song of the day – “Dancing In The Dark” | BRUCE SPRINGSTEEN | 1984.

casey-kasem-at40-abc-billboard-650

On June 15, 2014, Casey Kasem, host of the longtime countdown program, AMERICAN TOP 40, passed away at the age of 82.  From my first blog post (and prolly some more inbetween then and now), I explained how, in 1979, I was a geeky, lanky and somewhat lost 12-year-old living in Central Maine, had a few friends and not a lot of interest in much of anything, but at some point early that year, I discovered AMERICAN TOP 40, and was glued to it every weekend.  Not only could I hear the 40 biggest songs in the country every week, but also Casey’s cool trivia and facts about the songs and the artists, a trait I treasure to this day.  For me, the show was No. 1 with a bullet.  And still is (thanks to the re-airing of broadcasts of AT40 on iHeart Radio).american-top-40-casey-kasem

In honor of my radio hero, Casey Kasem, since the start of June, I have been highlighting songs that peaked in the Top 40 of the BILLBOARD Hot 100 (including five (real) one-hit wonders of the 80s), just like on AMERICAN TOP 40, the hits have gotten bigger with each post.  On June 1, 2017, I featured a song that peaked at No. 40.  With the next post, I’ll feature a “song of the day” that went all the way to No. 1. 

As Casey used to say on AT40, “And on we go!”

If you listened to AMERICAN TOP 40 as faithfully as I did back in the 80s, before Nos. 2 and 1 were announced, he’d usually take a commercial break before announcing them, and would usually say, “The two biggies are coming right up!”  “The two biggies.”  Always cracked me up and still does.

But, when it came to AMERICAN TOP 40, “the two biggies” were, in fact, a big deal.  There a few positions on the chart that are the most frustrating, like Nos. 101, 41 and 11, but no other peak position on the BILLBOARD Hot 100 (or any singles chart, for that matter) was more frustrating to stop at than No. 2.

Foreigner endured the No. 2 position the longest in the 80s, spending 10 weeks in the runner-up spot in 1981 and 1982 with “Waiting For A Girl Like You,” a chart record Foreigner still shares to this day.  And I believe Madonna, who has six No. 2 songs to her credit (four of them in the 80s), still holds the chart record for most No. 2 singles in Hot 100 history.

waiting for a girl like you

All told, nearly 100 songs reached No. 2 between 1979 and 1989, including songs by three Beatles (Paul McCartney, John Lennon, and George Harrison, whose 1981 No. 2 hit, “All Those Years Ago,” was a tribute to John Lennon), two Jacksons (Michael and Janet), and a couple of (real) one-hit wonders, including the Cold War Classic by Nena, “99 Luftballons.”

99 luftballons

danger zoneSome of the biggest songs in history that maybe you thought were No. 1 hits in America were actually No. 2 hits, such as “Girls Just Want To Have Fun” by Cyndi Lauper, “Easy Lover” by Philip Bailey and Phil Collins, “We Got The Beat” by The Go-Go’s, “Electric Avenue” by Eddy Grant, “Danger Zone” by Kenny Loggins, “Hurts So Good” by John Mellencamp, “Start Me Up” by The Rolling Stones and “Purple Rain” by Prince And The Revolution.

Several artists peaked at No. 2 between 1979 and 1989 with two songs, including The Bangles, Culture Club (with their first two hits), Air Supply, Duran Duran, Glenn Frey, Kool & The Gang, John Mellencamp, Billy Ocean (including the guilty pleasure, “Loverboy,” which a DJ back in the day once referred to as “Heavy Metal Disco”; I would disagree), plus Robert Palmer, Pointer Sisters, Linda Ronstadt (in two big duets with James Ingram and Aaron Neville), Tina Turner and Jody Watley. 

loverboy

Michael Jackson gets an honorable mention, as he peaked at No. 2 with “The Girl Is Mine” with Paul McCartney, and he is featured in an uncredited role backing up Rockwell on “Somebody’s Watching Me.”  Likewise with Sheena Easton, who backed up Prince uncredited on “U Got The Look” and had her own No. 2 hit in 1989 with the sexy Dance hit, “The Lover In Me” (a long way from when she took that “Morning Train” to No. 1 in 1981; I’m sure Prince may have had something to do with it).

the lover in me

Speaking of Prince, he had three No. 2 hits between 1979 and 1989, or in this case, 1984 through 1987, with the aforementioned “Purple Rain” and “U Got The Look,” but also with “Raspberry Beret.”  He, too, gets an honorable mention, as he composed the No. 2 hit for The Bangles, “Manic Monday.”

lovesong

And a number longtime recording artists saw their biggest hits stop at No. 2, like The Cure (“Lovesong”), Journey (“Open Arms”), The Greg Kihn Band (“Jeopardy”), and Bruce Springsteen’s “Dancing In The Dark.”

If there was any one huge artist in the 80s I wanted to see reach No. 1 on the BILLBOARD Hot 100 singles chart, it was Bruce Springsteen.  I was first introduced to Bruce’s music with 1980’s “Hungry Heart,” from his first No. 1 album, THE RIVER.  At the time, I had no idea he had already released four critically-acclaimed and successful albums.

hungry heart

After “Hungry Heart,” I was a Bruce fan for life – granted, not the superfan that Hope is, but I don’t think anyone loves Bruce’s work more than Hope, except maybe for Bruce’s wife, Patti Scialfa.

“Dancing In The Dark” was released in early May 1984, a month before the BORN IN THE U.S.A. album was released.  And, right out of the gate, it was a hit.  “Dancing In The Dark” blasted onto the BILLBOARD Hot 100 the last week of May 1984 all the way into the Top 40, at No. 36.  By the next week, it was already No. 18, with its eyes set on No. 1.

dancing in the dark

Bruce had hit No. 1 before – as a songwriter.  A song from his 1973 debut album, GREETINGS FROM ASBURY PARK, N.J. – “Blinded By The Light” – was recorded by the London Rock band, Manfred Mann’s Earth Band, in 1977, and spent a week at No. 1 on the Hot 100 in February 1977, exactly four years to the month when Bruce’s original was released as a single.

bruce blinded

“Dancing In The Dark” had a lot going for it – a popular video directed by Brian de Palma (SCARFACE, THE UNTOUCHABLES, CARRIE, DRESSED TO KILL and the first MISSION: IMPOSSIBLE film) with actress Courtney Cox (FAMILY TIES, FRIENDS) dancing with Bruce on the stage (the video would win the MTV Video Music Award for Best Stage Performance). 

courtney n bruce

It also had a 12” Dance remix courtesy of Arthur Baker (who’s remixed songs for Daryl Hall & John Oates, Afrika Bambaataa, Cyndi Lauper, Pet Shop Boys and New Order).  The “Blaster Mix” was miles away from anything on 1982’s NEBRASKA or 1980’s THE RIVER, but people loved it.  Not only did it reach No. 7 on BILLBOARD’s Dance chart, it was the biggest-selling 12” single for all of 1984.  Arthur Baker would also go on to remix the follow-up Bruce singles “Cover Me” and “Born In The U.S.A.” as well.

blaster mix

As much as “Dancing In The Dark” had going for it in its second week on the Hot 100, another single debuting on the same chart that early June was “When Doves Cry” by Prince, released in advance of the album and film, PURPLE RAIN.  “When Doves Cry” reached the Top 40 a week later, and just like “Dancing In The Dark,” made a big move into the Top 20 the following week.

