song of the day – “Dancing In The Dark” | BRUCE SPRINGSTEEN | 1984.

casey-kasem-at40-abc-billboard-650

On June 15, 2014, Casey Kasem, host of the longtime countdown program, AMERICAN TOP 40, passed away at the age of 82.  From my first blog post (and prolly some more inbetween then and now), I explained how, in 1979, I was a geeky, lanky and somewhat lost 12-year-old living in Central Maine, had a few friends and not a lot of interest in much of anything, but at some point early that year, I discovered AMERICAN TOP 40, and was glued to it every weekend.  Not only could I hear the 40 biggest songs in the country every week, but also Casey’s cool trivia and facts about the songs and the artists, a trait I treasure to this day.  For me, the show was No. 1 with a bullet.  And still is (thanks to the re-airing of broadcasts of AT40 on iHeart Radio).american-top-40-casey-kasem

In honor of my radio hero, Casey Kasem, since the start of June, I have been highlighting songs that peaked in the Top 40 of the BILLBOARD Hot 100 (including five (real) one-hit wonders of the 80s), just like on AMERICAN TOP 40, the hits have gotten bigger with each post.  On June 1, 2017, I featured a song that peaked at No. 40.  With the next post, I’ll feature a “song of the day” that went all the way to No. 1. 

As Casey used to say on AT40, “And on we go!”

If you listened to AMERICAN TOP 40 as faithfully as I did back in the 80s, before Nos. 2 and 1 were announced, he’d usually take a commercial break before announcing them, and would usually say, “The two biggies are coming right up!”  “The two biggies.”  Always cracked me up and still does.

But, when it came to AMERICAN TOP 40, “the two biggies” were, in fact, a big deal.  There a few positions on the chart that are the most frustrating, like Nos. 101, 41 and 11, but no other peak position on the BILLBOARD Hot 100 (or any singles chart, for that matter) was more frustrating to stop at than No. 2.

Foreigner endured the No. 2 position the longest in the 80s, spending 10 weeks in the runner-up spot in 1981 and 1982 with “Waiting For A Girl Like You,” a chart record Foreigner still shares to this day.  And I believe Madonna, who has six No. 2 songs to her credit (four of them in the 80s), still holds the chart record for most No. 2 singles in Hot 100 history.

waiting for a girl like you

All told, nearly 100 songs reached No. 2 between 1979 and 1989, including songs by three Beatles (Paul McCartney, John Lennon, and George Harrison, whose 1981 No. 2 hit, “All Those Years Ago,” was a tribute to John Lennon), two Jacksons (Michael and Janet), and a couple of (real) one-hit wonders, including the Cold War Classic by Nena, “99 Luftballons.”

99 luftballons

danger zoneSome of the biggest songs in history that maybe you thought were No. 1 hits in America were actually No. 2 hits, such as “Girls Just Want To Have Fun” by Cyndi Lauper, “Easy Lover” by Philip Bailey and Phil Collins, “We Got The Beat” by The Go-Go’s, “Electric Avenue” by Eddy Grant, “Danger Zone” by Kenny Loggins, “Hurts So Good” by John Mellencamp, “Start Me Up” by The Rolling Stones and “Purple Rain” by Prince And The Revolution.

Several artists peaked at No. 2 between 1979 and 1989 with two songs, including The Bangles, Culture Club (with their first two hits), Air Supply, Duran Duran, Glenn Frey, Kool & The Gang, John Mellencamp, Billy Ocean (including the guilty pleasure, “Loverboy,” which a DJ back in the day once referred to as “Heavy Metal Disco”; I would disagree), plus Robert Palmer, Pointer Sisters, Linda Ronstadt (in two big duets with James Ingram and Aaron Neville), Tina Turner and Jody Watley. 

loverboy

Michael Jackson gets an honorable mention, as he peaked at No. 2 with “The Girl Is Mine” with Paul McCartney, and he is featured in an uncredited role backing up Rockwell on “Somebody’s Watching Me.”  Likewise with Sheena Easton, who backed up Prince uncredited on “U Got The Look” and had her own No. 2 hit in 1989 with the sexy Dance hit, “The Lover In Me” (a long way from when she took that “Morning Train” to No. 1 in 1981; I’m sure Prince may have had something to do with it).

the lover in me

Speaking of Prince, he had three No. 2 hits between 1979 and 1989, or in this case, 1984 through 1987, with the aforementioned “Purple Rain” and “U Got The Look,” but also with “Raspberry Beret.”  He, too, gets an honorable mention, as he composed the No. 2 hit for The Bangles, “Manic Monday.”

lovesong

And a number longtime recording artists saw their biggest hits stop at No. 2, like The Cure (“Lovesong”), Journey (“Open Arms”), The Greg Kihn Band (“Jeopardy”), and Bruce Springsteen’s “Dancing In The Dark.”

