song of the day – “Fool In The Rain” | LED ZEPPELIN | 1980.


On June 15, 2014, Casey Kasem, host of the longtime countdown program, AMERICAN TOP 40, passed away at the age of 82.  From my first blog post (and prolly some more inbetween then and now), I explained how, in 1979, I was a geeky, lanky and somewhat lost 12-year-old living in Central Maine, had a few friends and not a lot of interest in much of anything, but at some point early that year, I discovered AMERICAN TOP 40, and was glued to it every weekend.  Not only could I hear the 40 biggest songs in the country every week, but also Casey’s cool trivia and facts about the songs and the artists, a trait I treasure to this day.  For me, the show was No. 1 with a bullet.  And still is (thanks to the re-airing of broadcasts of AT40 on iHeart Radio).american-top-40-casey-kasem

In honor of my radio hero, Casey Kasem, for the entire month of June, I will be highlighting a song each day (some days will have two songs!) that peaked in the Top 40 of the BILLBOARD Hot 100 (including five (real) one-hit wonders of the 80s), and with every blog post, just like on AMERICAN TOP 40, the hits will get bigger with each post.  On June 1, 2017, I featured a song that peaked at No. 40.  On June 30, I’ll feature a “song of the day” that went all the way to No. 1. 

As Casey used to say on AT40, “And on we go!”

Folks of a certain age (yours truly included) remember junior high school dances always concluded with the double dose of Lynyrd Skynyrd’s “Free Bird” and Led Zeppelin’s “Stairway To Heaven.”  Every single dance.  It’s like, in the late 70s and early 80s, there was a DJ requirement to play those two songs back-to-back at the end of every school dance.  Maybe it was also because the combined time of the studio album versions of both songs were 17 minutes long, a good amount of time to get all your albums and shit together, with minimal clean up after the dance was done, so you could zip right out of there.  Unfortunately, for me, it was 17 minutes of much suckage.  I don’t recall this wallflower ever dancing to either of those classics at a junior high dance.


“Bird” vs. “Heaven,”or Skynyrd vs. Zep.  For decades, one can’t escape the other. Prolly the way it’ll always be…

It’s funny – I remember my junior high dances way more than my high school dances.  I can’t even remember if “Free Bird” and “Stairway To Heaven” were even played.  I also wonder if this DJ requirement to play both of these songs helped propel them to the top of annual radio station holiday countdowns.  To this day, they both usually find themselves in the Top 10 of every countdown, if not the Top 5 or Top 3.  (I just checked out a recent list by one of Portland, Maine’s Classic Rock stations, and they had “Free Bird” at No. 1, and “Stairway To Heaven” at No. 2.  What rebels.)

What can I say about Led Zeppelin that hasn’t been already said before?  I wouldn’t call them the Godfathers of Heavy Metal (most would say that distinction goes to Black Sabbath), but Led Zep sure did have a hand in it.  They were one of THE BIGGEST Rock groups of all time, and were rightfully inducted into the Rock And Roll Hall Of Fame in 1995, where, at the museum, Led Zeppelin is stated as being “as influential” in the 1970s as The Beatles were in the 1960s. 


Any non-believers yet?  Led Zeppelin released just nine studio albums between 1969 and 1982, and every single album went platinum, and every single album reached the Top 10.  Actually, no Led Zep album charted lower than No. 7 on BILLBOARD’s album chart, and that was the first album.  The only albums that didn’t hit No. 1 were their self-titled debut, LED ZEPPELIN IV (this surprised me), and 1982’s CODA, which was released two years after the band broke up, due to the death of drummer John Bonham.

Still some non-believers out there?  You fools!  Four (of nine) Led Zeppelin studio albums (and one box set) have been certified by the Recording Industry Association of America (RIAA) as Diamond certifications.  What qualifies as a Diamond certification?  Sales of more than 10 million copies (with multiple sets counting for each disc in the set).  In the U.S. alone.  These albums are 1969’s LED ZEPPELIN II (12x Platinum), 1971’s LED ZEPPELIN IV (the third biggest-selling albums of all-time here in America, 23x Platinum), 1973’s HOUSES OF THE HOLY (11x Platinum), 1975’s double-album PHYSICAL GRAFFITI (16x Platinum), and 1990’s 4-disc LED ZEPPELIN BOX SET (10x Platinum).

zep box set

London’s Led Zeppelin – singer Robert Plant, guitarist Jimmy Page, bassist / keyboardist John Paul Jones and drummer John Bonham – had already been around for 11 years when I discovered them in 1979, and it wasn’t “Stairway To Heaven” or “Black Dog” or “Kashmir” or “Whole Lotta Love” that sucked me in – its was all “Fool In The Rain,” from their eighth studio album, IN THROUGH THE OUT DOOR.

The album was released in mid-August 1979, and was housed in what looked like a brown paper bag.  I still have mine, though after nearly 40 years, it’s looking a lot like a brown paper bag that’s been around for 40 years.

in thru the paper bag

IN THROUGH THE OUT DOOR only took two weeks to reach No. 1 on BILLBOARD’s album chart, and not only spent seven weeks at No. 1, but sold three million copies by the end of September.  Pretty impressive for 1979.  Actually, pretty impressive for 2017 too – a total like that now could land an album at No. 1 for the entire year.

“Fool In The Rain,” the only single released from IN THROUGH THE OUT DOOR, was released in early December 1979, more than a month after IN THROUGH THE OUT DOOR finished its seven-week run at No. 1 on BILLBOARD’s album chart.

in thru the out door

It was not your typical Rockin’ Led Zeppelin song.  According to a piece in ROLLING STONE about the band’s 40 Greatest Songs Of All Time, “Fool In The Rain” (ranked at No. 24) came about when Robert Plant and John Paul Jones head a Samba song while watching the 1978 World Cup, and that influenced the Latin-jam middle section.  Jimmy Page called “Fool In The Rain” “a springboard for what could have been” (of course, referring to the sad death of John Bonham, who died 13 months after the release of IN THROUGH THE OUT DOOR).

fool in the rain 2

An Italian version of the “Fool In The Rain” single.

