song of the day – “Dancing In The Dark” | BRUCE SPRINGSTEEN | 1984.

casey-kasem-at40-abc-billboard-650

On June 15, 2014, Casey Kasem, host of the longtime countdown program, AMERICAN TOP 40, passed away at the age of 82.  From my first blog post (and prolly some more inbetween then and now), I explained how, in 1979, I was a geeky, lanky and somewhat lost 12-year-old living in Central Maine, had a few friends and not a lot of interest in much of anything, but at some point early that year, I discovered AMERICAN TOP 40, and was glued to it every weekend.  Not only could I hear the 40 biggest songs in the country every week, but also Casey’s cool trivia and facts about the songs and the artists, a trait I treasure to this day.  For me, the show was No. 1 with a bullet.  And still is (thanks to the re-airing of broadcasts of AT40 on iHeart Radio).american-top-40-casey-kasem

In honor of my radio hero, Casey Kasem, since the start of June, I have been highlighting songs that peaked in the Top 40 of the BILLBOARD Hot 100 (including five (real) one-hit wonders of the 80s), just like on AMERICAN TOP 40, the hits have gotten bigger with each post.  On June 1, 2017, I featured a song that peaked at No. 40.  With the next post, I’ll feature a “song of the day” that went all the way to No. 1. 

As Casey used to say on AT40, “And on we go!”

If you listened to AMERICAN TOP 40 as faithfully as I did back in the 80s, before Nos. 2 and 1 were announced, he’d usually take a commercial break before announcing them, and would usually say, “The two biggies are coming right up!”  “The two biggies.”  Always cracked me up and still does.

But, when it came to AMERICAN TOP 40, “the two biggies” were, in fact, a big deal.  There a few positions on the chart that are the most frustrating, like Nos. 101, 41 and 11, but no other peak position on the BILLBOARD Hot 100 (or any singles chart, for that matter) was more frustrating to stop at than No. 2.

Foreigner endured the No. 2 position the longest in the 80s, spending 10 weeks in the runner-up spot in 1981 and 1982 with “Waiting For A Girl Like You,” a chart record Foreigner still shares to this day.  And I believe Madonna, who has six No. 2 songs to her credit (four of them in the 80s), still holds the chart record for most No. 2 singles in Hot 100 history.

waiting for a girl like you

All told, nearly 100 songs reached No. 2 between 1979 and 1989, including songs by three Beatles (Paul McCartney, John Lennon, and George Harrison, whose 1981 No. 2 hit, “All Those Years Ago,” was a tribute to John Lennon), two Jacksons (Michael and Janet), and a couple of (real) one-hit wonders, including the Cold War Classic by Nena, “99 Luftballons.”

99 luftballons

danger zoneSome of the biggest songs in history that maybe you thought were No. 1 hits in America were actually No. 2 hits, such as “Girls Just Want To Have Fun” by Cyndi Lauper, “Easy Lover” by Philip Bailey and Phil Collins, “We Got The Beat” by The Go-Go’s, “Electric Avenue” by Eddy Grant, “Danger Zone” by Kenny Loggins, “Hurts So Good” by John Mellencamp, “Start Me Up” by The Rolling Stones and “Purple Rain” by Prince And The Revolution.

Several artists peaked at No. 2 between 1979 and 1989 with two songs, including The Bangles, Culture Club (with their first two hits), Air Supply, Duran Duran, Glenn Frey, Kool & The Gang, John Mellencamp, Billy Ocean (including the guilty pleasure, “Loverboy,” which a DJ back in the day once referred to as “Heavy Metal Disco”; I would disagree), plus Robert Palmer, Pointer Sisters, Linda Ronstadt (in two big duets with James Ingram and Aaron Neville), Tina Turner and Jody Watley. 

loverboy

Michael Jackson gets an honorable mention, as he peaked at No. 2 with “The Girl Is Mine” with Paul McCartney, and he is featured in an uncredited role backing up Rockwell on “Somebody’s Watching Me.”  Likewise with Sheena Easton, who backed up Prince uncredited on “U Got The Look” and had her own No. 2 hit in 1989 with the sexy Dance hit, “The Lover In Me” (a long way from when she took that “Morning Train” to No. 1 in 1981; I’m sure Prince may have had something to do with it).

the lover in me

Speaking of Prince, he had three No. 2 hits between 1979 and 1989, or in this case, 1984 through 1987, with the aforementioned “Purple Rain” and “U Got The Look,” but also with “Raspberry Beret.”  He, too, gets an honorable mention, as he composed the No. 2 hit for The Bangles, “Manic Monday.”

lovesong

And a number longtime recording artists saw their biggest hits stop at No. 2, like The Cure (“Lovesong”), Journey (“Open Arms”), The Greg Kihn Band (“Jeopardy”), and Bruce Springsteen’s “Dancing In The Dark.”

