song of the day – “Love Shack” | THE B-52’s | 1989.

casey-kasem-at40-abc-billboard-650

On June 15, 2014, Casey Kasem, host of the longtime countdown program, AMERICAN TOP 40, passed away at the age of 82.  From my first blog post (and prolly some more inbetween then and now), I explained how, in 1979, I was a geeky, lanky and somewhat lost 12-year-old living in Central Maine, had a few friends and not a lot of interest in much of anything, but at some point early that year, I discovered AMERICAN TOP 40, and was glued to it every weekend.  Not only could I hear the 40 biggest songs in the country every week, but also Casey’s cool trivia and facts about the songs and the artists, a trait I treasure to this day.  For me, the show was No. 1 with a bullet.  And still is (thanks to the re-airing of broadcasts of AT40 on iHeart Radio).american-top-40-casey-kasem

In honor of my radio hero, Casey Kasem, for the entire month of June (and now through July), I will be highlighting a song each day (some days will have two songs!) that peaked in the Top 40 of the BILLBOARD Hot 100 (including five (real) one-hit wonders of the 80s), and with every blog post, just like on AMERICAN TOP 40, the hits will get bigger with each post.  On June 1, 2017, I featured a song that peaked at No. 40.  Sometime here in July, I’ll feature a “song of the day” that went all the way to No. 1. 

As Casey used to say on AT40, “And on we go!”

Casey Kasem used to also say, “As the numbers get smaller, the hits get bigger.”  And so does the number of songs that reached these “smaller” positions.  Between 1979 and 1989, more than 110 songs peaked at No. 3, and many artists stayed there more than once, including Bobby Brown, El DeBarge (solo and with DeBarge), Duran Duran, Genesis, The Jets, Billy Joel, Cyndi Lauper, Huey Lewis & The News, Richard Marx, Olivia Newton-John, The Pointer Sisters, The Police (Sting also had a No. 3 solo hit), Kenny Rogers, Barbra Streisand, Styx, Wham! and Donna Summer.  Chicago reached the No. 3 positions four times between 1979 and 1989.

hungry like the wolf

1988 was a popular year for No. 3 hits, when 17 songs reached that position, including songs by Taylor Dayne, Samantha Fox, Debbie Gibson, the “comeback” hit for Hall & Oates (“Everything Your Heart Desires”), Breathe, Anita Baker, Information Society, INXS, U2 and (real) one-hit wonder Patrick Swayze (from DIRTY DANCING). 

new sensation

No. 3 hits also included the first solo by David Lee Roth (his cover of The Beach Boys’ “California Girls”), as well as the first Van Halen hit without him, “Why Can’t This Be Love.”  There were also big No. 3 hits for Simple Minds, Belinda Carlisle, The Cars, Neneh Cherry, Charlie Daniels Band, Chris de Burgh, Earth, Wind & Fire, Corey Hart, Don Henley, Chaka Khan, Love & Rockets, Men At Work, Men Without Hats, Nu Shooz, Stevie Nicks with Tom Petty & The Heartbreakers, The S.O.S. Band, The Stray Cats, Tears For Fears, Thompson Twins, Madonna and the last Top 40 hit for the late, great Marvin Gaye (“Sexual Healing”).

sexual healing

Love was a constant theme among the No. 3 hits, and was featured in the title of 15 songs, and implied in many others.  One of the 15 hits with the “Love” connection (sorry, couldn’t be helped) was one of two No. 3 hits in a row for The B-52’s – “Love Shack.”

One of the 80s’ biggest success stories – some would say one of the biggest comebacks – belonged to Athens, GA’s New Wave / Alt-Rock / Alt-Dance legends, The B-52’s.  By 1989, The B-52’s had already released four albums and two EPs, and had reached the BILLBOARD Hot 100 three times – “Rock Lobster” (No. 56, 1980), “Private Idaho” (No. 74, 1980) and “Legal Tender” (No. 81, 1983). 

rock lobster

The B-52’s started recorded their fourth album – BOUNCING OFF THE SATELLITES – in July 1985.  At that time, the band was comprised of vocalist Fred Schneider, vocalist and keyboardist Kate Pierson, vocalist and percussionist Cindy Wilson, lead guitarist Ricky Wilson (Cindy’s brother), and drummer / rhythm guitarist and keyboardist Keith Strickland.  This had been the lineup since the band’s formation in 1976.

b-52's with ricky

During the recording of BOUNCING OFF THE SATELLITES, it was discovered that Ricky Wilson was suffering from AIDS.  None of the rest of The B-52’s (except for Keith Strickland) had known about it.  In an interview, Kate Pierson had said that Ricky Wilson kept his illness a secret from the rest of the band because he “did not want anyone to worry about him or fuss about him.” 

