song of the day – “Abracadabra” | STEVE MILLER BAND | 1982.

colin hay strand 081617

Waiting for the real Colin Hay to begin, Rockland, Maine, 8.16.2017. He was, of course, fantastic and soulful.

Hey everyone!  Thanks so much for being patient with me, as I’ve taken an unexpected (but quite enjoyable) absence from the bloggy thing since the end of July.  There’s been work stuff, home stuff, I had a fun time attending concerts featuring Blondie, the 80s Retro Futura Tour (including Howard Jones, Modern English, Men Without Hats, Paul Young, Katrina of Katrina And The Waves, and The English Beat!), and most recently, seeing the wonderful Colin Hay in beautiful Rockland, Maine. 

I’ve also been spending a lot of quality time with the incredible and awesome Hope, my superfriend, sassy radio co-host and writing hero, which included a swim in the cold Atlantic Ocean here in Maine that changed me forever.  There’s a lot more to say, and I will, in a post coming soon that will be about Hope and that swim in the ocean and much more!  And Hope comes up again later in this post, so stay tuned!!

HopeyT and me

That’s the absolutely lovely HopeyT and me, Kettle Cove State Park, Cape Elizabeth, Maine, 9.2.2017!

When I started my tribute to my radio hero, Casey Kasem, back on June 1, school was in session and Summer was weeks away.  Well, it’s now September 9, 2017, school is back in session and Fall is less than two weeks away.  I’ve had fun bringing you this tribute to Casey (who passed away in June 2014 at the age of 82), and wanted to make sure (1) you all didn’t think I would hold out on the Number One song of this tribute, and (2) that I get this in ASAFP, because what’s a Top 40 countdown without a Number One song?

casey-kasem-at40-abc-billboard-650

Much like AMERICAN TOP 40, this post will be full of nerdy chart facts and then some, but first, I wanted to recap the songs I’ve posted in this series so far.  These songs (which include five (real) one-hit wonders of the 80s), are ranked at the positions they peaked at on the BILLBOARD Hot 100 (with peak year), and though they do not represent a definitive Top 40 list for me, but I love all of them, and hope you’ve enjoyed reading about them!

40. CLONES (WE’RE ALL) – ALICE COOPER (1980)

39. SLIPPING AWAY – DAVE EDMUNDS (1983)

38. PROMISES IN THE DARK – PAT BENATAR (1981)

37. WHISPER TO A SCREAM (BIRDS FLY) – ICICLE WORKS (1984; (real) one-hit wonder of the 80s)

36. SOMETIMES A FANTASY – BILLY JOEL (1980)

35. FAKE FRIENDS – JOAN JETT & THE BLACKHEARTS (1983)

34. ME MYSELF AND I – DE LA SOUL (1989)

33. PRIDE (IN THE NAME OF LOVE) – U2 (1984)

32. VALLEY GIRL – FRANK & MOON ZAPPA (1982)

31. (GHOST) RIDERS IN THE SKY – THE OUTLAWS (1981)

30. LIES – THOMPSON TWINS (1983)

29. TURN UP THE RADIO – AUTOGRAPH (1985; (real) one-hit wonder of the 80s)

28. POINT OF NO RETURN – NU SHOOZ (1986)

27. THE RIGHT THING – SIMPLY RED (1987)

26. NOT JUST ANOTHER GIRL – IVAN NEVILLE (1988)

25. TAKE ME WITH YOU – PRINCE & THE REVOLUTION featuring APOLLONIA (1985)

24. ONE WAY OR ANOTHER – BLONDIE (1979)

23. YOU CAN CALL ME AL – PAUL SIMON (1986 / 1987)

22. AIN’T NOBODY – RUFUS & CHAKA KHAN (1983)

21. FOOL IN THE RAIN – LED ZEPPELIN (1980)

20. OUR LIPS ARE SEALED – THE GO-GO’S (1982)

19. PUSH IT – SALT-N-PEPA (1988)

18. LET ME TICKLE YOUR FANCY – JERMAINE JACKSON with DEVO (1982)

17. YOU ARE THE GIRL – THE CARS (1987)

16. HOLIDAY – MADONNA (1984)

15. ONE OF THE LIVING – TINA TURNER (1985)

14. DIGGING YOUR SCENE – THE BLOW MONKEYS (1986; (real) one-hit wonder of the 80s)

13. TARZAN BOY – BALTIMORA (1986)

12. WHAT’S GOING ON – CYNDI LAUPER (1987)

11. EDGE OF SEVENTEEN – STEVEIE NICKS (1982)

10. RELAX – FRANKIE GOES TO HOLLYWOOD (1985)

09. THE ONE I LOVE – R.E.M. (1987)

08. LET THE MUSIC PLAY – SHANNON (1984)

07. WHAT I AM – EDIE BRICKELL & NEW BOHEMIANS (1989)

06. INFATUATION – ROD STEWART (1984)

05. WANNA BE STARTIN’ SOMETHIN’ – MICHAEL JACKSON (1983)

04. HEART AND SOUL – T’PAU (1987; (real) one-hit wonder of the 80s)

03. LOVE SHACK – THE B-52’S (1989)

02. DANCING IN THE DARK – BRUCE SPRINGSTEEN (1984)

Throughout this series, I’ve been mentioned how many songs peaked at each position between 1979 and 1989.  It’s only fitting that songs which reached No. 1 would have the highest number of songs hitting the apex of the BILLBOARD Hot 100.  For this post, I am only counting the songs that reached No. 1 between January 1980 and December 1989, and for that 80s time period, 232 songs went all the way to No. 1.  Let’s get nerdy now (if you’re not already there), with some chart feats about No. 1 songs during the 80s and the BILLBOARD Hot 100:

  • FOUR (REAL) ONE-HIT WONDERS reached No. 1 during the 80s – Bobby McFerrin (“Don’t Worry, Be Happy”), the second-chance single, “When I’m With You” by Sheriff, Jan Hammer’s “Miami Vice Theme,” and Vangelis (“Chariots Of Fire (Titles)”), though the composer did reach the chart separately twice in the early 80s as part of the duo Jon & Vangelis, with Jon Anderson of Yes.

