song of the day – “Dancing In The Dark” | BRUCE SPRINGSTEEN | 1984.

casey-kasem-at40-abc-billboard-650

On June 15, 2014, Casey Kasem, host of the longtime countdown program, AMERICAN TOP 40, passed away at the age of 82.  From my first blog post (and prolly some more inbetween then and now), I explained how, in 1979, I was a geeky, lanky and somewhat lost 12-year-old living in Central Maine, had a few friends and not a lot of interest in much of anything, but at some point early that year, I discovered AMERICAN TOP 40, and was glued to it every weekend.  Not only could I hear the 40 biggest songs in the country every week, but also Casey’s cool trivia and facts about the songs and the artists, a trait I treasure to this day.  For me, the show was No. 1 with a bullet.  And still is (thanks to the re-airing of broadcasts of AT40 on iHeart Radio).american-top-40-casey-kasem

In honor of my radio hero, Casey Kasem, since the start of June, I have been highlighting songs that peaked in the Top 40 of the BILLBOARD Hot 100 (including five (real) one-hit wonders of the 80s), just like on AMERICAN TOP 40, the hits have gotten bigger with each post.  On June 1, 2017, I featured a song that peaked at No. 40.  With the next post, I’ll feature a “song of the day” that went all the way to No. 1. 

As Casey used to say on AT40, “And on we go!”

If you listened to AMERICAN TOP 40 as faithfully as I did back in the 80s, before Nos. 2 and 1 were announced, he’d usually take a commercial break before announcing them, and would usually say, “The two biggies are coming right up!”  “The two biggies.”  Always cracked me up and still does.

But, when it came to AMERICAN TOP 40, “the two biggies” were, in fact, a big deal.  There a few positions on the chart that are the most frustrating, like Nos. 101, 41 and 11, but no other peak position on the BILLBOARD Hot 100 (or any singles chart, for that matter) was more frustrating to stop at than No. 2.

Foreigner endured the No. 2 position the longest in the 80s, spending 10 weeks in the runner-up spot in 1981 and 1982 with “Waiting For A Girl Like You,” a chart record Foreigner still shares to this day.  And I believe Madonna, who has six No. 2 songs to her credit (four of them in the 80s), still holds the chart record for most No. 2 singles in Hot 100 history.

waiting for a girl like you

All told, nearly 100 songs reached No. 2 between 1979 and 1989, including songs by three Beatles (Paul McCartney, John Lennon, and George Harrison, whose 1981 No. 2 hit, “All Those Years Ago,” was a tribute to John Lennon), two Jacksons (Michael and Janet), and a couple of (real) one-hit wonders, including the Cold War Classic by Nena, “99 Luftballons.”

99 luftballons

danger zoneSome of the biggest songs in history that maybe you thought were No. 1 hits in America were actually No. 2 hits, such as “Girls Just Want To Have Fun” by Cyndi Lauper, “Easy Lover” by Philip Bailey and Phil Collins, “We Got The Beat” by The Go-Go’s, “Electric Avenue” by Eddy Grant, “Danger Zone” by Kenny Loggins, “Hurts So Good” by John Mellencamp, “Start Me Up” by The Rolling Stones and “Purple Rain” by Prince And The Revolution.

Several artists peaked at No. 2 between 1979 and 1989 with two songs, including The Bangles, Culture Club (with their first two hits), Air Supply, Duran Duran, Glenn Frey, Kool & The Gang, John Mellencamp, Billy Ocean (including the guilty pleasure, “Loverboy,” which a DJ back in the day once referred to as “Heavy Metal Disco”; I would disagree), plus Robert Palmer, Pointer Sisters, Linda Ronstadt (in two big duets with James Ingram and Aaron Neville), Tina Turner and Jody Watley. 

loverboy

Michael Jackson gets an honorable mention, as he peaked at No. 2 with “The Girl Is Mine” with Paul McCartney, and he is featured in an uncredited role backing up Rockwell on “Somebody’s Watching Me.”  Likewise with Sheena Easton, who backed up Prince uncredited on “U Got The Look” and had her own No. 2 hit in 1989 with the sexy Dance hit, “The Lover In Me” (a long way from when she took that “Morning Train” to No. 1 in 1981; I’m sure Prince may have had something to do with it).

the lover in me

Speaking of Prince, he had three No. 2 hits between 1979 and 1989, or in this case, 1984 through 1987, with the aforementioned “Purple Rain” and “U Got The Look,” but also with “Raspberry Beret.”  He, too, gets an honorable mention, as he composed the No. 2 hit for The Bangles, “Manic Monday.”

lovesong

And a number longtime recording artists saw their biggest hits stop at No. 2, like The Cure (“Lovesong”), Journey (“Open Arms”), The Greg Kihn Band (“Jeopardy”), and Bruce Springsteen’s “Dancing In The Dark.”

If there was any one huge artist in the 80s I wanted to see reach No. 1 on the BILLBOARD Hot 100 singles chart, it was Bruce Springsteen.  I was first introduced to Bruce’s music with 1980’s “Hungry Heart,” from his first No. 1 album, THE RIVER.  At the time, I had no idea he had already released four critically-acclaimed and successful albums.

hungry heart

After “Hungry Heart,” I was a Bruce fan for life – granted, not the superfan that Hope is, but I don’t think anyone loves Bruce’s work more than Hope, except maybe for Bruce’s wife, Patti Scialfa.

“Dancing In The Dark” was released in early May 1984, a month before the BORN IN THE U.S.A. album was released.  And, right out of the gate, it was a hit.  “Dancing In The Dark” blasted onto the BILLBOARD Hot 100 the last week of May 1984 all the way into the Top 40, at No. 36.  By the next week, it was already No. 18, with its eyes set on No. 1.

dancing in the dark

Bruce had hit No. 1 before – as a songwriter.  A song from his 1973 debut album, GREETINGS FROM ASBURY PARK, N.J. – “Blinded By The Light” – was recorded by the London Rock band, Manfred Mann’s Earth Band, in 1977, and spent a week at No. 1 on the Hot 100 in February 1977, exactly four years to the month when Bruce’s original was released as a single.

bruce blinded

“Dancing In The Dark” had a lot going for it – a popular video directed by Brian de Palma (SCARFACE, THE UNTOUCHABLES, CARRIE, DRESSED TO KILL and the first MISSION: IMPOSSIBLE film) with actress Courtney Cox (FAMILY TIES, FRIENDS) dancing with Bruce on the stage (the video would win the MTV Video Music Award for Best Stage Performance). 

courtney n bruce

It also had a 12” Dance remix courtesy of Arthur Baker (who’s remixed songs for Daryl Hall & John Oates, Afrika Bambaataa, Cyndi Lauper, Pet Shop Boys and New Order).  The “Blaster Mix” was miles away from anything on 1982’s NEBRASKA or 1980’s THE RIVER, but people loved it.  Not only did it reach No. 7 on BILLBOARD’s Dance chart, it was the biggest-selling 12” single for all of 1984.  Arthur Baker would also go on to remix the follow-up Bruce singles “Cover Me” and “Born In The U.S.A.” as well.

blaster mix

As much as “Dancing In The Dark” had going for it in its second week on the Hot 100, another single debuting on the same chart that early June was “When Doves Cry” by Prince, released in advance of the album and film, PURPLE RAIN.  “When Doves Cry” reached the Top 40 a week later, and just like “Dancing In The Dark,” made a big move into the Top 20 the following week.

By late June 1984, “Dancing In The Dark” had climbed to No. 4, while “When Doves Cry” was closing in at No. 8.  The following week, “When Doves Cry” had jumped to No. 3, and “Dancing In The Dark” was at No. 2, right behind Duran Duran’s “The Reflex.”

