song of the day – “Opportunities (Let’s Make Lots Of Money)” | PET SHOP BOYS | 1986.

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opportunitiesOne of the first things I learned about WMPG community radio in Portland, Maine when I started my little 80s radio program, STUCK IN THE 80s, there in 1996 was the Begathon.  WMPG gets approximately 1/3 of its funding from the University of Southern Maine, approximately 1/3 from underwriting, and approximately 1/3 from listener donations.  A large chunk of the latter comes from the Begathon.  What started out as a 2-week pledge drive in which volunteer radio hosts would “beg” to raise money for the station is now split up into two 1-week pledge drives, one in the Spring and one in the Fall.  It’s come a long way since my first Begathon in the Fall of 1996.  My very last Begathon for WMPG will be on Sunday, 9.25.2016.please

One of my favorite “money” songs (at any time of year) is the second worldwide single for London’s Pet Shop Boys – “Opportunities (Let’s Make Lots Of Money).”  From their debut album, PLEASE, “Opportunities” was the follow-up to their global No. 1 hit, “West End Girls.”

“Opportunities” was written and recorded in 1983, before their big break a couple years later.  The re-recorded version (for PLEASE) was produced by super-producer (and Portland, Maine native) Stephen Hague. It debuted on the BILLBOARD Hot 100 in late May 1986, when “West End Girls” was still in the Top 15.  “Opportunities” would go on to spend a week at No. 10 in early August 1986.  It was the band’s second of five Top 10 hits in America.

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From the original video for “Opportunities.”

Around the globe, “Opportunities” reached No. 2 in New Zealand, No. 3 on BILLBOARD’s Dance chart, and the Top 20 in the U.K., Ireland and Spain.  There were two videos for the song.  The first version (included in the link below) is my favorite of the two, is a bit haunting and darker, and features the song’s original spoken outro ending: “All the love that we had / And the love that we hide / Who will bury us / When we die?” 

The second video version of “Opportunities” was directed by renowned Polish director,  Zbigniew Rybczyński (and MTV Video Vanguard recipient), who has directed memorable videos like “Close (To The Edit)” by The Art Of Noise, “The Original Wrapper” by Lou Reed, “Time Stand Still” by Rush (featuring Aimee Mann of ’til Tuesday), and Simple Minds’ “Alive And Kicking” and “All The Things She Said”(the latter of which used a technique that was used again in the second “Opportunities” video, where Neil Tennant and Chris Lowe appear duplicated over and over, passing to each other symbols of different statuses they represent, like a top hat, a trophy, a brick, and a sledgehammer).

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From the second video for “Opportunities.”

“Opportunities” might not be as well-remembered as other Pet Shop Boys hits like “West End Girls,” “Always On My Mind” or “It’s A Sin,” but I’ve loved this song since the first time I heard it.  If you need a refresher, take this, um, opportunity and check out the video link below.  I can’t guaRONtee you’ll make lots of money, but I hope you’ll enjoy it just the same…

https://www.youtube.com/watch?v=di60NYGu03Y

psb

song of the day – “Getting Away With It” | ELECTRONIC | 1989 / 1990.

When you think of 80s “supergroups,” the British band Asia is probably the one that comes to mind first for many folks (at least it did for me), which included John Wetton (King Crimson), Steve Howe (Yes), Carl Palmer (Emerson, Lake & Palmer) and Geoff Downes (The Buggles, Yes).  Other 80s “supergroups” included The Power Station, The Firm, GTR (also with Steve Howe), Bad English, the 4AD “supergroup”This Mortal Coil and probably the biggest heavy-hitter supergroup of them all, The Traveling Wilburys (with George Harrison, Roy Orbison, Bob Dylan, Tom Petty and Jeff Lynne of ELO).

All-star artist collaborations like Band Aid, USA For Africa, Dionne & Friends, or Artists United Against Apartheid don’t count as “supergroups” because they were one-off groups who got together for a benefit, tribute or protest single. 

At the tail end of the 1980s and the start of the 1990s, another supergroup found its way to me, and I’m so glad it did – the supergroup based out of Manchester, England – Electronic.

Electronic was formed by Manchester’s own Bernard Sumner (of New Order) and Johnny Marr (of The Smiths, who had broken up a couple of years before, in 1987).  Together, along with Pet Shop Boys’ Neil Tennant providing backing vocals, future Academy Award Winner Anne Dudley (from Art of Noise, providing the lovely string arrangement) and ABC’s David Palmer on drums, the song “Getting Away With It” was born. 

Released in December 1989, “Getting Away With It” (written and produced by Bernard Sumner, Johnny Marr and Neil Tennant) was a gorgeous alt-dance gem whose lyrics actually parodied the moody stereotype of Johnny Marr’s ex-Smiths bandmate, Morrissey.

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“Getting Away With It” was one of the first CD singles I ever bought!  Remember those?  (I also own the 12″ single, just because…)

“Getting Away With It” reached No. 12 in the U.K., and the Top 40 in Australia and New Zealand, and was a Top 40 radio hit in Canada.  Here in the U.S., “Getting Away With It” spent a week at No. 38 on May 19, 1990, the same week Madonna’s “Vogue” replaced Sinead O’Connor’s “Nothing Compares 2 U” at No. 1.  It also reached No. 4 on BILLBOARD’s Modern Rock chart and No. 7 on BILLBOARD’s Dance chart.

In 1991, Electronic’s long-awaited, self-titled debut album was released, reaching No. 2 in the United Kingdom and selling over a million copies worldwide (about a quarter of which were sold in the U.S. alone).  Bernard Sumner and Johnny Marr continued with Electronic for 2 more albums, RAISE THE PRESSURE in 1996, and the excellent TWISTED TENDERNESS in 1999.  They would also hit the Top 10 on the U.K. singles chart with 1991’s “Get The Music” (from the debut album), and 1992’s “Disappointed” (from the film, COOL WORLD, and the even better soundtrack, SONGS FROM THE COOL WORLD).

Though the “supergroup” Electronic was short-lived (like most “supergroups” are), they’ll always be a “supergroup” to me.  Hell, they’ve been getting away with it for more than 25 years…

https://www.youtube.com/watch?v=DSfjtdnUsls

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A promo shot for the band here in the U.S….