miami vice theme

  • MOST WEEKS SPENT AT NO. 1 IN THE 80s (27); MOST NO. 1 SONGS FROM ONE ALBUM (5); MOST NO. 1 SONGS IN THE 80s (9) – Michael Jackson.  The King Of Pop reached No. 1 in the 80s with “Rock With You” (1980; 4 weeks at No. 1), “Billie Jean” (1983; 7 weeks), “Beat It” (1983; 3 weeks), “Say Say Say,” with Paul McCartney (1983 / 1984; 6 weeks), “I Just Can’t Stop Loving You,” with Siedah Garrett (1987; 1 week), “Bad” (1987; 2 weeks), “The Way You Make Me Feel” (1988; 1 week), “Man In The Mirror” (1988; 2 weeks); “Dirty Diana” (1988; 1 week).beat it
  • MOST NO. 1 SONGS IN THE 80s (if you’re NOT Michael Jackson): Madonna (7), Phil Collins (7 solo hits), Whitney Houston (7), George Michael (6 solo hits, which includes “Careless Whisper”), Daryl Hall & John Oates (5), Lionel Richie (5).

crazy 4 U

  • NO. 1 WITH MOST WEEKS SPENT ON THE HOT 100 – 40 – “Red Red Wine” – UB40. It spent 25 weeks on the Hot 100, including a week at No. 1 in 1988, and had charted for 15 weeks in its first chart run in 1984.

red red wine

  • MOST CONFIGURATIONS AT NO. 1 – PAUL McCARTNEY, with Wings (“Coming Up (Live At Glasgow),” 1980), with Stevie Wonder (“Ebony And Ivory,” 1982), and with Michael Jackson (“Say Say Say,” 1983 / 1984).

coming up

  • NO. 1 WITH MOST WEEKS SPENT IN THE TOP 10 OF THE HOT 100 (15) – “Physical – OLIVIA NEWTON-JOHN (1981 / 1982), and “Eye Of The Tiger” – SURVIVOR (1982).  SUPER NERDY FUN FACT: the song which spent the most weeks in the Top 10 in the 80s didn’t even reach No. 1 – “Hurts So Good” by John Mellencamp spent 16 weeks in the Top 10, with four of those weeks in the runner-up spot.

survivor

  • MOST WEEKS SPENT AT NO. 1 IN THE 80s (10) – “Physical” by Olivia Newton-John (1981 / 1982).  While it’s more commonplace on the Hot 100 these days, the biggest song of the 1980s would be the only song to spend at least 10 weeks at No. 1 on the chart for next 10 years.  In 1992, Boyz II Men spent a then-record 13 weeks at No. 1 with “End Of The Road.”  Two No. 1 songs later, Whitney Houston would break that record with “I Will Always Love You,” which spent its 14th and final week on top in late February 1993.  The current record is 16 weeks at No. 1.

physical

In the most recent tabulation of the Greatest Of All Time Hot 100 songs for BILLBOARD’s legendary singles chart, many songs from the 80s were represented, and are currently ranked as follows:

08. “Physical” – OLIVIA NEWTON-JOHN (1981 / 1982; 10 weeks at No. 1)

15. “Bette Davis Eyes” – KIM CARNES (1981; 9 weeks)

16. “Endless Love” – DIANA ROSS & LIONEL RICHIE (1981; 9 weeks)

24. “Eye Of The Tiger” – SURVIVOR (1982; 6 weeks)

29. “Every Breath You Take” – THE POLICE (1983; 8 weeks)

31. “Flashdance…What A Feeling” – IRENE CARA (1983; 6 weeks)

40. “Another One Bites The Dust” – QUEEN (1980; 3 weeks)

41. “Say Say Say” – PAUL McCARTNEY & MICHAEL JACKSON (1983 / 1984; 6 weeks)

54. “Call Me” – BLONDIE (1980; 6 weeks)

57. “Lady” – KENNY ROGERS (1980; 6 weeks)

63. “Centerfold” – THE J. GEILS BAND (1982; 6 weeks)

64. “(Just Like) Starting Over” – JOHN LENNON (1980 / 1981; 5 weeks)

68. “I Love Rock ’N Roll” – JOAN JETT & THE BLACKHEARTS (1982; 7 weeks)

73. “Ebony And Ivory” – PAUL McCARTNEY & STEVIE WONDER (1982; 7 weeks)

75. “That’s What Friends Are For” – DIONNE & FRIENDS (1986; 4 weeks)

77. “Upside Down” – DIANA ROSS (1980; 4 weeks)

83. “Billie Jean” – MICHAEL JACKSON (1983; 7 weeks)

86. “Abracadabra” – THE STEVE MILLER BAND (1982; 2 weeks)

89. “Say You, Say Me” – LIONEL RICHIE (1985 / 1986; 4 weeks)

91. “All Night Long (All Night)” – LIONEL RICHIE (1983; 4 weeks)

95. “Waiting For A Girl Like You” – FOREIGNER (1981 / 1982; 10 weeks at No. 2; still tied for a record for spending the most weeks peaked at No. 2 on the Hot 100)

98. “Hurts So Good” – JOHN MELLENCAMP (1982; 4 weeks at No. 2)

So, for now, the 80s represent more than a fifth of the greatest hits to grace the BILLBOARD HOT 100.  Pretty damn cool.  I know it won’t always be like that, and I always wonder why some huge hits like Prince’s “When Doves Cry” (No. 1 for 1984) or Pink Floyd’s “Another Brick In The Wall” (No. 2 for 1980) aren’t up there, but songs these days tend to stay atop the Hot 100 (and the chart as a whole) a lot longer than they did back in the day, but honestly, I’m grateful for the songs that are still there. 

When I was preparing for this hefty blog post (prolly my second-longest, save for the Prince tribute post in April 2016), I was going through the list of No. 1 songs, and there are some songs I’ve already featured as a “song of the day” (Tears For Fears’ “Everybody Wants To Rule The World” comes to mind, and has often as of late), and there are many others I love. 