“When Doves Cry” proved to be too powerful for “Dancing In The Dark,” which stayed for four weeks in the runner-up position.  “When Doves Cry” was the biggest song of 1984 here in America.

when doves cry back

Though “Dancing In The Dark” didn’t reach No. 1, Bruce Springsteen still had a lot to be proud of.  The song gave Bruce his first Grammy Award, winning for Best Rock Vocal Performance.  In the 1984 ROLLING STONE readers poll, “Dancing In The Dark” was voted “Single Of The Year.”  It’s also listed as one of The Rock And Roll Hall Of Fame’s 500 Songs That Shaped Rock And Roll.”  It sold a million copies in the U.S. alone, and the single’s B-side (one of the best ever), “Pink Cadillac,” was a Top 5 hit for Natalie Cole in 1988.

pink cadillac

Around the globe, “Dancing In The Dark” was an international smash (though in some countries it took awhile), reaching No. 1 in Belgium and the Netherlands, No. 2 in Ireland, New Zealand and Sweden, No. 4 in South Africa and the U.K., No. 7 in Canada and Norway, No. 11 in Finland and No. 12 in Italy.  In Australia, though it stopped at No. 5, it was the No. 1 song of the year, spending 40 weeks on the singles chart there.

“Dancing In The Dark” was just the first part of an amazing journey for Bruce Springsteen and the BORN IN THE U.S.A. album.  Seven out of the album’s 12 songs were released as singles, and all seven reached the Top 10 on the Hot 100 between 1984 and 1986, tying a record set in 1984 by Michael Jackson’s THRILLER album. 

born in the usa LP

BRUCE_SPRINGSTEEN_BORN+IN+THE+USA+-+LONG+BOX-219449b

The first compact disc manufactured in the U.S.A. was BORN IN THE U.S.A.

BORN IN THE U.S.A. was No. 1 on BILLBOARD’s album chart twice, in July / August 1984 and January / February 1985.  PURPLE RAIN may have been the album of the year here in the U.S. for 1984 (BORN IN THE U.S.A. was No. 28), but for 1985, BORN IN THE U.S.A. was the No. 1 album of the year in America (and even No. 16 for 1986).

NERDY FUN FACT: BORN IN THE U.S.A. was the first compact disc manufactured in the U.S. for commercial release.  I remember seeing it at a DeOrsey’s in Waterville, Maine, and think it sold for something like $25.00.  And the record album still sounds better.

NERDY FUN FACT 2: According to a 1984 ROLLING STONE interview, the “Dancing In The Dark” Blaster Mix by Arthur Baker happened because Bruce had heard the remix Arthur did for Cyndi Lauper’s “Girls Just Want To Have Fun,” and he thought it was incredible: “It sounded like fun, so I hooked up with Arthur.  He’s a character, a great guy.  He had another fellow with him, and they were really pretty wild.  They’d get on that mixing board and just crank them knobs, you know?  The meters were goin’ wild.”

cyndi girls

Bruce Springsteen is one of those rare artists who have been on the same record label from the start – Columbia.  Two other Columbia artists instantly come to mind – Barbra Streisand and Bob Dylan.  There won’t be anyone else like them.  Ever. 

bob n bruce

Bob Dylan and Bruce Springsteen (along with many other familiar faces) at the “We Are The World” recording session, 1985.

If you pull away the catchy dance beat, “Dancing In The Dark” is a personal song about the difficulty of writing a hit song and Bruce’s frustration of trying to write songs that will please everyone.  Though I’m thinking Bruce would have liked to have another of his more personal songs become his biggest hit, I would almost bet my record collection he’s alright with that hit being “Dancing In The Dark.”

e st band

Bruce Springsteen with The E Street Band, 1984.

“You can’t start a fire / You can’t start a fire without a spark / This gun’s for hire / Even if we’re just dancing in the dark…”

https://www.youtube.com/watch?v=129kuDCQtHs

bruce 84

song of the day – “Love Shack” | THE B-52’s | 1989.

casey-kasem-at40-abc-billboard-650

On June 15, 2014, Casey Kasem, host of the longtime countdown program, AMERICAN TOP 40, passed away at the age of 82.  From my first blog post (and prolly some more inbetween then and now), I explained how, in 1979, I was a geeky, lanky and somewhat lost 12-year-old living in Central Maine, had a few friends and not a lot of interest in much of anything, but at some point early that year, I discovered AMERICAN TOP 40, and was glued to it every weekend.  Not only could I hear the 40 biggest songs in the country every week, but also Casey’s cool trivia and facts about the songs and the artists, a trait I treasure to this day.  For me, the show was No. 1 with a bullet.  And still is (thanks to the re-airing of broadcasts of AT40 on iHeart Radio).american-top-40-casey-kasem

In honor of my radio hero, Casey Kasem, for the entire month of June (and now through July), I will be highlighting a song each day (some days will have two songs!) that peaked in the Top 40 of the BILLBOARD Hot 100 (including five (real) one-hit wonders of the 80s), and with every blog post, just like on AMERICAN TOP 40, the hits will get bigger with each post.  On June 1, 2017, I featured a song that peaked at No. 40.  Sometime here in July, I’ll feature a “song of the day” that went all the way to No. 1. 

As Casey used to say on AT40, “And on we go!”

Casey Kasem used to also say, “As the numbers get smaller, the hits get bigger.”  And so does the number of songs that reached these “smaller” positions.  Between 1979 and 1989, more than 110 songs peaked at No. 3, and many artists stayed there more than once, including Bobby Brown, El DeBarge (solo and with DeBarge), Duran Duran, Genesis, The Jets, Billy Joel, Cyndi Lauper, Huey Lewis & The News, Richard Marx, Olivia Newton-John, The Pointer Sisters, The Police (Sting also had a No. 3 solo hit), Kenny Rogers, Barbra Streisand, Styx, Wham! and Donna Summer.  Chicago reached the No. 3 positions four times between 1979 and 1989.

hungry like the wolf

1988 was a popular year for No. 3 hits, when 17 songs reached that position, including songs by Taylor Dayne, Samantha Fox, Debbie Gibson, the “comeback” hit for Hall & Oates (“Everything Your Heart Desires”), Breathe, Anita Baker, Information Society, INXS, U2 and (real) one-hit wonder Patrick Swayze (from DIRTY DANCING). 

new sensation

No. 3 hits also included the first solo by David Lee Roth (his cover of The Beach Boys’ “California Girls”), as well as the first Van Halen hit without him, “Why Can’t This Be Love.”  There were also big No. 3 hits for Simple Minds, Belinda Carlisle, The Cars, Neneh Cherry, Charlie Daniels Band, Chris de Burgh, Earth, Wind & Fire, Corey Hart, Don Henley, Chaka Khan, Love & Rockets, Men At Work, Men Without Hats, Nu Shooz, Stevie Nicks with Tom Petty & The Heartbreakers, The S.O.S. Band, The Stray Cats, Tears For Fears, Thompson Twins, Madonna and the last Top 40 hit for the late, great Marvin Gaye (“Sexual Healing”).

sexual healing

Love was a constant theme among the No. 3 hits, and was featured in the title of 15 songs, and implied in many others.  One of the 15 hits with the “Love” connection (sorry, couldn’t be helped) was one of two No. 3 hits in a row for The B-52’s – “Love Shack.”

One of the 80s’ biggest success stories – some would say one of the biggest comebacks – belonged to Athens, GA’s New Wave / Alt-Rock / Alt-Dance legends, The B-52’s.  By 1989, The B-52’s had already released four albums and two EPs, and had reached the BILLBOARD Hot 100 three times – “Rock Lobster” (No. 56, 1980), “Private Idaho” (No. 74, 1980) and “Legal Tender” (No. 81, 1983). 

rock lobster

The B-52’s started recorded their fourth album – BOUNCING OFF THE SATELLITES – in July 1985.  At that time, the band was comprised of vocalist Fred Schneider, vocalist and keyboardist Kate Pierson, vocalist and percussionist Cindy Wilson, lead guitarist Ricky Wilson (Cindy’s brother), and drummer / rhythm guitarist and keyboardist Keith Strickland.  This had been the lineup since the band’s formation in 1976.

b-52's with ricky

During the recording of BOUNCING OFF THE SATELLITES, it was discovered that Ricky Wilson was suffering from AIDS.  None of the rest of The B-52’s (except for Keith Strickland) had known about it.  In an interview, Kate Pierson had said that Ricky Wilson kept his illness a secret from the rest of the band because he “did not want anyone to worry about him or fuss about him.” 