“Fool In The Rain” (musically, one of the best songs I’ve ever heard) is a song about a guy who is supposed to meet up a woman on a particular street corner.  When the woman doesn’t show up, he is disappointed about being stood up.  Well, by the final verse of the song, the guy realizes that he didn’t go to the right place, making him “just a fool waiting on the wrong block.”

fool in the rain 1

The Japanese version of “Fool In The Rain.”

The song only took a couple of weeks to debut on the BILLBOARD Hot 100, debuting on the last official chart of 1979 at No. 64, and reached the Top 40 in its fourth chart week.  It went on to spend a couple of weeks at its peak position at No. 21 in late February 1980, was the last Led Zeppelin single released commercially (they didn’t release many), and the last (of six) to reach the Top 40.

They say you never forget your first love, and I suppose that could apply to music as well.  I know I’ll be forever grateful that “Fool In The Rain’ was my introduction to Led Zeppelin, and that unlikely hit that turned me on to them for the rest of my life, even if it didn’t work out too well for the guy in the song…

led zep 79

song of the day – “You Can Call Me Al” | PAUL SIMON | 1986 / 1987.


On June 15, 2014, Casey Kasem, host of the longtime countdown program, AMERICAN TOP 40, passed away at the age of 82.  From my first blog post (and prolly some more inbetween then and now), I explained how, in 1979, I was a geeky, lanky and somewhat lost 12-year-old living in Central Maine, had a few friends and not a lot of interest in much of anything, but at some point early that year, I discovered AMERICAN TOP 40, and was glued to it every weekend.  Not only could I hear the 40 biggest songs in the country every week, but also Casey’s cool trivia and facts about the songs and the artists, a trait I treasure to this day.  For me, the show was No. 1 with a bullet.  And still is (thanks to the re-airing of broadcasts of AT40 on iHeart Radio).american-top-40-casey-kasem

In honor of my radio hero, Casey Kasem, for the entire month of June, I will be highlighting a song each day (some days will have two songs!) that peaked in the Top 40 of the BILLBOARD Hot 100 (including five (real) one-hit wonders of the 80s), and with every blog post, just like on AMERICAN TOP 40, the hits will get bigger with each post.  On June 1, 2017, I featured a song that peaked at No. 40.  On June 30, I’ll feature a “song of the day” that went all the way to No. 1. 

As Casey used to say on AT40, “And on we go!”

Throughout the years, whether it’s because of an inclusion in a movie or a commercial or a TV show, or a radio station rediscovered it and started playing it again, songs sometimes have more one chart life.  The best example of this is Chubby Checker’s “The Twist,” which reached No. 1 on the BILLBOARD Hot 100 twice.  In its initial run, the dance craze favorite spent one week on top in September 1960, and again in January 1962 for two weeks.  No other song has done that here in America.  And, because of its two chart runs that ended at No. 1, “The Twist” is ranked at No. 1 on BILLBOARD’s Hot 100 for all time.



The 1989 cassette single (or “cassingles” – remember those?!) for “In Your Eyes.”

I believe all decades have had songs re-enter the chart with new chart runs, but I think no other decade has as many as the 80s did.  There were “second-chance singles” (as I like to call them) that went to No. 1 on the Hot 100, like “At This Moment” by Billy Vera & The Beaters and “When I’m With You” by Sheriff, “second-chance singles” that were “(real) one-hit wonders,” like Sheriff (again), Benny Mardones (“Into The Night”) and Moving Pictures (“What About Me”),  and songs that benefited from appearing in movies, like Peter Gabriel’s “In Your Eyes” (…SAY ANYTHING) and Billy Idol’s “Hot In The City” (BIG).

Then you have songs that were hits in other decades and, also due to their inclusions in films, were reissued and hit the chart again, like The Beatles’ “Twist And Shout” (featured in both FERRIS BUELLER’S DAY OFF and BACK TO SCHOOL), Ben E. King’s “Stand By Me” (from the incredible film of the same name), and The Contours’ “Do You Love Me” (from DIRTY DANCING).

Prince’s “1999” reached the Hot 100 four time in three decades, and reached the Top 40 three of those times.  In its original 1982 chart run (as the debut single from the album of the same name), it stopped at No. 44.  After “Little Red Corvette” reached No. 6, “1999” was re-released and reached No. 12 in 1983.  When the calendar changed from 1998 to 1999 (even though the song wasn’t about the year 1999), it re-entered the Top 40 for one week at No. 40.  And, as BILLBOARD has been doing for several years now, a number of Prince songs re-entered the Hot 100 following his sad passing in April 2016.  In its fourth Hot 100 appearance, “1999” reached No. 27.


These “second-chance singles” don’t always chart higher than their original chart runs (like the Moving Pictures, Peter Gabriel and Billy Idol singles mentioned above), but lots of times they do.  UB40’s “Red Red Wine” originally peaked at No. 34 in March 1984, but in a re-release (after being performed at Nelson Mandela’s 70th Birthday Concert in 1988), the album version of their Neil Diamond cover spent a week at No. 1 in October 1988.  And, the original version of The Pointer Sisters’ classic, “I’m So Excited,” stalled at No. 30 in late 1982, but after being remixed for their 1984 album, BREAK OUT, the song was reissued and did break out, reaching No. 9 on the Hot 100 about two years later.

red red wine

And, sometimes, “second-chance singles” get another shot at the Hot 100 for multiple reasons.  In the case of Paul Simon’s “You Can Call Me Al,” its success can be attributed to growing praise and sales for its brilliant parent album, GRACELAND (and its big Album Of The Year Grammy Award), and a smart change in music videos.

“You Can Call Me Al” (a song about someone going through a midlife crisis), the first single released from GRACELAND, debuted on the BILLBOARD Hot 100 at No. 83 in early August 1986, about a month before the album was released.  The original video for “You Can Call Me Al” was a performance Paul Simon gave (in the perspective of a video monitor) during a monologue when he hosted SATURDAY NIGHT LIVE. 


Well, Paul Simon wasn’t happy with the video, which didn’t seem to attract many fans to buy the record, and GRACELAND had just been released (and wasn’t the brilliant classic most people associate with it now).  “You Can Call Me Al” spent a couple of weeks at No. 44 in September and October, and dropped off the chart in November 1986 after 14 weeks.

