock / Blues Rock band in San Francisco back in 1966.  Since his first two albums were released in 1968, through to his 1988 Jazz album, BORN 2 B BLUE, Steve Miller had been on Capitol Records, and he had some huge albums in the 70s. 

heart like a wheel

After 1981’s CIRCLE OF LOVE album (with the sweet Top 40 hit and criminally-forgotten gem, “Heart Like A Wheel”) failed to become his fourth consecutive platinum album here in America (though it was certified Gold), Steve was undeterred, got to work, and released the ABRACADABRA album in mid-June 1982.

abracadabra LP

Of the album, ROLLING STONE said, “The essence of good magic is deception, and with the release of this album, Steve Miller has earned the right to twirl his wand and shout, ‘Abracadabra!’”

Well, Steve thought so too, but Capitol wasn’t so sure.  The song inspired by Diana Ross (whom Steve met on a Pop music TV show in the 60s) told THE HOWARD STERN SHOW in 2016 that Capitol Records didn’t see a hit with the song “Abracadabra”:

“Capitol didn’t believe in [“Abracadabra”] and didn’t want to release it.  I had a different deal with Phonogram in Europe.  When it came out in Europe, I cancelled my American tour because it was Number One everywhere in the world, except the States.”  Once again, the record label got it wrong.

Well, after seeing the success of “Abracadabra” overseas, Capitol gave in and released it in the U.S., a month before the ABRACADABRA album was released.  “Abracadabra” debuted on the BILLBOARD Hot 100 in late May 1982 at No. 75, and took just four weeks to debut within the Top 40. 

The next few weeks were a steady climb, and by late July 1982, “Abracadabra” had become Steve Miller’s first Top 10 hit in five years, to the month.  With John Mellencamp’s “Hurts So Good” camped out at No. 2, and Survivor’s “Eye Of The Tiger” camped out at No. 1, “Abracadabra” was stuck at No. 3 for four weeks before it could work its magic on reaching No. 1. 

In early September 1982, after 15 weeks on the chart, “Abracadabra” finally hit No. 1 on the BILLBOARD Hot 100, giving Steve Miller his third No. 1 U.S. single overall, and his first No. 1 single since 1976’s “Rock’n Me” spent a week on top.  The No. 1 run of “Abracadabra” was just as quick as “Rock’n Me,” and his first No. 1 song, 1974’s “The Joker,” which also spent a lone week at No. 1.

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The Steve Miller Band, 1982.

The following week, Chicago’s “Hard To Say I’m Sorry” snuck into the No. 1 position when no one was looking and stayed there for two weeks.  “Abracadabra” dropped to No. 3 (behind previous No. 1, “Eye Of The Tiger”).  But, in a magical chart feat, “Abracadabra” moved back up to No. 2 the next week, and by the end of September, “Abracadabra” reclaimed the No. 1 spot for one more week, before John Mellencamp’s little ditty about “Jack And Diane” started its four-week run at No. 1.  “Abracadabra” stayed on the Hot 100 until mid-Novemer 1982, and left the chart after nearly half a year.  It finished the year at No. 9 here in America. 

Around the globe, “Abracadabra” worked its magic on the singles charts of many countries, reaching No. 1 in Switzerland (six weeks), Sweden (four weeks), Australia and Canada (two weeks), and Austria, No. 2 in the U.K., Germany and Ireland, No. 4 in Norway, No. 8 in New Zealand, and No. 26 in the Netherlands.

“Abracadabra” was the last song The Steve Miller Band placed inside of the Top 40 of the BILLBOARD Hot 100, though they charted several more times through 1993, including the brilliant but oddly-underrated “I Want To Make The World Turn Around” from 1986.

i want to make the world turn around

Steve Miller continues to tour today, and in 2016, he was inducted as a solo artist into the Rock And Roll Hall Of Fame, where he had some not so nice things to say about the whole thing, calling the Hall a “private boys’ club full of fucking gangsters and crooks,” and vowing to make it better. 

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The Steve Miller Band, 2015.

He suggested taking the Rock And Roll Hall Of Fame nominating committee, replace every one of them and start over.  I hope it works out, because Devo, from Akron, Ohio (less than an hour south of Cleveland, where the Hall is based), should have been inducted years ago, much like the incomparable Cyndi Lauper, who has taken on Blues, Standards, Folk, Dance and Country music in the past 15 years, not to mention writing a book, winning a Tony Award and co-founding the True Colors Fund, which works to end homelessness among LGBT youth, and even testified before Maine Senator Susan Collins in 2015 about this very subject. 