If there was any one huge artist in the 80s I wanted to see reach No. 1 on the BILLBOARD Hot 100 singles chart, it was Bruce Springsteen.  I was first introduced to Bruce’s music with 1980’s “Hungry Heart,” from his first No. 1 album, THE RIVER.  At the time, I had no idea he had already released four critically-acclaimed and successful albums.

hungry heart

After “Hungry Heart,” I was a Bruce fan for life – granted, not the superfan that Hope is, but I don’t think anyone loves Bruce’s work more than Hope, except maybe for Bruce’s wife, Patti Scialfa.

“Dancing In The Dark” was released in early May 1984, a month before the BORN IN THE U.S.A. album was released.  And, right out of the gate, it was a hit.  “Dancing In The Dark” blasted onto the BILLBOARD Hot 100 the last week of May 1984 all the way into the Top 40, at No. 36.  By the next week, it was already No. 18, with its eyes set on No. 1.

dancing in the dark

Bruce had hit No. 1 before – as a songwriter.  A song from his 1973 debut album, GREETINGS FROM ASBURY PARK, N.J. – “Blinded By The Light” – was recorded by the London Rock band, Manfred Mann’s Earth Band, in 1977, and spent a week at No. 1 on the Hot 100 in February 1977, exactly four years to the month when Bruce’s original was released as a single.

bruce blinded

“Dancing In The Dark” had a lot going for it – a popular video directed by Brian de Palma (SCARFACE, THE UNTOUCHABLES, CARRIE, DRESSED TO KILL and the first MISSION: IMPOSSIBLE film) with actress Courtney Cox (FAMILY TIES, FRIENDS) dancing with Bruce on the stage (the video would win the MTV Video Music Award for Best Stage Performance). 

courtney n bruce

It also had a 12” Dance remix courtesy of Arthur Baker (who’s remixed songs for Daryl Hall & John Oates, Afrika Bambaataa, Cyndi Lauper, Pet Shop Boys and New Order).  The “Blaster Mix” was miles away from anything on 1982’s NEBRASKA or 1980’s THE RIVER, but people loved it.  Not only did it reach No. 7 on BILLBOARD’s Dance chart, it was the biggest-selling 12” single for all of 1984.  Arthur Baker would also go on to remix the follow-up Bruce singles “Cover Me” and “Born In The U.S.A.” as well.

blaster mix

As much as “Dancing In The Dark” had going for it in its second week on the Hot 100, another single debuting on the same chart that early June was “When Doves Cry” by Prince, released in advance of the album and film, PURPLE RAIN.  “When Doves Cry” reached the Top 40 a week later, and just like “Dancing In The Dark,” made a big move into the Top 20 the following week.

By late June 1984, “Dancing In The Dark” had climbed to No. 4, while “When Doves Cry” was closing in at No. 8.  The following week, “When Doves Cry” had jumped to No. 3, and “Dancing In The Dark” was at No. 2, right behind Duran Duran’s “The Reflex.”

“When Doves Cry” proved to be too powerful for “Dancing In The Dark,” which stayed for four weeks in the runner-up position.  “When Doves Cry” was the biggest song of 1984 here in America.

when doves cry back

Though “Dancing In The Dark” didn’t reach No. 1, Bruce Springsteen still had a lot to be proud of.  The song gave Bruce his first Grammy Award, winning for Best Rock Vocal Performance.  In the 1984 ROLLING STONE readers poll, “Dancing In The Dark” was voted “Single Of The Year.”  It’s also listed as one of The Rock And Roll Hall Of Fame’s 500 Songs That Shaped Rock And Roll.”  It sold a million copies in the U.S. alone, and the single’s B-side (one of the best ever), “Pink Cadillac,” was a Top 5 hit for Natalie Cole in 1988.

pink cadillac

Around the globe, “Dancing In The Dark” was an international smash (though in some countries it took awhile), reaching No. 1 in Belgium and the Netherlands, No. 2 in Ireland, New Zealand and Sweden, No. 4 in South Africa and the U.K., No. 7 in Canada and Norway, No. 11 in Finland and No. 12 in Italy.  In Australia, though it stopped at No. 5, it was the No. 1 song of the year, spending 40 weeks on the singles chart there.