If there was any one huge artist in the 80s I wanted to see reach No. 1 on the BILLBOARD Hot 100 singles chart, it was Bruce Springsteen.  I was first introduced to Bruce’s music with 1980’s “Hungry Heart,” from his first No. 1 album, THE RIVER.  At the time, I had no idea he had already released four critically-acclaimed and successful albums.

hungry heart

After “Hungry Heart,” I was a Bruce fan for life – granted, not the superfan that Hope is, but I don’t think anyone loves Bruce’s work more than Hope, except maybe for Bruce’s wife, Patti Scialfa.

“Dancing In The Dark” was released in early May 1984, a month before the BORN IN THE U.S.A. album was released.  And, right out of the gate, it was a hit.  “Dancing In The Dark” blasted onto the BILLBOARD Hot 100 the last week of May 1984 all the way into the Top 40, at No. 36.  By the next week, it was already No. 18, with its eyes set on No. 1.

dancing in the dark

Bruce had hit No. 1 before – as a songwriter.  A song from his 1973 debut album, GREETINGS FROM ASBURY PARK, N.J. – “Blinded By The Light” – was recorded by the London Rock band, Manfred Mann’s Earth Band, in 1977, and spent a week at No. 1 on the Hot 100 in February 1977, exactly four years to the month when Bruce’s original was released as a single.

bruce blinded

“Dancing In The Dark” had a lot going for it – a popular video directed by Brian de Palma (SCARFACE, THE UNTOUCHABLES, CARRIE, DRESSED TO KILL and the first MISSION: IMPOSSIBLE film) with actress Courtney Cox (FAMILY TIES, FRIENDS) dancing with Bruce on the stage (the video would win the MTV Video Music Award for Best Stage Performance). 

courtney n bruce

It also had a 12” Dance remix courtesy of Arthur Baker (who’s remixed songs for Daryl Hall & John Oates, Afrika Bambaataa, Cyndi Lauper, Pet Shop Boys and New Order).  The “Blaster Mix” was miles away from anything on 1982’s NEBRASKA or 1980’s THE RIVER, but people loved it.  Not only did it reach No. 7 on BILLBOARD’s Dance chart, it was the biggest-selling 12” single for all of 1984.  Arthur Baker would also go on to remix the follow-up Bruce singles “Cover Me” and “Born In The U.S.A.” as well.

blaster mix

As much as “Dancing In The Dark” had going for it in its second week on the Hot 100, another single debuting on the same chart that early June was “When Doves Cry” by Prince, released in advance of the album and film, PURPLE RAIN.  “When Doves Cry” reached the Top 40 a week later, and just like “Dancing In The Dark,” made a big move into the Top 20 the following week.

By late June 1984, “Dancing In The Dark” had climbed to No. 4, while “When Doves Cry” was closing in at No. 8.  The following week, “When Doves Cry” had jumped to No. 3, and “Dancing In The Dark” was at No. 2, right behind Duran Duran’s “The Reflex.”

“When Doves Cry” proved to be too powerful for “Dancing In The Dark,” which stayed for four weeks in the runner-up position.  “When Doves Cry” was the biggest song of 1984 here in America.

when doves cry back

Though “Dancing In The Dark” didn’t reach No. 1, Bruce Springsteen still had a lot to be proud of.  The song gave Bruce his first Grammy Award, winning for Best Rock Vocal Performance.  In the 1984 ROLLING STONE readers poll, “Dancing In The Dark” was voted “Single Of The Year.”  It’s also listed as one of The Rock And Roll Hall Of Fame’s 500 Songs That Shaped Rock And Roll.”  It sold a million copies in the U.S. alone, and the single’s B-side (one of the best ever), “Pink Cadillac,” was a Top 5 hit for Natalie Cole in 1988.

pink cadillac

Around the globe, “Dancing In The Dark” was an international smash (though in some countries it took awhile), reaching No. 1 in Belgium and the Netherlands, No. 2 in Ireland, New Zealand and Sweden, No. 4 in South Africa and the U.K., No. 7 in Canada and Norway, No. 11 in Finland and No. 12 in Italy.  In Australia, though it stopped at No. 5, it was the No. 1 song of the year, spending 40 weeks on the singles chart there.