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This photo of Steve at the 2016 Rock And Roll Hall Of Fame induction ceremony speaks volumes, and not favorably for the Hall…

As for me and Hope and many others for “Abracadabra,” it’s one of those infectious songs that deserved to go to No. 1, and 35 years later, it still holds up.  At least the five-minute, eleven-second album version.  When the single was released, I bought it, but was instantly pissed it wasn’t the long version!  Sure, it’s only a minute and change difference, but if you hear the single version vs. the album version, you can tell the single version is a bit sped up, and the kick-ass instrumental that closes out the rest of the song isn’t there.  That’s even why I chose the video link below.  It’s not a link to the actual video, but to the album version.  You know, all these years later, I’m still impressed that sped up, edited single version got the song to No. 1.  Maybe that was magic too.

Speaking of magic, Hope inspired me recently to start training for a 5K using the Couch To 5K app (C25K); we’re both training for it, and finishing Week 5 of 8 this weekend!  Hope and I haven’t run a proper 5K in our adult lives, and the last time I ran the equivalent of a 5K was in high school during Cross Country, where I lettered my senior year.  Holy cats, that was 33 years ago! 

run ron run

Post-run workout, 9.7.2017! (With a kick-ass playlist by DJ HopeyT to keep me going!)

But, you know what?  Maybe it’s not magic after all that’s got us training for our first 5K ever – and in our early 50s!  Maybe you just need to believe.  Just like Steve Miller believed he had a hit with “Abracadabra,” even as his longtime record label disagreed – and he was right!  It’s one of THE BEST songs of the 80s and of all-time.  And I believe getting through this 5K (and other aspects of my life) will happen with belief over magic, though I have to say, when it happens, it will feel pretty damn magical and then some…

https://www.youtube.com/watch?v=dKCV8gzSlYw

abacadabra poster

song of the day – “Tarzan Boy” | BALTIMORA | 1986 / 1993.

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On June 15, 2014, Casey Kasem, host of the longtime countdown program, AMERICAN TOP 40, passed away at the age of 82.  From my first blog post (and prolly some more inbetween then and now), I explained how, in 1979, I was a geeky, lanky and somewhat lost 12-year-old living in Central Maine, had a few friends and not a lot of interest in much of anything, but at some point early that year, I discovered AMERICAN TOP 40, and was glued to it every weekend.  Not only could I hear the 40 biggest songs in the country every week, but also Casey’s cool trivia and facts about the songs and the artists, a trait I treasure to this day.  For me, the show was No. 1 with a bullet.  And still is (thanks to the re-airing of broadcasts of AT40 on iHeart Radio).american-top-40-casey-kasem

In honor of my radio hero, Casey Kasem, for the entire month of June (and now through July), I will be highlighting a song each day (some days will have two songs!) that peaked in the Top 40 of the BILLBOARD Hot 100 (including five (real) one-hit wonders of the 80s), and with every blog post, just like on AMERICAN TOP 40, the hits will get bigger with each post.  On June 1, 2017, I featured a song that peaked at No. 40.  Sometime here in July, I’ll feature a “song of the day” that went all the way to No. 1. 

As Casey used to say on AT40, “And on we go!”

You know, as unlucky as the stigma for being unlucky the number 13 has had as long as I’ve known it, the No. 13 position on the BILLBOARD Hot 100 is something altogether different, or, lucky.  No. 13 has been the home (or treasure trove, if you prefer) to many great classics, like “Money” by Pink Floyd, Queen’s “Somebody To Love,” “Because The Night” by the Patti Smith Group, “Different Drum” by The Stone Poneys featuring Linda Ronstadt, “Radar Love” by Golden Earring, “Takin’ It To The Streets” by The Doobie Brothers, Santana’s “Oye Como Va,” “Roundabout” by Yes, “Let’s Talk About Sex” by Salt-N-Pepa, “Walking In Memphis by Marc Cohn, “Danke Schoen” by Wayne Newton (featured prominently in the John Hughes classic, FERRIS BUELLER’S DAY OFF), “Here Comes My Baby” by The Tremeloes (which my pal Dave Wakeling and The English Beat will be covering on their upcoming album!), “The Sun Ain’t Gonna Shine (Anymore)” by The Walker Brothers (which was featured in the brilliant but barely-seen 2012 Steve Carell film, SEEKING A FRIEND FOR THE END OF THE WORLD), and one of the first singles I ever owned, “Theme From CLOSE ENCOUNTERS” by John Williams. 