TFF

U2_des_7But, I concede that there are some real stinkers in there, too: Will To Power’s awful covers medley of “Baby, I Love Your Way” and “Freebird” (subtitled “Freebaby,” which is just heinous)?!  How in THE HELL did that get to go to No. 1 and “I Don’t Want Your Love” by Duran Duran stops at No. 4, and U2’s “Desire” stops at No. 3?!  For the love of all things holy!  And though I admit enjoying the movie MANNEQUIN, “Nothing’s Gonna Stop Us Now” by Starship?!  Are you kidding me?!  Even Grace Slick denounced that piece of shit.  While the go-to “worst song of the 80s” award is usually 1985’s “We Built This City,” I can tolerate that way more over “Nothing’s Gonna Stop Us Now.”  Yes, I’m THAT guy.

If I was going for my absolute favorite No. 1 song of the 80s, there’s no competition.  It’s “Don’t You (Forget About Me)” by Simple Minds.  It’s also my all-time favorite song.  But it’s a post I want to save for another time.  So, I thought it would be fun to bring in Hope, my writing hero, who, unlike yours truly, doesn’t obsess and write about nerdy chart facts or Top 40 hits, let alone ones that hit No. 1.  I thought it would be cool to have her choose the song for this post.

don't you

On August 11, 2017, Hope was kind enough to send me her list of her picks for No. 1 songs from the 80s, many of which have been already mentioned in this post!  One of those songs, and a song that is almost universally loved (like “Let’s Dance” by David Bowie, “Time After Time” by Cyndi Lauper, or the aforementioned Tears For Fears, Prince and Simple Minds gems) is “Abracadabra” by The Steve Miller Band.abracadabra7

Hope had included “Abracadabra” under the category of “Situational” No. 1 songs.  For Hope, “Abracadabra” was popular during the Summer after her high school graduation (“the glamorous Summer in The Hamptons!”), and she loves the line, “black panties with an angel’s face.”  Who wouldn’t love that line?!  It’s awesome (much like Hope herself)!

Milwaukee, Wisconsin native Steve Miller formed his Psychedelic Rock / Blues Rock band in San Francisco back in 1966.  Since his first two albums were released in 1968, through to his 1988 Jazz album, BORN 2 B BLUE, Steve Miller had been on Capitol Records, and he had some huge albums in the 70s. 

heart like a wheel

After 1981’s CIRCLE OF LOVE album (with the sweet Top 40 hit and criminally-forgotten gem, “Heart Like A Wheel”) failed to become his fourth consecutive platinum album here in America (though it was certified Gold), Steve was undeterred, got to work, and released the ABRACADABRA album in mid-June 1982.

abracadabra LP

Of the album, ROLLING STONE said, “The essence of good magic is deception, and with the release of this album, Steve Miller has earned the right to twirl his wand and shout, ‘Abracadabra!’”

Well, Steve thought so too, but Capitol wasn’t so sure.  The song inspired by Diana Ross (whom Steve met on a Pop music TV show in the 60s) told THE HOWARD STERN SHOW in 2016 that Capitol Records didn’t see a hit with the song “Abracadabra”:

“Capitol didn’t believe in [“Abracadabra”] and didn’t want to release it.  I had a different deal with Phonogram in Europe.  When it came out in Europe, I cancelled my American tour because it was Number One everywhere in the world, except the States.”  Once again, the record label got it wrong.

Well, after seeing the success of “Abracadabra” overseas, Capitol gave in and released it in the U.S., a month before the ABRACADABRA album was released.  “Abracadabra” debuted on the BILLBOARD Hot 100 in late May 1982 at No. 75, and took just four weeks to debut within the Top 40. 

The next few weeks were a steady climb, and by late July 1982, “Abracadabra” had become Steve Miller’s first Top 10 hit in five years, to the month.  With John Mellencamp’s “Hurts So Good” camped out at No. 2, and Survivor’s “Eye Of The Tiger” camped out at No. 1, “Abracadabra” was stuck at No. 3 for four weeks before it could work its magic on reaching No. 1. 

In early September 1982, after 15 weeks on the chart, “Abracadabra” finally hit No. 1 on the BILLBOARD Hot 100, giving Steve Miller his third No. 1 U.S. single overall, and his first No. 1 single since 1976’s “Rock’n Me” spent a week on top.  The No. 1 run of “Abracadabra” was just as quick as “Rock’n Me,” and his first No. 1 song, 1974’s “The Joker,” which also spent a lone week at No. 1.

SMB 82

The Steve Miller Band, 1982.

The following week, Chicago’s “Hard To Say I’m Sorry” snuck into the No. 1 position when no one was looking and stayed there for two weeks.  “Abracadabra” dropped to No. 3 (behind previous No. 1, “Eye Of The Tiger”).  But, in a magical chart feat, “Abracadabra” moved back up to No. 2 the next week, and by the end of September, “Abracadabra” reclaimed the No. 1 spot for one more week, before John Mellencamp’s little ditty about “Jack And Diane” started its four-week run at No. 1.  “Abracadabra” stayed on the Hot 100 until mid-Novemer 1982, and left the chart after nearly half a year.  It finished the year at No. 9 here in America. 

Around the globe, “Abracadabra” worked its magic on the singles charts of many countries, reaching No. 1 in Switzerland (six weeks), Sweden (four weeks), Australia and Canada (two weeks), and Austria, No. 2 in the U.K., Germany and Ireland, No. 4 in Norway, No. 8 in New Zealand, and No. 26 in the Netherlands.

“Abracadabra” was the last song The Steve Miller Band placed inside of the Top 40 of the BILLBOARD Hot 100, though they charted several more times through 1993, including the brilliant but oddly-underrated “I Want To Make The World Turn Around” from 1986.

i want to make the world turn around

Steve Miller continues to tour today, and in 2016, he was inducted as a solo artist into the Rock And Roll Hall Of Fame, where he had some not so nice things to say about the whole thing, calling the Hall a “private boys’ club full of fucking gangsters and crooks,” and vowing to make it better. 

