song of the day – “Human Touch” | RICK SPRINGFIELD | 1983.

union 8.30.19

A gorgeous night for the Rick Springfield concert at Savage Oakes Vineyard and Winery, Union, Maine, 08.30.2019.  Not a bad seat in the house!

It occurred to me recently that yesterday (August 30, 2020) marked two important anniversaries in my life: the 20th anniversary of the surgery to remove my pituitary tumor, and the one-year anniversary of the Rick Springfield concert my brother Jonn and I attended.

In 1998, I started having these ungodly headaches out of nowhere, and I know they weren’t migraines, but I didn’t know anything else as to why they were happening.  A CT scan of my brain revealed nothing, so the mystery of my mysterious headaches continued.  And when they happened, it was like I was the worst version of myself.  And I didn’t know why.

In the year 2000, I started losing hair.  Not the hair on my head or the hair on my face, but armpit hair, arm hair, leg hair, and chest hair.  And, back in the 90s, I had a full chest of hair.  In 2000, it just disappeared. 

I saw my doctor, who referred me to an endocrinologist, which, prior to 2000, was a word I had never used, or never had to.  After some lab work and mostly from the results of an MRI, it was revealed that I had a pituitary tumor.  For those who don’t know, the pituitary gland is this tiny gland situated at the base of the brain, and is responsible for so many things in your body.

The tumor was, thankfully, benign, but was the size of a quarter, which itself isn’t very big, but on the scale of a normal pituitary gland, it was enormous, and it was bordering my optic nerve.  And if it wasn’t operated on, I would have gone blind.

post-surgery ron Fall 2000

This was taken post-surgery in Portland, Maine, in September 2000.  It seems like forever and a lot of pounds ago.  Thankfully.

So, on August 30, 2000, at Maine Medical Center in Portland, I was in surgery for 3 1/2 hours to remove the tumor.  I had to take two months off from work to recover. 

They performed what is called a transsphenoidal hypophysectomy, which basically means they went through my nasal passage to get to the tumor and remove it through there.  I’m sure in 20 years, pituitary tumor surgeries have advanced phenomenally, but that’s what was available at the time, and it was certainly a much better (and less invasive) option than cracking open my skull.

Unfortunately, they could not get the entire tumor out, and it grew back to its original size.  So, I decided to go with radiation therapy.  A “helmet” was created, customized to accommodate my ginormous melon, and to hold my head in place during each radiation session.

Maine Med gave me the most radiation they could without it affecting my vision.  And for five weeks between Memorial Day and Independence Day 2001, I had 25 10-minute radiation sessions.  It was unpleasant and exhausting (some days, I would have to leave work early because I was so tired), but in the end it worked out, and I went from having MRI’s every month to every two months, three months, six months, a year, two years and so on.  The tumor was still there (a non-active tumor), but, it remained at 4 millimeters, which is pretty close to the size of a normal pituitary gland…and not a worry.

I went many years without an MRI, and had one as recently as 2017, and I am happy to report that the tumor is still non-active and at 4 millimeters! 

So, the radiation therapy thankfully proved successful, but the tumor changed my life forever.  It killed my adrenalin, my thyroid, my testosterone, and I am on medication for each and for the rest of my life.  Before the tumor, I was a morning person, but every day since, for 20 years, I start each day from zero.  Some days are better than others, but I always get up, regardless of how tired I might be.

Post-tumor, I ballooned to a now-unimaginable top weight of 326 pounds.  I became a Type II diabetic, was very unhappy and closed off for the most part, and it took a long time before any weight started to come off.

In 2012, I rediscovered swimming.  I swam more that summer than I had in the previous 10 years or more combined!  In 2017, I started running again for the first time in 30 years!  I lettered in Cross-Country my Senior year of high school, and Maryhope introduced me to this app called C25K (or Couch to 5K), which, in eight weeks, gets you off the couch and running the equivalent of a 5K race!  Maryhope and I did the program together (and we are doing it again this year!), and I have been running ever since. 

In the past few years, I have also been eating better, trying new foods from multiple cultures from multiple parts of the world, plus doing yoga, kettlebell and meditation for the first time in my life, and I couldn’t have done this without Maryhope’s love and support and her constant belief in me, a belief that has never been paralleled in my whole life by anyone else in this entire universe.  I’m forever grateful! 

Something Maryhope would prolly say (and has) is that I finally gave myself permission to take care of myself and be healthy and realize I am worth it!  This year, I even dropped down to my lowest weight in 25 years, which 20 or 10 or even five years ago may have seemed unrealistic.  Thank you, Maryhope, for everything you do, and everything you are!!  I absolutely love you!!!

RLRjr 08.30.20

Taken at Fort Halifax Park, Winslow, Maine, 08.30.2020.  I may be 20 years older since my surgery, but I feel younger, I look better than I did back then!  And I’m certainly happier!!

On August 30, 2019, my baby brother Jonn and I saw Rick Springfield perform at the Savage Oakes Vineyard and Winery in a small town called Union, Maine (about 30 miles from where I’m typing this).  Jonn had won a concert package from a local commercial radio station I briefly worked for 12 years ago.  Along with five other pairs of concertgoers / package winners, we all took this cool limo bus to and from the venue for the outdoor show.

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The limo bus that took me and my brother Jonn to the Rick Springfield show!  Noice!

Jonn was born six years after “Jessie’s Girl” had been a huge hit, so, even though Rick Springfield had 16 of his 17 Top 40 hits from 1981 through 1988, that one song was basically the extent of Jonn’s knowledge of Rick Springfield, who himself turned 70 just the week before.

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The best shot my phone could get of Rick Springfield performing in Union, Maine, 08.30.2019.  He was amazing to see live and worth the 38-year wait!!

I had always wanted to see Rick Springfield perform, and I had no idea how the show would be, or how if Jonn would even be into it, but we ended up having an incredibly fun time that I will forever be grateful for, and I will treasure forever.

Just five weeks and a day later, on Saturday, October 5, 2019, I decided to take a day trip for myself to my birthplace of Bar Harbor, Maine, and go running as well (I was very close to running my first official 5K race ever and had been looking at races for later that October in Massachusetts.).

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A pano I took on a beautiful day at Agamont Park, Bar Harbor, Maine, 10.05.2019.

Well, on my way back from a wonderful day in Bar Harbor, I got a call from my sister, Beth, that was the absolute last thing I expected to hear that day:  Jonn, my adopted baby brother, had died unexpectedly that afternoon.  He was just 32 years old, and I had just been with him the night before, at the elementary school playing Bingo with him and his two young girls.

I was devastated beyond belief.  It had been less than two years since I had lost my biological baby brother, Mark, and now my adopted baby brother was gone too.

2019 had already been a hard year, as Maryhope had lost her dad, Dennis, just a few months earlier (almost to the day) to cancer, at the age of 77.  Dennis was an amazing man and one of the strongest men I have ever known and will ever know.  I miss him every day.

Back in the late 70s through the early 90s, my parents were foster parents for the State of Maine, and over a five-year period or so starting in the late 80s, my folks ended up adopting six of the foster kids, two of them biological sisters.  Jonn was born in 1987 and was the youngest of the six, and one of the last two to be adopted by my parents.  So, I went from having two sisters and a brother to having six sisters and three brothers early in my adulthood.

With 20 years separating me and Jonn, there was a generational gap between us, which was prolly most noticeable with our tastes in music and movies, but it usually wasn’t an issue.  If anything, it brought us closer.

me + jonn thx 2017

Me and Jonn hamming it up at the Raymond compound on Thanksgiving 2017.

One of the things I admired most about Jonn was his unwavering ability to say whatever was on his mind.  He was a straight shooter, telling it like it is, and didn’t hold back.  Sometimes I kinda wish he hadn’t been so vocal about everything, and we always didn’t agree, but I always respected that he said what he meant to say, instead of having the tendency to freeze up and avoid confrontations like his big brother.

Jonn joined the United States Army not long after graduating high school, and he was a gunner on a Black Hawk, serving two tours in Iraq.  He got married and was the father of two amazing young women — Alex and Emmy.  Jonn was a computer genius and one of the smartest people I ever knew.  Emmy especially reminds me so much of him.  Watch out for that one — she’s gonna rule the world someday!  I guaRONtee! 

For most of my life, I never smoked pot because I always thought I would become addicted to it, but in 2014, inspired and encouraged by Maryhope, I tried marijuana for the first time.  It wasn’t so bad, but I didn’t feel anything.  That is, until July 4, 2016.

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Dragonfly fireworks, Winslow, Maine, 07.04.2016.  At least that’s what I saw.

On Independence Day 2016, Jonn gave me a peanut butter pot cookie he had made, and with my love for peanut butter cookies (and not thinking), I gobbled up the entire thing right before the fireworks display across the street from my parents’ house.

IMG_8034 80s album cover fireworks

I saw an 80s record album cover in these fireworks!

After the fireworks, I was going through the pictures I had just taken (I like to take non-trad photos of fireworks), and then the cookie kicked in.  OMHFG!  I went through every pot stereotype there is!  The paranoia, the mad munchies, a different kind of creativeness than I was used to.  I saw things in these fireworks photos I might not have seen otherwise!  Luckily, I documented all of it at the time.  I’ll never forget that.  Or those cookies!  Holy cats!