A new video was commissioned, and Paul Simon stayed with his friend and SNL creator, Lorne Michaels, to put together another video.  This one (one of my all-time favorite music videos) pairs Paul with another friend (and SNL alum), Chevy Chase, who lip-syncs Paul Simon’s vocals, leaving Paul to twiddle his thumbs, although Paul ends up lip-syncing his backing vocals throughout, and in the last 30 seconds of the video, the focus switches from Chevy to Paul (although Chevy almost takes Paul’s head off with a trumpet).  It’s an incredibly funny and smartly done video, and I think it resonated with fans, MTV watchers, and radio stations alike. 

al video

Paul Simon and his friend, Chevy Chase, from the hilarious video for “You Can Call Me Al.”

Between a hilarious new music video and a big Grammy win for GRACELAND in late February 1987, “You Can Call Me Al” re-entered the BILLBOARD Hot 100 in late March 1987 at No. 92.  About a month later, it surpassed its original No. 44 peak, and reached the Top 40.  About a month after that, it spent a couple of weeks at its (new) peak position of No. 23, departing the chart in early July 1987, with a total of 27 weeks spent on the Hot 100 (strangely enough, in its highe-charting second run, it spent one less week than the first chart run).  To date, it’s Paul Simon’s last Top 40 hit here in America.

you can call me al

Around the globe, “You Can Call Me Al” said, “You can call me a big hit in” Australia, Belgium, Ireland, New Zealand and South Africa (where it reached No. 2), plus the U.K. (No. 4), the Netherlands (No. 5), Finland (No. 9), France (No. 16) and Canada (No. 19). hyde park

Paul Simon is 75 now, and still very much active in the music scene.  In 2016, he released his 13th studio album, STRANGER TO STRANGER, which reached No. 3 on BILLBOARD’s Album chart, his highest-charting album since GRACELAND went to No. 3 three decades ago.  And, just this month, he released his fourth live solo album, PAUL SIMON – THE CONCERT IN HYDE PARK.

I don’t know what it is, but I love the idea of songs getting a second chance – for whatever reason – to do better on the chart than they did before.  And, though sometimes it doesn’t work out, the times it does happen can be pretty amazing.  And other times you just need a gifted comedic actor and friend to play off against, who’s a full foot taller than you to create a really fucking hilarious music video to help out a really cool song about trying to cope with middle age.


song of the day – “Lies” | THOMPSON TWINS | 1983.


On June 15, 2014, Casey Kasem, host of the longtime countdown program, AMERICAN TOP 40, passed away at the age of 82.  From my first blog post (and prolly some more inbetween then and now), I explained how, in 1979, I was a geeky, lanky and somewhat lost 12-year-old living in Central Maine, had a few friends and not a lot of interest in much of anything, but at some point early that year, I discovered AMERICAN TOP 40, and was glued to it every weekend.  Not only could I hear the 40 biggest songs in the country every week, but also Casey’s cool trivia and facts about the songs and the artists, a trait I treasure to this day.  For me, the show was No. 1 with a bullet.  And still is (thanks to the re-airing of broadcasts of AT40 on iHeart Radio).american-top-40-casey-kasem

In honor of my radio hero, Casey Kasem, for the entire month of June, I will be highlighting a song each day (some days will have two songs!) that peaked in the Top 40 of the BILLBOARD Hot 100 (including five (real) one-hit wonders of the 80s), and with every blog post, just like on AMERICAN TOP 40, the hits will get bigger with each post.  On June 1, 2017, I featured a song that peaked at No. 40.  On June 30, I’ll feature a “song of the day” that went all the way to No. 1. 

As Casey used to say on AT40, “And on we go!”

I have to say, as a self-proclaimed singles chart nerd, researching for each blog post in this tribute to Casey Kasem has been pretty awesome.  Casey would often say, “As the numbers get smaller, the hits get bigger!”  That may also true with how many songs peak at each position.  For the songs that reached No. 30 between 1979 and 1989, there were over 40. 

What I found interesting (to me, anyway) is that, out of these 40+ songs that peaked at No. 30 on the BILLBOARD Hot 100, there were only two (real) one-hit wonders.  Also, I’ve already highlighted five No. 30 hits – (real) one-hit wonder Frankie Smith and “Double Dutch Bus,” “The One Thing” by INXS, “The Prisoner” by Howard Jones, Kate Bush’s “Running Up That Hill” and “Space Age Love Song” by A Flock Of Seagulls (one of my favorite blog pieces so far; from September 2016).


Taken at the Seawall Picnic Area (part of Acadia National Park) on 9.12.2016, a photo I took of a lone seagull (no flocks), and included with my blog post that day for “Space Age Love Song,” a No. 30 hit on the BILLBOARD Hot 100 for A Flock Of Seagulls.

Another interesting quirk is that there are a lot of big-name artists who had No. 30 hits, but the hits themselves have been largely forgotten, including songs by The Bangles (“Be With You,” 1989), Tina Turner (“Two People,” 1987), Kool & The Gang (“Let’s Go Dancin’,” 1983), and two each by Daryl Hall & John Oates (“How Does It Feel To Be Back,” 1980, and “Possession Obsession,” 1985) and Toto (“Make Believe,” 1982, and “Stranger In Town,” 1984).

walk on by

Yet another interesting fact is how there were so many memorable hits from other decades that stopped at No. 30 (like Iron Butterfly’s classic “In-A-Gadda-Da-Vida,” Ted Nugent’s “Cat Scratch Fever,” the brilliant “Walk On By” by Isaac Hayes, “Come Monday” by Jimmy Buffet, “Lovely Day” by Bill Withers, “Our House” by Crosby, Stills, Nash & Young, “She Talks To Angels” by The Black Crowes, “Firestarter” by Prodigy, R.E.M.’s wonderful “Man On The Moon,” the amazing “Love Is The Drug” by Roxy Music, and one of THE BEST pieces of music for all time, “Give It To Me” by The J. Geils Band), and yet, with the songs that peaked at No. 30 in the 80s, for whatever reason, most of those songs have been forgotten.

give it to me

Thankfully, though, there were a handful of cool ones, too.  There’s the aforementioned ones I’ve already posted on the blog, but then there’s “Dance Little Sister” by Terence Trent D’Arby, “Love Will Find A Way” by Yes, The Human League’s “Mirror Man,” and “Lies,” the first big American hit by a New Wave / Synthpop trio who weren’t at all related – Sheffield, England’s Thompson Twins.