SMB 2015

The Steve Miller Band, 2015.

He suggested taking the Rock And Roll Hall Of Fame nominating committee, replace every one of them and start over.  I hope it works out, because Devo, from Akron, Ohio (less than an hour south of Cleveland, where the Hall is based), should have been inducted years ago, much like the incomparable Cyndi Lauper, who has taken on Blues, Standards, Folk, Dance and Country music in the past 15 years, not to mention writing a book, winning a Tony Award and co-founding the True Colors Fund, which works to end homelessness among LGBT youth, and even testified before Maine Senator Susan Collins in 2015 about this very subject. 

Steve-Miller-Rock-and-Roll-Hall-of-Fame-Press-Room-Photo

This photo of Steve at the 2016 Rock And Roll Hall Of Fame induction ceremony speaks volumes, and not favorably for the Hall…

As for me and Hope and many others for “Abracadabra,” it’s one of those infectious songs that deserved to go to No. 1, and 35 years later, it still holds up.  At least the five-minute, eleven-second album version.  When the single was released, I bought it, but was instantly pissed it wasn’t the long version!  Sure, it’s only a minute and change difference, but if you hear the single version vs. the album version, you can tell the single version is a bit sped up, and the kick-ass instrumental that closes out the rest of the song isn’t there.  That’s even why I chose the video link below.  It’s not a link to the actual video, but to the album version.  You know, all these years later, I’m still impressed that sped up, edited single version got the song to No. 1.  Maybe that was magic too.

Speaking of magic, Hope inspired me recently to start training for a 5K using the Couch To 5K app (C25K); we’re both training for it, and finishing Week 5 of 8 this weekend!  Hope and I haven’t run a proper 5K in our adult lives, and the last time I ran the equivalent of a 5K was in high school during Cross Country, where I lettered my senior year.  Holy cats, that was 33 years ago! 

run ron run

Post-run workout, 9.7.2017! (With a kick-ass playlist by DJ HopeyT to keep me going!)

But, you know what?  Maybe it’s not magic after all that’s got us training for our first 5K ever – and in our early 50s!  Maybe you just need to believe.  Just like Steve Miller believed he had a hit with “Abracadabra,” even as his longtime record label disagreed – and he was right!  It’s one of THE BEST songs of the 80s and of all-time.  And I believe getting through this 5K (and other aspects of my life) will happen with belief over magic, though I have to say, when it happens, it will feel pretty damn magical and then some…

https://www.youtube.com/watch?v=dKCV8gzSlYw

abacadabra poster

Advertisements

song of the day – “Love Shack” | THE B-52’s | 1989.

casey-kasem-at40-abc-billboard-650

On June 15, 2014, Casey Kasem, host of the longtime countdown program, AMERICAN TOP 40, passed away at the age of 82.  From my first blog post (and prolly some more inbetween then and now), I explained how, in 1979, I was a geeky, lanky and somewhat lost 12-year-old living in Central Maine, had a few friends and not a lot of interest in much of anything, but at some point early that year, I discovered AMERICAN TOP 40, and was glued to it every weekend.  Not only could I hear the 40 biggest songs in the country every week, but also Casey’s cool trivia and facts about the songs and the artists, a trait I treasure to this day.  For me, the show was No. 1 with a bullet.  And still is (thanks to the re-airing of broadcasts of AT40 on iHeart Radio).american-top-40-casey-kasem

In honor of my radio hero, Casey Kasem, for the entire month of June (and now through July), I will be highlighting a song each day (some days will have two songs!) that peaked in the Top 40 of the BILLBOARD Hot 100 (including five (real) one-hit wonders of the 80s), and with every blog post, just like on AMERICAN TOP 40, the hits will get bigger with each post.  On June 1, 2017, I featured a song that peaked at No. 40.  Sometime here in July, I’ll feature a “song of the day” that went all the way to No. 1. 

As Casey used to say on AT40, “And on we go!”

Casey Kasem used to also say, “As the numbers get smaller, the hits get bigger.”  And so does the number of songs that reached these “smaller” positions.  Between 1979 and 1989, more than 110 songs peaked at No. 3, and many artists stayed there more than once, including Bobby Brown, El DeBarge (solo and with DeBarge), Duran Duran, Genesis, The Jets, Billy Joel, Cyndi Lauper, Huey Lewis & The News, Richard Marx, Olivia Newton-John, The Pointer Sisters, The Police (Sting also had a No. 3 solo hit), Kenny Rogers, Barbra Streisand, Styx, Wham! and Donna Summer.  Chicago reached the No. 3 positions four times between 1979 and 1989.

hungry like the wolf

1988 was a popular year for No. 3 hits, when 17 songs reached that position, including songs by Taylor Dayne, Samantha Fox, Debbie Gibson, the “comeback” hit for Hall & Oates (“Everything Your Heart Desires”), Breathe, Anita Baker, Information Society, INXS, U2 and (real) one-hit wonder Patrick Swayze (from DIRTY DANCING). 

new sensation

No. 3 hits also included the first solo by David Lee Roth (his cover of The Beach Boys’ “California Girls”), as well as the first Van Halen hit without him, “Why Can’t This Be Love.”  There were also big No. 3 hits for Simple Minds, Belinda Carlisle, The Cars, Neneh Cherry, Charlie Daniels Band, Chris de Burgh, Earth, Wind & Fire, Corey Hart, Don Henley, Chaka Khan, Love & Rockets, Men At Work, Men Without Hats, Nu Shooz, Stevie Nicks with Tom Petty & The Heartbreakers, The S.O.S. Band, The Stray Cats, Tears For Fears, Thompson Twins, Madonna and the last Top 40 hit for the late, great Marvin Gaye (“Sexual Healing”).

sexual healing

Love was a constant theme among the No. 3 hits, and was featured in the title of 15 songs, and implied in many others.  One of the 15 hits with the “Love” connection (sorry, couldn’t be helped) was one of two No. 3 hits in a row for The B-52’s – “Love Shack.”