By late June 1984, “Dancing In The Dark” had climbed to No. 4, while “When Doves Cry” was closing in at No. 8.  The following week, “When Doves Cry” had jumped to No. 3, and “Dancing In The Dark” was at No. 2, right behind Duran Duran’s “The Reflex.”

“When Doves Cry” proved to be too powerful for “Dancing In The Dark,” which stayed for four weeks in the runner-up position.  “When Doves Cry” was the biggest song of 1984 here in America.

when doves cry back

Though “Dancing In The Dark” didn’t reach No. 1, Bruce Springsteen still had a lot to be proud of.  The song gave Bruce his first Grammy Award, winning for Best Rock Vocal Performance.  In the 1984 ROLLING STONE readers poll, “Dancing In The Dark” was voted “Single Of The Year.”  It’s also listed as one of The Rock And Roll Hall Of Fame’s 500 Songs That Shaped Rock And Roll.”  It sold a million copies in the U.S. alone, and the single’s B-side (one of the best ever), “Pink Cadillac,” was a Top 5 hit for Natalie Cole in 1988.

pink cadillac

Around the globe, “Dancing In The Dark” was an international smash (though in some countries it took awhile), reaching No. 1 in Belgium and the Netherlands, No. 2 in Ireland, New Zealand and Sweden, No. 4 in South Africa and the U.K., No. 7 in Canada and Norway, No. 11 in Finland and No. 12 in Italy.  In Australia, though it stopped at No. 5, it was the No. 1 song of the year, spending 40 weeks on the singles chart there.

“Dancing In The Dark” was just the first part of an amazing journey for Bruce Springsteen and the BORN IN THE U.S.A. album.  Seven out of the album’s 12 songs were released as singles, and all seven reached the Top 10 on the Hot 100 between 1984 and 1986, tying a record set in 1984 by Michael Jackson’s THRILLER album. 

born in the usa LP

BRUCE_SPRINGSTEEN_BORN+IN+THE+USA+-+LONG+BOX-219449b

The first compact disc manufactured in the U.S.A. was BORN IN THE U.S.A.

BORN IN THE U.S.A. was No. 1 on BILLBOARD’s album chart twice, in July / August 1984 and January / February 1985.  PURPLE RAIN may have been the album of the year here in the U.S. for 1984 (BORN IN THE U.S.A. was No. 28), but for 1985, BORN IN THE U.S.A. was the No. 1 album of the year in America (and even No. 16 for 1986).

NERDY FUN FACT: BORN IN THE U.S.A. was the first compact disc manufactured in the U.S. for commercial release.  I remember seeing it at a DeOrsey’s in Waterville, Maine, and think it sold for something like $25.00.  And the record album still sounds better.

NERDY FUN FACT 2: According to a 1984 ROLLING STONE interview, the “Dancing In The Dark” Blaster Mix by Arthur Baker happened because Bruce had heard the remix Arthur did for Cyndi Lauper’s “Girls Just Want To Have Fun,” and he thought it was incredible: “It sounded like fun, so I hooked up with Arthur.  He’s a character, a great guy.  He had another fellow with him, and they were really pretty wild.  They’d get on that mixing board and just crank them knobs, you know?  The meters were goin’ wild.”

cyndi girls

Bruce Springsteen is one of those rare artists who have been on the same record label from the start – Columbia.  Two other Columbia artists instantly come to mind – Barbra Streisand and Bob Dylan.  There won’t be anyone else like them.  Ever. 

bob n bruce

Bob Dylan and Bruce Springsteen (along with many other familiar faces) at the “We Are The World” recording session, 1985.

If you pull away the catchy dance beat, “Dancing In The Dark” is a personal song about the difficulty of writing a hit song and Bruce’s frustration of trying to write songs that will please everyone.  Though I’m thinking Bruce would have liked to have another of his more personal songs become his biggest hit, I would almost bet my record collection he’s alright with that hit being “Dancing In The Dark.”

e st band

Bruce Springsteen with The E Street Band, 1984.

“You can’t start a fire / You can’t start a fire without a spark / This gun’s for hire / Even if we’re just dancing in the dark…”

https://www.youtube.com/watch?v=129kuDCQtHs

bruce 84

(real) one-hit wonder of the week – “Heart And Soul” | T’PAU | 1987.

casey-kasem-at40-abc-billboard-650

On June 15, 2014, Casey Kasem, host of the longtime countdown program, AMERICAN TOP 40, passed away at the age of 82.  From my first blog post (and prolly some more inbetween then and now), I explained how, in 1979, I was a geeky, lanky and somewhat lost 12-year-old living in Central Maine, had a few friends and not a lot of interest in much of anything, but at some point early that year, I discovered AMERICAN TOP 40, and was glued to it every weekend.  Not only could I hear the 40 biggest songs in the country every week, but also Casey’s cool trivia and facts about the songs and the artists, a trait I treasure to this day.  For me, the show was No. 1 with a bullet.  And still is (thanks to the re-airing of broadcasts of AT40 on iHeart Radio).american-top-40-casey-kasem

In honor of my radio hero, Casey Kasem, for the entire month of June (and now through July), I will be highlighting a song each day (some days will have two songs!) that peaked in the Top 40 of the BILLBOARD Hot 100 (including five (real) one-hit wonders of the 80s), and with every blog post, just like on AMERICAN TOP 40, the hits will get bigger with each post.  On June 1, 2017, I featured a song that peaked at No. 40.  Sometime here in July, I’ll feature a “song of the day” that went all the way to No. 1. 

As Casey used to say on AT40, “And on we go!”