IMG_8185 ain't no mtn high enough

Ain’t no firework high enough!  Somehow I saw Diana Ross in this shot, not her face, but mainly her hair and her arms raised to the sky.  Although I do see part of a face in there!

I thought of Jonn the first time I bought legal weed in Northampton, Massachusetts with Maryhope in February 2019.  He would have loved the communal experience.  The store had just opened, people were patient and kind and talking with each other (despite the cold), and even helped one disabled customer navigate around the line to his car.  It was beautiful!  I hope that kind of communal experience (not to mention the kickass selection) is what it’s like when Maine starts selling legal weed in October 2020.

NETA 2.2.19

Maryhope and yours truly, proud owners of our first legal weed, outside of NETA, Northamption, MA, 02.02.2019.

I don’t know what Jonn would have thought about legal weed in Maine.  He really seemed to love growing his own.  That crafty little bastard even managed to grow pot in a closet in his bedroom at my parents’ house while he was in high school!  My mother was not thrilled.  Prolly because it took her awhile to figure it out.

The last few years of his life, Jonn and I got to be very close, prolly closer than we had ever been.  He was the one family member I could truly confide in, and vice versa.  These last few years were especially hard for him, and he was in a lot of physical and mental pain.  I was there for him as much as I could be.

In September 2018, I had the worst health scare of my life (even worse than the brain tumor).  I called out sick from work (which I didn’t do often), and that afternoon, Jonn drove me to the hospital without us knowing what was going on.  The best way I can describe it was that it felt like I was on every drug there is, but I wasn’t on anything.  I had never ever felt that way before, and I was really out of it; awake, but out of it.  My blood pressure was 64/30.  There were several people in the ER, but I couldn’t tell you how many.  Jonn saved my life that day.  He stayed with me in the emergency room, texted Maryhope when I couldn’t, and stayed the entire time.  I am forever grateful he was there.

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My awesome post-ICU haircut, courtesy of Maryhope, 09.22.2018.  I don’t think my hair had been that short since I was a bebe!

It was later determined that my ER visit was septic shock, and after four days and four nights in the ICU, Maryhope (who had traveled up from MA to be with me) and I learned that the septic shock was caused by a blocked colon (I had had three unsuccessful colonoscopies in early 2018, with no explanation as to why).  While in the hospital that week, I finally had a successful one, and another in early 2019, and don’t need another colonoscopy until 2024!  Huz to the ZAH!

A week and a half later, it would be me taking Jonn to the same hospital ER for a a health scare of his own.  And this time, I ended up saving his life. 

Jonn and I had such fun at the Rick Springfield concert, but sadly no at-concert photos to share, because they were all on his phone, which is gone. 

After the show, we were at Applebee’s in Waterville having post-concert snacks, where he confided in me that he didn’t feel like he had a lot of time left to live.  He didn’t elaborate and he didn’t want me to be upset.  He had cancer, but everyone at Togus (the Maine VA hospital located about a half hour down the road) who worked with Jonn couldn’t figure out where the cancer was.  Like my brain tumor, his cancer was non-active.  I just wished they could have found out where it was, and what was causing him such physical pain.

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Me and Jonn, Bar Harbor, Maine, 04.06.2019.

My trip to Bar Harbor in October 2019 was my second trip there of the year.  During the off-season (in April 2019), Jonn, his girls and I went up there (or down and east there, ayuh) for the afternoon, and had such a great time.  And, we even tried to catch the sunset at Seawall (part of Acadia National Park) on the southwestern part of Mount Desert Island, but as it turned out, the sunset was on the other side of the island!  We managed, however, to get some nice shots of the post-sunset sky in nearby Bass Harbor.

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Post-sunset pano shot of Bass Harbor, Maine, 04.06.2019.

Out of all of the songs we played from Spotify that day in a makeshift playlist for the car, I don’t think any song was played more than “Baby Shark” (I think the most popular version by Pinkfong; yes, I had to look it up).  The night before Jonn died, after I had dropped him and the girls off, I stopped at the local Walmart and saw “Baby Shark” cereal.  Knowing Jonn would appreciate it, I snapped a picture with my iPhone, and sent it to him.  His last text to me (that following morning) was in response to the picture – “Haha.” 

I know he was in pain, I know he had issues he was working through, and I know he wasn’t ready to go just yet, regardless of what he told me that night a year ago.

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Jonn excited about being in Bah Hahbah, Maine, 04.06.2019!

Jonn was so full of life, and he loved Alex and Emmy more than anything in the universe.

Right before Jonn died, we were talking of spending the second weekend in October 2019 in Salem, Massachusetts, one of their favorite places, and talked of meeting up with Maryhope there (also one of our favorite places).  It would have been an amazing and magical weekend.

halloween 2019

Halloween was, by far, Jonn’s favorite holiday.  In his honor, my niece Cheyenne (and I think my dad, too) put up some of Jonn’s Halloween decorations in the front yard of the Raymond compound.

At Jonn’s military memorial service, it broke my heart to see 7-year-old Emmy and 11-year-old Alex without their dad, and when Alex was handed his flag.  I think this was the first time I had seen them since Bingo night a few weeks before.  My heart still breaks to think about it, and as I type this.

When Mark died just before Xmas 2017, I went through the “year of anniversaries” — the year without Mark on holidays, birthdays, etc.  I’ve since gone through that with Maryhope for her wonderful dad, Dennis, and with Jonn.

For almost a year, I’ve been going through some variation of the five stages of grief — denial, anger, bargaining, depression, and acceptance.  I know Jonn wouldn’t want me to go through this, and some days are better than others, but I can’t help it.  I just miss him so fucking much!

jonn stone 6.20.20

I visit him at the Maine Veterans Cemetery as often as I can and I talk with him, usually while crying.  I can’t fight it, I won’t fight it.  And I always tell him how much I miss him and miss his laugh and his energy and how I always hope that he and Mark and Dennis are all hanging out, maybe even sometimes hanging out with Prince or Mr. Bowie.  Just the mere thought of that makes me smile.

It also makes me smile at how happy he was for me and Maryhope, how he knew how much she makes me happy, and how much I know he loved her.  One of the things they had in common was their love for the Douglas Adams classic, THE HITCHHIKER’S GUIDE TO THE GALAXY!

jonn thx 2017

One of my favorite shots of Jonn, from Thanksgiving 2017.

I’ve had this blog post in my head for a very long time now.  With the losses in my life of three extraordinary men in less than two years, I just haven’t been able to write as much as I’d like.  And, with the shirt show that has been 2020, I’ve lost any concept of time I did have.  But, when I realized the double anniversary of my brain tumor surgery and the Rick Springfield show with Jonn last year, I realized it was time to write about it. 

When thinking about a song to coincide with this blog post, the only song that was even considered was Rick Springfield’s 1983 hit, “Human Touch.”

living-in-oz-1983-rick-springfield

From the album LIVING IN OZ (the album I brought to the show on the off-chance Jonn and I would get to meet Rick; we didn’t), “Human Touch” reached a respectable No. 18 on the BILLBOARD Hot 100 in September 1983.  Over in the U.K., somehow it was his only Top 40 hit, reaching No. 23 (the U.K. was prolly the only place in the world where “Jessie’s Girl” was NOT a hit, reaching No. 43 there).

human touch

And though “Human Touch” was far from Rick Springfield’s biggest American hit, it was always my favorite of his, and it was actually the most-requested Rick Springfield song in the history of my WMPG radio show, STUCK IN THE 80s.  When Rick played it at the show in Union, Maine a year ago, Jonn and I were both jamming to it as if Jonn had been a fan of the song as long as I had been.  And, like Jonn, it’s something I will treasure forever. 

I love you and I miss you so very much, my brother!  Please give my love to Mark and Dennis when you see them again…

https://www.youtube.com/watch?v=yo0uTu2uLtI

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My baby brother, Jonn, and I, waiting for the limo bus to take us to the Rick Springfield show, 08.30.2019.

song of the day – “A Love Bizarre” | SHEILA E. featuring PRINCE | 1985.

More and more lately, I keep coming back to these Classic Rock and these retro radio stations playing “80s and More,” and how they are limiting themselves to the same songs by the same artists that every other station like them always plays.  They always tout variety, and yet, the song(s) remain the same.  And, not in a great Led Zeppelin way either.  And in turn, I’ve been thinking about songs they are not playing, and SHOULD BE playing already.  Damn.

80s n more

Is it really more, or just the same?

Somewhere in the space and time of radio, some “professional” programmer or programming “team” for a collective of similar radio stations thought that it would be brilliant to play the same select group of artists within a six-hour span, maybe even longer. 