On October 12, 1985, while still in the recording process of BOUNCING OFF THE SATELLITES, Ricky Wilson died of AIDS at the heartbreakingly young age of 32 years old.

Ricky Wilson, Guitarist for the B-52s

After Ricky’s death, drummer Keith Strickland learned how to play guitar in Ricky’s own style and switched from drummer to lead guitarist.  The band hired session musicians to help out as well, including the album’s producer, Tony Mansfield (who had also worked with Naked Eyes, Captain Sensible, a-ha and After The Fire).

bouncing

Devastated beyond belief at the loss of Ricky Wilson, The B-52’s released BOUNCING OFF THE SATELLITES on September 8, 1986, with no fanfare and no tour, though they did make a music video for my favorite song on the album, “Girl From Ipanema Goes To Greenland.”

girl from ipanema

Cindy Wilson went into a deep depression following her brother’s death, Keith Strickland spent some time at Woodstock, NY, while Fred Schneider and Kate Pierson remained in New York City.  They all felt at that moment The B-52’s couldn’t continue without Ricky Wilson.

But, in time, Keith Strickland began composing songs again, and after playing some of the new music he had worked on to the rest of the band, they agreed to try and start writing together again.  The result was COSMIC THING, the biggest album the band would ever have.

cosmic thing

COSMIC THING’s production was smartly split up between Don Was (of Was (Not Was) fame) and Nile Rodgers.  It worked and then some, and the album’s first single, “Channel Z,” was not well-received anywhere except College and Modern Rock radio, who embraced it right away.  “Channel Z” would spend three weeks at No. 1 on BILLBOARD’s Modern Rock chart in August 1989.

channel z

“Channel Z” was also the B-side of the album’s second single, “Love Shack,” which was released a week in advance of COSMIC THING in late June 1989.  It took a month and a half to reach BILLBOARD’s Hot 100 chart and become the band’s fourth single to reach the chart. 

“Love Shack” debuted on the Hot 100 in early September 1989 at No. 84.  Within three weeks, “Love Shack” had already surpassed the peak of every B-52’s single which had reached the chart.  By the end of September 1989, it was the first Top 40 hit the band had in its U.S. homeland.

love shack

In early November 1989, The B-52’s landed their first Top 10 hit, with “Love Shack.”  That was also the week I saw them perform for the first time, when they came to the University of Maine at Orono and almost literally brought the roof of the venue down with their show.  They were amazing.  I would see them again on the COSMIC THING tour in 1990 at The Ballpark in Old Orchard Beach, Maine.

“Love Shack” would go on to spend a couple of weeks at No. 3 in November 1989, and just before Xmas 1989, it was certified Gold.  Follow-up single “Roam” debuted on the last Hot 100 of 1989, when “Love Shack” was still in the Top 30.  And, in late January 1990, “Roam” debuted within the Top 40 the last week “Love Shack” spent in the Top 40.  (“Roam” would also reach No. 3 and was certified Gold as well.)

roam

A total of 27 weeks was spent on the Hot 100 for “Love Shack,” one week more than half a year.  It was that lengthy time on the chart which saw it finish on the year-end BILLBOARD charts two years in a row.  Pretty impressive.  It also reached (with “Channel Z”) No. 7 on BILLBOARD’s Dance chart, spent four weeks at No. 1 on BILLBOARD’s Modern Rock chart, and received two MTV Video Music Awards, for Best Group Video and Best Art Direction.

b's 1989NERDY FUN FACT: “Love Shack” was produced by Don Was, and the inspiration for the song was this cabin around Athens, GA, which had a tin roof, and where the band conceived their first hit, “Rock Lobster.”  Kate Pierson even lived in the cabin back in the 70s (it burned down in 2004).  Prolly the most famous line in the song, where Cindy Wilson exclaims, “Tin roof…rusted,” was actually an outtake that was added to the song later on.

Around the globe, lots of love was felt for “Love Shack,” and it spent eight weeks at No. 1 in Australia, four weeks at No. 1 in New Zealand, a week at No. 1 in Ireland, plus it reached No. 2 in the U.K., and the Top 20 in Belgium and the Netherlands.

In a 2002 interview with ROLLING STONE (which named “Love Shack” as the Best Single of 1989), Fred Schneider spoke of the album’s success: “We thought it would be good, but we didn’t know how good.  We don’t really set out saying, ‘Oh, this is going to be commercial,’ or ‘This is going to be this or that.’  We just wanted good songs, and we thought the songs were really good.  We were pretty shocked, because we didn’t expect it to go that big.  The success of it brings problems because it’s really hard to do tours.  I’m not one to want to go tour at all, but to do eighteen months is like torture.  You just get offers that are really good and you’re going to New Zealand and Australia and all over Europe, and it’s pretty exciting.  It all went way beyond what you’d think.”

flintstones

After COSMIC THING, The B-52’s continued to record and chart for a few more years, including a fun cover of the TV theme song, “(Meet) The Flintstones” (from the 1994 FLINTSTONES movie starring John Goodman).  It snuck onto the Top 40 for one week in early June 1994.

Apart from recording (as The BC-52’s) for Fred, Wilma, Barney and Betty (and a couple of popular compilations), the band took a lengthy hiatus, and in March 2008, released FUNPLEX, their first album in nearly 16 years.  It was worth the wait. 

funplex

In October 2011, they released a CD and a DVD of a live concert from earlier that year, WITH THE WILD CROWD! LIVE IN ATHENS, GA.  To borrow from a line out of FERRIS BUELLER’S DAY OFF, “It is so choice.  If you have the means, I highly recommend picking one up.”  Seriously, it’s that good.  One of the best live performances I’ve ever seen on the small screen, from one of the bands with two of the best live performances I’ve seen in person.

with the wild crowd

Though the band hasn’t released a solo album since 2008’s FUNPLEX, The B-52’s continue to tour and perform 50-60 shows a year (minus Keith Strickland, who is still with the band, but who stopped performing live with them in 2012).  Sadly, I missed them this Summer, when they came to Hampton Beach, New Hampshire (where I saw Billy Idol in 2014), and when they performed with the Boston Pops.  That must have been incredible!  Prolly the only Pops show where you can’t control people from dancing on their seats, in the aisles and everywhere!

b's n pops

I gotta be honest, after years of playing it at wedding receptions, “Love Shack” is not my favorite B-52’s song.  But, if you were in a jam and tried to get people out onto the dance floor, that was THE go-to song, and people loved it, and loved dancing to it.  Though it’s not my favorite from the band, I do love the song to death, and I’m so glad it finally got The B-52’s the recognition they deserved after so many years of struggling despite putting out great music, and with the terrible loss they suffered when they lost Ricky Wilson. 