One of the 80s’ biggest success stories – some would say one of the biggest comebacks – belonged to Athens, GA’s New Wave / Alt-Rock / Alt-Dance legends, The B-52’s.  By 1989, The B-52’s had already released four albums and two EPs, and had reached the BILLBOARD Hot 100 three times – “Rock Lobster” (No. 56, 1980), “Private Idaho” (No. 74, 1980) and “Legal Tender” (No. 81, 1983). 

rock lobster

The B-52’s started recorded their fourth album – BOUNCING OFF THE SATELLITES – in July 1985.  At that time, the band was comprised of vocalist Fred Schneider, vocalist and keyboardist Kate Pierson, vocalist and percussionist Cindy Wilson, lead guitarist Ricky Wilson (Cindy’s brother), and drummer / rhythm guitarist and keyboardist Keith Strickland.  This had been the lineup since the band’s formation in 1976.

b-52's with ricky

During the recording of BOUNCING OFF THE SATELLITES, it was discovered that Ricky Wilson was suffering from AIDS.  None of the rest of The B-52’s (except for Keith Strickland) had known about it.  In an interview, Kate Pierson had said that Ricky Wilson kept his illness a secret from the rest of the band because he “did not want anyone to worry about him or fuss about him.” 

On October 12, 1985, while still in the recording process of BOUNCING OFF THE SATELLITES, Ricky Wilson died of AIDS at the heartbreakingly young age of 32 years old.

Ricky Wilson, Guitarist for the B-52s

After Ricky’s death, drummer Keith Strickland learned how to play guitar in Ricky’s own style and switched from drummer to lead guitarist.  The band hired session musicians to help out as well, including the album’s producer, Tony Mansfield (who had also worked with Naked Eyes, Captain Sensible, a-ha and After The Fire).

bouncing

Devastated beyond belief at the loss of Ricky Wilson, The B-52’s released BOUNCING OFF THE SATELLITES on September 8, 1986, with no fanfare and no tour, though they did make a music video for my favorite song on the album, “Girl From Ipanema Goes To Greenland.”

girl from ipanema

Cindy Wilson went into a deep depression following her brother’s death, Keith Strickland spent some time at Woodstock, NY, while Fred Schneider and Kate Pierson remained in New York City.  They all felt at that moment The B-52’s couldn’t continue without Ricky Wilson.

But, in time, Keith Strickland began composing songs again, and after playing some of the new music he had worked on to the rest of the band, they agreed to try and start writing together again.  The result was COSMIC THING, the biggest album the band would ever have.

cosmic thing

COSMIC THING’s production was smartly split up between Don Was (of Was (Not Was) fame) and Nile Rodgers.  It worked and then some, and the album’s first single, “Channel Z,” was not well-received anywhere except College and Modern Rock radio, who embraced it right away.  “Channel Z” would spend three weeks at No. 1 on BILLBOARD’s Modern Rock chart in August 1989.

channel z

“Channel Z” was also the B-side of the album’s second single, “Love Shack,” which was released a week in advance of COSMIC THING in late June 1989.  It took a month and a half to reach BILLBOARD’s Hot 100 chart and become the band’s fourth single to reach the chart. 

“Love Shack” debuted on the Hot 100 in early September 1989 at No. 84.  Within three weeks, “Love Shack” had already surpassed the peak of every B-52’s single which had reached the chart.  By the end of September 1989, it was the first Top 40 hit the band had in its U.S. homeland.

love shack

In early November 1989, The B-52’s landed their first Top 10 hit, with “Love Shack.”  That was also the week I saw them perform for the first time, when they came to the University of Maine at Orono and almost literally brought the roof of the venue down with their show.  They were amazing.  I would see them again on the COSMIC THING tour in 1990 at The Ballpark in Old Orchard Beach, Maine.

“Love Shack” would go on to spend a couple of weeks at No. 3 in November 1989, and just before Xmas 1989, it was certified Gold.  Follow-up single “Roam” debuted on the last Hot 100 of 1989, when “Love Shack” was still in the Top 30.  And, in late January 1990, “Roam” debuted within the Top 40 the last week “Love Shack” spent in the Top 40.  (“Roam” would also reach No. 3 and was certified Gold as well.)

roam

A total of 27 weeks was spent on the Hot 100 for “Love Shack,” one week more than half a year.  It was that lengthy time on the chart which saw it finish on the year-end BILLBOARD charts two years in a row.  Pretty impressive.  It also reached (with “Channel Z”) No. 7 on BILLBOARD’s Dance chart, spent four weeks at No. 1 on BILLBOARD’s Modern Rock chart, and received two MTV Video Music Awards, for Best Group Video and Best Art Direction.

b's 1989NERDY FUN FACT: “Love Shack” was produced by Don Was, and the inspiration for the song was this cabin around Athens, GA, which had a tin roof, and where the band conceived their first hit, “Rock Lobster.”  Kate Pierson even lived in the cabin back in the 70s (it burned down in 2004).  Prolly the most famous line in the song, where Cindy Wilson exclaims, “Tin roof…rusted,” was actually an outtake that was added to the song later on.

Around the globe, lots of love was felt for “Love Shack,” and it spent eight weeks at No. 1 in Australia, four weeks at No. 1 in New Zealand, a week at No. 1 in Ireland, plus it reached No. 2 in the U.K., and the Top 20 in Belgium and the Netherlands.

In a 2002 interview with ROLLING STONE (which named “Love Shack” as the Best Single of 1989), Fred Schneider spoke of the album’s success: “We thought it would be good, but we didn’t know how good.  We don’t really set out saying, ‘Oh, this is going to be commercial,’ or ‘This is going to be this or that.’  We just wanted good songs, and we thought the songs were really good.  We were pretty shocked, because we didn’t expect it to go that big.  The success of it brings problems because it’s really hard to do tours.  I’m not one to want to go tour at all, but to do eighteen months is like torture.  You just get offers that are really good and you’re going to New Zealand and Australia and all over Europe, and it’s pretty exciting.  It all went way beyond what you’d think.”

flintstones

After COSMIC THING, The B-52’s continued to record and chart for a few more years, including a fun cover of the TV theme song, “(Meet) The Flintstones” (from the 1994 FLINTSTONES movie starring John Goodman).  It snuck onto the Top 40 for one week in early June 1994.