“Dancing In The Dark” was just the first part of an amazing journey for Bruce Springsteen and the BORN IN THE U.S.A. album.  Seven out of the album’s 12 songs were released as singles, and all seven reached the Top 10 on the Hot 100 between 1984 and 1986, tying a record set in 1984 by Michael Jackson’s THRILLER album. 

born in the usa LP

BRUCE_SPRINGSTEEN_BORN+IN+THE+USA+-+LONG+BOX-219449b

The first compact disc manufactured in the U.S.A. was BORN IN THE U.S.A.

BORN IN THE U.S.A. was No. 1 on BILLBOARD’s album chart twice, in July / August 1984 and January / February 1985.  PURPLE RAIN may have been the album of the year here in the U.S. for 1984 (BORN IN THE U.S.A. was No. 28), but for 1985, BORN IN THE U.S.A. was the No. 1 album of the year in America (and even No. 16 for 1986).

NERDY FUN FACT: BORN IN THE U.S.A. was the first compact disc manufactured in the U.S. for commercial release.  I remember seeing it at a DeOrsey’s in Waterville, Maine, and think it sold for something like $25.00.  And the record album still sounds better.

NERDY FUN FACT 2: According to a 1984 ROLLING STONE interview, the “Dancing In The Dark” Blaster Mix by Arthur Baker happened because Bruce had heard the remix Arthur did for Cyndi Lauper’s “Girls Just Want To Have Fun,” and he thought it was incredible: “It sounded like fun, so I hooked up with Arthur.  He’s a character, a great guy.  He had another fellow with him, and they were really pretty wild.  They’d get on that mixing board and just crank them knobs, you know?  The meters were goin’ wild.”

cyndi girls

Bruce Springsteen is one of those rare artists who have been on the same record label from the start – Columbia.  Two other Columbia artists instantly come to mind – Barbra Streisand and Bob Dylan.  There won’t be anyone else like them.  Ever. 

bob n bruce

Bob Dylan and Bruce Springsteen (along with many other familiar faces) at the “We Are The World” recording session, 1985.

If you pull away the catchy dance beat, “Dancing In The Dark” is a personal song about the difficulty of writing a hit song and Bruce’s frustration of trying to write songs that will please everyone.  Though I’m thinking Bruce would have liked to have another of his more personal songs become his biggest hit, I would almost bet my record collection he’s alright with that hit being “Dancing In The Dark.”

e st band

Bruce Springsteen with The E Street Band, 1984.

“You can’t start a fire / You can’t start a fire without a spark / This gun’s for hire / Even if we’re just dancing in the dark…”

https://www.youtube.com/watch?v=129kuDCQtHs

bruce 84

song of the day – “Wanna Be Startin’ Somethin’” | MICHAEL JACKSON | 1983.

casey-kasem-at40-abc-billboard-650

On June 15, 2014, Casey Kasem, host of the longtime countdown program, AMERICAN TOP 40, passed away at the age of 82.  From my first blog post (and prolly some more inbetween then and now), I explained how, in 1979, I was a geeky, lanky and somewhat lost 12-year-old living in Central Maine, had a few friends and not a lot of interest in much of anything, but at some point early that year, I discovered AMERICAN TOP 40, and was glued to it every weekend.  Not only could I hear the 40 biggest songs in the country every week, but also Casey’s cool trivia and facts about the songs and the artists, a trait I treasure to this day.  For me, the show was No. 1 with a bullet.  And still is (thanks to the re-airing of broadcasts of AT40 on iHeart Radio).american-top-40-casey-kasem

In honor of my radio hero, Casey Kasem, for the entire month of June (and now through July), I will be highlighting a song each day (some days will have two songs!) that peaked in the Top 40 of the BILLBOARD Hot 100 (including five (real) one-hit wonders of the 80s), and with every blog post, just like on AMERICAN TOP 40, the hits will get bigger with each post.  On June 1, 2017, I featured a song that peaked at No. 40.  Sometime here in July, I’ll feature a “song of the day” that went all the way to No. 1. 