Between late 1979 and the end of 1989, there were nearly 500 (real) one-hit wonders of the 80s that reached the BILLBOARD Hot 100 just one time, a list that includes Soft Cell, Gary Numan, Timbuk 3, The Church, Bronski Beat, Nik Kershaw, The Buggles, The Waitresses, Ultravox and two different bands named The Silencers.  Once a week, I’ll highlight a (real) one-hit wonder for you.

The nearly 80 songs that reached the No. 4 position on the BILLBOARD Hot 100 between 1979 and 1989 had a bit of everything – Top 40 newbies which included Irene Cara (“Fame”), Asia (“Heat Of The Moment”), Samantha Fox (“Touch Me (I Want Your Body)”), the first two hits by Debbie Gibson (“Only In My Dreams,” “Shake Your Love”), Rickie Lee Jones (“Chuck E.’s In Love”), Suzi Quatro & Chris Norman (“Stumblin’ In”), Run-D.M.C. (“Walk This Way”), and Spandau Ballet (“True”).

walk this way

Songs that reached No. 4 also included the biggest U.S. chart hits for Howard Jones (“No One Is To Blame”), Electric Light Orchestra (“Don’t Bring Me Down”), Eddie Money (“Take Me Home Tonight”), OMD (“If You Leave”), Soul II Soul (“Back To Life”), Teena Marie (“Lovergirl”), The Fixx (“One Thing Leads To Another”) and Tommy Tutone (“867-5309/Jenny”).

don't bring me down

Some of my all-time favorite songs reached No. 4 as well, like “Urgent” by Foreigner, “Eyes Without A Face” by Billy Idol, “Mandolin Rain” by Bruce Hornsby & The Range, “Give Me The Night” by George Benson, Terence Trent D’Arby’s “Sign Your Name,” “Sultans Of Swing” by Dire Straits, “Freeze-Frame” by The J. Geils Band and “Cruisin’” by Smokey Robinson.

urgent

Multiple artists hit No. 4 more than once, including Lionel Richie (one solo and two with the Commodores), Duran Duran, Fleetwood Mac (who spent an agonizing then-record seven weeks at No. 4 with 1982’s “Hold Me”), the aforementioned Debbie Gibson, Madonna, Phil Collins (one solo and two with Genesis), Ray Parker, Jr. (one solo and one with Raydio), and Stevie Wonder.

Two memorable Elvis covers also reached No. 4 – “Don’t Be Cruel” by Cheap Trick and “Always On My Mind” by Pet Shop Boys (the highest-charting version of that song here in America).

always on my mind

Two (real) one-hit wonders of the 80s reached No. 4 on the Hot 100 between 1979 and 1989.  The first one was Taco, the German musician whose spirited version of Irving Berlin’s “Puttin’ On The Ritz” reached No. 4 in September 1983, and was a huge international hit. 

taco

tpau2

The original T’Pau (from STAR TREK).

The second (real) one-hit wonder of the 80s to reach No. 4 was a British Pop / Rock band whose lead singer, Carol Decker, hailed from Liverpool, and the band’s name came from a character in the original STAR TREK from the 60s – T’Pau, the name of a Vulcan elder.  Before deciding on a name for the band, their working name was Talking America.

T’Pau formed in 1986 as a six-member band and released their debut single, “Heart And Soul,” in late April 1987, a month in advance of their debut album, BRIDGE OF SPIES.  One of the memorable things about “Heart And Soul” is that Carol Decker is in a duet with herself, courtesy of overlapping vocals.

bridge of spies

A couple of weeks after its release, “Heart And Soul” debuted on the BILLBOARD Hot 100 in early May 1987 at No. 91.  It landed in the Top 40 six weeks into its chart run, steadily climbing on the chart until peaking at No. 4 for a week in early August 1987, the month it was released in in their U.K. homeland.  During this time, it was also featured in a Pepe Jeans ad, though I can’t really say I even remember Pepe Jeans.  But, it seemed to help the song’s chart success.

Despite that chart success here in America, “Heart And Soul” did not fare well in the U.K. upon its release, but eventually the U.K. warmed up to the song, and it, too, reached No. 4.  Outside of the U.S. and the U.K., “Heart And Soul” reached No. 4 in Ireland, No. 5 in Canada, No. 9 in New Zealand and Switzerland, No. 10 in France and Germany, and the Top 20 in Australia, Belgium, South Africa, Sweden and the BILLBOARD Dance chart. 

heart and soul

Thanks to its 27 weeks on the Hot 100, “Heart And Soul” finished 1987 here in the U.S. at No. 33 for the year, above No. 1 hits by Kim Wilde, George Michael and Aretha Franklin, Huey Lewis & The News, Madonna and two No. 1 songs by Michael Jackson.

Though T’Pau never charted on the BILLBOARD Hot 100 again, their biggest international success came with another single from BRIDGE OF SPIES – “China In Your Hand,” which was a massive No. 1 hit in several countries, including the U.K. and Switzerland (5 weeks at No. 1), Belgium, Ireland and the Netherlands (2 weeks), plus a No. 1 rank in Norway, and Top 10 rankings in (at least) Austria, Germany, New Zealand, Poland and Sweden.

china in your hand

T’Pau is still together today, though from the original six-member band, the only members left are “Heart And Soul” co-writers Carol Decker and rhythm guitarist / songwriter Ronnie Rogers.  In early 2015, they released their fifth studio album, PLEASURE & PAIN, which became their first-charting U.K. album in nearly 25 years.

pleasure and pain

For this album, Carol Decker expressed her frustration through an interview about her new music not being played vs. the radio stations being only interested in playing their 80s classics:  “It’s a little harder to get on the radio because all the ‘80s stations play the ‘80s stuff and they won’t play your new stuff.  They actually say they can’t, and then the younger stations play the younger artists, the hip stations.  That’s the downside, and I miss hearing radio plays for the new stuff… it is a little frustrating that I can’t get it out to the wider audience anymore.” 

This is just one of many reasons why I need to (soon) start the next incarnation of my radio show, STUCK IN THE 80s, so I can highlight the new music, like I did on my longtime show with WMPG. 