Using an “80s and more” station out of Boston as an example, on Tuesday, December 10th, the same artists are repeated a number of times in just a short six-hour span.  Aerosmith was played three times (understandable since they’re from Boston, but still, is hearing Aerosmith on the same radio station once every two hours necessary?), two Elton John songs were played in an hour, and multiple (male) artists were played twice: Men At Work, The Police, Queen, Billy Joel, Journey, Michael Jackson, Foreigner, Hall & Oates, and fucking Bon Jovi, the band who killed New Wave back in 1986 when “You Give Love A Bad Name” hit No. 1 on the BILLBOARD Hot 100 (I half joke about that, but it’s true.).

eurythmics

During that same six-hour span, women were represented just nine times, and though all are awesome, the songs are by the same handful of female (or female-driven) artists they always play in heavy rotation: Scandal, Eurythmics, Joan Jett & The Blackhearts, Pat Benatar, Heart, The Bangles, and three of the same 70s Fleetwood Mac songs everyone plays (did they forget about all of their sweet work in the 80s?  Or “Tusk” from 1979?  Now THAT would kick ass, and would be branching out!).

tusk single

Radio programmers! Play this song already, dammit!

While Michael Jackson was played a couple times, I didn’t see any other Soul or R&B artists from the 80s OR MORE OR ANY played at all.  No Aretha?  No Donna Summer (from Boston)?  No Blondie?  No Sheila E.?

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Sheila E. performing live, 1978.

Sheila E. turns 62 today (December 12), and by the time she branched out on her own in 1983, she had already worked with music R&B and Pop royalty, including the likes of Lionel Richie, Marvin Gaye, Herbie Hancock, Diana Ross, and she was even a member of The George Duke Band for a few years.

In 1978, the year Prince released his debut album, FOR YOU, he also met Sheila E. (full name Sheila Escovedo) at a concert where she was performing with her father, percussionist Pete Escovedo.  Six years later, 1984 would prove to be a huge year for both of them. 

They teamed up during the PURPLE RAIN recording sessions and sang together on the B-side of “Let’s Go Crazy,” the highly memorable (not to mention one of the best B-sides ever), “Erotic City.”

erotic city

One of THE BEST (and certainly naughtiest) B-sides EVER.

Working with Prince gave Sheila E. a huge boost to her own career, and just a couple of weeks before the release of PURPLE RAIN, she released her own debut album, THE GLAMOROUS LIFE, which would eventually be certified Gold.  Prince co-produced the album with Sheila E., and wrote the album’s title track, a huge Top 10 hit around the globe.  She also opened for Prince on his PURPLE RAIN tour (THAT would have been a concert to see!).

the glamorous life

In late August 1985, Sheila E. released her second album, ROMANCE 1600, again co-produced with Prince (and on Prince’s Warner Bros. imprint, Paisley Park).  By late January 1986, ROMANCE 1600 became another Gold-certified album here in America for Sheila E. 

romance 1600

Fast forward to November 1985, and the funky first single from the album, “A Love Bizarre,” co-written by Prince and Sheila E., and featuring Prince on guitar, bass guitar and backing vocals, was released.  A month earlier, the song was featured in the film, KRUSH GROOVE, starring Sheila E., Run-D.M.C., Beastie Boys, LL Cool J, Kurtis Blow, The Fat Boys, New Edition, Rick Rubin and Blair Underwood (who you would later see in TV shows like L.A. LAW and SEX AND THE CITY, and many other films in his long acting career).

krush groove

Most of the music video for “A Love Bizarre” was taken from the film, and the 3:46 single version was whittled down from the album’s epic 12-minute version.

“A Love Bizarre” debuted on the BILLBOARD Hot 100 in mid-November 1985 at No. 84.  After a slow start, “A Love Bizarre” reached the Top 40 in the last week of 1985, and after a steady 16-week climb up the Hot 100, it spent a week at No. 11 in early March 1986.  After 23 weeks, “A Love Bizarre” fell off the chart in mid-April 1986.  It was one of the biggest hits of 1986 here in America.

a love bizarre

Around the globe, “A Love Bizarre” found some not-so-bizarre love from Germany and The Netherlands, reaching the Top 10.  It also hit No. 14 in Austria, No. 16 in Switzerland, No. 20 in Canada, and charted in the U.K. as well.  It spent two weeks at No. 1 on BILLBOARD’s Dance chart, and was her biggest hit on BILLBOARD’s R&B chart, reaching No. 2.

NERDY FUN FACT: In 1987, the late New Age / World singer and guitarist, Michael Hedges, released his much-heralded live album, LIVE ON THE DOUBLE PLANET, and on that album was a spirited acoustic cover of “A Love Bizarre,” performed live in the Spring of 1987 at the University of Maine at Orono, just about 90 minutes north of where I’m typing this.  At the beginning of the song he sings, “A, B… A, B, C, D… Sheila E!”  It was a frequent covers favorite played during the 20-year-plus run of my 80s radio show, STUCK IN THE 80s, and remains as one of my all-time favorite cover songs.

michael hedges

Though Sheila E. never had another big hit, it doesn’t mean she hasn’t been busy.  She appeared in four total movies, toured with Prince on his SIGN “O” THE TIMES and LOVESEXY tours (when she was briefly engaged to Prince during this time), has released eight albums between 1984 and 2017, performed as a member of the “All-Starrs” for three tours as part of Ringo Starr & His All-Starr Band, played percussion on Phil Collins’ cover of Cyndi Lauper’s “True Colors,” and a few years later, played percussion on the Maurice Williams classic, “Stay,” for Cyndi’s brilliant 2003 album of standards,  AT LAST.  She has also provided percussion and/or drums for many motion pictures, including MAN OF STEEL and BATMAN V SUPERMAN.

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Sheila E. and Prince, late 80s.

Sheila E. and Prince occasionally got together to perform over the years, and in 2016, following his sad death in April of that year, she released a new song in honor of Prince, called “Girl Meets Boy.”

girl meets boy

A 2016 tribute song for Prince.

I still love hearing “The Glamorous Life” on the radio 35 years later, though it’s not played as much as it should be.  But, it’s certainly played more than “A Love Bizarre,” which to this day is highly-regarded as Sheila E.’s signature tune, and yet I NEVER hear it on the radio. 

For those “professional” 80s and retro programmers out there, what in THE H-E-double hockey sticks are you doing?!  What are you waiting for?  I love that Barry Scott’s long-running program, THE LOST 45s, brings some of these big hits, most of which sadly remain lost and forgotten, back to the radio with his wonderful show, but until I can finally get that programmer job I’ve always wanted, radio programmers need to please please please show Sheila E. some birthday love and highly regard “A Love Bizarre.”  Not only does it kick much ass, but NOT showing this song any love IS truly bizarre.

sheila n drums

Happy Birthday, Sheila E.!

https://www.youtube.com/watch?v=56gpwl6cohc

MBDKRGR EC004

song of the day – “Abracadabra” | STEVE MILLER BAND | 1982.

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Waiting for the real Colin Hay to begin, Rockland, Maine, 8.16.2017. He was, of course, fantastic and soulful.

Hey everyone!  Thanks so much for being patient with me, as I’ve taken an unexpected (but quite enjoyable) absence from the bloggy thing since the end of July.  There’s been work stuff, home stuff, I had a fun time attending concerts featuring Blondie, the 80s Retro Futura Tour (including Howard Jones, Modern English, Men Without Hats, Paul Young, Katrina of Katrina And The Waves, and The English Beat!), and most recently, seeing the wonderful Colin Hay in beautiful Rockland, Maine. 

I’ve also been spending a lot of quality time with the incredible and awesome Hope, my superfriend, sassy radio co-host and writing hero, which included a swim in the cold Atlantic Ocean here in Maine that changed me forever.  There’s a lot more to say, and I will, in a post coming soon that will be about Hope and that swim in the ocean and much more!  And Hope comes up again later in this post, so stay tuned!!

HopeyT and me

That’s the absolutely lovely HopeyT and me, Kettle Cove State Park, Cape Elizabeth, Maine, 9.2.2017!

When I started my tribute to my radio hero, Casey Kasem, back on June 1, school was in session and Summer was weeks away.  Well, it’s now September 9, 2017, school is back in session and Fall is less than two weeks away.  I’ve had fun bringing you this tribute to Casey (who passed away in June 2014 at the age of 82), and wanted to make sure (1) you all didn’t think I would hold out on the Number One song of this tribute, and (2) that I get this in ASAFP, because what’s a Top 40 countdown without a Number One song?

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Much like AMERICAN TOP 40, this post will be full of nerdy chart facts and then some, but first, I wanted to recap the songs I’ve posted in this series so far.  These songs (which include five (real) one-hit wonders of the 80s), are ranked at the positions they peaked at on the BILLBOARD Hot 100 (with peak year), and though they do not represent a definitive Top 40 list for me, but I love all of them, and hope you’ve enjoyed reading about them!