As Casey used to say on AT40, “And on we go!”

Well, we’re finally into the Top 5!  Normally it would have taken Casey Kasem three-and-a-half hours to reach this point, but he had a script, a chart already set up courtesy of BILLBOARD magazine, and he didn’t have to write everything out.  Not that I mind.  While it’s taken me quite a bit longer than I had hoped, I have really been enjoying this series, and hope you have too.

The songs that peaked at No. 5 between 1979 and 1989 are, so far, in a class all by themselves.  More than 100 songs reached that position, including some memorable cover songs, like “Respect Yourself” by Bruce Willis (originally by The Staple Sisters), “Cum On Feel The Noise” by Quiet Riot (Slade), “Once Bitten, Twice Shy” by Great White (Ian Hunter) and “Pink Cadillac” by Natalie Cole (Bruce Springsteen, who also had three No. 5 hits of his own).

hungry heart

One of three singles to reach No. 5 on the BILLBOARD Hot 100 for Bruce Springsteen between 1979 and 1989.

Many artists had more than one No. 5 hit, including Pat Benatar, Gloria Estefan (with and without the Miami Sound Machine), Exposé, Lou Gramm (with and without Foreigner), Daryl Hall (solo and two with John Oates), Janet Jackson (solo and with Herb Alpert), Madonna, Sade, Willie Nelson (solo and a duet with Julio Iglesias), George Michael (solo and as a guest vocalist for (real) one-hit wonder, Deon Estus), Olivia Newton-John, Eddie Rabbitt, Rolling Stones, Bob Seger and Rod Stewart.  Australia’s Air Supply had four No. 5 hits.

angel

One of two singles to reach No. 5 on the BILLBOARD Hot 100 for Madonna between 1979 and 1989.

The late, great John Lennon and his son, Julian Lennon, both hit No. 5 within a two-year period of each other, and some of my favorite 80s songs peaked at No. 5, like Thomas Dolby’s “She Blinded Me With Science,” “When Smokey Sings” by ABC, “In Your Room” by The Bangles, The Dazz Band’s “Let It Whip,” “What You Need” by INXS, “Stand Back” by Stevie Nicks, “Sister Christian” by Night Ranger, “I’m Coming Out” by Diana Ross, “(She’s) Sexy + 17” by The Stray Cats, “On The Radio” by Donna Summer, “Master Blaster (Jammin’)” by Stevie Wonder, and “All Through The Night” by Cyndi Lauper, which set a BILLBOARD Hot 100 record for Cyndi as she was the first female recording artist who would reach the Top 5 with four chart hits from a debut album.  And she wouldn’t be the last.

she's so unusual

Another of my favorite No. 5 hits belongs to the man who was not only the biggest recording artist of the 1980s, the entire year of 1983 belonged to him.  Of course, I’m talking about the late, great Michael Jackson.  The THRILLER album spent a massive 37 weeks at No. 1 on BILLBOARD’s album chart.  THRILLER was so big, in fact, that it was the No. 1 album in America for two consecutive years.

By now, everyone and their mother (and grandmother) knows all about the Quincy Jones-produced THRILLER album and the success it has had.  It’s still the biggest-selling, non-compilation album of all time.

thriller

The first song on the THRILLER album was the fourth (of seven) singles released from the album – “Wanna Be Startin’ Somethin’.”  What a heluva way to start off an album!  From the opening drum beats, you just knew Michael Jackson had something special with this album.

“Wanna Be Startin’ Somethin’” (a song about strangers – i.e. the press – spreading rumors to start arguments for no apparent reason), was released in early May 1983 and didn’t waste any time debuting on the BILLBOARD Hot 100.  It debuted on the chart at No. 41, three weeks after its release, and with “Billie Jean” still on the chart (at No. 42) and “Beat It” at No. 3. 