Both COSMIC THING and “Love Shack” are a testament to Ricky’s memory, and I’m so proud to call The B-52’s one of my all-time favorite bands, even if it took me awhile to get there.  They are a heluva lot of fun to listen to and dance to, play on the radio and see perform live, which I hope to do again sometime soon…

“Hop in my Chrysler, it’s as big as a whale and it’s about to set sail / I got me a car, like, it seats about 20 / So come on and bring your jukebox money…  The Love Shack is a little old place where we can get together / Love Shack, ba-by….”

https://www.youtube.com/watch?v=9SOryJvTAGs

b's 1989 v2

song of the day – “Wanna Be Startin’ Somethin’” | MICHAEL JACKSON | 1983.

casey-kasem-at40-abc-billboard-650

On June 15, 2014, Casey Kasem, host of the longtime countdown program, AMERICAN TOP 40, passed away at the age of 82.  From my first blog post (and prolly some more inbetween then and now), I explained how, in 1979, I was a geeky, lanky and somewhat lost 12-year-old living in Central Maine, had a few friends and not a lot of interest in much of anything, but at some point early that year, I discovered AMERICAN TOP 40, and was glued to it every weekend.  Not only could I hear the 40 biggest songs in the country every week, but also Casey’s cool trivia and facts about the songs and the artists, a trait I treasure to this day.  For me, the show was No. 1 with a bullet.  And still is (thanks to the re-airing of broadcasts of AT40 on iHeart Radio).american-top-40-casey-kasem

In honor of my radio hero, Casey Kasem, for the entire month of June (and now through July), I will be highlighting a song each day (some days will have two songs!) that peaked in the Top 40 of the BILLBOARD Hot 100 (including five (real) one-hit wonders of the 80s), and with every blog post, just like on AMERICAN TOP 40, the hits will get bigger with each post.  On June 1, 2017, I featured a song that peaked at No. 40.  Sometime here in July, I’ll feature a “song of the day” that went all the way to No. 1. 

As Casey used to say on AT40, “And on we go!”

Well, we’re finally into the Top 5!  Normally it would have taken Casey Kasem three-and-a-half hours to reach this point, but he had a script, a chart already set up courtesy of BILLBOARD magazine, and he didn’t have to write everything out.  Not that I mind.  While it’s taken me quite a bit longer than I had hoped, I have really been enjoying this series, and hope you have too.

The songs that peaked at No. 5 between 1979 and 1989 are, so far, in a class all by themselves.  More than 100 songs reached that position, including some memorable cover songs, like “Respect Yourself” by Bruce Willis (originally by The Staple Sisters), “Cum On Feel The Noise” by Quiet Riot (Slade), “Once Bitten, Twice Shy” by Great White (Ian Hunter) and “Pink Cadillac” by Natalie Cole (Bruce Springsteen, who also had three No. 5 hits of his own).

hungry heart

One of three singles to reach No. 5 on the BILLBOARD Hot 100 for Bruce Springsteen between 1979 and 1989.

Many artists had more than one No. 5 hit, including Pat Benatar, Gloria Estefan (with and without the Miami Sound Machine), Exposé, Lou Gramm (with and without Foreigner), Daryl Hall (solo and two with John Oates), Janet Jackson (solo and with Herb Alpert), Madonna, Sade, Willie Nelson (solo and a duet with Julio Iglesias), George Michael (solo and as a guest vocalist for (real) one-hit wonder, Deon Estus), Olivia Newton-John, Eddie Rabbitt, Rolling Stones, Bob Seger and Rod Stewart.  Australia’s Air Supply had four No. 5 hits.

angel

One of two singles to reach No. 5 on the BILLBOARD Hot 100 for Madonna between 1979 and 1989.

The late, great John Lennon and his son, Julian Lennon, both hit No. 5 within a two-year period of each other, and some of my favorite 80s songs peaked at No. 5, like Thomas Dolby’s “She Blinded Me With Science,” “When Smokey Sings” by ABC, “In Your Room” by The Bangles, The Dazz Band’s “Let It Whip,” “What You Need” by INXS, “Stand Back” by Stevie Nicks, “Sister Christian” by Night Ranger, “I’m Coming Out” by Diana Ross, “(She’s) Sexy + 17” by The Stray Cats, “On The Radio” by Donna Summer, “Master Blaster (Jammin’)” by Stevie Wonder, and “All Through The Night” by Cyndi Lauper, which set a BILLBOARD Hot 100 record for Cyndi as she was the first female recording artist who would reach the Top 5 with four chart hits from a debut album.  And she wouldn’t be the last.

she's so unusual

Another of my favorite No. 5 hits belongs to the man who was not only the biggest recording artist of the 1980s, the entire year of 1983 belonged to him.  Of course, I’m talking about the late, great Michael Jackson.  The THRILLER album spent a massive 37 weeks at No. 1 on BILLBOARD’s album chart.  THRILLER was so big, in fact, that it was the No. 1 album in America for two consecutive years.

By now, everyone and their mother (and grandmother) knows all about the Quincy Jones-produced THRILLER album and the success it has had.  It’s still the biggest-selling, non-compilation album of all time.

thriller

The first song on the THRILLER album was the fourth (of seven) singles released from the album – “Wanna Be Startin’ Somethin’.”  What a heluva way to start off an album!  From the opening drum beats, you just knew Michael Jackson had something special with this album.

“Wanna Be Startin’ Somethin’” (a song about strangers – i.e. the press – spreading rumors to start arguments for no apparent reason), was released in early May 1983 and didn’t waste any time debuting on the BILLBOARD Hot 100.  It debuted on the chart at No. 41, three weeks after its release, and with “Billie Jean” still on the chart (at No. 42) and “Beat It” at No. 3. 

The following week, “Wanna Be Startin’ Somethin’” roared to No. 22, looking like a third No. 1 hit in a row from THRILLER (the album’s first single, “The Girl Is Mine,” with Paul McCartney, peaked at No. 2).  After a few slow chart weeks, it reached the Top 10 by early July 1983, and a couple weeks later, spent a quick two weeks at No. 5.  THRILLER’s fifth single, “Human Nature,” had already reached the Top 40 while “Wanna Be Startin’ Somethin’” was still in the Top 10.  It was one of five singles from THRILLER to finish the year in the Top 100 here in the U.S. in 1983.

wanna be startin' somethin'

Around the globe, “Wanna Be Startin’ Somethin’” spent two weeks at No. 1 in the Netherlands, and reached No. 3 in Belgium, No. 5 in Ireland, No. 8 in the U.K., No. 11 in Canada, No. 14 in Spain and No. 16 in Germany.

“LET’S ALL GO TO COURT, LET’S GO MAKE SOME LAW NOW” FACT:  As talented as Michael Jackson was, he had a bad habit of “borrowing” other people’s music for his own songs – without their consent.  At the “We Are The World” recording in 1985, he confessed to Daryl Hall that he used the beat of “I Can’t Go For That” for the beat in “Billie Jean.”  Daryl Hall didn’t seem to mind, but for “Wanna Be Startin’ Somethin’,” that catchy vocal bit near the end, you know the one – “Mama-say mama-sah ma-ma-coo-sah” – was actually taken directly from a 1972 Disco song by Manu Dibango called “Soul Makossa” (Manu Dibango is a saxophonist from Cameroon, and Makossa is a type of music and dance in that country), and the bit was used without permission. 

soul makossa

For years, there was no lawsuit about this, but when current Pop star, Rihanna, used the bit in one of her songs from 2007, both she and Michael Jackson were sued.  In early 2009, just months before Michael Jackson died, Michael had admitted he “borrowed” the line, and he ended up settling out of court.  Apparently, when Rihanna asked Michael Jackson to see if she could use the line in her song, that’s when the fit hit the shan, and once again, Manu Dibango was not contacted by Michael Jackson prior to the song’s use, hence the lawsuit.MJ 1958-2009

It’s hard to believe Michael’s been gone nine years already.  He was 50 at the time of his death, the age I’m at right now (don’t worry – I’m not leaving anytime soon), and I’m convinced that Michael had a big comeback in the works when his life was cut short on June 25, 2009.  While I have my own theory about what really happened with his death, I would much rather choose to celebrate his music, in this case “Wanna Be Startin’ Somethin’,” which is six minutes of pure Post-Disco joy and dance floor gold.  Honestly, who do you know that WOULDN’T get out on the dance floor and dance to this as soon as they heard it?!