The trio of Tom Bailey, Alannah Currie and Joe Leeway made up the Thompson Twins in 1982, a time when MTV was so popular, it was affecting what was bought in stores and what was played on the radio, and a time when New Wave was becoming more prominent in mainstream music.  1982 was also the start of the Second British Invasion on the U.S. singles chart, which lasted through 1986.  Thompson Twins were a big part of that. 

By 1982, Tom, Alannah and Joe already had one No. 1 song to their credit here in America – “In The Name Of Love,” which spent five weeks at No. 1 on BILLBOARD’s Dance chart in May and June 1982.

quick step

In October 1982, they released “Lies,” the first single from their upcoming third album, QUICK STEP AND SIDE KICK.  The band was still looking for their audience in their U.K. homeland, and it stopped at No. 67 on the U.K. singles chart there. 

“Lies” would find an audience here in America a few months later, and it debuted at No. 80 on the BILLBOARD Hot 100 in late January 1983, a couple of weeks after it spent two weeks at No. 1 on BILLBOARD’s Dance chart (with its B-side, “Beach Culture”).

As “Lies” made its climb up the Hot 100, the song’s parent album was released in February 1983, and with the Twins being signed to Arista Records, that meant, well, much like fellow Brits (The) Icicle Works in 1984, a name change for the album in the U.S. and Canada.  So, the name of the album was shortened to just SIDE KICKS.

side kicks

A month after the album’s release, “Lies” found its way to the Top 40.  By the end of March 1983, it reached No. 30, but got stuck there for three weeks, and was gone from the Top 40 after that.  It stayed on the Hot 100 for a respectable total of about four months.  “Lies” also reached No. 6 in New Zealand and the Top 30 in Australia and Canada.

Though the “Lies” follow-up single, “Love On Your Side” would fail to reach the Top 40 here in the U.S. (it stopped at No. 45 in early June 1983), Thompson Twins would finally find their U.K. audience, and that song was their first of five Top 10 hits, reaching No. 9.  QUICK STEP AND SIDE KICK was also certified Platinum there and reached No. 2 on the U.K. album chart.t twins logo

I loved Thompson Twins from the start.  I reserved any quick-stepping and side-kicking for at-home dancing, but I was a fan as soon as I heard “Lies.”  Not only was I hooked by the music, but I really enjoyed Tom Bailey’s style of singing.  Don’t know if there’s a particular name for it, I just enjoyed it.  All these years later, I would put his vocal style in the same high class as Howard Jones and Cy Curnin of The Fixx.  They also had one of the coolest band logos.

It was pretty cool seeing them on the TV performing with Madonna at Live Aid.  What I didn’t know was that it was the beginning of the end for the trio I knew and loved as Thompson Twins. 

madonna n tom live aid

Madonna and Thompson Twins’ Tom Bailey, Live Aid, Philadelphia, July 13, 1985.

After Joe Leeway left the Twins in 1986, Tom Bailey and Alannah Currie kept the band and the name going until 1993, when they changed it to Babble, reflecting a change in musical direction from New Wave to “dub-influenced chill-out” (mixing Electronica, World Beat, Alt-Dance and Club styles).

babble ether

Babble’s second and final album, 1996’s ETHER.

As Babble, Tom Bailey and Alannah Currie (who were married at the time and living in New Zealand) released a couple of albums before calling it quits in 1996.  Alannah Currie retired from music, and they were divorced in 2003 (though they remain friends). 

Tom Bailey now lives in London with his second wife, he took part in the 2014 version of the Retro Futura Tour as “Thompson Twins’ Tom Bailey” and earlier this year on “The ‘80s Cruise,” an annual event of which I hope to attend at some point.  Under the moniker of “Thompson Twins’ Tom Bailey,” he released a single last year called “Come So Far,” and has another one scheduled for release this year.

tom bailey today

Tom Bailey today.

When I think of Thompson Twins, the first songs that come to mind are “Lay Your Hands On Me,” “Hold Me Now,” “If You Were Here” (from SIXTEEN CANDLES), “Sugar Daddy,” “In The Name Of Love” (both the 1982 and 1988 versions), their kick-ass cover of The Beatles’ “Revolution,” “Doctor! Doctor!” and “Love On Your Side,” but it was all “Lies” that made me fall in love with those three non-related kids back in 1982, who were, at one time, Twins…

t twins 2

song of the day – “Stand Back” | STEVIE NICKS | 1983.

69 years ago today, on May 26, 1948, Stephanie Lynn Nicks was born in Phoenix, Arizona, USA.  While in high school, Stevie met her future music (and romantic) partner, Lindsey Buckingham, and in mid-1967, she took over as the lead singer for Lindsey’s Psychedelic band, Fritz, a band that would open for huge acts like Jimi Hendrix and Janis Joplin from 1968 through 1971. 

Speaking of 1967, Stevie Nicks was exactly 19 years old when The Beatles released (in the U.K.) the brilliant SGT. PEPPER’S LONELY HEARTS CLUB BAND, what many folks still consider as the greatest album of all time.  Happy 50th SGT. PEPPER!

sgt pepper

Stevie Nicks and Lindsey Buckingham both attended the San Jose State University in Northern California, and Stevie dropped out just a semester before graduating.  She had wanted to become an English teacher, which is indeed a noble profession (my oldest niece, Elizabeth, currently on a two-year journey working with the Peace Corps in Tanzania, will most likely be an English teacher somewhere here in the U.S. when she returns.  You can check out Elizabeth’s amazing blog here:

Elizabeth, Day 2, Tanzania 7.15.16

I love this picture.  That’s my oldest niece, Elizabeth, taken on her Day 2 in Tanzania (in Africa), 7.15.2016.

buckingham nicksWhile I’m sure Stevie Nicks would have made an excellent English teacher, the profession she ended ended up excelling at – being a Rock star – worked out pretty well, but not at first.  For a couple of years, from 1972 through 1974, she and Lindsey Buckingham worked together as Buckingham Nicks, and released an unsuccessful self-titled album in 1973, and whose cover prolly got more press than the album itself. 