The following week, “Wanna Be Startin’ Somethin’” roared to No. 22, looking like a third No. 1 hit in a row from THRILLER (the album’s first single, “The Girl Is Mine,” with Paul McCartney, peaked at No. 2).  After a few slow chart weeks, it reached the Top 10 by early July 1983, and a couple weeks later, spent a quick two weeks at No. 5.  THRILLER’s fifth single, “Human Nature,” had already reached the Top 40 while “Wanna Be Startin’ Somethin’” was still in the Top 10.  It was one of five singles from THRILLER to finish the year in the Top 100 here in the U.S. in 1983.

wanna be startin' somethin'

Around the globe, “Wanna Be Startin’ Somethin’” spent two weeks at No. 1 in the Netherlands, and reached No. 3 in Belgium, No. 5 in Ireland, No. 8 in the U.K., No. 11 in Canada, No. 14 in Spain and No. 16 in Germany.

“LET’S ALL GO TO COURT, LET’S GO MAKE SOME LAW NOW” FACT:  As talented as Michael Jackson was, he had a bad habit of “borrowing” other people’s music for his own songs – without their consent.  At the “We Are The World” recording in 1985, he confessed to Daryl Hall that he used the beat of “I Can’t Go For That” for the beat in “Billie Jean.”  Daryl Hall didn’t seem to mind, but for “Wanna Be Startin’ Somethin’,” that catchy vocal bit near the end, you know the one – “Mama-say mama-sah ma-ma-coo-sah” – was actually taken directly from a 1972 Disco song by Manu Dibango called “Soul Makossa” (Manu Dibango is a saxophonist from Cameroon, and Makossa is a type of music and dance in that country), and the bit was used without permission. 

soul makossa

For years, there was no lawsuit about this, but when current Pop star, Rihanna, used the bit in one of her songs from 2007, both she and Michael Jackson were sued.  In early 2009, just months before Michael Jackson died, Michael had admitted he “borrowed” the line, and he ended up settling out of court.  Apparently, when Rihanna asked Michael Jackson to see if she could use the line in her song, that’s when the fit hit the shan, and once again, Manu Dibango was not contacted by Michael Jackson prior to the song’s use, hence the lawsuit.MJ 1958-2009

It’s hard to believe Michael’s been gone nine years already.  He was 50 at the time of his death, the age I’m at right now (don’t worry – I’m not leaving anytime soon), and I’m convinced that Michael had a big comeback in the works when his life was cut short on June 25, 2009.  While I have my own theory about what really happened with his death, I would much rather choose to celebrate his music, in this case “Wanna Be Startin’ Somethin’,” which is six minutes of pure Post-Disco joy and dance floor gold.  Honestly, who do you know that WOULDN’T get out on the dance floor and dance to this as soon as they heard it?!

“Lift your head up high / And scream out to the world / I know I am someone / And let the truth unfurl / No one can hurt you now / Because you know it’s true / Yes, I believe in me / So you believe in you…

https://www.youtube.com/watch?v=8KWf_-ofYgI

MJ 83

  

song of the day – “Take Me With U” | PRINCE & THE REVOLUTION featuring APOLLONIA | 1985.

casey-kasem-at40-abc-billboard-650

On June 15, 2014, Casey Kasem, host of the longtime countdown program, AMERICAN TOP 40, passed away at the age of 82.  From my first blog post (and prolly some more inbetween then and now), I explained how, in 1979, I was a geeky, lanky and somewhat lost 12-year-old living in Central Maine, had a few friends and not a lot of interest in much of anything, but at some point early that year, I discovered AMERICAN TOP 40, and was glued 2 it every weekend.  Not only could I hear the 40 biggest songs in the country every week, but also Casey’s cool trivia and facts about the songs and the artists, a trait I treasure 2 this day.  4 me, the show was No. 1 with a bullet.  And still is (thanks 2 the re-airing of broadcasts of AT40 on iHeart Radio).american-top-40-casey-kasem

In honor of my radio hero, Casey Kasem, 4 the entire month of June, I will B highlighting a song each day (some days will have two songs!) that peaked in the Top 40 of the BILLBOARD Hot 100 (including five (real) one-hit wonders of the 80s), and with every blog post, just like on AMERICAN TOP 40, the hits will get bigger with each post.  On June 1, 2017, I featured a song that peaked at No. 40.  On June 30, I’ll feature a “song of the day” that went all the way 2 No. 1. 