Apart from recording (as The BC-52’s) for Fred, Wilma, Barney and Betty (and a couple of popular compilations), the band took a lengthy hiatus, and in March 2008, released FUNPLEX, their first album in nearly 16 years.  It was worth the wait. 

funplex

In October 2011, they released a CD and a DVD of a live concert from earlier that year, WITH THE WILD CROWD! LIVE IN ATHENS, GA.  To borrow from a line out of FERRIS BUELLER’S DAY OFF, “It is so choice.  If you have the means, I highly recommend picking one up.”  Seriously, it’s that good.  One of the best live performances I’ve ever seen on the small screen, from one of the bands with two of the best live performances I’ve seen in person.

with the wild crowd

Though the band hasn’t released a solo album since 2008’s FUNPLEX, The B-52’s continue to tour and perform 50-60 shows a year (minus Keith Strickland, who is still with the band, but who stopped performing live with them in 2012).  Sadly, I missed them this Summer, when they came to Hampton Beach, New Hampshire (where I saw Billy Idol in 2014), and when they performed with the Boston Pops.  That must have been incredible!  Prolly the only Pops show where you can’t control people from dancing on their seats, in the aisles and everywhere!

b's n pops

I gotta be honest, after years of playing it at wedding receptions, “Love Shack” is not my favorite B-52’s song.  But, if you were in a jam and tried to get people out onto the dance floor, that was THE go-to song, and people loved it, and loved dancing to it.  Though it’s not my favorite from the band, I do love the song to death, and I’m so glad it finally got The B-52’s the recognition they deserved after so many years of struggling despite putting out great music, and with the terrible loss they suffered when they lost Ricky Wilson. 

Both COSMIC THING and “Love Shack” are a testament to Ricky’s memory, and I’m so proud to call The B-52’s one of my all-time favorite bands, even if it took me awhile to get there.  They are a heluva lot of fun to listen to and dance to, play on the radio and see perform live, which I hope to do again sometime soon…

“Hop in my Chrysler, it’s as big as a whale and it’s about to set sail / I got me a car, like, it seats about 20 / So come on and bring your jukebox money…  The Love Shack is a little old place where we can get together / Love Shack, ba-by….”

https://www.youtube.com/watch?v=9SOryJvTAGs

b's 1989 v2

song of the day #2 – “Holiday” | MADONNA | 1984.

casey-kasem-at40-abc-billboard-650

On June 15, 2014, Casey Kasem, host of the longtime countdown program, AMERICAN TOP 40, passed away at the age of 82.  From my first blog post (and prolly some more inbetween then and now), I explained how, in 1979, I was a geeky, lanky and somewhat lost 12-year-old living in Central Maine, had a few friends and not a lot of interest in much of anything, but at some point early that year, I discovered AMERICAN TOP 40, and was glued to it every weekend.  Not only could I hear the 40 biggest songs in the country every week, but also Casey’s cool trivia and facts about the songs and the artists, a trait I treasure to this day.  For me, the show was No. 1 with a bullet.  And still is (thanks to the re-airing of broadcasts of AT40 on iHeart Radio).american-top-40-casey-kasem

In honor of my radio hero, Casey Kasem, for the entire month of June (and now through July), I will be highlighting a song each day (some days will have two songs!) that peaked in the Top 40 of the BILLBOARD Hot 100 (including five (real) one-hit wonders of the 80s), and with every blog post, just like on AMERICAN TOP 40, the hits will get bigger with each post.  On June 1, 2017, I featured a song that peaked at No. 40.  Sometime here in July, I’ll feature a “song of the day” that went all the way to No. 1. 

As Casey used to say on AT40, “And on we go!”

Well, it’s Independence Day here in the U.S. of A. (Happy 241st Birthday America!), and it’s pretty quiet here today in the Central Maine town of Winslow (where I write this).  For the first time in 26 years, there’s no Independence Day parade here (my folks’ house is on the parade route), and no fireworks either (my folks’ house is across the street from where they’d normally be set off, in nearby Fort Halifax Park).  The damn town didn’t even put up the flags on the telephone poles.  I know they have their reasons for not doing the events this year, but I think they could have at least put the flags on the poles for a few weeks leading up to today. 

O well.  My sister and her family are here from Pennsylvania, and there’s still lots of family in the area, so we all got together for lunch earlier, and my brother was headed to the store to buy fireworks.  We’ll see how that goes.  Here’s of the favorite pics I took at 2016’s fireworks display (keep in mind I ordinarily don’t take normal fireworks photos; I tend to go for the alt-shots).  I called this shot “80s album cover fireworks.”

IMG_8034 80s album cover fireworks

It’s also 47 years to the day when the inaugural AMERICAN TOP 40 broadcast was aired.  Happy Anniversary AT40!  That original broadcast (using the BILLBOARD Hot 100 chart dated July 4, 1970) included hits from artists who would continue to have hits in the 80s, like Stevie Wonder, Joe Cocker, Aretha Franklin, The Moody Blues and Chicago, had Rock And Roll royalty on the chart, like Three Dog Night, Creedence Clearwater Revival, Simon & Garfunkel, Sly & The Family Stone, and it had “The Long And Winding Road” by The Beatles.  The No. 1 song that week? “The Love You Save” by The Jackson 5.

casey_at40

Between 1979 and 1989, more than 40 songs reached No. 16 on BILLBOARD’s Hot 100 chart (the chart AT40 used in from 1970 through 1988, when Casey left AT40), and featured several songs by women (I told you’d they’d be back!), including songs by Quarterflash, Pointer Sisters, Sade, Katrina & The Waves (yes, they actually did had more than one hit!), Roberta Flack, and two from both Aretha Franklin and Stevie Nicks.