close encounters

I still have my 45 of this, and it looks just as beat up.  After holding onto it for 40 years, I’m not parting with it anytime soon though…

Between 1979 and 1989, there were nearly 60 singles that reached lucky No. 13, and it was a popular number for Bob Seger, who had two hits stop there, as did Kenny Rogers, Elton John and Natalie Cole.  Van Halen had three songs reach No. 13 – “Right Where Ya Started,” and two from the album, 1984: “Panama” and the highly underrated “I’ll Wait.”  Speaking of Van Halen, in 1983, future / former Van Halen lead singer, Sammy Hagar, reached No. 13 with his first Top 40 hit (and biggest solo hit), “Your Love Is Driving Me Crazy.”

Some of my 80s favorites stopped at No. 13 too, like “Shadows Of The Night” by Pat Benatar, “All Over The World” by Electric Light Orchestra (from XANADU), “Back In The High Life Again” by Steve Winwood,” “One Night Love Affair” by Bryan Adams and “Don’t Come Around Here No More” by Tom Petty & The Heartbreakers.

shadows

No. 13 must have been a favorite of mine for blog posts as well, as I’ve featured seven of them – “Do They Know It’s Christmas?” by Band Aid, “People Are People” by Depeche Mode, “Waiting On A Friend” by The Rolling Stones, “Where The Streets Have No Name” by U2, plus two of the three (real) one-hit wonders of the 80s that reached No. 13 – M|A|R|R|S (“Pump Up The Volume”) and Frida (“I Know There’s Something Going On”), and one song released in 1989, but peaked at No. 13 in March 1990 – “No Myth” by Michael Penn.

Another song that reached No. 13 on the BILLBOARD Hot 100 in the 80s came out of Italy, by way of Northern Ireland.  In the late 70s, Jimmy McShane (of Derry, Northern Ireland) was attending a stage school in London, learning how to dance and sing, when he was hired as a stage dancer and backing singer for English singer and musician, Dee D. Jackson.  He toured around Europe with Dee D. and her band, and upon a visit to Italy, he fell in love with Italy’s underground dance scene, and the country itself, and ended up moving to Milan in 1984.

In Milan, he learned the Italian language, and in 1984, met up with Maurizio Bassi, who was a music producer and a musician.  Together, they decided to form the New Wave / Dance band, Baltimora, with Jimmy McShane as the singer and the face of the band.

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Baltimora’s Maurizio Bassi, left, and Jimmy McShane.

In early September 1985, they released their debut album, LIVING IN THE BACKGROUND, along with the first single from the album, “Tarzan Boy.”  The catchy song about being free and doing whatever you want in the jungle, without the hustle and bustle of living in the city, took about a month and a half to find its way to the BILLBOARD Hot 100, but did find it in mid-October 1985, when it debuted at No. 80.

living in the background

“Tarzan Boy” steadily moved up the chart at first, but lost its chart “bullet” (for sales and airplay) in its sixth chart week, and stalled at No. 62 for three weeks.  By early December 1985, “Tarzan Boy” had regained its bullet and started moving back up the Hot 100, reaching the Top 40 in mid-January 1986.

By March 1, 1986, “Tarzan Boy” had been on the chart for 20 weeks (longer than some No. 1 songs), and spent a week at No. 13.  “Tarzan Boy” spent half a year on the survey and finished the year at No. 73.

tarzan boy

Around the globe, “Tarzan Boy” was a massive hit, reaching No. 1 in Belgium, Finland, France, the Netherlands and Spain, and the Top 10 in the U.K., Austria, Canada, Germany, Ireland, Italy, Norway, South Africa, Sweden, Switzerland and the BILLBOARD Dance chart.

Despite the success of “Tarzan Boy,” Baltimora had a hard time duplicating that success for its other singles and second album, 1987’s SURVIVOR IN LOVE.  Following “Tarzan Boy,” the title track from their debut album, LIVING IN THE BACKGROUND, peaked at No. 87 on the Hot 100, and a few other singles reached the Top 40 singles chart in Italy, but nothing more.  Baltimora broke up after the record label (in this case, Manhattan) dropped them. 

cool mint

From the 1993 commercial for Cool Mint Listerine, which used “Tarzan Boy.”