Though I honestly never kept up with T’Pau (partially because of the one hit here), I always loved “Heart And Soul,” and continue to introduce it to folks when I can (I recently guest-hosted a show on WMPG with my former radio neighbor, DJ Shaxx, and he fell in love with it when we played it on the air).

tpauThank you, Carol and Ronnie, for putting some needed “Heart And Soul” into my music for 1987.  30 years later, it’s not forgotten…

“Give a little bit of heart and soul / Give a little bit of love to grow / Give a little bit of heart and soul / And don’t you make me beg for more / Give a sign, I need to know / A little bit of heart and soul…”

https://www.youtube.com/watch?v=SwrYMWoqg5w

song of the day #2 – “Relax” | FRANKIE GOES TO HOLLYWOOD | 1984 / 1985.

casey-kasem-at40-abc-billboard-650

On June 15, 2014, Casey Kasem, host of the longtime countdown program, AMERICAN TOP 40, passed away at the age of 82.  From my first blog post (and prolly some more inbetween then and now), I explained how, in 1979, I was a geeky, lanky and somewhat lost 12-year-old living in Central Maine, had a few friends and not a lot of interest in much of anything, but at some point early that year, I discovered AMERICAN TOP 40, and was glued to it every weekend.  Not only could I hear the 40 biggest songs in the country every week, but also Casey’s cool trivia and facts about the songs and the artists, a trait I treasure to this day.  For me, the show was No. 1 with a bullet.  And still is (thanks to the re-airing of broadcasts of AT40 on iHeart Radio).american-top-40-casey-kasem

In honor of my radio hero, Casey Kasem, for the entire month of June (and now through July), I will be highlighting a song each day (some days will have two songs!) that peaked in the Top 40 of the BILLBOARD Hot 100 (including five (real) one-hit wonders of the 80s), and with every blog post, just like on AMERICAN TOP 40, the hits will get bigger with each post.  On June 1, 2017, I featured a song that peaked at No. 40.  Sometime here in July, I’ll feature a “song of the day” that went all the way to No. 1. 

HOORAY!  We’ve finally reached the Top 10!  Woo-hoo!  When Casey Kasem got to this point of an American Top 40 countdown, he would usually say, “We’re headed into the home stretch now!  And on we go!”

Wow, in my research for this series, no chart position so far has had nearly 90 songs reach a certain position between 1979 and 1989…until now.  Nearly 90 songs set up camp at the No. 10 position during that time, some stays as short as one week (like “Borderline” by Madonna, “Hysteria” by Def Leppard and “The Goonies ‘R’ Good Enough” by Cyndi Lauper), or as many as six weeks (“Muscles” by Diana Ross). 

borderline

There were only about a baker’s dozen and a half of women who peaked at No. 10 during that time, like Kim Carnes, Pat Benatar, (real) one-hit wonder Regina (with the Madonna-inspired “Baby Love”), Christine McVie of Fleetwood Mac, Cher, Donna Summer, Exposé, and the aforementioned Madonna and Diana Ross (the latter of which reached No. 10 twice).

It was pretty much a boys club for the rest of the songs that reached No. 10 on the Hot 100 between 1979 and 1989, including songs by David Bowie, Culture Club, Pet Shop Boys, Asia, Wham!, Steely Dan, ELO, Golden Earring, Prince, Phil Collins, Duran Duran and Stevie Wonder, and for some, one No. 10 song wasn’t enough.  The Police had two No. 10 hits, Heart had two, plus the Little River Band had three, as did Michael Jackson and Billy Joel.  And Kool & The Gang had four No. 10 hits – “Get Down On It,” “Misled,” “Stone Love” and “Victory.”

get down on it

For me, though, there was one No. 10 hit that stuck out more than any other.  And, as a singles chart nerd, it’s a big one.  It’s also what I call a “second-chance single,” and that historic single is “Relax” by Frankie Goes To Hollywood.

Formed in Liverpool, England in 1980, Frankie Goes To Hollywood was a five-man  New Wave / Dance-Pop band who was a thorn in the BBC’s side (the British Broadcasting Corporation, that is) in 1984, with their debut single, “Relax.”  I’ll come back to that. 

FGTH 2

Producer and ZTT Records co-founder, Trevor Horn, saw Frankie Goes To Hollywood perform on a television show called THE TUBE, when an early version of “Relax” was played.  He thought it was “more a jingle than a song,” and he wanted to “fix it up” in his own way. 

Another co-founder of ZTT, Paul Morley, had a great campaign lined up for Frankie Goes To Hollywood: “a strategic assault on pop.”  This was a brilliant marketing move.  His plan was to also tackle certain a trilogy of themes in the band’s single releases – sex, war, and religion.  “Relax” was first, followed by “Two Tribes” (about the Cold War), and “The Power Of Love” (a video which features the birth of Christ).

Trevor Horn and especially Paul Morley were really going for the shock value when it came to Frankie Goes To Hollywood.  They released a series of provocative advertisements introducing Frankie to the U.K., and one advertisement even said, “Frankie Goes To Hollywood are coming…making Duran Duran lick the shit off their shoes…”  Wow. 

relax ad

One of several provocative ads ZTT released for Frankie Goes To Hollywood and “Relax.”

When “Relax” finally reached the U.K. singles chart in November 1983, it wasn’t really a big deal.  But, when Frankie performed “Relax” on the BBC flagship television show, TOP OF THE POPS, people went nuts.  The following week, it soared to No. 6 on the U.K. singles chart. 

relax TOTP

Frankie’s performance of “Relax” on Top Of The Pops.

About a week later, BBC Radio 1 DJ Mike Read expressed his offense towards the cover art for “Relax” and especially these lyrics – “Relax, don’t do it / When you want to suck it, do it / Relax, don’t do it / When you want to come…”, and he announced his refusal to play the record.  Unbeknownst to him at the time, the BBC had already decided it couldn’t be played on the BBC anyway. 

relax UK

A couple of days later, the BBC officially banned the single from its airwaves, though radio heroes – like the brilliant John Peel – continued to play it throughout 1984.  Don’t people know when you ban a record, it only increases its popularity?!  And that’s what happened with “Relax.”  It reached No. 1 by late January 1984 and stayed on top for 5 weeks.  Apart from “Do They Know It’s Christmas?” by Band Aid, it was the biggest-selling single of the year in the U.K.

Since the BBC ban also applied to TOP OF THE POPS, which, like SOLID GOLD here in the U.S., did a countdown of the country’s biggest hits during the show.  When “Relax” was No. 1, all they did was put up a picture of the band during its big No. 1 announcement.  For five weeks.  Boo.

31 inches

If “Relax” going to No. 1 didn’t piss off the BBC enough, “Relax” took its time falling down the U.K. singles chart.  And by the time the Cold War Classic “Two Tribes” had started its nine-week run at No. 1 in June 1984, “Relax” was right back behind it at No. 2.  Hot damn.