On October 12, 1985, while still in the recording process of BOUNCING OFF THE SATELLITES, Ricky Wilson died of AIDS at the heartbreakingly young age of 32 years old.

Ricky Wilson, Guitarist for the B-52s

After Ricky’s death, drummer Keith Strickland learned how to play guitar in Ricky’s own style and switched from drummer to lead guitarist.  The band hired session musicians to help out as well, including the album’s producer, Tony Mansfield (who had also worked with Naked Eyes, Captain Sensible, a-ha and After The Fire).

bouncing

Devastated beyond belief at the loss of Ricky Wilson, The B-52’s released BOUNCING OFF THE SATELLITES on September 8, 1986, with no fanfare and no tour, though they did make a music video for my favorite song on the album, “Girl From Ipanema Goes To Greenland.”

girl from ipanema

Cindy Wilson went into a deep depression following her brother’s death, Keith Strickland spent some time at Woodstock, NY, while Fred Schneider and Kate Pierson remained in New York City.  They all felt at that moment The B-52’s couldn’t continue without Ricky Wilson.

But, in time, Keith Strickland began composing songs again, and after playing some of the new music he had worked on to the rest of the band, they agreed to try and start writing together again.  The result was COSMIC THING, the biggest album the band would ever have.

cosmic thing

COSMIC THING’s production was smartly split up between Don Was (of Was (Not Was) fame) and Nile Rodgers.  It worked and then some, and the album’s first single, “Channel Z,” was not well-received anywhere except College and Modern Rock radio, who embraced it right away.  “Channel Z” would spend three weeks at No. 1 on BILLBOARD’s Modern Rock chart in August 1989.

channel z

“Channel Z” was also the B-side of the album’s second single, “Love Shack,” which was released a week in advance of COSMIC THING in late June 1989.  It took a month and a half to reach BILLBOARD’s Hot 100 chart and become the band’s fourth single to reach the chart. 

“Love Shack” debuted on the Hot 100 in early September 1989 at No. 84.  Within three weeks, “Love Shack” had already surpassed the peak of every B-52’s single which had reached the chart.  By the end of September 1989, it was the first Top 40 hit the band had in its U.S. homeland.

love shack

In early November 1989, The B-52’s landed their first Top 10 hit, with “Love Shack.”  That was also the week I saw them perform for the first time, when they came to the University of Maine at Orono and almost literally brought the roof of the venue down with their show.  They were amazing.  I would see them again on the COSMIC THING tour in 1990 at The Ballpark in Old Orchard Beach, Maine.

“Love Shack” would go on to spend a couple of weeks at No. 3 in November 1989, and just before Xmas 1989, it was certified Gold.  Follow-up single “Roam” debuted on the last Hot 100 of 1989, when “Love Shack” was still in the Top 30.  And, in late January 1990, “Roam” debuted within the Top 40 the last week “Love Shack” spent in the Top 40.  (“Roam” would also reach No. 3 and was certified Gold as well.)

roam

A total of 27 weeks was spent on the Hot 100 for “Love Shack,” one week more than half a year.  It was that lengthy time on the chart which saw it finish on the year-end BILLBOARD charts two years in a row.  Pretty impressive.  It also reached (with “Channel Z”) No. 7 on BILLBOARD’s Dance chart, spent four weeks at No. 1 on BILLBOARD’s Modern Rock chart, and received two MTV Video Music Awards, for Best Group Video and Best Art Direction.

b's 1989NERDY FUN FACT: “Love Shack” was produced by Don Was, and the inspiration for the song was this cabin around Athens, GA, which had a tin roof, and where the band conceived their first hit, “Rock Lobster.”  Kate Pierson even lived in the cabin back in the 70s (it burned down in 2004).  Prolly the most famous line in the song, where Cindy Wilson exclaims, “Tin roof…rusted,” was actually an outtake that was added to the song later on.

Around the globe, lots of love was felt for “Love Shack,” and it spent eight weeks at No. 1 in Australia, four weeks at No. 1 in New Zealand, a week at No. 1 in Ireland, plus it reached No. 2 in the U.K., and the Top 20 in Belgium and the Netherlands.