In 1975, when Lindsey Buckingham met up with Mick Fleetwood, the namesake of the Rock band, Fleetwood Mac, he said that he and Stevie were “a package deal,” if he was to join the band (following the departure of Mac guitarist Bob Welch).  Well, even if it ended up not working out romantically for Stevie and Lindsey, their contributions to Fleetwood Mac changed the band forever. 

After the huge success of the albums FLEETWOOD MAC and RUMOURS, the latter of which still holds the record for the longest run at No. 1 on the BILLBOARD Album chart (31 weeks) by a band, and still remains as one of the Top 10-selling albums of all-time here in America.


Following RUMOURS, Stevie started contributing to the songs of other recording artists.  In 1978, she sang backup on the Top 10 hits “Magnet And Steel” by her friend, Walter Egan (a song she inspired), and on “Whenever I Call You Friend,” the first big solo hit for Kenny Loggins.  In 1979, both Stevie and Lindsey teamed up with the late, great John Stewart and contributed their talents on three Top 40 singles for The Kingston Trio alum, including the big Top 5 hit, “Gold.” 


Kenny Loggins and Stevie Nicks, singing about calling each other a friend, 1978.

On July 27, 1981, Stevie released (on the Atlantic Records imprint, Modern Records, a label she co-founded) her debut album as a solo artist – BELLA DONNA.  The album was a huge success, reaching No. 1 on the BILLBOARD Album chart (selling over four million copies in the U.S. alone), plus, it charted four Top 40 singles (including her biggest solo hit – with Tom Petty & The Heartbreakers, “Stop Draggin’ My Heart Around”), and she was instantly hailed by ROLLING STONE as “the Reigning Queen of Rock and Roll.”


In between BELLA DONNA and her second solo album in 1983, THE WILD HEART, Fleetwood Mac released their No. 1 album, Mirage, which generated the big singles, “Hold Me” and “Gypsy,” which I just heard on the radio this past week, and hear often.

the wild heart

THE WILD HEART was released on June 10, 1983, and while it was not as popular as BELLA DONNA, the album still reached No. 5 on the BILLBOARD Album chart, was certified Double-Platinum, and gave Stevie another three Top 40 solo hits, including one of her all-time biggest hits, “Stand Back.”

Released exactly a week before her 35th birthday in May 1983, “Stand Back” has a cool and interesting story behind it, one I didn’t realize until after Prince’s death in April 2016:

On January 29, 1983, Stevie Nicks had just gotten married, and was on her honeymoon, driving North to Santa Barbara, California, when she heard Prince’s “Little Red Corvette” for the first time.  Inspired, she wrote “Stand Back” that day, while humming along to “Little Red Corvette.” 

little red corvette

When Stevie went to record “Stand Back,” she called Prince and told him the story of how the song came about.  20 minutes later, Prince showed up at her studio.  She once told ROLLING STONE that Prince “walked over to the synthesizers that were set up, was absolutely brilliant for about 25 minutes and then left.  He spoiled me for every band I’ve ever had because nobody can exactly recreate – not even with two piano players – what Prince did all by his little self.”

Prince’s work on “Stand Back” remains uncredited, but Stevie has always maintained that even though she wrote the song, she says it belongs to Prince (they did end up splitting the publishing royalties 50-50).  She added, “he got up and left as if the whole thing happened in a dream.”

Well, what a dream, and what a story, and what a song.  “Stand Back” remains as one of my all-time favorite songs by Stevie Nicks.  It debuted on the BILLBOARD Hot 100 in early June 1983 at No. 60, while Prince’s “Little Red Corvette” was still driving itself within the highway of the Top 10. 

stand back US

“Stand Back” took just a couple of weeks to reach the Top 40, giving Stevie her fifth consecutive Top 40 hit on the Hot 100.  In mid-August 1983, “Stand Back” spent a week at No. 5 and stayed on the chart for 19 weeks, finishing its chart run at No. 100 in early October 1983.  According to BILLBOARD, it finished the year at No. 44.

Over on BILLBOARD’s Mainstream Rock chart, it’s no surprise that “Stand Back” was a big hit, reaching No. 2.  Prolly more surprising was that it also reached No. 12 on BILLBOARD’s Dance chart.  (It’s not surprising to me, though, as it features a killer funky guitar riff in the middle of the song that sounds like it could have easily been provided by Nile Rodgers, or for a Michal Jackson song). 

Around the globe, “Stand Back” reached the Top 20 in Canada and Australia, and the Top 40 in Germany and Holland.  A reissue of “Stand Back” in 2007 sent it to No. 2 on BILLBOARD’s Dance chart, thanks to several updated remixes.

stand back 2007

“Stand Back” was so popular in fact, that, on Fleetwood Mac tours since 1987, it has been a staple at their shows, including the band’s 2013 world tour.

24 karat gold tour

Stevie was in Boston in November 2016 for her 24 Karat Gold Tour, which included The Pretenders, and yes, “Stand Back” was thankfully on the playlist.  Would have loved to have seen that show.  In July, she’ll be performing two dates at Dodger Stadium in Los Angeles with Fleetwood Mac as part of The Classic West, a two-day concert featuring six classic acts, including The Eagles, Steely Dan, The Doobie Brothers, Journey and Earth, Wind & Fire.  All of these bands return a couple weeks later at New York’s Citi Field for The Classic East.  That’d be fun.


For 69 years, time and space have been two incredible factors in the life and continued success of Stevie Nicks.  She even titled her first hits compilation, in 1991, TIMESPACE: THE BEST OF STEVIE NICKS.  I don’t think that was an accident.  And, I think if you do stand back and look at the career of birthday girl Stevie Nicks, I’d bet my record collection that you’d agree and say she’s definitely still Rock royalty, and always will be… 

Happy Birthday, Stevie!