“Lift your head up high / And scream out to the world / I know I am someone / And let the truth unfurl / No one can hurt you now / Because you know it’s true / Yes, I believe in me / So you believe in you…

https://www.youtube.com/watch?v=8KWf_-ofYgI

MJ 83

  

song of the day – “Infatuation” | ROD STEWART | 1984.

casey-kasem-at40-abc-billboard-650

On June 15, 2014, Casey Kasem, host of the longtime countdown program, AMERICAN TOP 40, passed away at the age of 82.  From my first blog post (and prolly some more inbetween then and now), I explained how, in 1979, I was a geeky, lanky and somewhat lost 12-year-old living in Central Maine, had a few friends and not a lot of interest in much of anything, but at some point early that year, I discovered AMERICAN TOP 40, and was glued to it every weekend.  Not only could I hear the 40 biggest songs in the country every week, but also Casey’s cool trivia and facts about the songs and the artists, a trait I treasure to this day.  For me, the show was No. 1 with a bullet.  And still is (thanks to the re-airing of broadcasts of AT40 on iHeart Radio).american-top-40-casey-kasem

In honor of my radio hero, Casey Kasem, for the entire month of June (and now through July), I will be highlighting a song each day (some days will have two songs!) that peaked in the Top 40 of the BILLBOARD Hot 100 (including five (real) one-hit wonders of the 80s), and with every blog post, just like on AMERICAN TOP 40, the hits will get bigger with each post.  On June 1, 2017, I featured a song that peaked at No. 40.  Sometime here in July, I’ll feature a “song of the day” that went all the way to No. 1. 

As Casey used to say on AT40, “And on we go!”

About 70 songs peaked at No. 6 between 1979 and 1989, and out of these songs I found many favorites, like “Lay Your Hands On Me” by Thompson Twins, “The Logical Song” by Supertramp, “Don’t Let It End” by Styx (a great song you almost never hear anymore), “Breakout” by Swing Out Sister, “Late In The Evening” by Paul Simon, the gorgeous “Piano In The Dark” by Brenda Russell featuring Joe Esposito, “Your Love” by The Outfield, “Neutron Dance” by The Pointer Sisters (from BEVERLY HILLS COP), “Come Dancing” by The Kinks, “Him” by Rupert Holmes (love those story songs), “Steppin’ Out” by Joe Jackson, “Family Man” by Daryl Hall & John Oates, “Fast Car” by Tracy Chapman, “Funkytown” by Pseudo Echo, “Word Up” by Cameo, “Obsession” by Animotion, “Boogie Wonderland” by Earth, Wind & Fire with The Emotions (from CADDYSHACK), “Some Like It Hot” and “Election Day” by Duran Duran spinoffs The Power Station and Arcadia, respectively, and “I Drove All Night” by the incomparable Cyndi Lauper.  I’ll come back to Cyndi in a moment.

i drove all night

The No. 6 position was also a favorite for Huey Lewis & The News, who placed four songs at No. 6, and three of those were consecutive No. 6 hits from their monster 1983 album, SPORTS – “I Want A New Drug,” “The Heart Of Rock & Roll” and “If This Is It.” 

i want a new drug

Bryan Adams, Dr. Hook, Little River Band and John Mellencamp each had two No. 6 hits, plus there were two fantastic ballads by Bruce Springsteen from BORN IN THE U.S.A. (“I’m On Fire” and “My Hometown”), and two songs by Rod Stewart – “Love Touch” and one of my all-time favorite songs by the London native, “Infatuation.”

i'm on fire

On Friday, July 14, 2017, my oldest friend, Peter, and I had the absolute privilege of seeing Cyndi Lauper and Rod Stewart perform in Bangor, Maine.  Cyndi opened up for him, and was, of course, phenomenal, as I knew she would be.  If my math is correct, it was her first time performing in Maine since her 1986-1987 TRUE COLORS tour, and was definitely long overdue and yet so worth the wait. 

Cyndi 7.14.17

Cyndi Lauper on the big hi-def screen, stunning as evah.

I was more than pleased to see the Maine crowd welcome back Cyndi, and the crowd went nuts when Maine Senator Susan Collins came out to the stage.  In 2015, Senator Collins – a longtime Maine Republican Senator – chaired a bipartisan committee to look into the serious issue of homeless youth.  Cyndi testified before Senator Collins and the Transportation, Housing and Urban Development Appropriations subcommittee, to seek legislative funding programs for homeless teens.  (For years, Cyndi’s wonderful True Colors Fund, has existed to help combat homeless LGBT youth, “creating a world in which all young people can be their true selves.”  Please go to TrueColorsFund.org for more info and find out how you can help.)

true-colors-fund

Cyndi was about to go into another song when one of her crew members came out and whispered that Senator Collins was backstage.  I think I heard Cyndi say, “Bring her out!”  And once the Senator came out to greet Cyndi, Cyndi told the audience, “This woman is a hero.  And she’s my hero.  And she’s a Republican.  She’s helped us so much with the LGBT homeless youth and all the homeless kids.”  And then Senator Collins got the hug I wanted, dammit!  It’s all good.  I may not agree with all of the political views of Senator Collins, but it was a really nice moment.  After the show, Cyndi even tweeted a selfie of Senator Collins, Rod Stewart and herself. 

cyndi rod n susan 7.14.17

What a great selfie: Maine Senator Susan Collins, Rod Stewart and Cyndi Lauper.

Speaking of Sir Rod Stewart, holy cats!  I don’t know why exactly I had never seen Rod perform live before, but I’m so glad I got to see him this time.  The guy is 72, and still had the moves, the looks, an incredible band, lovely ladies who could sing, dance and play instruments, and he sure knew how to work the crowd.  And he could kick the shit out of a soccer ball (er, football for everyone outside of the U.S.) (he gave away signed soccer balls by kicking them out to the crowd; one went over Pete and I, and about five people scrambled to get it, though they forgot a barrier was there.  Oopsie!).

Rod Stewart 7.14.17

What almost looks like a huge painting is actually a very elated Rod Stewart, wowing the crowd in Bangor, Maine.

The first song he sang surprised me, but it was so great to hear – “Infatuation.”  Between 1979 and 1989, Rod Stewart reached the Top 10 seven times, including his No. 1 hit, “Da Ya Think I’m Sexy?”, which incidentally was the first 45 I ever bought with my own money back in 1979, and the last song he played in Bangor. 

The upbeat Rock / Dance hit featuring the incredible Jeff Beck on guitar (he also appears in the music video), “Infatuation” was released in advance of Rod Stewart’s 13th studio album, CAMOUFLAGE.  It debuted on the BILLBOARD Hot 100 in late May 1984 way up at No. 47, and would have been the highest-debuting song of the week, but Bruce Springsteen’s “Dancing In The Dark” had other plans, and debuted within the Top 40.

camouflage

The following week, “Infatuation” jumped into the Top 40, and from there made a slow but steady climb up the chart, reaching the Top 10 in late July 1984, and spent the next two weeks at its peak position of No. 6.  “Infatuation” departed from the Hot 100 by late September 1984 and finished the year at No. 58.

There was even a bit of infatuation for “Infatuation” across the globe, and it was a Top 20 hit in Canada, Ireland, Sweden and Switzerland, and a Top 30 hit in the U.K. and Germany.  It also reached No. 5 on BILLBOARD’s Mainstream Rock chart and No. 19 on BILLBOARD’s Dance chart, his last of five songs to date to reach that chart.

infatuation

Rod continued to chart well on the BILLBOARD Hot 100 into the the first half of the 1990s, and his last Top 10 hit was also his last No. 1 single to date – “All For Love” (from the 1993 film, THE THREE MUSKETEERS), with Sting and Bryan Adams.  It was No. 1 for three weeks in early 1994.

bryan rod sting

Bryan Adams, Rod Stewart and Sting, teaming up for one of the biggest hits of 1994. And now I’ve seen all three perform live!

Over on the album charts since then, especially with his GREAT AMERICAN SONGBOOK series since Y2K, Rod Stewart has seen a ton of success all over the world.  In Bangor, he also played a lovely track from his most-recent album, 2015’s ANOTHER COUNTRY, called “Love Is.”  The album went Platinum in his U.K. homeland and reached No. 2 there.

another country

Though I don’t know why it took me decades to finally see Rod Stewart perform, I’m so glad I did.  I was honestly there to see Cyndi perform, but I had always a fan of Rod’s music, so I thought it’d be great to see him too.  Little did I know just how impressed I would be with his performance and then some. 