As Casey used 2 say on AT40, “And on we go!”

When my radio show, STUCK IN THE 80s, had its final show on my 50th birthday – and during the Maine Blizzard Of 2017 (Hope, Shawn and I had 2 literally shut WMPG-FM down afterwards; Shawn: “We’re rockin’ so hard, the station cannot handle it anymore!”; Hope: “No one can follow U Ron!”). 

shawn, hope + me

With the 2017 Maine blizzard in the window behind us, from L to R that’s Shawn, Hope and yours truly all sporting STUCK IN THE 80s T-shirts on the final STUCK broadcast on WMPG-FM, 2.12.17.

One of the songs I chose 4 the last show was “Take Me With U” by Prince & The Revolution featuring Apollonia.  As I mentioned on the last show, and will re-mention here (if I haven’t already on the bloggy thing), it’s one of my all-time favorite Prince songs that DOESN’T get nearly enough love as it should.

purple rain

Released as the last of five singles from 1984’s PURPLE RAIN and written by Prince (of course), “Take Me With U” was a duet between Prince and Apollonia Kotero, who played Prince’s girlfriend in PURPLE RAIN.  “Take Me With U” was initially 2 have appeared on the APOLLONIA 6 album (released on October 1, 1984, and featured one song from PURPLE RAIN – “Sex Shooter,” which Apollonia 6 played in the film). 

But, with Prince being rightfully particular about his songs (4 example, all of his videos that went back up after he died have all pretty much been removed from YouTube), he pulled the song off of the APOLLONIA 6 album, and included it on PURPLE RAIN. 

prince + the revolution

All of the singles from (and of course, the entire album) PURPLE RAIN were sensational, but unlike the other singles released from the soundtrack, “Take Me With U” had this really cool vibe 2 it, featuring a drum solo and finger cymbals at the beginning and the end of the song.  This Psychedelic-y style might have actually been the precursor 2 his next album, AROUND THE WORLD IN A DAY, especially on the singles “Raspberry Beret” and “Pop Life.”

“Take Me With U” was released on January 25, 1985, exactly seven months after the release of the soundtrack 2 PURPLE RAIN, and almost exactly six months after the release of the film, and it only took a couple of weeks 4 the single 2 debut on the BILLBOARD Hot 100 (at No. 61).

take me with u

Reaching the Top 40 of the Hot 100 in just its fourth chart week, “Take Me With U” became the fifth Top 40 single from PURPLE RAIN, and, at that point, Prince became just the seventh recording artist in history (if my math is correct) 2 have five or more Top 40 hits released from one album on the BILLBOARD Hot 100, following Michael Jackson’s THRILLER, Lionel Richie’s CAN’T SLOW DOWN, Billy Joel’s AN INNOCENT MAN, SPORTS by Huey Lewis & The News, Tina Turner’s PRIVATE DANCER, and the incomparable Cyndi Lauper, and her wonderful SHE’S SO UNUSUAL.  (The Cars would join that group a week later with “Why Can’t I Have You,” the excellent and highly-underrated fifth single from their fantastic 1984 album, HEARTBEAT CITY.)

“Take Me With U” spent a couple of weeks at No. 25 in late March 1985, and without much fanfare, faded out of the Hot 100 after 12 short weeks.  Over in the U.K., it was a double A-sided single with “Let’s Go Crazy,” and it reached No. 7.  I would like 2 think the folks in England, Scotland, Wales and Northern Ireland didn’t just listen 2 “Let’s Go Crazy” (as awesome as that song is), and flipped the record over and really enjoyed “Take Me With U” too.

let's go crazy take me with u

Everyone in The Revolution was involved with this gem, and the unity involved with this song is amazing.  And, 4 those who didn’t already own PURPLE RAIN by the end of January 1985, when “Take Me With U” was released, and were kind enough 2 buy the single anyway, and 2 those radio stations who were kind enough 2 play it, I thank U.  “Take Me With U” is that sorta-forgotten gem (though not by me) that, when U listen 2 it 4 the first time in awhile, U will remember why U loved it all those years ago, and, like me, U will love it 4evah…

“I don’t care where we go / I don’t care what we do / I don’t care pretty baby / Just take me with u…”

prince + apollonia

(real) one-hit wonder of the week – “Do It Again (Medley With Billie Jean)” | CLUB HOUSE | 1983.