“Relax” remained on the U.K. Top 75 singles chart for 48 consecutive weeks, and returned in February 1985 for another four, giving “Relax” an entire calendar year on the U.K. singles chart.  Pretty impressive.  The BBC ban on “Relax” proved to be a huge embarrassment, and eventually the ban was lifted sometime during 1984, but the damage was done, and Frankie and ZTT prevailed. 

logo

Speaking of embarrassments, I was sometimes embarrassed about how the U.S. didn’t pick up on some huge U.K. singles, and they didn’t do much here, if they were released at all.  Back in the early 00s, on my STUCK IN THE 80s radio show, I did a show called U.K. 1, U.S. O, highlighting songs that reached No. 1 in the U.K. but did nothing here.  Featured on the show were “Ashes To Ashes” by David Bowie, “Pipes Of Peace” by Paul McCartney (relegated to a B-side here), and songs by The Jam and The Flying Pickets, among others.  I think “Two Tribes” was also on the playlist.

Well, “Relax” eventually made its way to American shores and debuted on the BILLBOARD Hot 100 early April 1984 at No. 84.  And, similar to the initial U.K. release, it received little fanfare here, maybe because radio stations had heard all about the song’s controversy in the U.K. and thought it was too obscene to play.  Irregardless, it spent a week at No. 67 in early May 1984, and fell off the chart after just seven weeks.

relax US

My original copy of the “Relax” 12″ single, purchased in July 1984, many months before it became a big hit here in America.

Somewhere along the line, I caught wind of “Relax,” and in a rare move, bought the 12” single (sans fancy cover art) in July 1984 BEFORE it was a radio hit here in America.  And I loved it from the start, and kept wondering, “Why exactly wasn’t this a huge hit here?”

pleasuredome

In late October 1984, just nine days before the release of the band’s brilliant double-album debut, WELCOME TO THE PLEASUREDOME, “Two Tribes” debuted on the BILLBOARD Hot 100 at No. 79, on its way to a respectable No. 43 peak in mid-December 1984.  I will forever credit “Two Tribes” as the song that re-ignited interest in “Relax” here in America.

two tribes

And “Two Tribes” was still on the chart in mid-January 1985 when “Relax” made its re-entry onto the Hot 100.  In only its third week back, “Relax” debuted in the Top 40, and rose to No. 10 for a quick two weeks in March 1985.  It fell out of the Hot 100 by mid-May 1985 after a combined total of 23 weeks on the chart. 

Outside of North America between 1983 and 1985, “Relax” was one of the biggest hits of the decade.  It reached No. 1 in the aforementioned U.K., plus Finland, France, Germany, Greece, Israel, Italy, Spain, Switzerland and Thailand, and the Top 10 in at least 11 other countries.

“Relax” has been featured in a ton of films and TV shows for more than 30 years, including POLICE ACADEMY, BODY DOUBLE, MIAMI VICE, GOTCHA!, ROCK STAR, ZOOLANDER and ZOOLANDER 2, THE PROPOSAL, CALIFORNICATION, and 2017’s T2 TRAINSPOTTING.

t2header

A number of covers of “Relax” have been released over the years as well, including “Weird Al” Yankovic, Richard Cheese, The Dandy Warhols, Germany’s Tech-Death Metal band Atrocity, and most recently, a brilliant cover by Blondie from their incredible 2014 album, GHOSTS OF DOWNLOAD, which includes a clever sample of the original within their cover.  I love it when artists do that.

In 1987, Frankie Goes To Hollywood ended up disbanding after just seven singles and two albums (though, somehow they manage to have 11 compilation albums), but honestly, it sure wouldn’t have been the 80s without them…

frankie says relax

https://www.youtube.com/watch?v=rCp2h5jslKY

FGTH

song of the day – “Slipping Away” | DAVE EDMUNDS | 1983.

casey-kasem-at40-abc-billboard-650

On June 15, 2014, Casey Kasem, host of the longtime countdown program, AMERICAN TOP 40, passed away at the age of 82.  From my first blog post (and prolly some more inbetween then and now), I explained how, in 1979, I was a geeky, lanky and somewhat lost 12-year-old living in Central Maine, had a few friends and not a lot of interest in much of anything, but at some point early that year, I discovered AMERICAN TOP 40, and was glued to it every weekend.  Not only could I hear the 40 biggest songs in the country every week, but also Casey’s cool trivia and facts about the songs and the artists, a trait I treasure to this day.  For me, the show was No. 1 with a bullet.  And still is (thanks to the re-airing of broadcasts of AT40 on iHeart Radio).american-top-40-casey-kasem

In honor of my radio hero, Casey Kasem, for the entire month of June, I will be highlighting a song each day (some days will have two songs!) that peaked in the Top 40 of the BILLBOARD Hot 100 (including five (real) one-hit wonders of the 80s), and with every blog post, just like on AMERICAN TOP 40, the hits will get bigger with each post.  On June 1, 2017, I featured a song that peaked at No. 40.  On June 30, I’ll feature a “song of the day” that went all the way to No. 1. 

As Casey used to say on AT40, “And on we go!”

In researching for this blog post, I found a lot more songs from the 80s that peaked at No. 39 than expected, at least 30.  There were some great ones, like “Atomic” by Blondie, “I Don’t Care Anymore” by Phil Collins, “In The Mood” by Robert Plant,” “Looking For A Stranger” by Pat Benatar, “My Town” by the Michael Stanley Band, “Skin Trade” by Duran Duran, “Tomorrow People” by Ziggy Marley, “(What) In The Name Of Love” by Naked Eyes, “Second Nature” by Dan Hartman, “Who’s Making Love” by The Blues Brothers, Bon Jovi’s first hit, “Runaway,” ELO’s sadly-forgotten “Last Train To London,” the gorgeous “Wake Up (Next To You)” by Graham Parker And The Shot, and six (real) one-hit wonders of the 80s.

atomic

I also found some songs I had forgotten about, like “Don’t Let Him Know” by Prism and “New Romance (It’s A Mystery)” by Spider, and some stinkers among the bunch, including “Memory” by Barry Manilow, “Sartorial Eloquence” by Elton John (sorry Elton, with a song title like that, it was bound not to work out), and the “WTF was I thinking with this song” song by Mick Jagger, “Let’s Work.”  Downright awful.  Don’t watch the video – that’s four minutes you’re not getting back.

wake up next to you

I nearly chose “Wake Up (Next To You)” as my selection for a song that peaked at No. 39 on the BILLBOARD Hot 100, but I wanted to choose instead a gem from the sensationally-talented Welsh singer / songwriter / guitarist / über-producer, Dave Edmunds.

i hear you knockingBorn in Cardiff, Wales, Dave Edmunds first got his big break with a band called Love Sculpture, and in 1968, they reached No. 5 on the U.K. singles chart with a song called “Sabre Dance.”  Two years later, he had himself a huge international solo hit called “I Hear You Knocking,” which spent six weeks at No. 1 in the U.K., reached No. 3 in Canada and New Zealand, and No. 4 in the U.S. and Australia.  Dave’s version was actually a cover of a 1955 hit by R&B singer Smiley Lewis, and then covered by the legendary Fats Domino in 1961.  It’s also been covered many times over the decades, including versions by Bruce Springsteen and Bryan Adams.

repeat when necessaryThrough the end of the 1970s, Dave Edmunds picked up another three Top 10 U.K. hits, including Silver-Certified “Girls Talk,” written by Elvis Costello and appearing on his 1979 album, REPEAT WHEN NECESSARY (on Led Zeppelin’s SWAN SONG label). 