In a 2002 interview with ROLLING STONE (which named “Love Shack” as the Best Single of 1989), Fred Schneider spoke of the album’s success: “We thought it would be good, but we didn’t know how good.  We don’t really set out saying, ‘Oh, this is going to be commercial,’ or ‘This is going to be this or that.’  We just wanted good songs, and we thought the songs were really good.  We were pretty shocked, because we didn’t expect it to go that big.  The success of it brings problems because it’s really hard to do tours.  I’m not one to want to go tour at all, but to do eighteen months is like torture.  You just get offers that are really good and you’re going to New Zealand and Australia and all over Europe, and it’s pretty exciting.  It all went way beyond what you’d think.”

flintstones

After COSMIC THING, The B-52’s continued to record and chart for a few more years, including a fun cover of the TV theme song, “(Meet) The Flintstones” (from the 1994 FLINTSTONES movie starring John Goodman).  It snuck onto the Top 40 for one week in early June 1994.

Apart from recording (as The BC-52’s) for Fred, Wilma, Barney and Betty (and a couple of popular compilations), the band took a lengthy hiatus, and in March 2008, released FUNPLEX, their first album in nearly 16 years.  It was worth the wait. 

funplex

In October 2011, they released a CD and a DVD of a live concert from earlier that year, WITH THE WILD CROWD! LIVE IN ATHENS, GA.  To borrow from a line out of FERRIS BUELLER’S DAY OFF, “It is so choice.  If you have the means, I highly recommend picking one up.”  Seriously, it’s that good.  One of the best live performances I’ve ever seen on the small screen, from one of the bands with two of the best live performances I’ve seen in person.

with the wild crowd

Though the band hasn’t released a solo album since 2008’s FUNPLEX, The B-52’s continue to tour and perform 50-60 shows a year (minus Keith Strickland, who is still with the band, but who stopped performing live with them in 2012).  Sadly, I missed them this Summer, when they came to Hampton Beach, New Hampshire (where I saw Billy Idol in 2014), and when they performed with the Boston Pops.  That must have been incredible!  Prolly the only Pops show where you can’t control people from dancing on their seats, in the aisles and everywhere!

b's n pops

I gotta be honest, after years of playing it at wedding receptions, “Love Shack” is not my favorite B-52’s song.  But, if you were in a jam and tried to get people out onto the dance floor, that was THE go-to song, and people loved it, and loved dancing to it.  Though it’s not my favorite from the band, I do love the song to death, and I’m so glad it finally got The B-52’s the recognition they deserved after so many years of struggling despite putting out great music, and with the terrible loss they suffered when they lost Ricky Wilson. 

Both COSMIC THING and “Love Shack” are a testament to Ricky’s memory, and I’m so proud to call The B-52’s one of my all-time favorite bands, even if it took me awhile to get there.  They are a heluva lot of fun to listen to and dance to, play on the radio and see perform live, which I hope to do again sometime soon…

“Hop in my Chrysler, it’s as big as a whale and it’s about to set sail / I got me a car, like, it seats about 20 / So come on and bring your jukebox money…  The Love Shack is a little old place where we can get together / Love Shack, ba-by….”

https://www.youtube.com/watch?v=9SOryJvTAGs

b's 1989 v2

song of the day – “What’s Going On” | CYNDI LAUPER | 1987.

casey-kasem-at40-abc-billboard-650

On June 15, 2014, Casey Kasem, host of the longtime countdown program, AMERICAN TOP 40, passed away at the age of 82.  From my first blog post (and prolly some more inbetween then and now), I explained how, in 1979, I was a geeky, lanky and somewhat lost 12-year-old living in Central Maine, had a few friends and not a lot of interest in much of anything, but at some point early that year, I discovered AMERICAN TOP 40, and was glued to it every weekend.  Not only could I hear the 40 biggest songs in the country every week, but also Casey’s cool trivia and facts about the songs and the artists, a trait I treasure to this day.  For me, the show was No. 1 with a bullet.  And still is (thanks to the re-airing of broadcasts of AT40 on iHeart Radio).american-top-40-casey-kasem

In honor of my radio hero, Casey Kasem, for the entire month of June (and now through July), I will be highlighting a song each day (some days will have two songs!) that peaked in the Top 40 of the BILLBOARD Hot 100 (including five (real) one-hit wonders of the 80s), and with every blog post, just like on AMERICAN TOP 40, the hits will get bigger with each post.  On June 1, 2017, I featured a song that peaked at No. 40.  Sometime here in July, I’ll feature a “song of the day” that went all the way to No. 1. 