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song of the day – “All Around The World” | LISA STANSFIELD | 1989 / 1990.

lovesongIn mid-October 1989, Pop music in America didn’t know which direction it was going in.  Take the Top 10 of the BILLBOARD Hot 100 chart for October 14, 1989 for example.  You had 80s Pop mainstays Janet Jackson and Madonna leading the pack (“Miss You Much” and “Cherish,” respectively), the future great Grammy taker-awayers, Milli Vanilli (“Girl I’m Gonna Miss You”), a rare big American hit for The Cure (“Love Song”), the last big hit for the Rolling Stones (“Mixed Emotions”), Tears For Fears channeling The Beatles (“Sowing The Seeds Of Love”), rapper Young M.C. with the first (and last) big hit of his own (“Bust A Move”), Hollywood, CA Glam Metal band Warrant (“Heaven”), another big Pop hit for Sweden’s Roxette (“Listen To Your Heart”) and the first Pop single for R&B singer, songwriter and future mega-producer, Babyface (“It’s No Crime”).

Meanwhile, over in the U.K., Disco, which saw its peak ten years earlier, was mounting a sort of comeback.  Sure, there were Disco influences in the 80s – you heard it in the music of Madonna, Michael Jackson, Lionel Richie, Irene Cara, Queen and Pet Shop Boys, to name a few (Pet Shop Boys even named several of their early remixes as the “Disco Mix”).

it's a sin disco

In September 1989, Italian Eurohouse band Black Box started a six-week run at No. 1 on the U.K. singles chart with “Ride On Time,” and ended up being the biggest U.K. single of 1989.  Black Box would go on to have big global hits in the early 90s, scoring a couple of Top 10 hits in the U.S. with “Everybody Everybody” and “Strike It Up.”

everybody everybody

During the last week of Black Box’s reign on the U.K. singles chart, Manchester, England native Lisa Stansfield released – that same week in mid-October 1989 mentioned at the beginning of the blog post – the second single from her then-forthcoming album, AFFECTION – “All Around The World.”

Lisa Stansfield had tried out a solo career back in the early 80s, and released a number of singles, including a 1983 song called “Listen To Your Heart” (no relation to the Roxette song from 1989). 

listen to your heart

After a brief first try at a solo career, Lisa joined the short-lived trio, Blue Zone, which was a combination of Pop, Dance and Blue-Eyed Soul.  Their only album, 1988’s BIG THING, well, wasn’t.  It did, however, give Blue Zone (known as Blue Zone UK in the U.S.) one hit on the BILLBOARD Hot 100, with the song “Jackie,” featured in the 1987 film, SUMMER SCHOOL, starring Mark Harmon and Kirstie Alley.  “Jackie” reached No. 54 on the Hot 100.


It was not until Lisa’s first collaboration with producer and remixer Coldcut in the Spring of 1989 that gave her a big U.K. hit.  The song was “People Hold On,” from Coldcut’s debut album, WHAT’S THAT NOISE?.  Lisa sang and co-wrote the song, and it reached No. 11 on the U.K. singles chart and No. 6 on BILLBOARD’s Dance chart.  It also had Top 40 success in some countries around the globe.

people hold on

After “People Hold On” was a hit on both sides of the Atlantic, Arista Records signed Lisa on as a solo artist.  Her first successful solo single, “This Is The Right Time,” was released in late July 1989 (it was released as her third single in the U.S. a year later).

“This Is The Right Time” (produced by Coldcut) was a success, reaching No. 13 on the U.K. singles chart, and would go on to fare well in Austria, Canada, Germany, the BILLBOARD Hot 100 (where it reached No. 21), and the BILLBOARD Dance chart, where it spent a week on top in mid-October 1990.

A month before the mid-November 1989 release of Lisa’s debut solo album, AFFECTION, her second U.K. solo single was released – “All Around The World.”  And this one WOULD take her all around the world. 


Almost immediately, critics and music fans were hooked.  ROLLING STONE critic Amy Linden gave the AFFECTION album four out of five stars, saying “the way her voice slinks around the line ‘so-oo sad’ in ‘All Around The World’ show[s] that this is someone who knows her roots even if they aren’t really hers.”

The sound of “All Around The World” was inspired by the late, great R&B legend, Barry White (who would sing, with Lisa, on a version of the song in 1992), and it paid off.  Ten years after the peak of Disco, Lisa Stansfield brought the genre back for four-and-a-half minutes and then some all around the world.

barry + lisa

The single “All Around The World” was a massive hit nearly everywhere it landed.  It spent two weeks at No. 1 in the U.K. in November 1989, and from there, it reached No. 1 in Austria (six weeks), Belgium, Canada (five weeks), Holland (four weeks), Norway, Spain, and two weeks at No. 1 on both of BILLBOARD’s R&B and Dance charts, where it finished 1990 at Nos. 6 and 3, respectively, for the year.

Over here in the U.S., “All Around The World” was released in mid-January 1990, three months after its U.K. release, and the news of its success, well, all around the world was good news to American radio stations and record stores.  “All Around The World” debuted on the BILLBOARD Hot 100 just a couple of weeks later, in early February 1990. 

A couple of months later, it had reached No. 3, and certainly had the momentum to reach No. 1, but it got stuck in a few tight chart weeks, and it stayed at No. 3 for three weeks.  The competition for No. 1 was so tight, in fact, in those three weeks, there were three different No. 1 songs, the last of which was “Nothing Compares 2 U,” the Prince-composed gem of a cover by Sinéad O’Connor. 

all around the world

As it turns out, “All Around The World” really did have the momentum of being a No. 1 song here in America.  When BILLBOARD tallied up the top Hot 100 songs of 1990, “All Around The World” beat out the first two songs that did go to No. 1 (and prevented Lisa from going to there), not to mention it beat out several other No. 1 songs that year too.

Though some would prolly classify it more as an R&B or Dance song than a Disco song, I think “All Around The World” had a real big hand in reinvigorating the Disco genre for awhile in the early 1990s, or at least inspiring other artists and / or songs to include that “Disco” influence. 