NERDY FUN FACTS: Huey Lewis appears on that same 1979 Dave Edmunds album, playing harmonica on a song he wrote called “Bad Is Bad,” four years before it would appear on Huey’s own monster album with The News, SPORTS.  And a song called “Queen Of Hearts” was also on the album, a No. 11 U.K. hit for Dave Edmunds that would become a big global hit for New Jersey Country singer, Juice Newton, in 1981.

bad is bad

Yepper, that’s Huey Lewis’ name and song on Led Zeppelin’s label, years before Huey became a star in his own right…

In addition to being a successful singer, songwriter and musician, Dave Edmunds was also a popular producer for other artists, including producing several albums by The Stray Cats, The Fabulous Thunderbirds, his side project with Nick Lowe, Rockpile, and k.d. lang’s second album, ANGEL WITH A LARIAT.

In all the years Dave Edmunds produced his own albums and the works of other artists, when it came time to work on his own 1983 album, INFORMATION, Dave did something he had never done before – he collaborated with another producer, in this case, Jeff Lynne of the Electric Light Orchestra.

information

Jeff Lynne would go on to produce two songs on the album – the title track, and the album’s first single, “Slipping Away,” which Jeff Lynne also wrote.  “Slipping Away” entered the BILLBOARD Hot 100 at No. 93 in mid-May 1983.  I confess I didn’t know much about Dave Edmunds when this song came out, but I loved the updated twangy sound. 

slipping away

With the help of airplay on the relatively new MTV, “Slipping Away” inched its way up the Hot 100, reaching its peak position of No. 39 nearly three months after debuting on the chart.  Four weeks after reaching the Top 40, “Slipping Away” slipped its way out of the Hot 100.  It’s his last Top 40 hit to date. 

on guitar

Dave Edmunds, now 73, released two albums in recent years, one in 2013 called …AGAIN (featuring recordings from the 90s and four new songs), and in 2015 (ON GUITAR…RAGS & CLASSICS).

It’s his twangy, Jeff Lynne-penned and produced No. 39 hit, though, that caught my ear, which introduced me to a music legend, and is a song that has never slipped away from me since, and won’t…

https://www.youtube.com/watch?v=VFETrcH1Dks

dave edmunds

song of the day – “Desperate But Not Serious” | ADAM ANT | 1983.

In 1982, the London New Wave quintet, Adam And The Ants – led by the 80s’ favorite New Wave pirate, Adam Ant – split up after five quick years together.  Though they sadly didn’t have much success over here in America, in their U.K. homeland, they were incredibly popular.  Between 1980 and 1982, Adam And The Ants had quite the picnic on the U.K. singles chart, with nine Top 40 hits, with seven of those reaching the Top 10, and three of those reaching No. 1.  A very impressive haul for just a short amount of time. 

adam and the ants 1981

Adam And The Ants, 1981.

Despite receiving a BRIT Award (the British equivalent of the Grammys) for Best Album in early 1982 for KINGS OF THE WILD FRONTIER and a Grammy nomination for Best New Artist, in March 1982, Adam Ant felt that some of the Ants “lacked enthusiasm,” and he broke up the group. 

adam + marco pirroni

Adam Ant and Marco Pirroni.

A few months after Adam And The Ants split up, Adam embarked on a solo career (keeping fellow Ant, Marco Pirroni, on as guitarist and co-songwriter), and in early May 1982, his first solo single, “Goody Two Shoes,” became an international sensation.  It reached No. 1 in the U.K. and Australia, No. 2 in Canada and Ireland, No. 5 in Germany and No. 8 in Holland.  “Goody Two Shoes” arrived late in America, but did reach the BILLBOARD Hot 100 in November 1982, a month after its parent album, FRIEND OR FOE, was released.  “Goody Two Shoes” remains Adam’s highest-charting U.S. hit, spending three weeks at No. 12 in February 1983, and was ranked at No. 51 for all of 1983.

goody two shoes

The title track from FRIEND OR FOE was the album’s second single, and though it did not chart here in U.S., it did reach No 9 in Adam’s U.K. homeland.   The album’s third single, “Desperate But Not Serious,” was released in the U.K. in mid-November 1982, just as first single, “Goody Two Shoes” was picking up steam here in America.

“Desperate But Not Serious” doesn’t waste any time getting your attention, opening, with memorable conviction, with Geoff Daly on saxophone, Martin Drover on trumpet and Bogdan Wiczling on drums, then immediately followed by Marco Pirroni on guitar and Adam Ant on bass and vocals. 

DBNS

It reached a surprising (it didn’t chart higher than) No. 33 on the U.K. singles chart, while over on the Hot 100, it debuted in mid-March 1983, while “Goody Two Shoes” was still in the Top 40.  A couple of weeks after its debut, “Desperate But Not Serious” stalled at No. 66 for three weeks, and was gone from the Hot 100 after eight weeks. 

strip

But, that’s not the last time Adam Ant would grace the Hot 100.  In March 1984, he reached No. 42 with the title track from his second solo album, STRIP, which featured Phil Collins on drums and Anni-Frid Lyngstad (Frida from ABBA), whose voice you hear on the female spoken part on “Strip.” 

Adam Ant scored his second-biggest American hit in 1990, when the very cool “Room At The Top” spent three weeks at No. 17 on the Hot 100 in May 1990 (and also reached No. 17 on BILLBOARD’s Modern Rock chart and No. 3 on BILLBOARD’s Dance chart).

room at the top

He would reach the Hot 100 one more time, when the lovely (and appropriately-titled) title track from his 1995 album, WONDERFUL, spent a week at No. 39 in June of that year (and No. 7 on BILLBOARD’s Modern Rock chart).

wonderful

In recent years, Adam Ant was known more for his personal life struggles than his music, but this year, he is back on tour, looking healthy and performing to his heart’s content (and the hearts of his fans, no doubt).  Earlier this year, he was in the U.S. performing the landmark Adam And The Ants album, KINGS OF THE WILD FRONTIER, in its entirety (a concert I had so hoped to see; not surprisingly, it was sold out in no time). 

adamant

In May 2017, he’ll be performing a number of shows in the U.K., promoting the tour as “The Singles Tour – Anthems 2017.”  And I bet it’ll be phenomenal.  He’s coming back to the U.S. for that tour in September.  He’s performing in NYC on September 13th.  I want to go to there, and if I do make it there, I hope he’ll sing “Desperate But Not Serious!”

