song of the day – “Love Shack” | THE B-52’s | 1989.

casey-kasem-at40-abc-billboard-650

On June 15, 2014, Casey Kasem, host of the longtime countdown program, AMERICAN TOP 40, passed away at the age of 82.  From my first blog post (and prolly some more inbetween then and now), I explained how, in 1979, I was a geeky, lanky and somewhat lost 12-year-old living in Central Maine, had a few friends and not a lot of interest in much of anything, but at some point early that year, I discovered AMERICAN TOP 40, and was glued to it every weekend.  Not only could I hear the 40 biggest songs in the country every week, but also Casey’s cool trivia and facts about the songs and the artists, a trait I treasure to this day.  For me, the show was No. 1 with a bullet.  And still is (thanks to the re-airing of broadcasts of AT40 on iHeart Radio).american-top-40-casey-kasem

In honor of my radio hero, Casey Kasem, for the entire month of June (and now through July), I will be highlighting a song each day (some days will have two songs!) that peaked in the Top 40 of the BILLBOARD Hot 100 (including five (real) one-hit wonders of the 80s), and with every blog post, just like on AMERICAN TOP 40, the hits will get bigger with each post.  On June 1, 2017, I featured a song that peaked at No. 40.  Sometime here in July, I’ll feature a “song of the day” that went all the way to No. 1. 

As Casey used to say on AT40, “And on we go!”

Casey Kasem used to also say, “As the numbers get smaller, the hits get bigger.”  And so does the number of songs that reached these “smaller” positions.  Between 1979 and 1989, more than 110 songs peaked at No. 3, and many artists stayed there more than once, including Bobby Brown, El DeBarge (solo and with DeBarge), Duran Duran, Genesis, The Jets, Billy Joel, Cyndi Lauper, Huey Lewis & The News, Richard Marx, Olivia Newton-John, The Pointer Sisters, The Police (Sting also had a No. 3 solo hit), Kenny Rogers, Barbra Streisand, Styx, Wham! and Donna Summer.  Chicago reached the No. 3 positions four times between 1979 and 1989.

hungry like the wolf

1988 was a popular year for No. 3 hits, when 17 songs reached that position, including songs by Taylor Dayne, Samantha Fox, Debbie Gibson, the “comeback” hit for Hall & Oates (“Everything Your Heart Desires”), Breathe, Anita Baker, Information Society, INXS, U2 and (real) one-hit wonder Patrick Swayze (from DIRTY DANCING). 

new sensation

No. 3 hits also included the first solo by David Lee Roth (his cover of The Beach Boys’ “California Girls”), as well as the first Van Halen hit without him, “Why Can’t This Be Love.”  There were also big No. 3 hits for Simple Minds, Belinda Carlisle, The Cars, Neneh Cherry, Charlie Daniels Band, Chris de Burgh, Earth, Wind & Fire, Corey Hart, Don Henley, Chaka Khan, Love & Rockets, Men At Work, Men Without Hats, Nu Shooz, Stevie Nicks with Tom Petty & The Heartbreakers, The S.O.S. Band, The Stray Cats, Tears For Fears, Thompson Twins, Madonna and the last Top 40 hit for the late, great Marvin Gaye (“Sexual Healing”).

sexual healing

Love was a constant theme among the No. 3 hits, and was featured in the title of 15 songs, and implied in many others.  One of the 15 hits with the “Love” connection (sorry, couldn’t be helped) was one of two No. 3 hits in a row for The B-52’s – “Love Shack.”

One of the 80s’ biggest success stories – some would say one of the biggest comebacks – belonged to Athens, GA’s New Wave / Alt-Rock / Alt-Dance legends, The B-52’s.  By 1989, The B-52’s had already released four albums and two EPs, and had reached the BILLBOARD Hot 100 three times – “Rock Lobster” (No. 56, 1980), “Private Idaho” (No. 74, 1980) and “Legal Tender” (No. 81, 1983). 

rock lobster

The B-52’s started recorded their fourth album – BOUNCING OFF THE SATELLITES – in July 1985.  At that time, the band was comprised of vocalist Fred Schneider, vocalist and keyboardist Kate Pierson, vocalist and percussionist Cindy Wilson, lead guitarist Ricky Wilson (Cindy’s brother), and drummer / rhythm guitarist and keyboardist Keith Strickland.  This had been the lineup since the band’s formation in 1976.

b-52's with ricky

During the recording of BOUNCING OFF THE SATELLITES, it was discovered that Ricky Wilson was suffering from AIDS.  None of the rest of The B-52’s (except for Keith Strickland) had known about it.  In an interview, Kate Pierson had said that Ricky Wilson kept his illness a secret from the rest of the band because he “did not want anyone to worry about him or fuss about him.” 