40. CLONES (WE’RE ALL) – ALICE COOPER (1980)

39. SLIPPING AWAY – DAVE EDMUNDS (1983)

38. PROMISES IN THE DARK – PAT BENATAR (1981)

37. WHISPER TO A SCREAM (BIRDS FLY) – ICICLE WORKS (1984; (real) one-hit wonder of the 80s)

36. SOMETIMES A FANTASY – BILLY JOEL (1980)

35. FAKE FRIENDS – JOAN JETT & THE BLACKHEARTS (1983)

34. ME MYSELF AND I – DE LA SOUL (1989)

33. PRIDE (IN THE NAME OF LOVE) – U2 (1984)

32. VALLEY GIRL – FRANK & MOON ZAPPA (1982)

31. (GHOST) RIDERS IN THE SKY – THE OUTLAWS (1981)

30. LIES – THOMPSON TWINS (1983)

29. TURN UP THE RADIO – AUTOGRAPH (1985; (real) one-hit wonder of the 80s)

28. POINT OF NO RETURN – NU SHOOZ (1986)

27. THE RIGHT THING – SIMPLY RED (1987)

26. NOT JUST ANOTHER GIRL – IVAN NEVILLE (1988)

25. TAKE ME WITH YOU – PRINCE & THE REVOLUTION featuring APOLLONIA (1985)

24. ONE WAY OR ANOTHER – BLONDIE (1979)

23. YOU CAN CALL ME AL – PAUL SIMON (1986 / 1987)

22. AIN’T NOBODY – RUFUS & CHAKA KHAN (1983)

21. FOOL IN THE RAIN – LED ZEPPELIN (1980)

20. OUR LIPS ARE SEALED – THE GO-GO’S (1982)

19. PUSH IT – SALT-N-PEPA (1988)

18. LET ME TICKLE YOUR FANCY – JERMAINE JACKSON with DEVO (1982)

17. YOU ARE THE GIRL – THE CARS (1987)

16. HOLIDAY – MADONNA (1984)

15. ONE OF THE LIVING – TINA TURNER (1985)

14. DIGGING YOUR SCENE – THE BLOW MONKEYS (1986; (real) one-hit wonder of the 80s)

13. TARZAN BOY – BALTIMORA (1986)

12. WHAT’S GOING ON – CYNDI LAUPER (1987)

11. EDGE OF SEVENTEEN – STEVEIE NICKS (1982)

10. RELAX – FRANKIE GOES TO HOLLYWOOD (1985)

09. THE ONE I LOVE – R.E.M. (1987)

08. LET THE MUSIC PLAY – SHANNON (1984)

07. WHAT I AM – EDIE BRICKELL & NEW BOHEMIANS (1989)

06. INFATUATION – ROD STEWART (1984)

05. WANNA BE STARTIN’ SOMETHIN’ – MICHAEL JACKSON (1983)

04. HEART AND SOUL – T’PAU (1987; (real) one-hit wonder of the 80s)

03. LOVE SHACK – THE B-52’S (1989)

02. DANCING IN THE DARK – BRUCE SPRINGSTEEN (1984)

Throughout this series, I’ve been mentioned how many songs peaked at each position between 1979 and 1989.  It’s only fitting that songs which reached No. 1 would have the highest number of songs hitting the apex of the BILLBOARD Hot 100.  For this post, I am only counting the songs that reached No. 1 between January 1980 and December 1989, and for that 80s time period, 232 songs went all the way to No. 1.  Let’s get nerdy now (if you’re not already there), with some chart feats about No. 1 songs during the 80s and the BILLBOARD Hot 100:

  • FOUR (REAL) ONE-HIT WONDERS reached No. 1 during the 80s – Bobby McFerrin (“Don’t Worry, Be Happy”), the second-chance single, “When I’m With You” by Sheriff, Jan Hammer’s “Miami Vice Theme,” and Vangelis (“Chariots Of Fire (Titles)”), though the composer did reach the chart separately twice in the early 80s as part of the duo Jon & Vangelis, with Jon Anderson of Yes.

miami vice theme

  • MOST WEEKS SPENT AT NO. 1 IN THE 80s (27); MOST NO. 1 SONGS FROM ONE ALBUM (5); MOST NO. 1 SONGS IN THE 80s (9) – Michael Jackson.  The King Of Pop reached No. 1 in the 80s with “Rock With You” (1980; 4 weeks at No. 1), “Billie Jean” (1983; 7 weeks), “Beat It” (1983; 3 weeks), “Say Say Say,” with Paul McCartney (1983 / 1984; 6 weeks), “I Just Can’t Stop Loving You,” with Siedah Garrett (1987; 1 week), “Bad” (1987; 2 weeks), “The Way You Make Me Feel” (1988; 1 week), “Man In The Mirror” (1988; 2 weeks); “Dirty Diana” (1988; 1 week).beat it
  • MOST NO. 1 SONGS IN THE 80s (if you’re NOT Michael Jackson): Madonna (7), Phil Collins (7 solo hits), Whitney Houston (7), George Michael (6 solo hits, which includes “Careless Whisper”), Daryl Hall & John Oates (5), Lionel Richie (5).

crazy 4 U

  • NO. 1 WITH MOST WEEKS SPENT ON THE HOT 100 – 40 – “Red Red Wine” – UB40. It spent 25 weeks on the Hot 100, including a week at No. 1 in 1988, and had charted for 15 weeks in its first chart run in 1984.

red red wine

  • MOST CONFIGURATIONS AT NO. 1 – PAUL McCARTNEY, with Wings (“Coming Up (Live At Glasgow),” 1980), with Stevie Wonder (“Ebony And Ivory,” 1982), and with Michael Jackson (“Say Say Say,” 1983 / 1984).

coming up

  • NO. 1 WITH MOST WEEKS SPENT IN THE TOP 10 OF THE HOT 100 (15) – “Physical – OLIVIA NEWTON-JOHN (1981 / 1982), and “Eye Of The Tiger” – SURVIVOR (1982).  SUPER NERDY FUN FACT: the song which spent the most weeks in the Top 10 in the 80s didn’t even reach No. 1 – “Hurts So Good” by John Mellencamp spent 16 weeks in the Top 10, with four of those weeks in the runner-up spot.

survivor

  • MOST WEEKS SPENT AT NO. 1 IN THE 80s (10) – “Physical” by Olivia Newton-John (1981 / 1982).  While it’s more commonplace on the Hot 100 these days, the biggest song of the 1980s would be the only song to spend at least 10 weeks at No. 1 on the chart for next 10 years.  In 1992, Boyz II Men spent a then-record 13 weeks at No. 1 with “End Of The Road.”  Two No. 1 songs later, Whitney Houston would break that record with “I Will Always Love You,” which spent its 14th and final week on top in late February 1993.  The current record is 16 weeks at No. 1.

physical

In the most recent tabulation of the Greatest Of All Time Hot 100 songs for BILLBOARD’s legendary singles chart, many songs from the 80s were represented, and are currently ranked as follows:

08. “Physical” – OLIVIA NEWTON-JOHN (1981 / 1982; 10 weeks at No. 1)

15. “Bette Davis Eyes” – KIM CARNES (1981; 9 weeks)

16. “Endless Love” – DIANA ROSS & LIONEL RICHIE (1981; 9 weeks)

24. “Eye Of The Tiger” – SURVIVOR (1982; 6 weeks)

29. “Every Breath You Take” – THE POLICE (1983; 8 weeks)

31. “Flashdance…What A Feeling” – IRENE CARA (1983; 6 weeks)

40. “Another One Bites The Dust” – QUEEN (1980; 3 weeks)

41. “Say Say Say” – PAUL McCARTNEY & MICHAEL JACKSON (1983 / 1984; 6 weeks)

54. “Call Me” – BLONDIE (1980; 6 weeks)

57. “Lady” – KENNY ROGERS (1980; 6 weeks)

63. “Centerfold” – THE J. GEILS BAND (1982; 6 weeks)

64. “(Just Like) Starting Over” – JOHN LENNON (1980 / 1981; 5 weeks)

68. “I Love Rock ’N Roll” – JOAN JETT & THE BLACKHEARTS (1982; 7 weeks)

73. “Ebony And Ivory” – PAUL McCARTNEY & STEVIE WONDER (1982; 7 weeks)

75. “That’s What Friends Are For” – DIONNE & FRIENDS (1986; 4 weeks)

77. “Upside Down” – DIANA ROSS (1980; 4 weeks)

83. “Billie Jean” – MICHAEL JACKSON (1983; 7 weeks)

86. “Abracadabra” – THE STEVE MILLER BAND (1982; 2 weeks)

89. “Say You, Say Me” – LIONEL RICHIE (1985 / 1986; 4 weeks)

91. “All Night Long (All Night)” – LIONEL RICHIE (1983; 4 weeks)

95. “Waiting For A Girl Like You” – FOREIGNER (1981 / 1982; 10 weeks at No. 2; still tied for a record for spending the most weeks peaked at No. 2 on the Hot 100)

98. “Hurts So Good” – JOHN MELLENCAMP (1982; 4 weeks at No. 2)

So, for now, the 80s represent more than a fifth of the greatest hits to grace the BILLBOARD HOT 100.  Pretty damn cool.  I know it won’t always be like that, and I always wonder why some huge hits like Prince’s “When Doves Cry” (No. 1 for 1984) or Pink Floyd’s “Another Brick In The Wall” (No. 2 for 1980) aren’t up there, but songs these days tend to stay atop the Hot 100 (and the chart as a whole) a lot longer than they did back in the day, but honestly, I’m grateful for the songs that are still there. 

When I was preparing for this hefty blog post (prolly my second-longest, save for the Prince tribute post in April 2016), I was going through the list of No. 1 songs, and there are some songs I’ve already featured as a “song of the day” (Tears For Fears’ “Everybody Wants To Rule The World” comes to mind, and has often as of late), and there are many others I love. 