Fast forward to 1993, and a new remix of “Tarzan Boy” was used in a Cool Mint Listerine commercial (with animation by future film giant, Pixar).  Well, it didn’t stop there.  “Tarzan Boy” was also featured that year in the film, TEENAGE MUTANT NINJA TURTLES III, and the combination of the two sent “Tarzan Boy” back onto the BILLBOARD Hot 100, re-entering the chart in late March 1993. 

“Tarzan Boy” climbed as high as No. 51 and spent 12 additional weeks on the Hot 100, and a total of 38 weeks combined.  With new hits by Duran Duran, R.E.M., Madonna, INXS, New Order and Boy George’s Pet Shop Boys-produced theme to THE CRYING GAME, the 80s were still sticking around in 1993.  But it was pretty cool to hear “Tarzan Boy” on the radio again.

tarzan boy 93

The cover art for the 1993 reissue of “Tarzan Boy.”

Sadly, the following year, Jimmy McShane, the face of Baltimora, was diagnosed with AIDS while in Milan in 1994.  A few months later, he returned to his hometown of Derry, Northern Ireland, the place where his family had shunned him many years before for being gay.  He died in Derry in late March 1995 at the young age of 37.  And, despite his family’s earlier stance towards Jimmy’s homosexuality, after his death, a family spokesperson said, “He faced his illness with courage and died with great dignity.”

The legacy of Jimmy and “Tarzan Boy” live on today, and the song continues to be covered by other artists and has appeared in films, like Seth MacFarlane’s 2014 film, A MILLION WAYS TO DIE IN THE WEST.  And, “Tarzan Boy” is still heard on the radio today, as it should, because, who wouldn’t want to dance around to a fun, catchy song about being free and roaming around the jungle, removed from that city life?

“Jungle life, I’m far away from nowhere / On my own like Tarzan Boy / Hide and seek, I play along while rushing ‘cross the forest / Monkey business on a sunny afternoon…”

https://www.youtube.com/watch?v=_r0n9Dv6XnY

baltimora

song of the day – “Lies” | THOMPSON TWINS | 1983.

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On June 15, 2014, Casey Kasem, host of the longtime countdown program, AMERICAN TOP 40, passed away at the age of 82.  From my first blog post (and prolly some more inbetween then and now), I explained how, in 1979, I was a geeky, lanky and somewhat lost 12-year-old living in Central Maine, had a few friends and not a lot of interest in much of anything, but at some point early that year, I discovered AMERICAN TOP 40, and was glued to it every weekend.  Not only could I hear the 40 biggest songs in the country every week, but also Casey’s cool trivia and facts about the songs and the artists, a trait I treasure to this day.  For me, the show was No. 1 with a bullet.  And still is (thanks to the re-airing of broadcasts of AT40 on iHeart Radio).american-top-40-casey-kasem

In honor of my radio hero, Casey Kasem, for the entire month of June, I will be highlighting a song each day (some days will have two songs!) that peaked in the Top 40 of the BILLBOARD Hot 100 (including five (real) one-hit wonders of the 80s), and with every blog post, just like on AMERICAN TOP 40, the hits will get bigger with each post.  On June 1, 2017, I featured a song that peaked at No. 40.  On June 30, I’ll feature a “song of the day” that went all the way to No. 1. 

As Casey used to say on AT40, “And on we go!”

I have to say, as a self-proclaimed singles chart nerd, researching for each blog post in this tribute to Casey Kasem has been pretty awesome.  Casey would often say, “As the numbers get smaller, the hits get bigger!”  That may also true with how many songs peak at each position.  For the songs that reached No. 30 between 1979 and 1989, there were over 40. 

What I found interesting (to me, anyway) is that, out of these 40+ songs that peaked at No. 30 on the BILLBOARD Hot 100, there were only two (real) one-hit wonders.  Also, I’ve already highlighted five No. 30 hits – (real) one-hit wonder Frankie Smith and “Double Dutch Bus,” “The One Thing” by INXS, “The Prisoner” by Howard Jones, Kate Bush’s “Running Up That Hill” and “Space Age Love Song” by A Flock Of Seagulls (one of my favorite blog pieces so far; from September 2016).