Between late 1979 and the end of 1989, there were nearly 500 (real) one-hit wonders of the 80s that reached the BILLBOARD Hot 100 just one time, a list that includes Soft Cell, Gary Numan, Timbuk 3, The Church, Bronski Beat, Nik Kershaw, The Buggles, The Waitresses, Ultravox and two different bands named The Silencers.  Once a week, I’ll highlight a (real) one-hit wonder for you.

On Sunday, 1.29.2017, my awesome and talented WMPG radio neighbor, DJ SHAXX, and I will be teaming up for a second installment in celebrating the 12-inch single, extended remixes and even mash-ups on a show that we are calling 12inchTHROWDOWN Redux!

12inch-throwdown-1-29-17

With outlets like You Tube, mash-ups are becoming more commonplace than ever before.  Mash-up covers are a bit more rare but they do exist.  It’s been done on the TV show GLEE many times (their Season 3 mash-up cover of Adele’s “Rumour Has It” and “Someone Like You” has sold almost 500,000 digital copies and charted on the BILLBOARD Hot 100 higher than Adele’s original version of “Rumour Has It”).

glee-rumour

For their 2011 album, ALL RIGHTS RESERVED, the kick-ass Experimental Music band out of Columbus, Ohio, The Evolution Control Committee, completely reworked Harold Faltermeyer’s “Axel F” by brilliantly constructing it solely using Herbie Hancock’s “Rockit,” and called the mash-up cover “Fockit. 

ecc-all-rights-reserved-20110131-105413

In 2003, British musician and producer Richard X teamed up with the English / Irish Pop band, Liberty X, on a genius cover of Rufus & Chaka Khan’s 1983 gem, “Ain’t Nobody,” backed with the instrumental music of Human League’s 1978 / 1982 Synthpop classic, “Being Boiled.”  The mash-up cover “Being Nobody” actually ended up “being” a Top 10 hit in both the U.K. and Ireland. 

being-nobody

Rewinding back to 1983, the year of Michael Jackson, mash-up covers were almost unheard of (not counting 1981’s “Medley” by Stars On 45 or 1982’s “Hooked On Classics” by the Royal Philharmonic Orchestra).  But, the Italian Dance group Club House pulled it off, reworking the beat of Michael Jackson’s huge No. 1 hit, “Billie Jean” (from earlier that year), into the lyrics of Steely Dan’s Top 10 hit from 1972, “Do It Again.” 

club-house

The only picture I could find of Club House.

 

The imaginative “Do It Again (Medley With Billie Jean)” debuted on the BILLBOARD Hot 100 at No. 89 in late August 1983, while Michael Jackson himself was climbing up the chart with THRILLER’s fifth single, “Human Nature,” and moving down the Hot 100 with THRILLER’s fourth single, “Wanna Be Startin’ Somethin’.”

A few weeks later, “Do It Again / Billie Jean” spent a week at its peak position of No. 75, and was gone from the Hot 100 after just five weeks.  Though Club House would continue to release singles through 1997 (their 1990 hit, “Deep In My Heart,” spent a week at No. 1 on BILLBOARD’s Dance chart), the band would never grace the Hot 100 again.

“Do It Again / Billie Jean” was, however, a popular hit in Europe, reaching the Top 10 in Belgium, Holland and Ireland, and it peaked at a respectable No. 11 on the U.K. singles chart.  It was also a Top 40 hit in Poland and New Zealand.

slingshotSometime after Club House’s mash-up cover was released, the short-lived Detroit Dance band, Slingshot, took Club House’s medley (matching it beat-for-beat), and the exact same week in August 1983 in which Club House debuted on the Hot 100 with their “Do It Again (Medley With Billie Jean),” Slingshot reached No. 1 on BILLBOARD’s Dance chart with their version.  All these years later, I can’t tell the two versions apart. 

But, it was Club House’s version of “Do It Again (Medley With Billie Jean)” that was released first, and that’s the version which has stuck with me all these years, and it’s the version I plan on playing during the 12inchTHROWDOWN Redux.  Plus, it’s one of the (real) one-hit wonders of the 80s, so, consider that a bonus for this chart nerd…

https://www.youtube.com/watch?v=EHCpSXv71ho

do-it-again