TFF

U2_des_7But, I concede that there are some real stinkers in there, too: Will To Power’s awful covers medley of “Baby, I Love Your Way” and “Freebird” (subtitled “Freebaby,” which is just heinous)?!  How in THE HELL did that get to go to No. 1 and “I Don’t Want Your Love” by Duran Duran stops at No. 4, and U2’s “Desire” stops at No. 3?!  For the love of all things holy!  And though I admit enjoying the movie MANNEQUIN, “Nothing’s Gonna Stop Us Now” by Starship?!  Are you kidding me?!  Even Grace Slick denounced that piece of shit.  While the go-to “worst song of the 80s” award is usually 1985’s “We Built This City,” I can tolerate that way more over “Nothing’s Gonna Stop Us Now.”  Yes, I’m THAT guy.

If I was going for my absolute favorite No. 1 song of the 80s, there’s no competition.  It’s “Don’t You (Forget About Me)” by Simple Minds.  It’s also my all-time favorite song.  But it’s a post I want to save for another time.  So, I thought it would be fun to bring in Hope, my writing hero, who, unlike yours truly, doesn’t obsess and write about nerdy chart facts or Top 40 hits, let alone ones that hit No. 1.  I thought it would be cool to have her choose the song for this post.

don't you

On August 11, 2017, Hope was kind enough to send me her list of her picks for No. 1 songs from the 80s, many of which have been already mentioned in this post!  One of those songs, and a song that is almost universally loved (like “Let’s Dance” by David Bowie, “Time After Time” by Cyndi Lauper, or the aforementioned Tears For Fears, Prince and Simple Minds gems) is “Abracadabra” by The Steve Miller Band.abracadabra7

Hope had included “Abracadabra” under the category of “Situational” No. 1 songs.  For Hope, “Abracadabra” was popular during the Summer after her high school graduation (“the glamorous Summer in The Hamptons!”), and she loves the line, “black panties with an angel’s face.”  Who wouldn’t love that line?!  It’s awesome (much like Hope herself)!

Milwaukee, Wisconsin native Steve Miller formed his Psychedelic Rock / Blues Rock band in San Francisco back in 1966.  Since his first two albums were released in 1968, through to his 1988 Jazz album, BORN 2 B BLUE, Steve Miller had been on Capitol Records, and he had some huge albums in the 70s. 

heart like a wheel

After 1981’s CIRCLE OF LOVE album (with the sweet Top 40 hit and criminally-forgotten gem, “Heart Like A Wheel”) failed to become his fourth consecutive platinum album here in America (though it was certified Gold), Steve was undeterred, got to work, and released the ABRACADABRA album in mid-June 1982.

abracadabra LP

Of the album, ROLLING STONE said, “The essence of good magic is deception, and with the release of this album, Steve Miller has earned the right to twirl his wand and shout, ‘Abracadabra!’”

Well, Steve thought so too, but Capitol wasn’t so sure.  The song inspired by Diana Ross (whom Steve met on a Pop music TV show in the 60s) told THE HOWARD STERN SHOW in 2016 that Capitol Records didn’t see a hit with the song “Abracadabra”:

“Capitol didn’t believe in [“Abracadabra”] and didn’t want to release it.  I had a different deal with Phonogram in Europe.  When it came out in Europe, I cancelled my American tour because it was Number One everywhere in the world, except the States.”  Once again, the record label got it wrong.

Well, after seeing the success of “Abracadabra” overseas, Capitol gave in and released it in the U.S., a month before the ABRACADABRA album was released.  “Abracadabra” debuted on the BILLBOARD Hot 100 in late May 1982 at No. 75, and took just four weeks to debut within the Top 40. 

The next few weeks were a steady climb, and by late July 1982, “Abracadabra” had become Steve Miller’s first Top 10 hit in five years, to the month.  With John Mellencamp’s “Hurts So Good” camped out at No. 2, and Survivor’s “Eye Of The Tiger” camped out at No. 1, “Abracadabra” was stuck at No. 3 for four weeks before it could work its magic on reaching No. 1. 

In early September 1982, after 15 weeks on the chart, “Abracadabra” finally hit No. 1 on the BILLBOARD Hot 100, giving Steve Miller his third No. 1 U.S. single overall, and his first No. 1 single since 1976’s “Rock’n Me” spent a week on top.  The No. 1 run of “Abracadabra” was just as quick as “Rock’n Me,” and his first No. 1 song, 1974’s “The Joker,” which also spent a lone week at No. 1.

SMB 82

The Steve Miller Band, 1982.

The following week, Chicago’s “Hard To Say I’m Sorry” snuck into the No. 1 position when no one was looking and stayed there for two weeks.  “Abracadabra” dropped to No. 3 (behind previous No. 1, “Eye Of The Tiger”).  But, in a magical chart feat, “Abracadabra” moved back up to No. 2 the next week, and by the end of September, “Abracadabra” reclaimed the No. 1 spot for one more week, before John Mellencamp’s little ditty about “Jack And Diane” started its four-week run at No. 1.  “Abracadabra” stayed on the Hot 100 until mid-Novemer 1982, and left the chart after nearly half a year.  It finished the year at No. 9 here in America. 

Around the globe, “Abracadabra” worked its magic on the singles charts of many countries, reaching No. 1 in Switzerland (six weeks), Sweden (four weeks), Australia and Canada (two weeks), and Austria, No. 2 in the U.K., Germany and Ireland, No. 4 in Norway, No. 8 in New Zealand, and No. 26 in the Netherlands.

“Abracadabra” was the last song The Steve Miller Band placed inside of the Top 40 of the BILLBOARD Hot 100, though they charted several more times through 1993, including the brilliant but oddly-underrated “I Want To Make The World Turn Around” from 1986.

i want to make the world turn around

Steve Miller continues to tour today, and in 2016, he was inducted as a solo artist into the Rock And Roll Hall Of Fame, where he had some not so nice things to say about the whole thing, calling the Hall a “private boys’ club full of fucking gangsters and crooks,” and vowing to make it better. 

SMB 2015

The Steve Miller Band, 2015.

He suggested taking the Rock And Roll Hall Of Fame nominating committee, replace every one of them and start over.  I hope it works out, because Devo, from Akron, Ohio (less than an hour south of Cleveland, where the Hall is based), should have been inducted years ago, much like the incomparable Cyndi Lauper, who has taken on Blues, Standards, Folk, Dance and Country music in the past 15 years, not to mention writing a book, winning a Tony Award and co-founding the True Colors Fund, which works to end homelessness among LGBT youth, and even testified before Maine Senator Susan Collins in 2015 about this very subject. 

Steve-Miller-Rock-and-Roll-Hall-of-Fame-Press-Room-Photo

This photo of Steve at the 2016 Rock And Roll Hall Of Fame induction ceremony speaks volumes, and not favorably for the Hall…

As for me and Hope and many others for “Abracadabra,” it’s one of those infectious songs that deserved to go to No. 1, and 35 years later, it still holds up.  At least the five-minute, eleven-second album version.  When the single was released, I bought it, but was instantly pissed it wasn’t the long version!  Sure, it’s only a minute and change difference, but if you hear the single version vs. the album version, you can tell the single version is a bit sped up, and the kick-ass instrumental that closes out the rest of the song isn’t there.  That’s even why I chose the video link below.  It’s not a link to the actual video, but to the album version.  You know, all these years later, I’m still impressed that sped up, edited single version got the song to No. 1.  Maybe that was magic too.

Speaking of magic, Hope inspired me recently to start training for a 5K using the Couch To 5K app (C25K); we’re both training for it, and finishing Week 5 of 8 this weekend!  Hope and I haven’t run a proper 5K in our adult lives, and the last time I ran the equivalent of a 5K was in high school during Cross Country, where I lettered my senior year.  Holy cats, that was 33 years ago! 

run ron run

Post-run workout, 9.7.2017! (With a kick-ass playlist by DJ HopeyT to keep me going!)

But, you know what?  Maybe it’s not magic after all that’s got us training for our first 5K ever – and in our early 50s!  Maybe you just need to believe.  Just like Steve Miller believed he had a hit with “Abracadabra,” even as his longtime record label disagreed – and he was right!  It’s one of THE BEST songs of the 80s and of all-time.  And I believe getting through this 5K (and other aspects of my life) will happen with belief over magic, though I have to say, when it happens, it will feel pretty damn magical and then some…

https://www.youtube.com/watch?v=dKCV8gzSlYw

abacadabra poster

song of the day – “Wanna Be Startin’ Somethin’” | MICHAEL JACKSON | 1983.

casey-kasem-at40-abc-billboard-650

On June 15, 2014, Casey Kasem, host of the longtime countdown program, AMERICAN TOP 40, passed away at the age of 82.  From my first blog post (and prolly some more inbetween then and now), I explained how, in 1979, I was a geeky, lanky and somewhat lost 12-year-old living in Central Maine, had a few friends and not a lot of interest in much of anything, but at some point early that year, I discovered AMERICAN TOP 40, and was glued to it every weekend.  Not only could I hear the 40 biggest songs in the country every week, but also Casey’s cool trivia and facts about the songs and the artists, a trait I treasure to this day.  For me, the show was No. 1 with a bullet.  And still is (thanks to the re-airing of broadcasts of AT40 on iHeart Radio).american-top-40-casey-kasem

In honor of my radio hero, Casey Kasem, for the entire month of June (and now through July), I will be highlighting a song each day (some days will have two songs!) that peaked in the Top 40 of the BILLBOARD Hot 100 (including five (real) one-hit wonders of the 80s), and with every blog post, just like on AMERICAN TOP 40, the hits will get bigger with each post.  On June 1, 2017, I featured a song that peaked at No. 40.  Sometime here in July, I’ll feature a “song of the day” that went all the way to No. 1. 