ANTHEMSUS4

To this day, I don’t know why “Desperate But Not Serious” was not a bigger hit. Sure, the video is a tad hokey (like many videos from the 80s, and sometimes my sense of humor), but it’s such an amazing and fun song.  Musically, I think it’s one of Adam Ant’s best songs.  Of course, most New Wave or Alt-Rock songs that incorporate a trumpet don’t suck.  And neither does this song.  Or Adam Ant.  I may not be desperate in trying to relay this message, but I am serious… 

https://www.youtube.com/watch?v=iVWWtqa9-7M

Photo of ADAM ANT

song of the day – “Easy Lover” | PHILIP BAILEY and PHIL COLLINS | 1985.

84 philI know a LOT of friends who are NOT fans of Phil Collins.  I don’t think it’s anything personal against the guy – he took over as lead singer of Genesis in 1975 when Peter Gabriel left, and brought the band its biggest success (during the 1980s); he was the only one who performed in both London and Philadelphia at LIVE AID on July 13, 1985; Phil contributed to several popular 80s singles by artists like Howard Jones, Frida, Adam Ant and Robert Plant; and, between 1981 and 1989, with seven No. 1 songs, four other Top 10 hits and three additional Top 40 hits, he was the eighth-biggest recording act here in America during the 1980s.  He’s starred in his own movie, won an Academy Award for a song from another, is a member of the Rock And Roll Hall Of Fame, and has honorary doctorates at two universities and Boston’s famed Berklee College Of Music. 

Phil’s gotten his share of bad press, sure, and other recording artists through the years have dissed his work.  David Bowie once referred to his TONIGHT and NEVER LET ME DOWN albums as his “Phil Collins years / albums.”  Oasis singer / songwriter / guitarist Noel Gallagher oft-criticized Phil Collins.  After the quick success of their 1997 album, BE HERE NOW (which sold 660,000 copies in seven days in the U.K. alone), Noel Gallagher compared the album’s success to Phil Collins: “Just because you sell lots of records, it doesn’t mean to say you’re any good.  Look at Phil Collins.”

Well, I wouldn’t say I’m Phil’s biggest fan (if I never hear “Sussudio” ever again, that would be pretty effing swell), but I would say I am a big fan of his work, and especially of the work he did with Genesis.  Their brilliant 1981 album, ABACAB, was one of the first four LPs I bought with my own money.  And it remains as one of my favorite albums to this day.

abacab

Over the years, one curious and quite interesting factoid I’ve noticed with folks I know who DON’T LIKE Phil Collins in general but actually LOVE one of his big hit singles – the 1985 hit with Earth, Wind & Fire’s Philip Bailey – “Easy Lover.” 

Between May and December 1984, Phil Collins was not only working on his third solo studio album, NO JACKET REQUIRED…, he also produced and contributed to Eric Clapton’s album, BEHIND THE SUN, played drums on the huge global Band Aid charity single, “Do They Know It’s Christmas?”, and produced CHINESE WALL, the third solo studio album for Earth, Wind & Fire vocalist, Philip Bailey. 

Phil & Phil were both 33 years old at the time, and CHINESE WALL would become Philip Bailey’s biggest solo album ever, which was certified Gold and nominated for a Grammy Award.

chinese wall

At the end of the sessions for the CHINESE WALL album, Philip Bailey approached Phil Collins about writing a song together.  The song they recorded was a song Phil Collins once referred to as a song that “doesn’t sound like any particular era.  It’s just fantastic.”  That one-time collaboration between Philip Bailey and Phil Collins ended up being the first single released from CHINESE WALL – “Easy Lover.”  I wonder if “Easy Lover” meant “Easy to love?”  Maybe.  It certainly was, and still is.

“Easy Lover” was released in the U.S. in November 1984, and the U.K. in late February 1985.  By the end of November 1984, it had already made its debut on the BILLBOARD Hot 100, and reached the Top 40 in three weeks.  It didn’t really explode on the Hot 100 until mid-January 1985, when it zoomed into the chart’s Top 5, headed straight for No. 1.  Or so it looked…

Another popular hit zoomed into the Top 5 that week as well – “I Want To Know What Love Is” by Foreigner, which spent two weeks at No. 1 on the Hot 100 in early February 1985, with “Easy Lover” situated right behind it. 

easy lover 12 back

The back of the 12″ single for “Easy Lover.”

Though “Easy Lover” had enough momentum to be a No. 1 hit in the U.S. (it finished all of 1985 way up at No. 12, ahead of 16 out of 27 total No. 1 songs on the year-end chart), the song did earn a Grammy nomination, was certified Gold, and won an MTV Video Music Award for Best Overall Performance In A Video (which was, as Phil Collins mentioned at the beginning of the video, a music video about the making of a music video).

easy lover video

Phil & Phil trying out some dance moves in the video within a video for “Easy Lover.”

Around the globe, it was not hard for folks (Phil Collins fans and non-fans alike) to love “Easy Lover.”  It spent six weeks at No. 1 in Canada, four weeks at No. 1 in Holland, a week at No. 1 in Ireland, and reached No. 1 on Japan’s International Chart.  It also reached the Top 10 in Finland, Germany, New Zealand, Sweden and Switzerland, and BILLBOARD’s R&B and Mainstream Rock charts (a rare feat).

easy lover UK

The cover for the U.K. single of “Easy Lover.”

Over in the U.K., it became Phil Collins’ second solo No. 1 single (after 1982’s “You Can’t Hurry Love”), spending four weeks on top.  I remember back in 2006, when STUCK IN THE 80s, my little 80s radio program on WMPG community radio for almost 21 years, was celebrating its tenth year on the air, and I did a STUCK IN THE 80s foreign exchange-of-sorts. 

At the time, there was a show in Brentwood, Essex, England (about 20 miles NE of London) called STUCK IN THE 80s, with a host by the name of Richard Nott (on Phoenix FM; like WMPG, a community station).  I contacted him about switching shows for a week, and he loved the idea.  So, for one week, he hosted my show and I hosted his.  It was pretty cool. 

phoenix fm

In prepping for the one-time STUCK IN THE 80s exchange, I asked Richard what his favorite 80s song was.  I may have also said, “Give me a Top 10!  Give me a Top 20!  What’s your best album?”  And, he brought this up on his version of the show.  It was pretty funny (“blah-blah-blah-blah” he added).  His all-time favorite 80s tune is “Let’s Groove” by Earth, Wind & Fire, but “not far off” for Richard was “Easy Lover.”  He said, “I just enjoy it; it’s a great tune.”