Songs that reached No. 16 also included four awesome (real) one-hit wonders Bob & Doug McKenzie (“Take Off”), Godley & Creme (“Cry”), Double (“The Captain Of Her Heart”) and French singer Patrick Hernandez (“Born To Be Alive,” which spent 15 weeks at No. 1 in his homeland of France).

born to be alive

Other notable No. 16 hits are Wang Chung’s “Dance Hall Days,” “Dreaming” by Orchestral Manoeuvres In The Dark, Electric Light Orchestra’s “I’m Alive” (from XANADU), “Renegade” by Styx, “Rock Of Ages” by Def Leppard, “Synchronicity II” by The Police, “Russians” by Sting, “Super Freak” by Rick James, Duran Duran’s “Save A Prayer” (a song released a few years too late to be a bigger hit here in America), and Madonna’s first single to reach both the Hot 100 and the Top 40, “Holiday.”

Hard to believe, but in the beginning, Madonna signed on for only two 12” singles with Sire Records.  I think she was just playing it smart.  Her first single, “Everybody,” was released in early October 1982, when she was 24 years old.  Though it was a No. 3 hit on BILLBOARD’s Dance chart (a double-A-sided 12” single with “Burning Up”), “Everybody” just missed the BILLBOARD Hot 100, stopping at No. 107.

everybody

Though “Everybody” failed to reach the Hot 100, both Sire co-founder Seymour Stein and Madonna were convinced something big was going to happen; maybe not right away, but soon.  They were right.

madonna n seymour

A happy day (“holiday?”) for Madonna and Sire Records co-founder, Seymour Stein…

Sire released Madonna’s self-titled debut album in late July 1983, and the first single from the album, “Holiday,” was released in early September 1983.  It was produced by her then-boyfriend and future longtime collaborator and remixer, John “Jellybean” Benitez, which would prove to be an incredibly brilliant move.

“Holiday” debuted on the BILLBOARD Hot 100 a couple of days before Halloween 1983 at No. 88.  Songs by Alabama, Linda Ronstadt and The Stray Cats all debuted higher that week, but “Holiday” would outlast them all.

holiday

By early December 1983, Madonna’s first Hot 100 hit became her first Top 40 hit, making a steady climb up the chart until stopping at No. 16 for two weeks in January / February 1984. 

Around the globe, “Holiday” enjoyed a nice chart run, and reached the Top 10 in the U.K., Australia, Belgium, Germany, Ireland, the Netherlands, New Zealand, and even reached No. 25 on BILLBOARD’s R&B chart.

“Holiday” was still on the chart in March 1984 when her follow-up single, “Borderline,” debuted on the Hot 100.  That would go on to become her first Top 10 hit, reaching No. 10 and spending 30 weeks on the chart.  Then, “Lucky Star” would go on to reach No. 4 in late October 1984, and the rest, as they say, is history. 

bandstand

Dick Clark interviewing Madonna on AMERICAN BANDSTAND, 1.14.1984.

patrick n madonna

Patrick Hernandez and Madonna on the beach in France…

Madonna famously performed “Holiday” on AMERICAN BANDSTAND in mid-January 1984 (video link below; for now anyway), a couple of weeks before “Holiday” peaked at No. 16.  In the post-song interview, she told Dick Clark how she went to Paris because of “Born To Be Alive” by Patrick Hernandez (another aforementioned member of the No. 16 chart club), and Patrick offered Madonna the opportunity to be a backup singer and dancer on his tour.

In that same January 14, 1984 interview, Dick Clark asked, “We are a couple of weeks into the New Year.  What do you hope will happen, not only in 1984 but the rest of your professional life?  What are your dreams?”  Madonna did not hesitate when she replied, “To rule the world.”  And, by the end of 1984, she did just that.  “Like A Virgin” ruled the Hot 100 and BILLBOARD’s Dance chart, and would rule the Pop charts in Australia, Canada and Japan, and would reach the Top 10 in at least 12 other countries. 

QUIRKY CHART FACT: In regards to Madonna’s comment about ruling the world, in the Spring of 1985, Tears For Fears nearly ruled Madonna’s chart world with their huge hit, “Everybody Wants To Rule The World,” which was No. 1 three songs after her No. 1 hit, “Crazy For You.”  (And, when the year-end chart for 1985 was tabulated, “Crazy For You” was ranked No. 9, and “Everybody Wants To Rule The World” was ranked No. 8.  But, admittedly, 1985 belonged to Madonna on the Pop charts and then some all over the world.)

TFF everybody

There have been a number of covers of “Holiday” over the years, including one by Sheffield, England Synthpoppers Heaven 17, who covered it in 1999.  A couple of years after the Madonna original, a Dutch Rap duo called MC Miker G & DJ Sven took the backing music of “Holiday” and created a rap over it, calling it (appropriately enough) “Holiday Rap” (which also borrows from Cliff Richard’s 1963 U.K. hit, “Summer Holiday”).

holiday rap

“Holiday Rap” was a huge hit in Europe, topping the charts in the Netherlands, France, Germany and Switzerland, and reaching the Top 10 in the U.K., Australia, Norway and Sweden.

Everyone who knows me knows that Cyndi Lauper is my all-time favorite recording artist, and has been for a long time.  Back in the 80s, though, Madonna did rule my Pop music world.  I have pretty much every 80s 12” single, every album, and even a VHS of “The Virgin Tour.”

cyndi n madonna

I don’t know when it was, but there was a time back in the 90s (maybe upon my move to Portland, Maine in 1994) when Cyndi became my favorite female recording artist over Madonna.  I still loved Madonna’s work, but Cyndi impressed me, even more so in the past 15 years (and not just because Cyndi was kind enough to be my first big interview on my STUCK IN THE 80s radio show). 