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Taken at the Seawall Picnic Area (part of Acadia National Park) on 9.12.2016, a photo I took of a lone seagull (no flocks), and included with my blog post that day for “Space Age Love Song,” a No. 30 hit on the BILLBOARD Hot 100 for A Flock Of Seagulls.

Another interesting quirk is that there are a lot of big-name artists who had No. 30 hits, but the hits themselves have been largely forgotten, including songs by The Bangles (“Be With You,” 1989), Tina Turner (“Two People,” 1987), Kool & The Gang (“Let’s Go Dancin’,” 1983), and two each by Daryl Hall & John Oates (“How Does It Feel To Be Back,” 1980, and “Possession Obsession,” 1985) and Toto (“Make Believe,” 1982, and “Stranger In Town,” 1984).

walk on by

Yet another interesting fact is how there were so many memorable hits from other decades that stopped at No. 30 (like Iron Butterfly’s classic “In-A-Gadda-Da-Vida,” Ted Nugent’s “Cat Scratch Fever,” the brilliant “Walk On By” by Isaac Hayes, “Come Monday” by Jimmy Buffet, “Lovely Day” by Bill Withers, “Our House” by Crosby, Stills, Nash & Young, “She Talks To Angels” by The Black Crowes, “Firestarter” by Prodigy, R.E.M.’s wonderful “Man On The Moon,” the amazing “Love Is The Drug” by Roxy Music, and one of THE BEST pieces of music for all time, “Give It To Me” by The J. Geils Band), and yet, with the songs that peaked at No. 30 in the 80s, for whatever reason, most of those songs have been forgotten.

give it to me

Thankfully, though, there were a handful of cool ones, too.  There’s the aforementioned ones I’ve already posted on the blog, but then there’s “Dance Little Sister” by Terence Trent D’Arby, “Love Will Find A Way” by Yes, The Human League’s “Mirror Man,” and “Lies,” the first big American hit by a New Wave / Synthpop trio who weren’t at all related – Sheffield, England’s Thompson Twins.

lies

The trio of Tom Bailey, Alannah Currie and Joe Leeway made up the Thompson Twins in 1982, a time when MTV was so popular, it was affecting what was bought in stores and what was played on the radio, and a time when New Wave was becoming more prominent in mainstream music.  1982 was also the start of the Second British Invasion on the U.S. singles chart, which lasted through 1986.  Thompson Twins were a big part of that. 

By 1982, Tom, Alannah and Joe already had one No. 1 song to their credit here in America – “In The Name Of Love,” which spent five weeks at No. 1 on BILLBOARD’s Dance chart in May and June 1982.

quick step

In October 1982, they released “Lies,” the first single from their upcoming third album, QUICK STEP AND SIDE KICK.  The band was still looking for their audience in their U.K. homeland, and it stopped at No. 67 on the U.K. singles chart there. 

“Lies” would find an audience here in America a few months later, and it debuted at No. 80 on the BILLBOARD Hot 100 in late January 1983, a couple of weeks after it spent two weeks at No. 1 on BILLBOARD’s Dance chart (with its B-side, “Beach Culture”).

As “Lies” made its climb up the Hot 100, the song’s parent album was released in February 1983, and with the Twins being signed to Arista Records, that meant, well, much like fellow Brits (The) Icicle Works in 1984, a name change for the album in the U.S. and Canada.  So, the name of the album was shortened to just SIDE KICKS.

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A month after the album’s release, “Lies” found its way to the Top 40.  By the end of March 1983, it reached No. 30, but got stuck there for three weeks, and was gone from the Top 40 after that.  It stayed on the Hot 100 for a respectable total of about four months.  “Lies” also reached No. 6 in New Zealand and the Top 30 in Australia and Canada.

Though the “Lies” follow-up single, “Love On Your Side” would fail to reach the Top 40 here in the U.S. (it stopped at No. 45 in early June 1983), Thompson Twins would finally find their U.K. audience, and that song was their first of five Top 10 hits, reaching No. 9.  QUICK STEP AND SIDE KICK was also certified Platinum there and reached No. 2 on the U.K. album chart.t twins logo

I loved Thompson Twins from the start.  I reserved any quick-stepping and side-kicking for at-home dancing, but I was a fan as soon as I heard “Lies.”  Not only was I hooked by the music, but I really enjoyed Tom Bailey’s style of singing.  Don’t know if there’s a particular name for it, I just enjoyed it.  All these years later, I would put his vocal style in the same high class as Howard Jones and Cy Curnin of The Fixx.  They also had one of the coolest band logos.