“Dancing In The Dark” was just the first part of an amazing journey for Bruce Springsteen and the BORN IN THE U.S.A. album.  Seven out of the album’s 12 songs were released as singles, and all seven reached the Top 10 on the Hot 100 between 1984 and 1986, tying a record set in 1984 by Michael Jackson’s THRILLER album. 

born in the usa LP

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The first compact disc manufactured in the U.S.A. was BORN IN THE U.S.A.

BORN IN THE U.S.A. was No. 1 on BILLBOARD’s album chart twice, in July / August 1984 and January / February 1985.  PURPLE RAIN may have been the album of the year here in the U.S. for 1984 (BORN IN THE U.S.A. was No. 28), but for 1985, BORN IN THE U.S.A. was the No. 1 album of the year in America (and even No. 16 for 1986).

NERDY FUN FACT: BORN IN THE U.S.A. was the first compact disc manufactured in the U.S. for commercial release.  I remember seeing it at a DeOrsey’s in Waterville, Maine, and think it sold for something like $25.00.  And the record album still sounds better.

NERDY FUN FACT 2: According to a 1984 ROLLING STONE interview, the “Dancing In The Dark” Blaster Mix by Arthur Baker happened because Bruce had heard the remix Arthur did for Cyndi Lauper’s “Girls Just Want To Have Fun,” and he thought it was incredible: “It sounded like fun, so I hooked up with Arthur.  He’s a character, a great guy.  He had another fellow with him, and they were really pretty wild.  They’d get on that mixing board and just crank them knobs, you know?  The meters were goin’ wild.”

cyndi girls

Bruce Springsteen is one of those rare artists who have been on the same record label from the start – Columbia.  Two other Columbia artists instantly come to mind – Barbra Streisand and Bob Dylan.  There won’t be anyone else like them.  Ever. 

bob n bruce

Bob Dylan and Bruce Springsteen (along with many other familiar faces) at the “We Are The World” recording session, 1985.

If you pull away the catchy dance beat, “Dancing In The Dark” is a personal song about the difficulty of writing a hit song and Bruce’s frustration of trying to write songs that will please everyone.  Though I’m thinking Bruce would have liked to have another of his more personal songs become his biggest hit, I would almost bet my record collection he’s alright with that hit being “Dancing In The Dark.”

e st band

Bruce Springsteen with The E Street Band, 1984.

“You can’t start a fire / You can’t start a fire without a spark / This gun’s for hire / Even if we’re just dancing in the dark…”

https://www.youtube.com/watch?v=129kuDCQtHs

bruce 84

song of the day – “You Are The Girl” | THE CARS | 1987.

casey-kasem-at40-abc-billboard-650

On June 15, 2014, Casey Kasem, host of the longtime countdown program, AMERICAN TOP 40, passed away at the age of 82.  From my first blog post (and prolly some more inbetween then and now), I explained how, in 1979, I was a geeky, lanky and somewhat lost 12-year-old living in Central Maine, had a few friends and not a lot of interest in much of anything, but at some point early that year, I discovered AMERICAN TOP 40, and was glued to it every weekend.  Not only could I hear the 40 biggest songs in the country every week, but also Casey’s cool trivia and facts about the songs and the artists, a trait I treasure to this day.  For me, the show was No. 1 with a bullet.  And still is (thanks to the re-airing of broadcasts of AT40 on iHeart Radio).american-top-40-casey-kasem

In honor of my radio hero, Casey Kasem, for the entire month of June (and now through July), I will be highlighting a song each day (some days will have two songs!) that peaked in the Top 40 of the BILLBOARD Hot 100 (including five (real) one-hit wonders of the 80s), and with every blog post, just like on AMERICAN TOP 40, the hits will get bigger with each post.  On June 1, 2017, I featured a song that peaked at No. 40.  Sometime here in July, I’ll feature a “song of the day” that went all the way to No. 1. 