One of THE BEST songs to dance to evah, Deee-Lite’s “Groove Is In The Heart” (released during the Summer of 1990), would certainly fit into that category.  Maybe even U2’s “Lemon” (1993), the Pet Shop Boys remix of Blur’s “Girls & Boys” (1994) and the brilliant “Justified & Ancient” by The KLF and Tammy Wynette (1991) would fit into that category as well.


In 1991, Lisa Stansfield was nominated for two Grammy Awards, including Best New Artist and Best Female Pop Vocal Performance, losing out to Mariah Carey in both categories.  For the British equivalent of the Grammy Awards, the BRIT Awards, Lisa won Best British Newcomer in 1990 and Best British Female in 1991.

After “All Around The World” (and not counting her vocal contribution to 1989’s “Do They Know It’s Christmas II”), Lisa Stansfield would go on to have 13 more Top 40 U.K. hits, six of those which reached the Top 10.  And she did okay over here in the U.S. for awhile.  Most recently, she released her seventh solo studio album, appropriately titled, SEVEN, in early 2014.  It was her highest-charting U.K. album in 17 years.  That same year, she also released her fourth compilation, and her second and third remix albums back-to-back.

Between 1999 and 2013, Lisa Stansfield appeared in five films, and in 1998, she married her second husband – her longtime friend, engineer, mixer, co-writer and co-producer, Ian Devaney.  They were married in a small ceremony in New York City.


Hard to imagine at one time I didn’t even like Lisa Stansfield or “All Around The World.”  It took me about five years, around my second year living in Portland, but I finally saw and heard what folks were raving about back in 1990.  And, once I learned this song was actually a U.K. hit in 1989, you can bet I played this song often on my little 80s radio show, STUCK IN THE 80s.  And, why wouldn’t I? 

Sure, somewhere in there, “All Around The World” is a melancholy song with some hope (“I can’t find my baby / I don’t know when, I don’t know why / Why he’s gone away / And I don’t know where he can be, my baby / But I’m gonna find him…”).  And it did what it set out to do – go all around the world, but also, it helped incorporate and reintroduce a genre that had pretty much been declared dead a decade before, and at a time where Grunge was about to take off, that’s a pretty impressive feat and then some for a song that almost sounds like it could have come out of 1977…

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song of the day – “Raspberry Beret” | PRINCE AND THE REVOLUTION | 1985.

Hard 2 believe it’s been an entire year since we lost Prince at the far-too-young age of 57.  I’ll never forget that day, April 21, 2016.  I was at work in Central Maine, and one of my co-workers said that Prince had died.  I told him that wasn’t funny.  We had already lost so many great musical talents by April 2016.  It was truly a year of losses like no other, right until the end of the year. 

On April 21, 2016, after work, I was heading down 2 the Portland area (the Westbrook Performing Arts Center, 2 be exact), 2 see Men At Work alum Colin Hay perform a solo acoustic show.  That day, I actually didn’t have many Prince songs on my iPod, so between Men At Work and Colin Hay tunes on my iPod, I channel-surfed the radio on the way 2 the show 2 see if they were paying tribute 2 Prince.  They were.  And Colin Hay himself played a little bit of “Little Red Corvette,” and called it a “weird day.”  It certainly was that.

colin hay 4.21.16

The wonderful Colin Hay, performing live at the Westbrook (Maine) Performing Arts Center, 4.21.16.

1985’s “Raspberry Beret” is far and away not my favorite Prince song (and maybe not even in my Top 20, though I do love it), but one year ago when I learned Prince had died, I heard this song on the radio more than any other Prince song.  And I’ll never forget that. 

Released on April 22, 1985, hot on the heels of the still incredibly popular PURPLE RAIN, AROUND THE WORLD IN A DAY took Prince and his band, The Revolution, on a more psychedelic than commercial musical journey than with PURPLE RAIN or previous efforts, garnering comparisons 2 The Beatles’ SGT. PEPPER’S LONELY HEARTS CLUB BAND, in both sound and the album’s cover artwork.


The full album artwork for 1985’s AROUND THE WORLD IN A DAY.  For the singles released from this album, images were used from this album art as the art for the singles.

prince talksIn the September 12, 1985 edition of ROLLING STONE, Prince disagreed with the Beatles comparison: “The influence wasn’t the Beatles.  They were great 4 what they did, but I don’t know how that would hang 2day.  The cover art came about because I thought people were tired of looking at me.  Who wants another picture of him?  I would only want so many pictures of my woman, then I would want the real thing.  What would be a little more happening than just another picture would be if there was some way I could materialize in people’s cribs when they play the record.  I don’t mind [the album being called psychedelic], because that was the only period in recent history that delivered songs and colors.  Led Zeppelin, for example, would make U feel differently on each song.”

“Raspberry Beret,” the first American single from the No. 1 album, AROUND THE WORLD IN A DAY (“Paisley Park” was released as the first single in Europe and other parts of the globe) incorporated strings and Middle Eastern finger cymbals (and a harmonica on the 12-inch remix), and was released in mid-May 1985, three weeks after the album’s release, and it only took three days 2 debut inside the Top 40 on the BILLBOARD Hot 100, rocketing in at No. 37.

raspberry beret

By early July 1985, “Raspberry Beret” seemed like it would B Prince’s third No. 1 song in America, but Duran Duran’s “A View To A Kill” had other plans.  “Raspberry Beret” spent a week at No. 2 one week after LIVE AID, and was one of the biggest U.S. singles of 1985.  It would also reach No. 3 on BILLBOARD’s R&B chart and No. 4 on BILLBOARD’s Dance chart.

Around the world in more than a day, “Raspberry Beret” was not one of Prince’s biggest international singles, but it did reach No. 2 in New Zealand, No. 8 in Canada, No. 13 in Australia, and the Top 30 in the U.K., Belgium, Holland and Ireland.

An edited version of the remix can be found in the video 4 the song, which won an MTV Video Music Award (his first) 4 Best Choreography In A Video.  If U R a fan of the TV show, CHEERS (like yours truly), U will notice the young girl who hands Prince his guitar in the first part of the video (which I couldn’t obtain) is Jackie Swanson, who played Woody Harrelson’s love interest in CHEERS, Kelly Gaines.  Jackie Swanson and Prince were friends, and the “Raspberry Beret” video was her professional debut.