It was pretty cool seeing them on the TV performing with Madonna at Live Aid.  What I didn’t know was that it was the beginning of the end for the trio I knew and loved as Thompson Twins. 

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Madonna and Thompson Twins’ Tom Bailey, Live Aid, Philadelphia, July 13, 1985.

After Joe Leeway left the Twins in 1986, Tom Bailey and Alannah Currie kept the band and the name going until 1993, when they changed it to Babble, reflecting a change in musical direction from New Wave to “dub-influenced chill-out” (mixing Electronica, World Beat, Alt-Dance and Club styles).

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Babble’s second and final album, 1996’s ETHER.

As Babble, Tom Bailey and Alannah Currie (who were married at the time and living in New Zealand) released a couple of albums before calling it quits in 1996.  Alannah Currie retired from music, and they were divorced in 2003 (though they remain friends). 

Tom Bailey now lives in London with his second wife, he took part in the 2014 version of the Retro Futura Tour as “Thompson Twins’ Tom Bailey” and earlier this year on “The ‘80s Cruise,” an annual event of which I hope to attend at some point.  Under the moniker of “Thompson Twins’ Tom Bailey,” he released a single last year called “Come So Far,” and has another one scheduled for release this year.

tom bailey today

Tom Bailey today.

When I think of Thompson Twins, the first songs that come to mind are “Lay Your Hands On Me,” “Hold Me Now,” “If You Were Here” (from SIXTEEN CANDLES), “Sugar Daddy,” “In The Name Of Love” (both the 1982 and 1988 versions), their kick-ass cover of The Beatles’ “Revolution,” “Doctor! Doctor!” and “Love On Your Side,” but it was all “Lies” that made me fall in love with those three non-related kids back in 1982, who were, at one time, Twins…

https://www.youtube.com/watch?v=UVHwD58Ne3Y

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song of the day – “My Own Time (I’ll Do What I Want)” | ASIA | 1983.

I’m back!  I’ve been away from the bloggy thing here for awhile, and certainly much longer than anticipated, but with just days now before the last STUCK IN THE 80s show airing on WMPG community radio in Portland, Maine, finishing up a nearly 21-year-old radio show has been crazier than expected!  Lots more still to do, and all apologies for being away from the blog for awhile.  “Life happens!”

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On January 31, 2017, we lost John Wetton, a former member of King Crimson, Uriah Heep and more, and was the voice of the Rock “supergroup,” Asia.  He was a member of Asia until the day he died, at age 67.  I’ve been wanting to do this blog post for over a week, because John’s work with Asia really meant a lot to me back in 1982 and 1983. 

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The band’s self-titled monster debut album, ASIA, was the biggest album in the U.S. for all of 1982.  And I loved it from the start.  Sizzling and extraordinary guitar work from Steve Howe (of Yes), amazing keyboards and piano from Geoff Downes (of Yes and The Buggles), and spectacular drumming by Carl Palmer (of Emerson, Lake and Palmer) were all great compliments to John Wetton’s bass talents and strong, convincing vocals.

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Asia, 1982 (from left to right): Steve Howe, Carl Palmer, John Wetton and Geoff Downes.

John Wetton was also a principal songwriter for Asia, and with each song, you could hear the passion in his voice.  ASIA was one of my favorite albums of the 80s, and remains an all-time favorite.  Though their sophomore effort, 1983’s ALPHA, wasn’t well-received by critics and didn’t fare as well as its predecessor (though it was certified Platinum), I really enjoyed the album. 

alpha

Frequent writing collaborators John Wetton and Geoffrey Downes co-wrote all but one of the songs on the album, and one of my favorite cuts on ALPHA was the gem, “My Own Time (I’ll Do What I Want).”  Though the song is primarily about surviving romantic relationships that didn’t work out, I see a bit of my own life – my future broadcasting life – in the lyrics of this song (with no disrespect intended to my wonderful second home for more than 20 years, WMPG):

“Walking through the snow kicking my heels / Seems that sunlight never felt so good before / Bet you really don’t know how it feels / I don’t have to answer to anyone no more…Nothing to show, but nothing to lose / I’m on my own…Faith in myself / Gives me the strength to carry on / I’ll do what to anyway / I’ll do what I want and I’ll do it in / My Own Time…”

Original members John Wetton, Geoff Downes and Carl Palmer were the beating heart of Asia for many of the past 35 years.  Asia was supposed to perform on a bill with Journey for 12 dates this year, but about three weeks before he sadly died of colon cancer, John announced that due to receiving another round of chemotherapy, he would not be able to perform on those 12 dates. 