As Casey used to say on AT40, “And on we go!”

More than 40 songs climbed as high as No. 17 on the BILLBOARD Hot 100 between 1979 and 1989, again male-heavy selections, including two hits from Billy Joel, and two hits from Journey (plus, an additional No. 17 solo hit by Steve Perry, with Kenny Loggins – “Don’t Fight It”). 

I must really like songs that reached No. 17, because I’ve already written blog posts about six of them – “Ain’t Even Done With The Night” by John Mellencamp, “Beat’s So Lonely” by Charlie Sexton, “Days Gone Down” by Gerry Rafferty, “In A Big Country” by Big Country, “Living In A Box” by Living In A Box, and the wonderful Howard Jones with “You Know I Love You…Don’t You?”

hojo

The No. 17 rank is also one of just two from positions 40 through No. 1 that do NOT claim any of the more than 100 (real) one-hit wonders of the 80s that reached the Top 40 (the other is No. 6).

One of the later No. 17 hits from the 80s was the last Top 40 hit for The Cars – “You Are The Girl,” the first single from their sixth studio album, 1987’s DOOR TO DOOR.

door to door

Between the huge success of 1984’s HEARTBEAT CITY album and the release of DOOR TO DOOR, lead guitarist Elliot Easton and bassist and vocalist Benjamin Orr both released debut solo albums, and Ric Ocasek released his second solo album.  Plus, THE CARS’ GREATEST HITS was released, generating the Top 10 hit, “Tonight She Comes.”

Released in late August 1987, DOOR TO DOOR was intended to get the Boston band back into their original Rock roots (think back to their incredible 1978 self-titled debut album), free of drum machines and sampling that helped make the HEARTBEAT CITY album such a huge success. 

But, despite tension mounting within the (then) 11-year-old band, they pressed on and released DOOR TO DOOR.  The first single from the album, “You Are The Girl,” was written by both Ric Ocasek and Benjamin Orr, who share vocals on the song.  They hadn’t shared vocals on a Cars single since their second album, 1979’s CANDY-O, and the song “Since I Held You.”

candy-o

Can’t help it – any excuse to post this album cover works for me.  It – and she – are gorgeous!

NERDY FUN FACT: Acclaimed cult film writer / director and actor, John Waters (PINK FLAMINGOS, HAIRSPRAY, CRY-BABY) directed the video for “You Are The Girl.”

video

From the John Waters-directed video for “You Are The Girl.”

“You Are The Girl” was the “Hot Shot Debut” on the BILLBOARD Hot 100 for the last week of August 1987, coming in at No. 65.  It reached the Top 40 just two weeks later, and looked like it was headed for Top 10 territory.  But, despite appearing on the 1987 MTV Video Music Awards, where this song was played, “You Are The Girl” spent a quick week at No. 17 in late October 1987, and was out of the Top 40 and headed down the Hot 100 in November 1987, which is around the time I saw The Cars perform in Portland, Maine, at the former Cumberland County Civic Center.

you are the girl

Icehouse, who opened for The Cars, put on a solid show, and I became a big fan.  The Cars put on an amazing show, but there was no interaction between the band members, and Ric Ocasek threw out the occasional, half-hearted “thank you” to those of us in attendance. 

It was weird to see a band kick ass on stage and yet see them so distant from each other.  Broke my heart.  The band hadn’t broken up at that point (I think they wanted to finish the tour first), but they might have well as been broken up.  And they did, a few months later, around my 21st birthday in February 1988.

just what i needed

Sure, there was talk of a Cars reunion in the 90s, and even Rhino Records helped out with their awesome 2-CD compilation, JUST WHAT I NEEDED: THE CARS ANTHOLOGY, plus other Rhino releases and reissues.  But, a proper reunion was not to be.  Benjamin Orr died of pancreatic cancer in 2000.