As Casey used to say on AT40, “And on we go!”

rod n cyndi

On Friday, July 14, 2017, I will be seeing my favorite recording artist, the incomparable Cyndi Lauper, perform here in Maine, and it’ll be my fourth time seeing her perform (for the time I got to interview her and meet her in July 2002,  I didn’t actually get to see her perform due to a transportation snafu, which would have been the first time I would have seen Cyndi perform).  She will be performing on the same bill as Rod Stewart, who, to my knowledge (the brain’s a bit fuzzy on this) is someone I have not seen perform live before.  I can’t wait.

true colors world tourAnd, if my fuzzy brain is again correct, I believe this is the first time Cyndi has performed in the Pine Tree State since her TRUE COLORS world tour brought her to the Cumberland County Civic Center in Portland, Maine in December 1986 (sadly, I was sick and couldn’t go; I would have been there in a heartbeat).  I tried to get Cyndi to come back earlier than now (I mentioned it to her in my 2002 interview with her), but she’s been busy and then some.  Still, it’ll be wonderful to see her perform again, and it’ll be my third time since 2013.  My goal is to see her every year she’s performing from here on out.

Since Cyndi will be opening for Rod Stewart on this short tour, I’m betting her gorgeous cover of Marvin Gaye’s “What’s Going On” (from the TRUE COLORS album) won’t be on the setlist.  But a hopelessly devoted Cyndi Lauper fan can hope, right?

“What’s Going On” was one of nearly 70 songs that reached No. 12 on the BILLBOARD Hot 100 between 1979 and 1989, and covers were a theme, apparently, for the No. 12 position.  There were also No. 12 covers by Daryl Hall & John Oates (“You’ve Lost That Lovin’ Feelin’”), The Fat Boys & The Beach Boys (“Wipeout”), Carole King (“One Fine Day,” a song she actually wrote, but was a hit three times before her version charted), Van Halen (“Oh Pretty Woman”), The Nylons (“Kiss Him Goodbye”), David Lee Roth (“Just A Gigolo / I Ain’t Got Nobody”), Anne Murray (“Daydream Believer”), plus one parody (“Eat It” by “Weird Al” Yankovic, parodying Michael Jackson’s “Beat It”), and two medleys (though not covers) by The Beach Boys and The Beatles (I think you can thank Stars On 45’s 1981 No. 1 hit, “Medley” – which WERE covers – for that).

marvin what's going on

Released as the third single from Cyndi’s wonderful 1986 album, TRUE COLORS, “What’s Going On” was a cover of the No. 2 Marvin Gaye hit from 1971, written during the heart of the Vietnam War.  Its personal and poignant lyrics (which could have been written today) resonated with the people of a generation, and it’s been hailed as one of the greatest songs of all-time.  In 1995, the Rock And Roll Hall Of Fame included it in its list of the 500 Songs That Shaped Rock, and in 2010, ROLLING STONE ranked it at No. 4 on its list of the 500 Greatest Songs Of All Time.

Cyndi’s spirited version of “What’s Going On” entered the BILLBOARD Hot 100 in mid-March 1987 as the “Hot Shot Debut” of that week, coming in at No. 63.  The second single released from TRUE COLORS, the No. 3 hit “Change Of Heart” (with The Bangles on backing vocals), was just ahead of it at No. 58.

true colors

“What’s Going On” blasted into the Top 40 the following week, winning the airplay award for that week.  It won the sales award on the Hot 100 two weeks later, and looked like another Top 10 hit for Cyndi.  But, for whatever reason, the sales and the airplay slowed, and “What’s Going On” spent a week at its peak position of No. 12 in early May 1987, and was gone from the Hot 100 by mid-June.

what's going on title

video

From the “What’s Going On” video.

Around the globe, “What’s Going On” also reached the Top 40 in Canada, the Netherlands and New Zealand, and two excellent dance remixes by Shep Pettibone helped land the 12” single of “What’s Going On” at No. 17 on BILLBOARD’s Dance chart.  The energetic and passionate video for “What’s Going On” was also nominated for an MTV Video Music Award for Best Cinematography In A Video.

Cyndi’s done a ton of incredible covers during her career, covering many genres, starting with her stint in Blue Angel to covers on SHE’S SO UNUSUAL to last year’s extraordinary Country covers album, DETOUR, and her songs, especially 1984’s “Time After Time,” have been covered many, many times.  But her cover of “What’s Going On” has always stood out to me, despite what it did or did not do on the Pop charts.      