As Casey used to say on AT40, “And on we go!”

Well, we’re finally into the Top 5!  Normally it would have taken Casey Kasem three-and-a-half hours to reach this point, but he had a script, a chart already set up courtesy of BILLBOARD magazine, and he didn’t have to write everything out.  Not that I mind.  While it’s taken me quite a bit longer than I had hoped, I have really been enjoying this series, and hope you have too.

The songs that peaked at No. 5 between 1979 and 1989 are, so far, in a class all by themselves.  More than 100 songs reached that position, including some memorable cover songs, like “Respect Yourself” by Bruce Willis (originally by The Staple Sisters), “Cum On Feel The Noise” by Quiet Riot (Slade), “Once Bitten, Twice Shy” by Great White (Ian Hunter) and “Pink Cadillac” by Natalie Cole (Bruce Springsteen, who also had three No. 5 hits of his own).

hungry heart

One of three singles to reach No. 5 on the BILLBOARD Hot 100 for Bruce Springsteen between 1979 and 1989.

Many artists had more than one No. 5 hit, including Pat Benatar, Gloria Estefan (with and without the Miami Sound Machine), Exposé, Lou Gramm (with and without Foreigner), Daryl Hall (solo and two with John Oates), Janet Jackson (solo and with Herb Alpert), Madonna, Sade, Willie Nelson (solo and a duet with Julio Iglesias), George Michael (solo and as a guest vocalist for (real) one-hit wonder, Deon Estus), Olivia Newton-John, Eddie Rabbitt, Rolling Stones, Bob Seger and Rod Stewart.  Australia’s Air Supply had four No. 5 hits.

angel

One of two singles to reach No. 5 on the BILLBOARD Hot 100 for Madonna between 1979 and 1989.

The late, great John Lennon and his son, Julian Lennon, both hit No. 5 within a two-year period of each other, and some of my favorite 80s songs peaked at No. 5, like Thomas Dolby’s “She Blinded Me With Science,” “When Smokey Sings” by ABC, “In Your Room” by The Bangles, The Dazz Band’s “Let It Whip,” “What You Need” by INXS, “Stand Back” by Stevie Nicks, “Sister Christian” by Night Ranger, “I’m Coming Out” by Diana Ross, “(She’s) Sexy + 17” by The Stray Cats, “On The Radio” by Donna Summer, “Master Blaster (Jammin’)” by Stevie Wonder, and “All Through The Night” by Cyndi Lauper, which set a BILLBOARD Hot 100 record for Cyndi as she was the first female recording artist who would reach the Top 5 with four chart hits from a debut album.  And she wouldn’t be the last.

she's so unusual

Another of my favorite No. 5 hits belongs to the man who was not only the biggest recording artist of the 1980s, the entire year of 1983 belonged to him.  Of course, I’m talking about the late, great Michael Jackson.  The THRILLER album spent a massive 37 weeks at No. 1 on BILLBOARD’s album chart.  THRILLER was so big, in fact, that it was the No. 1 album in America for two consecutive years.

By now, everyone and their mother (and grandmother) knows all about the Quincy Jones-produced THRILLER album and the success it has had.  It’s still the biggest-selling, non-compilation album of all time.

thriller

The first song on the THRILLER album was the fourth (of seven) singles released from the album – “Wanna Be Startin’ Somethin’.”  What a heluva way to start off an album!  From the opening drum beats, you just knew Michael Jackson had something special with this album.

“Wanna Be Startin’ Somethin’” (a song about strangers – i.e. the press – spreading rumors to start arguments for no apparent reason), was released in early May 1983 and didn’t waste any time debuting on the BILLBOARD Hot 100.  It debuted on the chart at No. 41, three weeks after its release, and with “Billie Jean” still on the chart (at No. 42) and “Beat It” at No. 3. 

The following week, “Wanna Be Startin’ Somethin’” roared to No. 22, looking like a third No. 1 hit in a row from THRILLER (the album’s first single, “The Girl Is Mine,” with Paul McCartney, peaked at No. 2).  After a few slow chart weeks, it reached the Top 10 by early July 1983, and a couple weeks later, spent a quick two weeks at No. 5.  THRILLER’s fifth single, “Human Nature,” had already reached the Top 40 while “Wanna Be Startin’ Somethin’” was still in the Top 10.  It was one of five singles from THRILLER to finish the year in the Top 100 here in the U.S. in 1983.

wanna be startin' somethin'

Around the globe, “Wanna Be Startin’ Somethin’” spent two weeks at No. 1 in the Netherlands, and reached No. 3 in Belgium, No. 5 in Ireland, No. 8 in the U.K., No. 11 in Canada, No. 14 in Spain and No. 16 in Germany.

“LET’S ALL GO TO COURT, LET’S GO MAKE SOME LAW NOW” FACT:  As talented as Michael Jackson was, he had a bad habit of “borrowing” other people’s music for his own songs – without their consent.  At the “We Are The World” recording in 1985, he confessed to Daryl Hall that he used the beat of “I Can’t Go For That” for the beat in “Billie Jean.”  Daryl Hall didn’t seem to mind, but for “Wanna Be Startin’ Somethin’,” that catchy vocal bit near the end, you know the one – “Mama-say mama-sah ma-ma-coo-sah” – was actually taken directly from a 1972 Disco song by Manu Dibango called “Soul Makossa” (Manu Dibango is a saxophonist from Cameroon, and Makossa is a type of music and dance in that country), and the bit was used without permission. 

soul makossa

For years, there was no lawsuit about this, but when current Pop star, Rihanna, used the bit in one of her songs from 2007, both she and Michael Jackson were sued.  In early 2009, just months before Michael Jackson died, Michael had admitted he “borrowed” the line, and he ended up settling out of court.  Apparently, when Rihanna asked Michael Jackson to see if she could use the line in her song, that’s when the fit hit the shan, and once again, Manu Dibango was not contacted by Michael Jackson prior to the song’s use, hence the lawsuit.MJ 1958-2009

It’s hard to believe Michael’s been gone nine years already.  He was 50 at the time of his death, the age I’m at right now (don’t worry – I’m not leaving anytime soon), and I’m convinced that Michael had a big comeback in the works when his life was cut short on June 25, 2009.  While I have my own theory about what really happened with his death, I would much rather choose to celebrate his music, in this case “Wanna Be Startin’ Somethin’,” which is six minutes of pure Post-Disco joy and dance floor gold.  Honestly, who do you know that WOULDN’T get out on the dance floor and dance to this as soon as they heard it?!

“Lift your head up high / And scream out to the world / I know I am someone / And let the truth unfurl / No one can hurt you now / Because you know it’s true / Yes, I believe in me / So you believe in you…

https://www.youtube.com/watch?v=8KWf_-ofYgI

MJ 83

  

song of the day #2 – “Relax” | FRANKIE GOES TO HOLLYWOOD | 1984 / 1985.

casey-kasem-at40-abc-billboard-650

On June 15, 2014, Casey Kasem, host of the longtime countdown program, AMERICAN TOP 40, passed away at the age of 82.  From my first blog post (and prolly some more inbetween then and now), I explained how, in 1979, I was a geeky, lanky and somewhat lost 12-year-old living in Central Maine, had a few friends and not a lot of interest in much of anything, but at some point early that year, I discovered AMERICAN TOP 40, and was glued to it every weekend.  Not only could I hear the 40 biggest songs in the country every week, but also Casey’s cool trivia and facts about the songs and the artists, a trait I treasure to this day.  For me, the show was No. 1 with a bullet.  And still is (thanks to the re-airing of broadcasts of AT40 on iHeart Radio).american-top-40-casey-kasem

In honor of my radio hero, Casey Kasem, for the entire month of June (and now through July), I will be highlighting a song each day (some days will have two songs!) that peaked in the Top 40 of the BILLBOARD Hot 100 (including five (real) one-hit wonders of the 80s), and with every blog post, just like on AMERICAN TOP 40, the hits will get bigger with each post.  On June 1, 2017, I featured a song that peaked at No. 40.  Sometime here in July, I’ll feature a “song of the day” that went all the way to No. 1. 

HOORAY!  We’ve finally reached the Top 10!  Woo-hoo!  When Casey Kasem got to this point of an American Top 40 countdown, he would usually say, “We’re headed into the home stretch now!  And on we go!”

Wow, in my research for this series, no chart position so far has had nearly 90 songs reach a certain position between 1979 and 1989…until now.  Nearly 90 songs set up camp at the No. 10 position during that time, some stays as short as one week (like “Borderline” by Madonna, “Hysteria” by Def Leppard and “The Goonies ‘R’ Good Enough” by Cyndi Lauper), or as many as six weeks (“Muscles” by Diana Ross). 

borderline

There were only about a baker’s dozen and a half of women who peaked at No. 10 during that time, like Kim Carnes, Pat Benatar, (real) one-hit wonder Regina (with the Madonna-inspired “Baby Love”), Christine McVie of Fleetwood Mac, Cher, Donna Summer, Exposé, and the aforementioned Madonna and Diana Ross (the latter of which reached No. 10 twice).