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John Wetton, 1983.

Asia released 14 studio albums through 2014, and though I kinda lost touch with their music after their third album, 1985’s ASTRA, I never forgot the joy I had from listening to those first two Asia albums, and still do.  John Wetton was a proud member of Asia right through to the end.  And John certainly did what he wanted and did it in his own time…

R.I.P. John, and many thanks.  You’ll be missed…

https://www.youtube.com/watch?v=h6ybnEGVnyM

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(real) one-hit wonder of the week – “Video Killed The Radio Star” | THE BUGGLES | 1979.

Between late 1979 and the end of 1989, there were nearly 500 (real) one-hit wonders of the 80s that reached the BILLBOARD Hot 100 just one time, a list that includes Soft Cell, Gary Numan, Timbuk 3, The Church, Bronski Beat, Nik Kershaw, The Waitresses, Ultravox and two different bands named The Silencers.  Once a week, I’ll highlight a (real) one-hit wonder for you.mtv

This is prolly the most-predictable blog post I’ve done so far, but I can’t help it.  For those who don’t already know, today (8.1.2016) is the 35th Anniversary of the launch of MTV (short for Music Television, when there was such a beautiful thing).

At midnight on August 1, 1981, MTV was born – a cable network (and there weren’t many of them back then) that specialized in playing short, 3-or-4-minute films set to music, or simply put, music videos.  Singers and bands had been making these short-form music videos for years, but hardly anyone ever got to see them…until MTV made its debut on cable TV boxes (almost) everywhere.

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MTV moon landing, August 1, 1981, 12:00 midnight.

The powers that be at MTV thought it might be a fun choice to launch the network with a song called “Video Killed The Radio Star” by a band called The Buggles, a song that was a minor hit in America two years earlier by a London band who would no longer exist by the end of 1981.  It was prolly a hard sell at the time (or not), and in retrospect, it was THE only choice to kick off MTV.

The Buggles were a New Wave band (in the early days of New Wave) and formed in London in 1977.  The band consisted of just two members – singer and bassist Trevor Horn and keyboardist Geoffrey Downes.  You prolly know those names from other acts, and I’ll come on to that in a bit. 

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The original 1977 version of “Video Killed The Radio Star.”

Trevor Horn and Geoff Downes would release their first single, “Video Killed The Radio Star,” in early September 1979.  The song was co-written by Trevor and Geoff, along with fellow New Waver Bruce Woolley in 1977, who first recorded that year as Bruce Woolley And The Camera Club (featuring the brilliant Thomas Dolby on keyboards). 

At the time, “Video Killed The Radio Star” was a stand-alone single (parent album THE AGE OF PLASTIC wouldn’t be released until January 1980), and its cute, synthpop creaminess helped it become a massive international hit. 

“Video Killed The Radio Star” reached No. 1 in (at least) the U.K., Austria and Sweden (1 week), Ireland and Switzerland (2 weeks), Spain (4 weeks), Australia (7 weeks), France (12 weeks), and in Italy, where it spent 14 weeks at No. 1 (or, literally the entire spring of 1980).  It also reached the Top 10 in Belgium, Canada, Germany, New Zealand and South Africa.

video killed the radio star

When MTV debuted with “Video Killed The Radio Star” as the first video to air on the network, I was (and remain) glad that it’s remembered for something more here in America than its disappointing chart performance on the BILLBOARD Hot 100.  The song spent a lone week in the Top 40 at No. 40 in mid-December 1979, and was gone from the chart after 10 weeks.  In a list put out by BILLBOARD in 2015, “Video Killed The Radio Star” tied with Marvin Gaye’s 1970 version of Gladys Knight’s “The End Of Our Road” as the “Biggest Hot 100 Hit” that peaked at No. 40.the age of plastic

In 1980, following the release of The Buggles’ debut album, THE AGE OF PLASTIC (with “Video Killed The Radio Star”), Trevor Horn and Geoff Downes joined another London band,Yes, and recorded the album, DRAMA, after Jon Anderson and Rick Wakeman had left the group.  Trevor Horn sang lead vocals and it was the only Yes album to feature him as lead vocalist.  But, despite a No. 2 chart peak for DRAMA in the U.K., the new Yes lineup was not well-received, and Yes disbanded by the end of 1980.