Rod and Cyndi also did a wonderful duet together – “This Old Heart Of Mine,” a 1966 song originally by The Isley Brothers that he covered in 1975, and which reached No. 83 on the BILLBOARD Hot 100.  In 1989, he covered the song again with Ronald Isley, and it became a Top 10 hit, surpassing the original.  Rod’s duet with Cyndi was one – of many – highlights of the night.

Rod n Cyndi 7.14.17

Rod Stewart and Cyndi Lauper, singing “This Old Heart Of Mine.”

“Infatuation” isn’t regarded as one of those Rod Stewart songs most folks immediately associate with him, but I sure do, and I’m so glad he dug it out for what turned out to be an incredibly memorable show…

https://www.youtube.com/watch?v=nH_xiZZheg4

rod 84

song of the day – “What’s Going On” | CYNDI LAUPER | 1987.

casey-kasem-at40-abc-billboard-650

On June 15, 2014, Casey Kasem, host of the longtime countdown program, AMERICAN TOP 40, passed away at the age of 82.  From my first blog post (and prolly some more inbetween then and now), I explained how, in 1979, I was a geeky, lanky and somewhat lost 12-year-old living in Central Maine, had a few friends and not a lot of interest in much of anything, but at some point early that year, I discovered AMERICAN TOP 40, and was glued to it every weekend.  Not only could I hear the 40 biggest songs in the country every week, but also Casey’s cool trivia and facts about the songs and the artists, a trait I treasure to this day.  For me, the show was No. 1 with a bullet.  And still is (thanks to the re-airing of broadcasts of AT40 on iHeart Radio).american-top-40-casey-kasem

In honor of my radio hero, Casey Kasem, for the entire month of June (and now through July), I will be highlighting a song each day (some days will have two songs!) that peaked in the Top 40 of the BILLBOARD Hot 100 (including five (real) one-hit wonders of the 80s), and with every blog post, just like on AMERICAN TOP 40, the hits will get bigger with each post.  On June 1, 2017, I featured a song that peaked at No. 40.  Sometime here in July, I’ll feature a “song of the day” that went all the way to No. 1. 

As Casey used to say on AT40, “And on we go!”

rod n cyndi

On Friday, July 14, 2017, I will be seeing my favorite recording artist, the incomparable Cyndi Lauper, perform here in Maine, and it’ll be my fourth time seeing her perform (for the time I got to interview her and meet her in July 2002,  I didn’t actually get to see her perform due to a transportation snafu, which would have been the first time I would have seen Cyndi perform).  She will be performing on the same bill as Rod Stewart, who, to my knowledge (the brain’s a bit fuzzy on this) is someone I have not seen perform live before.  I can’t wait.

true colors world tourAnd, if my fuzzy brain is again correct, I believe this is the first time Cyndi has performed in the Pine Tree State since her TRUE COLORS world tour brought her to the Cumberland County Civic Center in Portland, Maine in December 1986 (sadly, I was sick and couldn’t go; I would have been there in a heartbeat).  I tried to get Cyndi to come back earlier than now (I mentioned it to her in my 2002 interview with her), but she’s been busy and then some.  Still, it’ll be wonderful to see her perform again, and it’ll be my third time since 2013.  My goal is to see her every year she’s performing from here on out.

Since Cyndi will be opening for Rod Stewart on this short tour, I’m betting her gorgeous cover of Marvin Gaye’s “What’s Going On” (from the TRUE COLORS album) won’t be on the setlist.  But a hopelessly devoted Cyndi Lauper fan can hope, right?

“What’s Going On” was one of nearly 70 songs that reached No. 12 on the BILLBOARD Hot 100 between 1979 and 1989, and covers were a theme, apparently, for the No. 12 position.  There were also No. 12 covers by Daryl Hall & John Oates (“You’ve Lost That Lovin’ Feelin’”), The Fat Boys & The Beach Boys (“Wipeout”), Carole King (“One Fine Day,” a song she actually wrote, but was a hit three times before her version charted), Van Halen (“Oh Pretty Woman”), The Nylons (“Kiss Him Goodbye”), David Lee Roth (“Just A Gigolo / I Ain’t Got Nobody”), Anne Murray (“Daydream Believer”), plus one parody (“Eat It” by “Weird Al” Yankovic, parodying Michael Jackson’s “Beat It”), and two medleys (though not covers) by The Beach Boys and The Beatles (I think you can thank Stars On 45’s 1981 No. 1 hit, “Medley” – which WERE covers – for that).

marvin what's going on

Released as the third single from Cyndi’s wonderful 1986 album, TRUE COLORS, “What’s Going On” was a cover of the No. 2 Marvin Gaye hit from 1971, written during the heart of the Vietnam War.  Its personal and poignant lyrics (which could have been written today) resonated with the people of a generation, and it’s been hailed as one of the greatest songs of all-time.  In 1995, the Rock And Roll Hall Of Fame included it in its list of the 500 Songs That Shaped Rock, and in 2010, ROLLING STONE ranked it at No. 4 on its list of the 500 Greatest Songs Of All Time.

Cyndi’s spirited version of “What’s Going On” entered the BILLBOARD Hot 100 in mid-March 1987 as the “Hot Shot Debut” of that week, coming in at No. 63.  The second single released from TRUE COLORS, the No. 3 hit “Change Of Heart” (with The Bangles on backing vocals), was just ahead of it at No. 58.

true colors

“What’s Going On” blasted into the Top 40 the following week, winning the airplay award for that week.  It won the sales award on the Hot 100 two weeks later, and looked like another Top 10 hit for Cyndi.  But, for whatever reason, the sales and the airplay slowed, and “What’s Going On” spent a week at its peak position of No. 12 in early May 1987, and was gone from the Hot 100 by mid-June.

what's going on title

video

From the “What’s Going On” video.

Around the globe, “What’s Going On” also reached the Top 40 in Canada, the Netherlands and New Zealand, and two excellent dance remixes by Shep Pettibone helped land the 12” single of “What’s Going On” at No. 17 on BILLBOARD’s Dance chart.  The energetic and passionate video for “What’s Going On” was also nominated for an MTV Video Music Award for Best Cinematography In A Video.

Cyndi’s done a ton of incredible covers during her career, covering many genres, starting with her stint in Blue Angel to covers on SHE’S SO UNUSUAL to last year’s extraordinary Country covers album, DETOUR, and her songs, especially 1984’s “Time After Time,” have been covered many, many times.  But her cover of “What’s Going On” has always stood out to me, despite what it did or did not do on the Pop charts.      

Today, when I listen to Cyndi’s version of “What’s Going On,” I see the same thing Marvin Gaye saw when he co-wrote the song all those years ago – war, police brutality, injustice, and an aching lack of peace.  All of that shit is still happening today, but now includes events such as attacks on night clubs and concerts, attacking and killing people who just want to be free, and free to have a good time and be who they are.  What’s going on?! 

I wouldn’t even want to research how many people have been shot by police in the last several years (that didn’t need to be) and the cops got away with it.  Prince hit upon this in his brilliant 2015 song, “Baltimore,” talking about the deaths of Michael Brown and Freddie Gray (“If there ain’t no justice, then there ain’t no peace!”).  (All six officers involved in the Freddie Gray death – including one Sergeant and one Lieutenant – were acquitted and all charges dropped.)  What’s going on?!

prince-

The cover art for the 2015 benefit concert Prince put on in Baltimore.

I try to maintain a sense of it all, but most times I can’t.  We have the elected “leader” in Washington, D.C., trying to get answers out of Russia over the 2016 election and trying to have North Korea not launch any nuclear missiles, which is all fine and good (I don’t want a World War III), except for the fact that more than half of the country didn’t vote for this man, and who don’t believe in him.  #MyFakePresident would rather ban beloved Maine author Stephen King from tweeting to him than to be presidential.  What’s going on?!