It was pretty much a boys club for the rest of the songs that reached No. 10 on the Hot 100 between 1979 and 1989, including songs by David Bowie, Culture Club, Pet Shop Boys, Asia, Wham!, Steely Dan, ELO, Golden Earring, Prince, Phil Collins, Duran Duran and Stevie Wonder, and for some, one No. 10 song wasn’t enough.  The Police had two No. 10 hits, Heart had two, plus the Little River Band had three, as did Michael Jackson and Billy Joel.  And Kool & The Gang had four No. 10 hits – “Get Down On It,” “Misled,” “Stone Love” and “Victory.”

get down on it

For me, though, there was one No. 10 hit that stuck out more than any other.  And, as a singles chart nerd, it’s a big one.  It’s also what I call a “second-chance single,” and that historic single is “Relax” by Frankie Goes To Hollywood.

Formed in Liverpool, England in 1980, Frankie Goes To Hollywood was a five-man  New Wave / Dance-Pop band who was a thorn in the BBC’s side (the British Broadcasting Corporation, that is) in 1984, with their debut single, “Relax.”  I’ll come back to that. 

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Producer and ZTT Records co-founder, Trevor Horn, saw Frankie Goes To Hollywood perform on a television show called THE TUBE, when an early version of “Relax” was played.  He thought it was “more a jingle than a song,” and he wanted to “fix it up” in his own way. 

Another co-founder of ZTT, Paul Morley, had a great campaign lined up for Frankie Goes To Hollywood: “a strategic assault on pop.”  This was a brilliant marketing move.  His plan was to also tackle certain a trilogy of themes in the band’s single releases – sex, war, and religion.  “Relax” was first, followed by “Two Tribes” (about the Cold War), and “The Power Of Love” (a video which features the birth of Christ).

Trevor Horn and especially Paul Morley were really going for the shock value when it came to Frankie Goes To Hollywood.  They released a series of provocative advertisements introducing Frankie to the U.K., and one advertisement even said, “Frankie Goes To Hollywood are coming…making Duran Duran lick the shit off their shoes…”  Wow. 

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One of several provocative ads ZTT released for Frankie Goes To Hollywood and “Relax.”

When “Relax” finally reached the U.K. singles chart in November 1983, it wasn’t really a big deal.  But, when Frankie performed “Relax” on the BBC flagship television show, TOP OF THE POPS, people went nuts.  The following week, it soared to No. 6 on the U.K. singles chart. 

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Frankie’s performance of “Relax” on Top Of The Pops.

About a week later, BBC Radio 1 DJ Mike Read expressed his offense towards the cover art for “Relax” and especially these lyrics – “Relax, don’t do it / When you want to suck it, do it / Relax, don’t do it / When you want to come…”, and he announced his refusal to play the record.  Unbeknownst to him at the time, the BBC had already decided it couldn’t be played on the BBC anyway. 

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A couple of days later, the BBC officially banned the single from its airwaves, though radio heroes – like the brilliant John Peel – continued to play it throughout 1984.  Don’t people know when you ban a record, it only increases its popularity?!  And that’s what happened with “Relax.”  It reached No. 1 by late January 1984 and stayed on top for 5 weeks.  Apart from “Do They Know It’s Christmas?” by Band Aid, it was the biggest-selling single of the year in the U.K.

Since the BBC ban also applied to TOP OF THE POPS, which, like SOLID GOLD here in the U.S., did a countdown of the country’s biggest hits during the show.  When “Relax” was No. 1, all they did was put up a picture of the band during its big No. 1 announcement.  For five weeks.  Boo.

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If “Relax” going to No. 1 didn’t piss off the BBC enough, “Relax” took its time falling down the U.K. singles chart.  And by the time the Cold War Classic “Two Tribes” had started its nine-week run at No. 1 in June 1984, “Relax” was right back behind it at No. 2.  Hot damn.

“Relax” remained on the U.K. Top 75 singles chart for 48 consecutive weeks, and returned in February 1985 for another four, giving “Relax” an entire calendar year on the U.K. singles chart.  Pretty impressive.  The BBC ban on “Relax” proved to be a huge embarrassment, and eventually the ban was lifted sometime during 1984, but the damage was done, and Frankie and ZTT prevailed. 

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Speaking of embarrassments, I was sometimes embarrassed about how the U.S. didn’t pick up on some huge U.K. singles, and they didn’t do much here, if they were released at all.  Back in the early 00s, on my STUCK IN THE 80s radio show, I did a show called U.K. 1, U.S. O, highlighting songs that reached No. 1 in the U.K. but did nothing here.  Featured on the show were “Ashes To Ashes” by David Bowie, “Pipes Of Peace” by Paul McCartney (relegated to a B-side here), and songs by The Jam and The Flying Pickets, among others.  I think “Two Tribes” was also on the playlist.

Well, “Relax” eventually made its way to American shores and debuted on the BILLBOARD Hot 100 early April 1984 at No. 84.  And, similar to the initial U.K. release, it received little fanfare here, maybe because radio stations had heard all about the song’s controversy in the U.K. and thought it was too obscene to play.  Irregardless, it spent a week at No. 67 in early May 1984, and fell off the chart after just seven weeks.

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My original copy of the “Relax” 12″ single, purchased in July 1984, many months before it became a big hit here in America.

Somewhere along the line, I caught wind of “Relax,” and in a rare move, bought the 12” single (sans fancy cover art) in July 1984 BEFORE it was a radio hit here in America.  And I loved it from the start, and kept wondering, “Why exactly wasn’t this a huge hit here?”

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In late October 1984, just nine days before the release of the band’s brilliant double-album debut, WELCOME TO THE PLEASUREDOME, “Two Tribes” debuted on the BILLBOARD Hot 100 at No. 79, on its way to a respectable No. 43 peak in mid-December 1984.  I will forever credit “Two Tribes” as the song that re-ignited interest in “Relax” here in America.

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And “Two Tribes” was still on the chart in mid-January 1985 when “Relax” made its re-entry onto the Hot 100.  In only its third week back, “Relax” debuted in the Top 40, and rose to No. 10 for a quick two weeks in March 1985.  It fell out of the Hot 100 by mid-May 1985 after a combined total of 23 weeks on the chart. 

Outside of North America between 1983 and 1985, “Relax” was one of the biggest hits of the decade.  It reached No. 1 in the aforementioned U.K., plus Finland, France, Germany, Greece, Israel, Italy, Spain, Switzerland and Thailand, and the Top 10 in at least 11 other countries.

“Relax” has been featured in a ton of films and TV shows for more than 30 years, including POLICE ACADEMY, BODY DOUBLE, MIAMI VICE, GOTCHA!, ROCK STAR, ZOOLANDER and ZOOLANDER 2, THE PROPOSAL, CALIFORNICATION, and 2017’s T2 TRAINSPOTTING.

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A number of covers of “Relax” have been released over the years as well, including “Weird Al” Yankovic, Richard Cheese, The Dandy Warhols, Germany’s Tech-Death Metal band Atrocity, and most recently, a brilliant cover by Blondie from their incredible 2014 album, GHOSTS OF DOWNLOAD, which includes a clever sample of the original within their cover.  I love it when artists do that.

In 1987, Frankie Goes To Hollywood ended up disbanding after just seven singles and two albums (though, somehow they manage to have 11 compilation albums), but honestly, it sure wouldn’t have been the 80s without them…

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https://www.youtube.com/watch?v=rCp2h5jslKY

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xmas song of the day – “Happy Xmas (War Is Over)” | JOHN & YOKO / THE PLASTIC ONO BAND | 1971 / 1980.

Happy Holidays!  Since it’s the first year of my blog, and since it’s the last year for my Annual Holiday Show on my little 20-year-old 80s radio program, STUCK IN THE 80s (on WMPG community radio in Portland, Maine), I wanted to present to you THE 31 DAYS OF 80s XMAS SONGS, or, 31 of my favorite 80s holiday musical treats.

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It’s December 8th, 2016 here in Central Maine, and the 36th anniversary of the tragic death of John Lennon.  So, I couldn’t think of any better choice for the song for Day 14 of the 31 DAYS OF 80s XMAS SONGS than “Happy Xmas (War Is Over).”

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With incredible vocal help from the Harlem Community Choir, “Happy Xmas (War Is Over)” was released as a single in December 1971 here in the U.S., and for the following Xmas in the U.K. (for some reason the release was delayed).  It was not just a beautiful holiday song, it was also a song protesting the Vietnam War. 

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In the two years before the single was released, John and Yoko launched a “WAR IS OVER” campaign worldwide, and they even rented billboard space in a dozen big cities around the globe with similar posters.

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Earlier in 1971, with people reacting more to John’s amazing single, “Imagine,” than his other solo work to that point, he realized, “Now I understand what you have to do:  Put your political message across with a little honey.”  He put together a holiday song without being overly sentimental like more traditional songs about the season, but also with a message of hope for peace.