While Ric Ocasek continued with his solo career post-Y2K, in 2005, Cars stalwarts Elliot Easton and keyboardist Greg Hawkes teamed up with Rock legend Todd Rundgren and a couple other folks to form The New Cars, releasing a live album, IT’S ALIVE, containing a mix of Cars hits and Todd Rundgren hits, along with a new song, “Not Tonight,” which really did sound like it could have come from the late 70s or early 80s.  I actually had tickets to The New Cars when they came to Portland, Maine, but for whatever reason, I missed it.  Kinda wish I had been there though…

it's alive

Hard to say, but maybe it was this successful spin-off of The Cars that inspired Ric Ocasek to reunite with the other surviving members of the band for a new album and tour in 2011: MOVE LIKE THIS.  With a long distance dedication in the liner notes to Benjamin Orr (“Ben, your spirit was with us on this one”), the band sounded as great as they had 24 years before, and as if they had been together the whole time.

move like this

Ben Orr and Ric Ocasek usually split up the vocals on albums, but with Ben gone, for MOVE LIKE THIS, Ric sang on all of the songs.  In an interview with ROLLING STONE about the reunion and the album, “I was aware that on half of the new songs, Ben would have done better than I did.  But we never wanted anybody from the outside.”

One cool thing they did for the album was not hire a bassist to replace Ben Orr.  Instead, any bass parts needed for the album were constructed and programmed by Greg Hawkes and MOVE LIKE THIS co-producer, Jacknife Lee, with Greg Hawkes playing a bass that had once belonged to Benjamin Orr.

sad song

A single from MOVE LIKE THIS, “Sad Song,” was well-received, sounded like The Cars of old, and reached No. 33 on BILLBOARD’s Rock Songs chart and No. 2 on BILLBOARD’s Triple A chart (it was heavily serviced to college and community radio stations).

The Cars finished up an 11-city mini-tour for MOVE LIKE THIS (appropriately enough) in Boston near the end of May 2011.  The band was nominated for induction into the Rock And Roll Hall Of Fame in 2015, and I hope they will get in one year.  So deserved. 

And though the band is technically still together, they haven’t recorded anything new or toured since MOVE LIKE THIS in 2011, though Ric Ocasek has overseen the remastering of The Cars’ discography on CD and vinyl.

The Cars have long been and remain as one of my all-time favorite bands, and their last Top 40 hit to date is definitely a keeper, even if the song was actually about an ex…

https://www.youtube.com/watch?v=KGf-sszK-qw

the cars 1987

song of the day – “Stand Back” | STEVIE NICKS | 1983.

69 years ago today, on May 26, 1948, Stephanie Lynn Nicks was born in Phoenix, Arizona, USA.  While in high school, Stevie met her future music (and romantic) partner, Lindsey Buckingham, and in mid-1967, she took over as the lead singer for Lindsey’s Psychedelic band, Fritz, a band that would open for huge acts like Jimi Hendrix and Janis Joplin from 1968 through 1971. 

Speaking of 1967, Stevie Nicks was exactly 19 years old when The Beatles released (in the U.K.) the brilliant SGT. PEPPER’S LONELY HEARTS CLUB BAND, what many folks still consider as the greatest album of all time.  Happy 50th SGT. PEPPER!

sgt pepper

Stevie Nicks and Lindsey Buckingham both attended the San Jose State University in Northern California, and Stevie dropped out just a semester before graduating.  She had wanted to become an English teacher, which is indeed a noble profession (my oldest niece, Elizabeth, currently on a two-year journey working with the Peace Corps in Tanzania, will most likely be an English teacher somewhere here in the U.S. when she returns.  You can check out Elizabeth’s amazing blog here: https://elizabethlivinglifetanzania.wordpress.com.)

Elizabeth, Day 2, Tanzania 7.15.16

I love this picture.  That’s my oldest niece, Elizabeth, taken on her Day 2 in Tanzania (in Africa), 7.15.2016.

buckingham nicksWhile I’m sure Stevie Nicks would have made an excellent English teacher, the profession she ended ended up excelling at – being a Rock star – worked out pretty well, but not at first.  For a couple of years, from 1972 through 1974, she and Lindsey Buckingham worked together as Buckingham Nicks, and released an unsuccessful self-titled album in 1973, and whose cover prolly got more press than the album itself. 