On October 12, 1985, while still in the recording process of BOUNCING OFF THE SATELLITES, Ricky Wilson died of AIDS at the heartbreakingly young age of 32 years old.

Ricky Wilson, Guitarist for the B-52s

After Ricky’s death, drummer Keith Strickland learned how to play guitar in Ricky’s own style and switched from drummer to lead guitarist.  The band hired session musicians to help out as well, including the album’s producer, Tony Mansfield (who had also worked with Naked Eyes, Captain Sensible, a-ha and After The Fire).

bouncing

Devastated beyond belief at the loss of Ricky Wilson, The B-52’s released BOUNCING OFF THE SATELLITES on September 8, 1986, with no fanfare and no tour, though they did make a music video for my favorite song on the album, “Girl From Ipanema Goes To Greenland.”

girl from ipanema

Cindy Wilson went into a deep depression following her brother’s death, Keith Strickland spent some time at Woodstock, NY, while Fred Schneider and Kate Pierson remained in New York City.  They all felt at that moment The B-52’s couldn’t continue without Ricky Wilson.

But, in time, Keith Strickland began composing songs again, and after playing some of the new music he had worked on to the rest of the band, they agreed to try and start writing together again.  The result was COSMIC THING, the biggest album the band would ever have.

cosmic thing

COSMIC THING’s production was smartly split up between Don Was (of Was (Not Was) fame) and Nile Rodgers.  It worked and then some, and the album’s first single, “Channel Z,” was not well-received anywhere except College and Modern Rock radio, who embraced it right away.  “Channel Z” would spend three weeks at No. 1 on BILLBOARD’s Modern Rock chart in August 1989.

channel z

“Channel Z” was also the B-side of the album’s second single, “Love Shack,” which was released a week in advance of COSMIC THING in late June 1989.  It took a month and a half to reach BILLBOARD’s Hot 100 chart and become the band’s fourth single to reach the chart. 

“Love Shack” debuted on the Hot 100 in early September 1989 at No. 84.  Within three weeks, “Love Shack” had already surpassed the peak of every B-52’s single which had reached the chart.  By the end of September 1989, it was the first Top 40 hit the band had in its U.S. homeland.

love shack

In early November 1989, The B-52’s landed their first Top 10 hit, with “Love Shack.”  That was also the week I saw them perform for the first time, when they came to the University of Maine at Orono and almost literally brought the roof of the venue down with their show.  They were amazing.  I would see them again on the COSMIC THING tour in 1990 at The Ballpark in Old Orchard Beach, Maine.

“Love Shack” would go on to spend a couple of weeks at No. 3 in November 1989, and just before Xmas 1989, it was certified Gold.  Follow-up single “Roam” debuted on the last Hot 100 of 1989, when “Love Shack” was still in the Top 30.  And, in late January 1990, “Roam” debuted within the Top 40 the last week “Love Shack” spent in the Top 40.  (“Roam” would also reach No. 3 and was certified Gold as well.)

roam

A total of 27 weeks was spent on the Hot 100 for “Love Shack,” one week more than half a year.  It was that lengthy time on the chart which saw it finish on the year-end BILLBOARD charts two years in a row.  Pretty impressive.  It also reached (with “Channel Z”) No. 7 on BILLBOARD’s Dance chart, spent four weeks at No. 1 on BILLBOARD’s Modern Rock chart, and received two MTV Video Music Awards, for Best Group Video and Best Art Direction.

b's 1989NERDY FUN FACT: “Love Shack” was produced by Don Was, and the inspiration for the song was this cabin around Athens, GA, which had a tin roof, and where the band conceived their first hit, “Rock Lobster.”  Kate Pierson even lived in the cabin back in the 70s (it burned down in 2004).  Prolly the most famous line in the song, where Cindy Wilson exclaims, “Tin roof…rusted,” was actually an outtake that was added to the song later on.

Around the globe, lots of love was felt for “Love Shack,” and it spent eight weeks at No. 1 in Australia, four weeks at No. 1 in New Zealand, a week at No. 1 in Ireland, plus it reached No. 2 in the U.K., and the Top 20 in Belgium and the Netherlands.

In a 2002 interview with ROLLING STONE (which named “Love Shack” as the Best Single of 1989), Fred Schneider spoke of the album’s success: “We thought it would be good, but we didn’t know how good.  We don’t really set out saying, ‘Oh, this is going to be commercial,’ or ‘This is going to be this or that.’  We just wanted good songs, and we thought the songs were really good.  We were pretty shocked, because we didn’t expect it to go that big.  The success of it brings problems because it’s really hard to do tours.  I’m not one to want to go tour at all, but to do eighteen months is like torture.  You just get offers that are really good and you’re going to New Zealand and Australia and all over Europe, and it’s pretty exciting.  It all went way beyond what you’d think.”

flintstones

After COSMIC THING, The B-52’s continued to record and chart for a few more years, including a fun cover of the TV theme song, “(Meet) The Flintstones” (from the 1994 FLINTSTONES movie starring John Goodman).  It snuck onto the Top 40 for one week in early June 1994.