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When it was released here in the U.S. in 1971, “Happy Xmas (War Is Over)” was not the success John and Yoko hoped it would be.  Since it was released late, there wasn’t much airplay for the holiday season, and it wasn’t well promoted by Apple Records.  When it was released in the U.K. the following Xmas, it reached No. 4 on the U.K. singles chart.  Between December 1972 and early 1973, “Happy Xmas” would also reach the Top 10 in Australia, Belgium, Denmark, France, Holland, Ireland, Norway and Singapore.

On December 8, 1980, the day John Lennon was murdered outside of his New York City apartment, “(Just Like) Starting Over,” his first single in five years, and his biggest hit in six years, was inching its way up the Top 10 of the BILLBOARD Hot 100, ranking at No. 6 that week.  Three weeks later (and two days after Xmas 1980), “Starting Over” spent its first of five weeks at No. 1.  It was an amazing tribute to John.

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Over in the U.K., the tribute to John was felt everywhere on the singles chart.  On December 20, 1980, “Starting Over” spent a week at No. 1.  On January 10, 1981, “Imagine” (which had previously charted at No. 6 in a 1975 release), spent four weeks at No. 1.  “Happy Xmas (War Is Over)” also returned to the chart, and was positioned behind “Imagine” at No. 2, a new peak position for that song.

Following the 4-week run at No. 1 on the U.K. singles chart for “Imagine,” “Starting Over” follow-up single, “Woman,” spent two weeks at No. 1.  In March 1981, Roxy Music’s cover of John’s 1971 song, “Jealous Guy,” spent two weeks at No. 1.

“Happy Xmas (War Is Over)” would re-chart on the U.K. singles chart in 1981, 1982, 1988, 2003, 2007, 2008, and 2012.  The appeal of “Happy Xmas” has been everlasting, and it’s been covered dozens of times over the years, including covers by The Alarm, Sarah McLachlan, Cocteau Twins, Cranes, Andy Williams, Neil Diamond, Diana Ross, The Moody Blues, Darlene Love, Carly Simon and even English Classical Crossover artist Sarah Brightman.

John would have been 76 this year.  I don’t know how he would have responded to  recent political events here in the U.S., but it’s a strong bet he’d still want you to have a Happy Xmas without any fear, and to give peace a chance.  Sounds like great advice to me.

Miss you, John, wherever you are…

https://www.youtube.com/watch?v=uMH_wMvMy_8

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song of the day – “Good Times” | CHIC featuring NILE RODGERS | 1979.

As you may have seen from my last post, I’m still on a high from the concert my dear friend Shawn and I saw last week (4.12.2016) at New York’s Barclays Center, Duran Duran with Chic featuring Nile Rodgers.  It was truly one of THE best shows I’ve ever seen.  And while seeing Duran Duran perform was worth the 34-year wait, seeing Chic and Nile perform was more than worth the wait too.

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Bernard Edwards and Nile Rodgers.

Chic was co-formed 40 years ago by Nile Rodgers and Bernard Edwards right in New York (Nile had mentioned at the show that the first song he wrote, “Everybody Dance,” was written not far from the venue in Brooklyn). 

In the quick 2-year period between 1977 and 1979, at the height of the disco craze, Chic picked up 5 Top 40 hits on the BILLBOARD Hot 100 – “Everybody Dance” stopped at No. 38, while the remaining 4 Top 40 hits reached the Top 10: “Dance, Dance, Dance (Yowsah, Yowsah, Yowsah)” (No. 6, 1977), “Le Freak” (No. 1, 6 weeks, 1978 /1979), “I Want Your Love” (No. 7, 1979) and today’s “song of the day,” “Good Times.”

good times 7%22Chic released “Good Times” in June 1979 (from the album, RISQUÉ) and Nile Rodgers and Bernard Edwards prolly had no idea how important this song would be in the realm of music history.  Or, maybe they did.  The song’s lyrics were largely based on the 1929 song, “Happy Days Are Here Again” by Milton Ager (who had just passed away a month before the song’s release, and who was inducted into the Songwriter’s Hall of Fame that year).

“Good Times” didn’t take long to debut on the Hot 100, debuting the same month it was released, and just in time for Summer.  It had reached the Top 10 in just 6 weeks, and spent its lone week at No. 1 in August 1979.  “Good Times” might have stayed on top longer had it not been for the huge chart run for The Knack’s “My Sharona,” which replaced “Good Times” at No. 1 and became the biggest song of 1979.  (After spending a week at No. 1, “Good Times” was situated at No. 2 behind “My Sharona” for 3 weeks.)  “Good Times” ended up at No. 20 for all of 1979. good times v2

On other BILLBOARD charts, “Good Times” spent 6 weeks at No. 1 on BILLBOARD’s R&B chart, and was the No. 1 R&B single for 1979.  Over on BILLBOARD’s Dance chart, “Good Times” (along with 2 other songs from RISQUÉ – “My Forbidden Lover” and “My Feet Keep Dancing”) reached No. 3.

The good times for “Good Times” wasn’t limited to the U.S. – it reached No. 5 in the U.K. and Canada, No. 8 in New Zealand, and was a Top 40 hit in at least 4 other countries.

A month after “Good Times” hit No. 1 on the BILLBOARD Hot 100,  a Hip Hop group out of Englewood, New Jersey, The Sugarhill Gang, released “Rapper’s Delight,” a song that sampled “Good Times” and used it as the music backdrop behind their rapping.  “Rapper’s Delight” wasn’t the first song to incorporate rapping (that distinction would go to the The Fatback Band’s song released a few months before “Rapper’s Delight,” “King Tim III (Personality Jock)”), but it was the song that brought Rap and Hip Hop into the music mainstream, and in 2011, it was preserved into the National Recording Registry by the Library of Congress, which includes songs that are “culturally, historically, or aesthetically significant.”  And The Sugarhill Gang have Nile Rodgers and Bernard Edwards to thank for that, and I’m sure they have many times over…  At the Barclays show, Nile Rodgers even did a bit of the opening rap from “Rapper’s Delight” (much to the delight of me, Shawn and everyone in attendance).

Chic would not hit the Top 40 again after “Good Times,” though they still continue to make music, and June 2015, even scored their first No. 1 BILLBOARD Dance hit in more than 20 years with “I’ll Be There,” from the forthcoming album, IT’S ABOUT TIME, their first studio album since 1992.

Bernard Edwards, bassist and vocalist for Chic, sadly died of pneumonia after a performance in Tokyo this week in 1996.  The amazing Tony Thompson, Chic’s drummer and also a well-known session drummer, was one-quarter of the 1985 “supergroup” The Power Station, and he tragically passed away in 2003 from kidney cancer just before turning  49, and two months after the passing of another one-quarter of The Power Station, Robert Palmer.

Nile Rodgers – at 63 years old and a cancer survivor – was so amazing to watch; so much energy and positivity coming out of that talented, brilliant man.  Since Chic had 5 Top 40 hits, all memorable, they filled the rest of the hour they performed with a medley of songs written and / or produced by Nile, including “I’m Coming Out” and “Upside Down” by Diana Ross, and “He’s The Greatest Dancer” and “We Are Family” by Sister Sledge. 

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Chic featuring Nile Rodgers, live at the Barclays Center, Brooklyn, NYC 4.12.2016.

Then came a sensational surprise, Chic-style.  I had hoped Nile and Chic would play it, but I wasn’t sure.  The song I’m talking about is “Let’s Dance” by David Bowie.  Nile Rodgers had said that, after the disco backlash in the early 80s, no one wanted to work with him.  David Bowie was the first recording artist to reach out to him and asked Nile to work with him.  And the result was the biggest hit of David Bowie’s career. 

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Nile Rodgers and David Bowie, photographed by Peter Gabriel.

The rest, as they say, is history.  Nile Rodgers went on to work with so many artists over the decades, including Duran Duran (truly a concert pairing of epic proportions), Southside Johnny & The Asbury Jukes, INXS, Madonna, Mick Jagger, Thompson Twins, Laurie Anderson, Grace Jones, Depeche Mode, The B-52’s, and in 2009, with a couple of guys from Paris called Daft Punk. 

Daft Punk’s “Get Lucky” single got lucky with Nile Rodgers (and Pharrell Williams too), spent 5 weeks at No. 2 on the BILLBOARD Hot 100, has become one of the biggest-selling digital singles of all-time (more than 9 million copies downloaded), won 2 Grammy Awards, and reached No. 1 in more than 30 countries.  (Nile and Chic also performed this, Chic-style, at the Barclays show).

Like Daft Punk, over the years, the music of Chic has inspired many recording artists, from Queen (“Another One Bites The Dust”), Debbie Harry (who worked with Bernard Edwards and Nile Rodgers on 1981’s KOO KOO album), and even The Smiths’ Johnny Marr.

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Nile Rodgers, 2016.

Chic has been nominated for the Rock and Roll Hall of Fame 10 times, more than any other recording act, and most recently, for the 2016 class.  I’m hoping that maybe someone from the Rock Hall saw the performance of Chic featuring Nile Rodgers at the Barclays show or on another part of the tour, because not only is Chic about those “Good Times,” they’re a heluva talented band, too.  I know I’ll be thinking about those “Good Times” from the show for a long time to come. 

https://www.youtube.com/watch?v=eKl6EZShaaw

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