In 1975, when Lindsey Buckingham met up with Mick Fleetwood, the namesake of the Rock band, Fleetwood Mac, he said that he and Stevie were “a package deal,” if he was to join the band (following the departure of Mac guitarist Bob Welch).  Well, even if it ended up not working out romantically for Stevie and Lindsey, their contributions to Fleetwood Mac changed the band forever. 

After the huge success of the albums FLEETWOOD MAC and RUMOURS, the latter of which still holds the record for the longest run at No. 1 on the BILLBOARD Album chart (31 weeks) by a band, and still remains as one of the Top 10-selling albums of all-time here in America.

rumours

Following RUMOURS, Stevie started contributing to the songs of other recording artists.  In 1978, she sang backup on the Top 10 hits “Magnet And Steel” by her friend, Walter Egan (a song she inspired), and on “Whenever I Call You Friend,” the first big solo hit for Kenny Loggins.  In 1979, both Stevie and Lindsey teamed up with the late, great John Stewart and contributed their talents on three Top 40 singles for The Kingston Trio alum, including the big Top 5 hit, “Gold.” 

kenny_stevie

Kenny Loggins and Stevie Nicks, singing about calling each other a friend, 1978.

On July 27, 1981, Stevie released (on the Atlantic Records imprint, Modern Records, a label she co-founded) her debut album as a solo artist – BELLA DONNA.  The album was a huge success, reaching No. 1 on the BILLBOARD Album chart (selling over four million copies in the U.S. alone), plus, it charted four Top 40 singles (including her biggest solo hit – with Tom Petty & The Heartbreakers, “Stop Draggin’ My Heart Around”), and she was instantly hailed by ROLLING STONE as “the Reigning Queen of Rock and Roll.”

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In between BELLA DONNA and her second solo album in 1983, THE WILD HEART, Fleetwood Mac released their No. 1 album, Mirage, which generated the big singles, “Hold Me” and “Gypsy,” which I just heard on the radio this past week, and hear often.

the wild heart

THE WILD HEART was released on June 10, 1983, and while it was not as popular as BELLA DONNA, the album still reached No. 5 on the BILLBOARD Album chart, was certified Double-Platinum, and gave Stevie another three Top 40 solo hits, including one of her all-time biggest hits, “Stand Back.”

Released exactly a week before her 35th birthday in May 1983, “Stand Back” has a cool and interesting story behind it, one I didn’t realize until after Prince’s death in April 2016:

On January 29, 1983, Stevie Nicks had just gotten married, and was on her honeymoon, driving North to Santa Barbara, California, when she heard Prince’s “Little Red Corvette” for the first time.  Inspired, she wrote “Stand Back” that day, while humming along to “Little Red Corvette.” 

little red corvette

When Stevie went to record “Stand Back,” she called Prince and told him the story of how the song came about.  20 minutes later, Prince showed up at her studio.  She once told ROLLING STONE that Prince “walked over to the synthesizers that were set up, was absolutely brilliant for about 25 minutes and then left.  He spoiled me for every band I’ve ever had because nobody can exactly recreate – not even with two piano players – what Prince did all by his little self.”

Prince’s work on “Stand Back” remains uncredited, but Stevie has always maintained that even though she wrote the song, she says it belongs to Prince (they did end up splitting the publishing royalties 50-50).  She added, “he got up and left as if the whole thing happened in a dream.”

Well, what a dream, and what a story, and what a song.  “Stand Back” remains as one of my all-time favorite songs by Stevie Nicks.  It debuted on the BILLBOARD Hot 100 in early June 1983 at No. 60, while Prince’s “Little Red Corvette” was still driving itself within the highway of the Top 10. 

stand back US

“Stand Back” took just a couple of weeks to reach the Top 40, giving Stevie her fifth consecutive Top 40 hit on the Hot 100.  In mid-August 1983, “Stand Back” spent a week at No. 5 and stayed on the chart for 19 weeks, finishing its chart run at No. 100 in early October 1983.  According to BILLBOARD, it finished the year at No. 44.

Over on BILLBOARD’s Mainstream Rock chart, it’s no surprise that “Stand Back” was a big hit, reaching No. 2.  Prolly more surprising was that it also reached No. 12 on BILLBOARD’s Dance chart.  (It’s not surprising to me, though, as it features a killer funky guitar riff in the middle of the song that sounds like it could have easily been provided by Nile Rodgers, or for a Michal Jackson song). 