Apart from recording (as The BC-52’s) for Fred, Wilma, Barney and Betty (and a couple of popular compilations), the band took a lengthy hiatus, and in March 2008, released FUNPLEX, their first album in nearly 16 years.  It was worth the wait. 

funplex

In October 2011, they released a CD and a DVD of a live concert from earlier that year, WITH THE WILD CROWD! LIVE IN ATHENS, GA.  To borrow from a line out of FERRIS BUELLER’S DAY OFF, “It is so choice.  If you have the means, I highly recommend picking one up.”  Seriously, it’s that good.  One of the best live performances I’ve ever seen on the small screen, from one of the bands with two of the best live performances I’ve seen in person.

with the wild crowd

Though the band hasn’t released a solo album since 2008’s FUNPLEX, The B-52’s continue to tour and perform 50-60 shows a year (minus Keith Strickland, who is still with the band, but who stopped performing live with them in 2012).  Sadly, I missed them this Summer, when they came to Hampton Beach, New Hampshire (where I saw Billy Idol in 2014), and when they performed with the Boston Pops.  That must have been incredible!  Prolly the only Pops show where you can’t control people from dancing on their seats, in the aisles and everywhere!

b's n pops

I gotta be honest, after years of playing it at wedding receptions, “Love Shack” is not my favorite B-52’s song.  But, if you were in a jam and tried to get people out onto the dance floor, that was THE go-to song, and people loved it, and loved dancing to it.  Though it’s not my favorite from the band, I do love the song to death, and I’m so glad it finally got The B-52’s the recognition they deserved after so many years of struggling despite putting out great music, and with the terrible loss they suffered when they lost Ricky Wilson. 

Both COSMIC THING and “Love Shack” are a testament to Ricky’s memory, and I’m so proud to call The B-52’s one of my all-time favorite bands, even if it took me awhile to get there.  They are a heluva lot of fun to listen to and dance to, play on the radio and see perform live, which I hope to do again sometime soon…

“Hop in my Chrysler, it’s as big as a whale and it’s about to set sail / I got me a car, like, it seats about 20 / So come on and bring your jukebox money…  The Love Shack is a little old place where we can get together / Love Shack, ba-by….”

https://www.youtube.com/watch?v=9SOryJvTAGs

b's 1989 v2

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song of the day – “Tarzan Boy” | BALTIMORA | 1986 / 1993.

casey-kasem-at40-abc-billboard-650

On June 15, 2014, Casey Kasem, host of the longtime countdown program, AMERICAN TOP 40, passed away at the age of 82.  From my first blog post (and prolly some more inbetween then and now), I explained how, in 1979, I was a geeky, lanky and somewhat lost 12-year-old living in Central Maine, had a few friends and not a lot of interest in much of anything, but at some point early that year, I discovered AMERICAN TOP 40, and was glued to it every weekend.  Not only could I hear the 40 biggest songs in the country every week, but also Casey’s cool trivia and facts about the songs and the artists, a trait I treasure to this day.  For me, the show was No. 1 with a bullet.  And still is (thanks to the re-airing of broadcasts of AT40 on iHeart Radio).american-top-40-casey-kasem

In honor of my radio hero, Casey Kasem, for the entire month of June (and now through July), I will be highlighting a song each day (some days will have two songs!) that peaked in the Top 40 of the BILLBOARD Hot 100 (including five (real) one-hit wonders of the 80s), and with every blog post, just like on AMERICAN TOP 40, the hits will get bigger with each post.  On June 1, 2017, I featured a song that peaked at No. 40.  Sometime here in July, I’ll feature a “song of the day” that went all the way to No. 1. 

As Casey used to say on AT40, “And on we go!”

You know, as unlucky as the stigma for being unlucky the number 13 has had as long as I’ve known it, the No. 13 position on the BILLBOARD Hot 100 is something altogether different, or, lucky.  No. 13 has been the home (or treasure trove, if you prefer) to many great classics, like “Money” by Pink Floyd, Queen’s “Somebody To Love,” “Because The Night” by the Patti Smith Group, “Different Drum” by The Stone Poneys featuring Linda Ronstadt, “Radar Love” by Golden Earring, “Takin’ It To The Streets” by The Doobie Brothers, Santana’s “Oye Como Va,” “Roundabout” by Yes, “Let’s Talk About Sex” by Salt-N-Pepa, “Walking In Memphis by Marc Cohn, “Danke Schoen” by Wayne Newton (featured prominently in the John Hughes classic, FERRIS BUELLER’S DAY OFF), “Here Comes My Baby” by The Tremeloes (which my pal Dave Wakeling and The English Beat will be covering on their upcoming album!), “The Sun Ain’t Gonna Shine (Anymore)” by The Walker Brothers (which was featured in the brilliant but barely-seen 2012 Steve Carell film, SEEKING A FRIEND FOR THE END OF THE WORLD), and one of the first singles I ever owned, “Theme From CLOSE ENCOUNTERS” by John Williams. 