Well, for now, when I can, I take comfort in things that make me happy and help me forget (albeit temporarily) that there’s all this other unnecessary bullshit going on in the world, like going to the ocean, seeing a movie, spending time with awesome people (you know who you are), and seeing a concert, which I will do when I see the lovely Cyndi Lauper (and Rod Stewart) on Friday, July 14, 2017 here in Maine.  I’d take you all there if I could.

You have to do everything in your power to do the things that make you happy and make you feel at peace – not just with everything in the world, but mostly with yourself – as much as you possibly can, to forget everything else going on, at the very least for a little while. 

And, if for some reason, you don’t think you can get to that point (or at least try to) where you do things – even little things that don’t cost much money or time – that make you happy or make you feel at peace, what’s going on?

peace love understanding 80s

Peace, Love, Understanding, 80s.  Works for me!  How about you?

“You see, war is not the answer / For only love can conquer hate / You know we’ve got to find a way / To bring some lovin’ here today…”

https://www.youtube.com/watch?v=BdXklYUJCxI

what's going on

song of the day – “Let Me Tickle Your Fancy” | JERMAINE JACKSON featuring DEVO | 1982.

casey-kasem-at40-abc-billboard-650

On June 15, 2014, Casey Kasem, host of the longtime countdown program, AMERICAN TOP 40, passed away at the age of 82.  From my first blog post (and prolly some more inbetween then and now), I explained how, in 1979, I was a geeky, lanky and somewhat lost 12-year-old living in Central Maine, had a few friends and not a lot of interest in much of anything, but at some point early that year, I discovered AMERICAN TOP 40, and was glued to it every weekend.  Not only could I hear the 40 biggest songs in the country every week, but also Casey’s cool trivia and facts about the songs and the artists, a trait I treasure to this day.  For me, the show was No. 1 with a bullet.  And still is (thanks to the re-airing of broadcasts of AT40 on iHeart Radio).american-top-40-casey-kasem

In honor of my radio hero, Casey Kasem, for the entire month of June (and now through July), I will be highlighting a song each day (some days will have two songs!) that peaked in the Top 40 of the BILLBOARD Hot 100 (including five (real) one-hit wonders of the 80s), and with every blog post, just like on AMERICAN TOP 40, the hits will get bigger with each post.  On June 1, 2017, I featured a song that peaked at No. 40.  Sometime here in July, I’ll feature a “song of the day” that went all the way to No. 1. 

As Casey used to say on AT40, “And on we go!”

I may have mentioned this before in this series, but I have to say it’s been totally fun revisiting songs that peaked at each position of the Top 40 of the BILLBOARD Hot 100 from 1979 through 1989, and interesting how, as the chart peaks get higher (or the numbers get lower, take your pick), the number of songs that peaked at each position gets higher as well (or interesting to me, anyway).

More than 50 songs peaked at No. 18 between 1979 and 1989, and strangely, only 1/5 of those were by women (a ratio that will increase I’m sure as I continue the series), included three (real) one-hit wonders of the 80s, and two songs from Daryl Hall & John Oates (although, I think maybe Hall & Oates peaked at every position in the Top 40; prolly not, but sure seems like it!).

human touch

Boy, did I really want my hair to look like that in 1983!  I couldn’t pull it off, but that didn’t stop me from bringing in my copy of LIVING IN OZ to the hair stylist and saying, “Can you make my hair look like this?”  In my youth…

Out of the 50+ choices for this blog post, it was a close contest between “Walking On A Thin Line,” the fifth and final single from the monster album, SPORTS, by Huey Lewis & The News (a song about the post-war stress for vets coming home from the Vietnam War), “Sidewalk Talk” by Jellybean (written by Madonna, who sings backing vocals) and Rick Springfield’s “Human Touch” (THE most-requested Rick Springfield song on my former radio show, STUCK IN THE 80s, even more-requested than “Jessie’s Girl”)…

…but when I saw Jermaine Jackson’s “Let Me Tickle Your Fancy” on the list, the contest was over.

When you think of Jermaine Jackson 80s solo hits, what songs come to mind first?  “Let’s Get Serious” (written by Stevie Wonder)?  “Dynamite?”  “Tell Me I’m Not Dreaming” (with his brother, Michael Jackson)?  I’m betting all of the above.  I’m also betting “Let Me Tickle Your Fancy” was not on most people’s radar, then or now. 

tickle LP

“Let Me Tickle Your Fantasy” was the title track of Jermaine Jackson’s 1982 album, his final album for Motown Records.  Jermaine had stayed on with Motown after his other brothers left the label in the 70s, moved over to Epic and renamed themselves The Jacksons (Jermaine would rejoin them on The Jacksons’ 1984 album and tour, VICTORY).

The most unusual and fun fact about the song “Let Me Tickle Your Fancy” is that Devo sings backing vocals on it.  It’s one of the coolest one-time collaborations out there.  Devo had come off of their big 1980 hit, “Whip It,” released NEW TRADITIONALISTS in 1981 and were about to release OH NO! IT’S DEVO in November 1982. 

oh no it's devo

Believe it or not, Jermaine Jackson actually sought Devo out for this collaboration.  In a 1984 interview, Jermaine mentioned how he was getting into what he called “Modern Music” (i.e. New Wave), and loved the creativity Devo had in their videos.  When Jermaine called them up to see if they’d sing on “Let Me Tickle Your Fancy,” they didn’t think he was serious.  But that’s what Jermaine wanted: “When it’s just off the wall like that, if it’s great, it’s gonna make it the biggest thing ever.”

They both came from Midwestern cities (Jermaine from Gary, Indiana, Devo from Akron, Ohio), and the collaboration – though not the biggest thing ever, paid off, and more curiously, they actually sounded great and natural together.

tickle 12

The LET ME TICKLE YOUR FANCY album was released in early July 1982, and it did not take long for the “Let Me Tickle Your Fancy” single to reach the BILLBOARD Hot 100, debuting at No. 75 only a couple weeks later.  “Let Me Tickle Your Fancy” landed in the Top 40 about a month later, on its way to a No. 18 peak for two weeks in September / October 1982.  It also reached No. 5 on BILLBOARD’s R&B chart.

I’m unsure as to why, but an entire year after “Let Me Tickle Your Fancy” left the Hot 100, Jermaine (joined by “Spud and Pud Devo” – Mark Mothersbaugh and Gerald Casale) appeared on a Dick Clark-produced Halloween special called A MAGICAL, MUSICAL HALLOWEEN.  Other musical guests included Billy Joel, Toni Basil, Eddie Money and William Shatner.  Still, the performance is interesting to watch (the sound isn’t great and it’s kinda dark, but the video link is at the end of the post).

magical halloween

I love it when recording artists unite for just one song, whether it turns out to be a killer hit or just a fun thing to do.  The KLF and Tammy Wynette teamed up back in 1991 for “Justified & Ancient” (a song whose origins date back to 1987).  Madonna and Prince teamed up for “Love Song” (on her 1989 LIKE A PRAYER album), and of course there’s the brilliant “Under Pressure” by Queen and David Bowie, to name a few. 

under pressure

Two other No. 18 hits in the 80s had great one-time collaborations as well – “Sisters Are Doin’ It For Themselves” by Eurythmics & Aretha Franklin, and (real) one-hit wonder Clarence Clemons, who got some help from Jackson Browne on “You’re A Friend Of Mine.”