Around the globe, “Stand Back” reached the Top 20 in Canada and Australia, and the Top 40 in Germany and Holland.  A reissue of “Stand Back” in 2007 sent it to No. 2 on BILLBOARD’s Dance chart, thanks to several updated remixes.

stand back 2007

“Stand Back” was so popular in fact, that, on Fleetwood Mac tours since 1987, it has been a staple at their shows, including the band’s 2013 world tour.

24 karat gold tour

Stevie was in Boston in November 2016 for her 24 Karat Gold Tour, which included The Pretenders, and yes, “Stand Back” was thankfully on the playlist.  Would have loved to have seen that show.  In July, she’ll be performing two dates at Dodger Stadium in Los Angeles with Fleetwood Mac as part of The Classic West, a two-day concert featuring six classic acts, including The Eagles, Steely Dan, The Doobie Brothers, Journey and Earth, Wind & Fire.  All of these bands return a couple weeks later at New York’s Citi Field for The Classic East.  That’d be fun.

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For 69 years, time and space have been two incredible factors in the life and continued success of Stevie Nicks.  She even titled her first hits compilation, in 1991, TIMESPACE: THE BEST OF STEVIE NICKS.  I don’t think that was an accident.  And, I think if you do stand back and look at the career of birthday girl Stevie Nicks, I’d bet my record collection that you’d agree and say she’s definitely still Rock royalty, and always will be… 

Happy Birthday, Stevie!

https://www.youtube.com/watch?v=-gSKeCvSCpw

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song of the day – “Holding Out For A Hero” | BONNIE TYLER | 1984.

With 13 million copies sold to date in the U.S. alone and 24 total weeks at No. 1 on BILLBOARD’s album chart in 1984 and 1985 (plus nearly a 25th week on top following Prince’s sad passing in 2016), Prince’s brilliant 1984 album, PURPLE RAIN, reigns purple and all the colors of the 80s movie soundtrack rainbow.

1987’s DIRTY DANCING soundtrack sways in (Swayze’s in?) at No. 2 with 11 million copies sold here in America.  And, at No. 3 with nine million copies sold in the U.S. to date, it’s one of two 80s soundtracks that generated six Top 40 hits on BILLBOARD’s Hot 100 chart – 1984’s FOOTLOOSE (1980’s URBAN COWBOY was the other).

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Bonnie Tyler in 1984.

In early 1984, then-32-year-old Welsh singer Bonnie Tyler was still riding the wave of her big worldwide No. 1 song from 1983, “Total Eclipse Of The Heart,” which was written and produced by Jim Steinman.  Best known for his work with Meat Loaf, Jim Steinman also produced and/or wrote songs for Air Supply, Barry Manilow, Billy Squier, Celine Dion and even The Sisters Of Mercy (“This Corrosion” and “More”).  (Is it wrong for me to ever hope for a Jim Steinman compilation album?  Because I really want to see Celine Dion and The Sisters Of Mercy back-to-back on that album.)

On the BILLBOARD Hot 100 this week in 1984, Kenny Loggins’ title song from FOOTLOOSE was dancing its way up the Top 40 (much to the dismay of the Rev. John Lithgow), and Bonnie Tyler debuted at No. 84 with “Holding Out For A Hero,” the second single released from the soundtrack.

The anthemic, synth-drum heavy “Holding Out For A Hero” (produced and co-written by Jim Steinman and FOOTLOOSE screenwriter Dean Pitchford) looked like it was going to be another big hit for the FOOTLOOSE soundtrack, and for Bonnie Tyler, as it debuted in the Top 40 while Kenny Loggins’ “Footloose” was No. 1. 

footloose

But, here in the U.S., Bonnie Tyler ended up holding out for a hero (or rather, that next big American hit).  “Holding Out For A Hero” spent two quick weeks at No. 34 in April 1984, and quickly removed itself from the Hot 100.  After all these years, I’m still kinda surprised it wasn’t a big hit here in America, considering how big both the FOOTLOOSE film and soundtrack were, not to mention almost everything Jim Steinman produces and/or writes does well. 

holding-out-for-a-hero

In parts of the globe, however, “Holding Out For A Hero” performed like a hero, spending a week at No. 1 in Ireland in late September 1985, and reaching No. 2 in the U.K. in 1985 (it peaked at No. 96 during its initial run), and it spent eight weeks at No. 2 in Canada and a total of 31 weeks on that chart.