In early 1981, on the day The Buggles were supposed to start recording their second album, Geoff Downes quit the band to help form the “supergroup” Asia with guitarist Steve Howe (of Yes), John Wetton (bassist and vocalist bands like King Crimson, Roxy Music and Uriah Heep) and Carl Palmer (drummer for Emerson, Lake & Palmer).adventures in

Undeterred and still carrying on the Buggles name, Trevor Horn secured funds to record and release the second album, ADVENTURES IN MODERN RECORDING.  Despite Trevor’s efforts, the album was a huge disappointment, reaching No. 161 on the BILLBOARD album chart and not even charting in his U.K. homeland.

By the time of the second album’s release, you could find Trevor Horn producing THE LEXICON OF LOVE, the debut album for the Sheffield, England New Wave band, ABC.  What followed is an amazing career that continues today.  Not only did Trevor Horn rejoin Yes for their huge 1983 comeback album, 90125 (which he produced), he also teamed up with The Art Of Noise, writing memorable hits like “Close (To The Edit)” and “Moments In Love.”

close to the edit

From there, Trevor Horn was everywhere.  He produced Frankie Goes To Hollywood’s 2-album debut, WELCOME TO THE PLEASUREDOME, the 12” mix of Band Aid’s “Do They Know It’s Christmas?” (the biggest-selling U.K. single of the 80s), plus music for Grace Jones, Pet Shop Boys, Simple Minds, Paul McCartney, Rod Stewart, and most-recently, Billy Idol’s 2014 album, KINGS & QUEENS OF THE UNDERGROUND and Seal’s 2015 album, 7 (Trevor Horn has actually produced six of Seal’s 9 albums, starting with Seal’s 1991 self-titled debut).

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Seal’s 2015 release, 7, produced by Trevor Horn.

Geoff Downes has released 13 albums with Asia since their monster 1982 debut to their 2014 album, GRAVITAS.  He also rejoined Yes (along with Trevor Horn) for the 2011 album, FLY FROM HERE.

There have been impromptu Buggles reunions here and there over the years, and in a statement I thought I would never, ever see, according to the BBC, Trevor Horn and Geoff Downes reunited in the studio earlier this year “for more Buggles activity.”  I look forward to that.

In 2013, Heather Phares of allmusic.com said “[Video Killed The Radio Star] can be looked on as a perfectly preserved new wave gem [and] still sounds as immediate as it did when it was released, however, and that may be the song’s greatest irony.”

mtv classicSpeaking of irony, today (8.1.2016) also marks the demise of the wonderful VH1 Classic (famous for playing great 80s videos) and the debut of MTV Classic, highlighting (mostly non-music) programming from the 90s and beyond.  Sure, the new network was scheduled to rebroadcast the first hour of MTV from August 1, 1981, but don’t count on MTV Classic to bring you many more music videos.  While they will have I WANT MY 80s, 120 MINUTES and some old BEHIND THE MUSIC episodes, I’m betting they’ll be concentrating more on re-airing shows like THE REAL WORLD, TOTAL REQUEST LIVE and MTV CRIBS, shows I could really give two shits about.

MTV may be turning 35 today, but it’s hardly cause for celebration, as the once-great network for actual music television has, ironically enough, killed the video star (although to be fair, you can see pretty much every video known to man and woman somewhere on the interwebs).

MTV opinions and peak chart positions aside, I always liked “Video Killed The Radio Star.”  It is a quirky, fun song that, for awhile, I kinda thought was some sort of cool extension of ABBA.  Over the years, it’s been covered by the likes of The Presidents Of The United States Of America (for the 1998 Adam Sandler film, THE WEDDING SINGER), Pomplamoose, Pentatonix, Erasure, Ben Folds Five and even Alvin & The Chipmunks. 

I’m glad the song has endured for nearly 40 years now.  In fact, I’m betting it will outlast MTV.  Maybe Trevor Horn and Geoff Downes are working on a follow-up titled, “Video Killed The Radio Star, and MTV too.”  Guess we’ll have to wait to find out later for sure and just continue loving that original New Wave treasure…

https://www.youtube.com/watch?v=Iwuy4hHO3YQ

the buggles