For most who remember the song, the quirky pairing of Jermaine Jackson and Devo is what folks remember the most about “Let Me Tickle Your Fancy.”  And while it prolly didn’t get any woman to tickle Jermaine’s fancy, I will forever remember it for being a really fun, albeit mostly-forgotten song…

https://www.youtube.com/watch?v=Y0ImnOLzVBc

jermaine full

song of the day – “Our Lips Are Sealed” | THE GO-GO’s | 1981 / 1982.

casey-kasem-at40-abc-billboard-650

On June 15, 2014, Casey Kasem, host of the longtime countdown program, AMERICAN TOP 40, passed away at the age of 82.  From my first blog post (and prolly some more inbetween then and now), I explained how, in 1979, I was a geeky, lanky and somewhat lost 12-year-old living in Central Maine, had a few friends and not a lot of interest in much of anything, but at some point early that year, I discovered AMERICAN TOP 40, and was glued to it every weekend.  Not only could I hear the 40 biggest songs in the country every week, but also Casey’s cool trivia and facts about the songs and the artists, a trait I treasure to this day.  For me, the show was No. 1 with a bullet.  And still is (thanks to the re-airing of broadcasts of AT40 on iHeart Radio).american-top-40-casey-kasem

You know, time is a funny thing, not just for hit singles, but for life too.  For the month of June 2017, in honor of my radio hero, Casey Kasem, I’ve been highlighting songs that peaked in the Top 40 of the BILLBOARD Hot 100 (including some (real) one-hit wonders of the 80s), and with every blog post, just like on AMERICAN TOP 40, the hits have been getting bigger with each post.  On June 1, 2017, I featured a song that peaked at No. 40. 

My goal was to feature a “song of the day” on June 30 (today) that went all the way to No. 1.  Well, life happens.  I wanted to do 40 posts in 30 days, but during the last half of the month, it got crazy busy for yours truly, visiting with dear friends I hadn’t seen in awhile, including a kick-ass concert in Boston with Tears For Fears and Daryl Hall & John Oates, guesting on a couple of radio shows, plus work stuff, family stuff, home stuff, and more of each…

Anyhoo, long story longer, I promised a countdown and a proper tribute to Casey Kasem on the bloggy thing here, and I humbly apologize for the delay, but I’m going to proudly honor my tribute to Casey, and keep going through July until we count down all the way to No. 1! 

So, as Casey used to say on AT40, “And on we go!”

In Los Angeles in 1978, four young female Punk Rock upstarts from the area – including vocalist Belinda Carlisle and guitarist and vocalist Jane Wiedlin – got together and formed a band called The Go-Go’s. 

The Go-Go’s played on the same bills as bands like revered L.A. Punk bands Fear and X and others.  Later in 1978, vocalist and lead guitarist Charlotte Caffey joined the band, and in the Summer of 1979, Gina Schock signed on as the drummer. 

By the time they recorded a five-song demo in late 1979, The Go-Go’s went from a Punk Rock sound to a more Power Pop sound.  In 1980, they got a huge break by touring with Madness in Los Angeles and in England, spending half the year on tour over in England.  A demo version of “We Got The Beat” (released on Stiff Records) ended up being a minor hit in the U.K., and gave The Go-Go’s their first bout with fame.

we got the beat original

In December 1980, guitarist Kathy Valentine came aboard as the band’s bassist, and thus became the final member of the quintet, or rather, the future history-making lineup of The Go-Go’s. 

Four months later, in April 1981, the band signed on with I.R.S. Records.  Within three months, they recorded and released their debut album, BEAUTY AND THE BEAT.  It was not an instant smash here in America.  In England and Europe, however, the New Wave / Power Pop appeal of BEAUTY AND THE BEAT was definitely a hit.

beauty v2

The first single from BEAUTY AND THE BEAT (and the album’s opening track), “Our Lips Are Sealed” (co-written by Jane Wiedlin and Terry Hall, singer for The Specials and Fun Boy Three), was released in mid-June 1981, a few weeks in advance of the album.

“Our Lips Are Sealed” took a couple of months to reach on the BILLBOARD Hot 100, debuting in late August 1981, and coming in as the lowest-debuting song on the Hot 100 that week (No. 90).  About two months into its chart run, “Our Lips Are Sealed” squeaked onto the Top 40 (at No. 40), having lost its “chart bullet” (representing strength in airplay and sales) for two consecutive weeks.

our lips are sealed

It inched up “bullet-less” to No. 39 the following week, and regained its bullet in week No. 11 on the Hot 100.  A couple of weeks before Xmas 1981, lips and ears and wallets of fans were no longer sealed, as both the single “Our Lips Are Sealed” and parent album, BEAUTY AND THE BEAT, picked up momentum.  “Our Lips Are Sealed” spent a couple of weeks at No. 20 in December 1981, and was still in the Top 40 by mid-January 1982.

In late January 1982, “We Got The Beat,” the second single from BEAUTY AND THE BEAT, was the highest-debuting song of the week, coming in at No. 79.  Within three short weeks, “We Got The Beat” was already at No. 31 on the Hot 100, on its way to a No. 2 peak for three weeks in April 1982.  That also helped bring the BEAUTY AND THE BEAT album to No. 1 on BILLBOARD’s album chart for six weeks in March and April 1982.

we got the beat

As for the debut single, “Our Lips Are Sealed,” it left the BILLBOARD Hot 100 in late March 1982 and spent a more-than-impressive 30 weeks on the chart.  Wanna be even more impressed?  “Our Lips Are Sealed” spent four more weeks on the chart than the biggest song of the 80s, Olivia Newton-John’s “Physical” (which was the No. 1 song at the time “Our Lips Are Sealed” peaked on the Hot 100).

1982 was certainly the year for The Go-Go’s, who placed three singles among the Top 100 songs in the U.S. that year.  “We Got The Beat” ranked at No. 25 for 1982, and “Vacation,” the title song from their second album, a No. 8 hit, and the first-ever cassette single (then a novelty item), was ranked at No. 87 for the year. 

vacation cassingle

The unusually long chart run for “Our Lips Are Sealed” (even though it stopped at No. 20) placed it at No. 63 for the year, higher than many songs that were Top 10 hits, including “Don’t Stop Believin’” by Journey, “I Ran (So Far Away)” by A Flock Of Seagulls, and even the gorgeous No. 3 hit by The Police, “Every Little Thing She Does Is Magic.”

“Our Lips Are Sealed” wasn’t just a big hit on the BILLBOARD Hot 100.  It also reached No. 10 on BILLBOARD’s Dance chart and No. 15 on BILLBOARD’s Rock chart.  Around the globe, “Our Lips Are Sealed” enjoyed success in Australia (No. 2), Canada (No. 4), Sweden (No. 14) and New Zealand (No. 23).  Oddly enough, in the U.K., where the band had its first success, it stopped at No. 47, though it would reappear a couple of years later.

waiting

In 1983, Fun Boy Three released their own version (as it was co-written by FB3 singer Terry Hall), from the album, WAITING, which was produced by Talking Heads’ David Byrne.  This version ended up being a big hit in both the U.K. and Ireland, reaching Nos. 7 and 13, respectively.

our lips FB3

The Go-Go’s broke up in 1985, and Belinda Carlisle and Jane Wiedlin went on to successful solo careers in the second half of the 80s and early 90s.  The band got back together a couple of times in the 90s, and 2001, Belinda, Jane, Charlotte, Gina and Kathy reunited and released GOD BLESS THE GO-GO’S, their first studio album together since 1984’s TALK SHOW.

Though the band has already had their “farewell” tour, the legacy of The Go-Go’s lives on.  BEAUTY AND THE BEAT was once described as one of “the cornerstone albums of American New Wave” and 35 years later remains as the first and THE ONLY all-female band to reach No. 1 on BILLBOARD’s album chart.

beauty n the beat

I love “We Got The Beat,” and I am so glad it brought deserved huge success to The Go-Go’s, but I’ve always found myself more partial to “Our Lips Are Sealed,” which is two minutes and 44 seconds of simple and pure New Wave / Pop perfection.

“It doesn’t matter what they say / In the jealous games people play / Our lips are sealed / Pay no mind to what they say / It doesn’t matter anyway / Our lips are sealed…”

go-go's 82

https://www.youtube.com/watch?v=r3kQlzOi27M

go-go's 81 (for CREEM)