Today, when I listen to Cyndi’s version of “What’s Going On,” I see the same thing Marvin Gaye saw when he co-wrote the song all those years ago – war, police brutality, injustice, and an aching lack of peace.  All of that shit is still happening today, but now includes events such as attacks on night clubs and concerts, attacking and killing people who just want to be free, and free to have a good time and be who they are.  What’s going on?! 

I wouldn’t even want to research how many people have been shot by police in the last several years (that didn’t need to be) and the cops got away with it.  Prince hit upon this in his brilliant 2015 song, “Baltimore,” talking about the deaths of Michael Brown and Freddie Gray (“If there ain’t no justice, then there ain’t no peace!”).  (All six officers involved in the Freddie Gray death – including one Sergeant and one Lieutenant – were acquitted and all charges dropped.)  What’s going on?!

prince-

The cover art for the 2015 benefit concert Prince put on in Baltimore.

I try to maintain a sense of it all, but most times I can’t.  We have the elected “leader” in Washington, D.C., trying to get answers out of Russia over the 2016 election and trying to have North Korea not launch any nuclear missiles, which is all fine and good (I don’t want a World War III), except for the fact that more than half of the country didn’t vote for this man, and who don’t believe in him.  #MyFakePresident would rather ban beloved Maine author Stephen King from tweeting to him than to be presidential.  What’s going on?!

Well, for now, when I can, I take comfort in things that make me happy and help me forget (albeit temporarily) that there’s all this other unnecessary bullshit going on in the world, like going to the ocean, seeing a movie, spending time with awesome people (you know who you are), and seeing a concert, which I will do when I see the lovely Cyndi Lauper (and Rod Stewart) on Friday, July 14, 2017 here in Maine.  I’d take you all there if I could.

You have to do everything in your power to do the things that make you happy and make you feel at peace – not just with everything in the world, but mostly with yourself – as much as you possibly can, to forget everything else going on, at the very least for a little while. 

And, if for some reason, you don’t think you can get to that point (or at least try to) where you do things – even little things that don’t cost much money or time – that make you happy or make you feel at peace, what’s going on?

peace love understanding 80s

Peace, Love, Understanding, 80s.  Works for me!  How about you?

“You see, war is not the answer / For only love can conquer hate / You know we’ve got to find a way / To bring some lovin’ here today…”

https://www.youtube.com/watch?v=BdXklYUJCxI

what's going on

(real) one-hit wonder of the week – “Turn Up The Radio” | AUTOGRAPH | 1985.

casey-kasem-at40-abc-billboard-650

On June 15, 2014, Casey Kasem, host of the longtime countdown program, AMERICAN TOP 40, passed away at the age of 82.  From my first blog post (and prolly some more inbetween then and now), I explained how, in 1979, I was a geeky, lanky and somewhat lost 12-year-old living in Central Maine, had a few friends and not a lot of interest in much of anything, but at some point early that year, I discovered AMERICAN TOP 40, and was glued to it every weekend.  Not only could I hear the 40 biggest songs in the country every week, but also Casey’s cool trivia and facts about the songs and the artists, a trait I treasure to this day.  For me, the show was No. 1 with a bullet.  And still is (thanks to the re-airing of broadcasts of AT40 on iHeart Radio).american-top-40-casey-kasem

In honor of my radio hero, Casey Kasem, for the entire month of June, I will be highlighting a song each day (some days will have two songs!) that peaked in the Top 40 of the BILLBOARD Hot 100 (including five (real) one-hit wonders of the 80s), and with every blog post, just like on AMERICAN TOP 40, the hits will get bigger with each post.  On June 1, 2017, I featured a song that peaked at No. 40.  On June 30, I’ll feature a “song of the day” that went all the way to No. 1. 

As Casey used to say on AT40, “And on we go!”

Between late 1979 and the end of 1989, there were nearly 500 (real) one-hit wonders of the 80s that reached the BILLBOARD Hot 100 just one time, a list that includes Soft Cell, Gary Numan, Timbuk 3, The Church, Bronski Beat, Nik Kershaw, The Buggles, The Waitresses, Ultravox and two different bands named The Silencers.  Once a week, I’ll highlight a (real) one-hit wonder for you.