From the video of “Raspberry Beret,” this is Jackie Swanson, of CHEERS fame, handing a guitar to her friend, Prince.

In October 1990, the late, great Warren Zevon recruited Bill Berry, Peter Buck and Mike Mills of R.E.M. 2 record an album of covers, and “Raspberry Beret” was one of them.  The only single released from the album, it reached No. 23 on BILLBOARD’s Modern Rock chart.

hindu love gods

Though there wasn’t a lot of press or promotion 4 the album, AROUND THE WORLD IN A DAY still managed 2 reach Double-Platinum status here in the U.S., and two singles from the album reached the BILLBOARD Hot 100’s Top 10 – “Raspberry Beret,” and the wonderful “Pop Life,” which reached No. 7 in September 1985.

Of the album’s mixed reception, Prince also said in that 1985 ROLLING STONE interview, “I talked 2 George Clinton, a man who knows and has done so much 4 funk.  George told me how much he liked AROUND THE WORLD IN A DAY.  U know how much more his words mean than those from some mamma-jamma wearing glasses and an alligator shirt behind a typewriter?

“I’ve heard some people say I’m not talking about anything on this record.  And what a lot of other people get wrong about the record is that I’m not trying 2 B this great visionary wizard.  Paisley Park is in everybody’s heart.  It’s not just something that I have the keys 2.  I was trying 2 say something about looking inside oneself 2 find perfection.  Perfection is in everyone.  Nobody’s perfect, but they can B.  We may never reach that, but it’s better 2 strive than not.”

A year after Prince left this world 4 another, those words still ring so true 2day.  “Raspberry Beret” isn’t my favorite Prince song, but it’s the one I’ll listen 2 first on every April 21, because it’s the one Prince song I heard more on that day than any other. 

I miss U Prince, wherever U R.  Peace and Love 2 U and then some…


song of the day – “Iko Iko” | THE BELLE STARS | 1982 / 1989.

The decade of excess gave us an excess of songs that were given a second chance on the BILLBOARD Hot 100 singles chart, songs like “Relax” by Frankie Goes To Hollywood, Ben E. King’s “Stand By Me,” “Twist And Shout” by The Beatles, “Do You Love Me?” by The Contours and “At This Moment” by Billy Vera & The Beaters, to name a handful. 

For whatever reason, 1989 was an especially popular year for singles to have a second go on the BILLBOARD Hot 100, including Peter Gabriel’s “In Your Eyes” (1986), “What About Me?” by Moving Pictures (1983), “When I’m With You” by Sheriff (1983), “Where Are You Now?” by Jimmy Harnen with Synch (1986) and “Into The Night” by Benny Mardones (1980). 

Another song that achieved success in 1989 but not originally from that year was “Iko Iko” by the seven-member, all-female New Wave band out of London, The Belle Stars, who formed in London in 1980 and broke up in 1986.


The origin of “Iko Iko” dates back to the early 1950s, when it was titled “Jock-A-Mo,” and was a 1953 single written and recorded by New Orleans group Sugar Boy And His Cane Cutters. 

jock-a-moAccording to a 2002 interview with the late James “Sugar Boy” Crawford (who passed away in 2012), he said the story of “Iko Iko” is about a “spy boy” [a lookout for one band of Indians] encountering the “flag boy” [the flag carrier for another “tribe”].  The “spy boy” threatens to “set the flag on fire.” 

“Sugar Boy” Crawford said “Jock-A-Mo” “came from two Indian chants that I put music to.  ‘Iko Iko’ was like a victory chant that the Indians would shout. ‘Jock-A-Mo’ was a chant that was called when the Indians went into battle.  I just put them together and made a song out of them.” 

Though it was not a hit, the next incarnation of “Jock-A-Mo” in 1965 – “Iko Iko” – was.  The Dixie Cups, an all-female Pop group out of New Orleans, best known for their hit, “Chapel Of Love,” recorded their version in 1964, and the following year, it was a global smash.

iko iko 82

In 1982, The Belle Stars released their version of “Iko Iko” in their homeland of the U.K. on Stiff Records, and it was a Top 40 U.K. hit, reaching No. 35.  Their cover would appear on the only studio album they released, their self-titled effort released in January 1983, and which featured the U.K. hits, “The Clapping Song” (a version of this was an American Top 40 hit for Pia Zadora in 1983), “Indian Summer” and “Sign Of The Times,” which reached No. 3 in the U.K. and No. 75 on the BILLBOARD Hot 100.

The Belle Stars’ version of “Iko Iko” went virtually unnoticed here in America until its opening appearance in the wonderful Academy Award-winning film, RAIN MAN, starring Dustin Hoffman and Tom Cruise, and released at the end of 1988.


Their version of “Iko Iko” was included on the soundtrack to RAIN MAN, and it didn’t take long for it to catch the ears of folks like yours truly here in America.  It debuted on the BILLBOARD Hot 100 in early March 1989, and reached the Top 40 four weeks later. 

The Belle Stars’ version of “Iko Iko” would go on to spend a lone week at No. 14 in mid-May 1989, and remained on the charts for about four months.  It also reached No. 7 in Australia and No. 17 in Canada.  Since then, it has been featured in a number of other films, including THE HANGOVER in 2009.

“Iko Iko” remains as one of the most-covered songs of all-time.  Cyndi Lauper recorded a version for her second album, 1986’s TRUE COLORS.  It’s been also covered by Dr. John, Warren Zevon, Zap Mama (whose version appeared in the 2000 film, MISSION: IMPOSSIBLE II), and most recently, on THE TONIGHT SHOW featuring Sia, Jimmy Fallon, Natalie Portman and The Roots.

the belle stars LP

It’s the 1982 / 1989 version by The Belle Stars, though, that is the version that stays close to me to this day, and I’m forever grateful that someone involved with the film, RAIN MAN, discovered it and thought it was good enough to include in the movie, and ultimately, release it as a single, so many folks (like yours truly) could, in turn, discover it too. “IKO!”

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