Since 2002, Cyndi Lauper has released an album of Standards, an Acoustic album, a Dance record, BILLBOARD’s No. 1 Blues album of 2010 (and near-Grammy Winner for Best Traditional Blues album; MEMPHIS BLUES), plus she’s had a reality TV show with her husband and young son, written an autobiography, wrote the score to the musical, KINKY BOOTS (for which she won a Tony Award), and last year, released an album of old Country standards.  Her version of Patsy Cline’s “I Fall To Pieces” still gives me goosebumps, it’s so damn good.  Most importantly, in 2008, Cyndi co-founded the True Colors Fund, a non-profit charity meant to educate folks about LGBT issues and to end LGBT youth homelessness.  How is it Cyndi’s not in the Rock And Roll Hall Of Fame yet?!

cyndi n tony

Cyndi Lauper celebrating the meeting of her friend, Tony…

In comparison, the last Madonna album I truly loved is now 12 years old (the amazing CONFESSIONS ON A DANCE FLOOR from 2005, which stayed in my car for an entire year).  But, irregardless, Madonna (who turns 59 in August 2017) continues to do things on her terms, which has been a covenant of sorts for her since her music career began 35 years ago, and you’ve got to respect that.  I certainly do, even if I’m not so much digging the music as of late. 

confessions

I know “Holiday” isn’t about Independence Day, or any particular holiday, but today, it felt right to share, and yes, I am taking some time to celebrate.  You should too.  May the 4th (of July) be with you…

lady-liberty-fireworks-flag

“If we took a holiday yeah / Took some time to celebrate / Just one day out of life / It would be so nice…”

https://www.youtube.com/watch?v=xbSTzlzoUi4

 

madonna

song of the day – “Over The Hills And Far Away” (12” Mix) | GARY MOORE | 1987.

Well, just two STUCK IN THE 80s shows to go on WMPG community radio (in Portland, Maine, USA)!  Wow.  This past Sunday, 1.29.2017, my awesome and talented WMPG radio neighbor, DJ SHAXX (host of the kick-ass LEFT OF THE DIAL), and I teamed up for a second installment in celebrating the 12-inch single, extended remixes and even mash-ups on a show that we called 12inchTHROWDOWN Redux! 

12inch-throwdown-1-29-17

The 12” single, to my knowledge, got its start during the disco era of the 70s, but it was during the 80s where the 12” single really flourished.  One of the great things I love about the history of the 12” single during the 80s is that almost everyone in the music industry felt compelled to commission at least one 12” extended mix, whether or not they really needed to (i.e. Billy Joel, Chicago, Toto, Matthew Wilder, Nena, Bruce Springsteen). 

In the 80s, you had 12” extended mixes from all walks of music life – with artists like Madonna, Cyndi Lauper, Duran Duran, Depeche Mode, INXS, Michael Jackson, New Order and Pet Shop Boys leading the way.  The most surprising 12” dance mixes came from Rock and Roll artists.  In the 80s, Rock bands like The Cult, Def Leppard, Aerosmith, ZZ Top and AC/DC all released 12” extended and/or dance mixes of some of their songs.

One Rock artist who was talked into releasing at least a couple of remixes in the 80s was the late, great Gary Moore, from Belfast, Northern Ireland.  In the 70s, Gary was a member of the Irish Rock bands Skid Row and Thin Lizzy. 

For his sixth studio album, 1985’s RUN FOR COVER, Gary teamed up with his former Thin Lizzy bandmate, Phil Lynott, on the song, “Out In The Fields,” about the religious issues they faced in their native Ireland.  Shortly after the song’s success, Phil Lynott died at the young age of 36 in early January 1986.

out-in-the-fields

Gary was off of my music radar until his next album, WILD FRONTIER (most notably the album’s first single, “Over The Hills And Far Away”) was released in March 1987.  The album features many songs about Ireland and throughout the album, there’s a powerful Celtic presence, especially on “Over The Hills And Far Away.”  I think that (along with the incredible assist of a drum machine, believe it or not) is what attracted me to the song. and ultimately, the album.

wild-frontier

“Over The Hills And Far Away” is a song about a man who was sent to prison for a crime he didn’t commit and longs for the day he gets out to be with the woman he loves (“Over the hills and far away / She prays he will return one day / As sure as the rivers reach the sea / Back in her arms is where he’ll be…”).

over-the-hills

The creative non-trad 12” extended mix of “Over The Hills And Far Away” starts off with Gary walking over to a couple of doors from his music past, or rather Gary revisiting a couple of songs from the previous album, RUN FOR COVER – the aforementioned “Out In The Fields,” and “Empty Rooms.”  He opens the door to each song via the sound of a creaky door (i.e. his guitar), and then promptly closes each door once the quick sampling of each song was done.  From there, he walks over to another creaky door, opens it (again, via his guitar) and then, replete with that powerful drum machine beat, Gary rips into that same guitar and starts wailing with everything he’s got.  At the end of the song, the door to “Over The Hills And Far Away” closes too.  This 12” mix was one of the highlights of the 12inchTHROWDOWN Redux show from the other night.

Following the release of his next Rock album, 1989’s AFTER THE WAR, Gary achieved his biggest success with 1990’s STILL GOT THE BLUES album, which featured the likes of Blues legends Albert King and Albert Collins, and The Beatles’ George Harrison.  It was certified Gold here in the U.S., Finland and Germany.  It was certified Platinum in the U.K., Australia and Switzerland, and Double-Platinum in Sweden. 

still-got-the-blues

Gary Moore would continue to release (mostly) Blues albums through 2008.  He sadly passed away of a heart attack in early February 2011 at the young age of 58.  He was beloved by many, especially folks in the Rock music field, including Ozzy Osbourne, Bob Geldof, Brian May and Roger Taylor of Queen, Bryan Adams and Henry Rollins.  In Skånevik, Norway, a large statue was erected of Gary Moore, in honor of his many performances at the Skånevik Blues Festival.  

I remember Gary mostly for his massive guitar talents, especially on that amazing 1987 song that always takes me “over the hills and far away…”

https://www.youtube.com/watch?v=6SgQUi9uJrc

gary-moore