More than 100 (real) one-hit wonders of the 80s reached the Top 40 of the BILLBOARD Hot 100 between 1979 and 1989, and in this month-long tribute to Casey Kasem, I’ll feature five of them.  Out of the 100-plus (real) one-hit wonders of the 80s that reached the Top 40, just three of them peaked at No. 29.  One of those acts was a Glam Metal band originating from Pasadena, California – the home of fellow Hard Rockers Van Halen – the five-man band, Autograph.

autograph

The band actually started as a solo project in June 1983 for singer / songwriter / guitarist Steve Plunkett, who had worked on the second album for another (real) one-hit wonder of the 80s, Silver Condor (who reached No. 32 on the BILLBOARD Hot 100 in 1981 with “You Could Take My Heart Away”).

Steve Plunkett got the idea for the name Autograph from hearing Def Leppard’s first big hit, “Photograph” (from their album, PYROMANIA), when hearing it on the radio.  Steve formed the band with some of his musician friends, one of which – drummer Keni Richards – was good friends with David Lee Roth, and that friendship with Diamond Dave was instrumental in Autograph hitting it big the following year.

Keni Richards gave David Lee Roth a copy of their demo tape, and Dave liked it so much, he invited Autograph to open for them during the tour for Van Halen’s huge 1984 album, 1984.  Autograph opened for Van Halen on 48 dates during that tour, which led to a contract with RCA Records sometime that year.

1984 tour

The huge stage setup for Van Halen’s 1984 tour.

The band’s debut album, SIGN IN PLEASE, was released in October 1984.  A play on the album’s title can be seen in the laser-friendly music video for the album’s first single, “Turn Up The Radio,” the only song on the album to be written by all five band members.

sign in please 2

“Turn On The Radio” debuted on the BILLBOARD Hot 100 the last active chart of December 1984 at No. 89 (at that time, BILLBOARD froze one chart around the Xmas holiday).  Here in Central Maine, where Hard Rock, Heavy Metal and its subsequent music cousins were highly popular, “Turn Up The Radio” was played A LOT.  And it kicked ass, and I loved it (and still do!).  “Turn Up The Radio” was released during my Senior year of high school, and every time I heard it on the radio, I was always compelled to turn it up (and not just because they told me to).

turn up the radio

It took a couple of months and change, but “Turn Up The Radio” reached the Top 40 of the Hot 100 in its 10th chart week.  Three weeks later, in mid-March 1985, it peaked at No. 29 for one week, and fell from the Top 40 a couple weeks later.  “Turn Up The Radio” was one of the longest-charting one-hit wonders of the 80s, spending 19 weeks on the survey.  Autograph would go on to release a couple of more albums before breaking up in 1989, but they never reached the BILLBOARD Hot 100 again.

After a 24-year break, (most of) Autograph reunited in 2013.  Steve Plunkett did not want to reunite with the band he formed 30 years before, but the reunion pressed on.  Autograph played cruises and jams and state fairs and festivals, and earlier this year, Autograph finished recording a new album, which was scheduled for release later this year.  Sadly, drummer Keni Richards died on April 8, 2017, at the age of 60, due to what appeared to be a drug-related homicide.

autograph 2016

Autograph in 2016.

In a 2011 interview, Autograph’s lead guitarist, Steve Lynch, had described “Turn Up The Radio” as “a last-minute song that RCA didn’t even want on the album because they thought it had no commercial value.”  The band fought to have “Turn Up The Radio” on the album, and RCA allowed it.  (Again, silly record labels.  I could prolly do a post just about how many times record labels have been wrong about not wanting to release future hits, or changes that didn’t need to be made at all.  Maybe I will.)

Despite Autograph being a one-hit wonder, the legacy of “Turn Up The Radio” has long outlasted its four-and-a-half minutes.  Not only did “Turn Up The Radio” appear on a 1984 episode of MIAMI VICE, it was featured in the video games GRAND THEFT AUTO: VICE CITY and ALPHA PROTOCOL, and an updated version of it appeared on the hilarious 2010 John Cusack film, HOT TUB TIME MACHINE, one of my all-time favorite films.

httm_t

The first time you see the HOT TUB TIME MACHINE logo in the film is during “Turn Up The Radio.”

For me, I would like to think that me turning up “Turn Up The Radio” when Autograph told me to on the radio or on the iPod wasn’t subliminal, but for whatever reason, it worked, and still does.  Prolly would for you too…

https://www.youtube.com/watch?v=j8CcTYsMHYU

autograph 2