And, whether or not you actually like Phil Collins, you’ve got to admit that “Easy Lover” IS a great tune, and that the teaming of Phil Bailey and Phil Collins was pure genius and truly magical.  “She’ll get a hold on you, believe it.”  Oh, I DO believe it – “Easy Lover” has had a hold on me for 32 years and counting…

https://www.youtube.com/watch?v=JkRKT6T0QLg

phil and phil

xmas song of the day – “Do They Know It’s Christmas?” | BAND AID | 1984 / 1985.

Happy Holidays!  Since it’s the first year of my blog, and since it’s the last year for my Annual Holiday Show on my little 20-year-old 80s radio program, STUCK IN THE 80s (on WMPG community radio in Portland, Maine), I wanted to present to you THE 31 DAYS OF 80s XMAS SONGS, or, 31 of my favorite 80s holiday musical treats.

stuck-holiday-show-promo-art

The song for Day 30 of THE 31 DAYS OF 80s XMAS SONGS is prolly the biggest holiday song of my generation, written and spearheaded by Bob Geldof of The Boomtown Rats and Midge Ure of Ultravox, in response to the TV reports of famine in Ethiopia – “Do They Know It’s Christmas?” by Band Aid.

Bob and Midge first got together about this project in early November 1984, and knew they had a limited time frame to work with, if they wanted to get the song ready for the holiday.  They put the song together, and then started recruiting many of the biggest recording stars in the U.K. and Ireland at the time (save for Chicago’s Jody Watley and Jersey City’s Kool & The Gang, who happened to be on the same record label as The Boomtown Rats and who happened to be in there when Bob Geldof pitched the idea to the label). 

bob-geldof-midge-ure

Bob Geldof (in his “Feed The World” T-shirt) and Midge Ure.

They then asked famed producer Trevor Horn (Frankie Goes To Hollywood, The Art Of Noise) if he would produce, but he told Bob and Midge that he would need at least six weeks to do it, which wouldn’t get the record ready in time for Xmas.  Though Trevor Horn wasn’t able to produce the original single, he did offer a studio for them to use free of charge for 24 hours on Sunday, November 25, 1984, and he later produced and remixed the 12” single for a 1985 re-release.

Nearly 40 recording artists, including members of Duran Duran, U2, Culture Club, The Boomtown Rats, Bananarama, Spandau Ballet, Ultravox and Status Quo, as well as folks like Sting, Paul Young, George Michael, Phil Collins (who played drums on the song) and Paul Weller of The Style Council, participated on the benefit record.  Artists who weren’t able to be there but who sent in recorded messages were David Bowie, Paul McCartney, Holly Johnson of Frankie Goes To Hollywood and Big Country.  These messages were included on the single’s B-side and as part of the 12” extended mix.

It took only a week after recording ended to release “Do They Know It’s Christmas?”  The single had 250,000 advance orders and that number swelled to a million less than a week after its release.  Phonogram (who put out the single in the U.K.) had all five of its European factories working on pressing that one single to help meet demand.

On December 15, 1984, just 12 days after its release, “Do They Know It’s Christmas?” spent the first of its five weeks at No. 1 on the U.K. singles chart.  It was the fastest-selling single in U.K. chart history and sold three million copies in the U.K. alone by the end of 1984.  Until Elton John’s “Candle In The Wind 1997” 13 years later, it was the biggest-selling single of all-time in the U.K.

band-aid

Around the globe, the response to “Do They Know It’s Christmas?” was phenomenal.  It also reached No. 1 in Australia, Austria, Belgium, Canada, Denmark, Germany, Holland, Ireland, Italy, New Zealand, Norway, Sweden and Switzerland.

Over here in the U.S., the video for “Do They Know It’s Christmas?” was played often throughout the holiday season on MTV, and the single was released on December 10, 1984 on Columbia Records.  A few days before Xmas, it debuted on the BILLBOARD Hot 100 at No. 65.  For the first chart in 1985, it shot up to No. 20.  But, despite the fact it was outselling Madonna’s “Like A Virgin” (the No. 1 single then) by a four-to-one margin (selling nearly two million copies in its first eleven days of release), the lack of airplay prevented it from charting any higher than No. 13.  It was gone from the Hot 100 after just nine weeks, departing in mid-February.

Bob Geldof had hoped “Do They Know It’s Christmas?” would raise £70,000 for Ethiopia, but instead, it raised £8 million within a year of its release.  And the support of the Ethiopian famine relief didn’t stop there. 

geldofliveaidIn early March 1985, (mostly) American recording artists teamed up as USA For Africa for the “We Are The World” single and album.  Canadian artists banded together as Northern Lights for “Tears Are Not Enough.”  The LIVE AID concert on July 13, 1985 brought musicians and fans together in London, Philadelphia and around the globe to raise money for famine relief.

“Do They Know It’s Christmas?” was re-recorded three times – in 1989, 2004 and 2014 – all three re-recordings reached No. 1 in the U.K. and all were charity records for Africa (the 1989 and 2004 versions went to famine relief, while the 2014 version raised money for the Ebola crisis in West Africa).bowie-8485

For this Xmas (and always), of course, the best gift I’d love to get is peace, love and understanding, especially for my wealth of family and friends.  I’d also love to see more support for those less fortunate than you or I.  On the 12” single for “Do They Know It’s Christmas?” David Bowie puts out a plea for support: “It’s Christmas 1984, and there are more starving folk on the planet than ever before.  Please give a thought for them this season and do whatever you can, however small, to help them live.  Have a peaceful New Year.” 

“Do They Know It’s Christmas?” (especially the 12” extended mix) will always have a special place in my heart.  And from that 12” single, David Bowie’s plea, 32 years later, still resonates to this day. 

In Maine, there are so many folks in need – of food, heat, medicine, shelter, and affordable health care, for starters.  I’m sure it’s like that all over the US of A, and all over the world.  2016 has been a particularly rough year for a lot of reasons, and I do hope and pray that 2017 will be a peaceful New Year.  But first, Happy Xmas, Happy Hanukkah, or whatever you choose to celebrate, if anything – be safe, have fun and do what you can to help those who won’t have much of either this holiday season…

https://www.youtube.com/watch?v=Zc8TYsYb5i0

band-aid