“Holding Out For A Hero” has appeared in several films and TV shows over the years, with the biggest cover appearing in 2004’s SHREK 2, sung by the comedic star of that film and ABSOLUTELY FABULOUS, Jennifer Saunders.

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Jennifer Saunders belting out “Holding Out For A Hero” in 2004’s SHREK 2.

The song came back on my radar after appearing first during Super Bowl LI, in a commercial for the Kia Niro hybrid SUV.  Legendary comic actress Melissa McCarthy stars in the ad, with Bonnie Tyler’s anthem providing the background inspiration.  Melissa travels around the globe to do what she can to stop environmental disasters.  It’s pretty funny, but then again, so is Melissa McCarthy.

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33 years later, I don’t think I would necessarily classify “Holding Out For A Hero” as a guilty pleasure for me, though I could see where someone would think that.  I’ve always been a fan of the song, actually, and it was frequently requested on STUCK IN THE 80s over the show’s 20-year history. 

Whether or not anyone reading this blog post is still holding out for their own hero, I’m glad Bonnie Tyler’s 1984 anthem from a low-budget movie about the power of and right to dance is still getting some love in 2017…

https://www.youtube.com/watch?v=bWcASV2sey0

bonnietyler

pure imagination.

To borrow from the beautiful and sweet gem from 1971’s WILLY WONKA AND THE CHOCOLATE FACTORY, “pure imagination” are two words (of many) to describe the brilliant Gene Wilder, who passed away today (8.29.2016) at the age of 83.

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Gene Wilder and Gilda Radner, 1986.

 

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Gene Wilder and Mel Brooks, 2007.

Gene Wilder was a comedic genius and then some, from his films with Mel Brooks and Richard Pryor to his Emmy-winning guest spot on WILL & GRACE in 2003 to “Pure Imagination,” that gorgeous piece of music and movie history that will always be with me, at any age.

He was an accomplished actor, screenwriter, singer, author and film director, was nominated for two Academy Awards and two Golden Globe Awards.  I love that his first film was BONNIE AND CLYDE (released six months and a day after I was born), though his first big film was 1968’s THE PRODUCERS, which gave him his first Academy Award nod.  And, I had forgotten that he directed and wrote at least four films – and starring in all of them – including 1984’s THE WOMAN IN RED (adapted from the 1976 French film, PARDON MON AFFAIRE).

the woman in red

When I started the FOREVER YOUNG bloggy thing here back in January, I had no intention of posting a song from 1971 on a blog that focuses on music from the 1980s (and some from 1979), unless it had a connection to the 80s (like a reissue or something like that).  And, as much as I love Stevie Wonder, I can’t in good conscience post “I Just Called To Say I Love You” (from THE WOMAN IN RED) as a tribute to Gene Wilder.  That just wouldn’t be right.  So, for Gene, I’m breaking my “rule” today.

pure imaginationThe name of today’s post is taken from that gorgeous song Gene sings in the 1971 masterpiece, WILLY WONKA & THE CHOCOLATE FACTORY (all the while maintaining his gift for comedy).  (A link to “Pure Imagination” from the film is attached below).  I believe “Pure Imagination” might be one of the most-covered songs of all-time, and over the years, it has been covered by the likes of Kenny Loggins, Mariah Carey, Jazz great Bob James (who did the TAXI theme), and even Primus back in 2014 for their album, PRIMUS & THE CHOCOLATE FACTORY WITH THE FUNGI ENSEMBLE.  I’d say my favorite modern version of “Pure Imagination” is a lush 2013 cover by Fiona Apple.

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Richard Pryor and Gene Wilder, 1989.

While I am saddened by the loss of Gene Wilder, I am grateful for the movies and memories he leaves behind, and I think it’s pretty cool we were on the same planet for nearly 50 years. R.I.P. Gene, and many, many thanks. You’re missed already…

https://www.youtube.com/watch?v=SVi3-PrQ0pY

gene wilder