close encounters

I still have my 45 of this, and it looks just as beat up.  After holding onto it for 40 years, I’m not parting with it anytime soon though…

Between 1979 and 1989, there were nearly 60 singles that reached lucky No. 13, and it was a popular number for Bob Seger, who had two hits stop there, as did Kenny Rogers, Elton John and Natalie Cole.  Van Halen had three songs reach No. 13 – “Right Where Ya Started,” and two from the album, 1984: “Panama” and the highly underrated “I’ll Wait.”  Speaking of Van Halen, in 1983, future / former Van Halen lead singer, Sammy Hagar, reached No. 13 with his first Top 40 hit (and biggest solo hit), “Your Love Is Driving Me Crazy.”

Some of my 80s favorites stopped at No. 13 too, like “Shadows Of The Night” by Pat Benatar, “All Over The World” by Electric Light Orchestra (from XANADU), “Back In The High Life Again” by Steve Winwood,” “One Night Love Affair” by Bryan Adams and “Don’t Come Around Here No More” by Tom Petty & The Heartbreakers.

shadows

No. 13 must have been a favorite of mine for blog posts as well, as I’ve featured seven of them – “Do They Know It’s Christmas?” by Band Aid, “People Are People” by Depeche Mode, “Waiting On A Friend” by The Rolling Stones, “Where The Streets Have No Name” by U2, plus two of the three (real) one-hit wonders of the 80s that reached No. 13 – M|A|R|R|S (“Pump Up The Volume”) and Frida (“I Know There’s Something Going On”), and one song released in 1989, but peaked at No. 13 in March 1990 – “No Myth” by Michael Penn.

Another song that reached No. 13 on the BILLBOARD Hot 100 in the 80s came out of Italy, by way of Northern Ireland.  In the late 70s, Jimmy McShane (of Derry, Northern Ireland) was attending a stage school in London, learning how to dance and sing, when he was hired as a stage dancer and backing singer for English singer and musician, Dee D. Jackson.  He toured around Europe with Dee D. and her band, and upon a visit to Italy, he fell in love with Italy’s underground dance scene, and the country itself, and ended up moving to Milan in 1984.

In Milan, he learned the Italian language, and in 1984, met up with Maurizio Bassi, who was a music producer and a musician.  Together, they decided to form the New Wave / Dance band, Baltimora, with Jimmy McShane as the singer and the face of the band.

61b-bassi-mcshane

Baltimora’s Maurizio Bassi, left, and Jimmy McShane.

In early September 1985, they released their debut album, LIVING IN THE BACKGROUND, along with the first single from the album, “Tarzan Boy.”  The catchy song about being free and doing whatever you want in the jungle, without the hustle and bustle of living in the city, took about a month and a half to find its way to the BILLBOARD Hot 100, but did find it in mid-October 1985, when it debuted at No. 80.

living in the background

“Tarzan Boy” steadily moved up the chart at first, but lost its chart “bullet” (for sales and airplay) in its sixth chart week, and stalled at No. 62 for three weeks.  By early December 1985, “Tarzan Boy” had regained its bullet and started moving back up the Hot 100, reaching the Top 40 in mid-January 1986.

By March 1, 1986, “Tarzan Boy” had been on the chart for 20 weeks (longer than some No. 1 songs), and spent a week at No. 13.  “Tarzan Boy” spent half a year on the survey and finished the year at No. 73.

tarzan boy

Around the globe, “Tarzan Boy” was a massive hit, reaching No. 1 in Belgium, Finland, France, the Netherlands and Spain, and the Top 10 in the U.K., Austria, Canada, Germany, Ireland, Italy, Norway, South Africa, Sweden, Switzerland and the BILLBOARD Dance chart.

Despite the success of “Tarzan Boy,” Baltimora had a hard time duplicating that success for its other singles and second album, 1987’s SURVIVOR IN LOVE.  Following “Tarzan Boy,” the title track from their debut album, LIVING IN THE BACKGROUND, peaked at No. 87 on the Hot 100, and a few other singles reached the Top 40 singles chart in Italy, but nothing more.  Baltimora broke up after the record label (in this case, Manhattan) dropped them. 

cool mint

From the 1993 commercial for Cool Mint Listerine, which used “Tarzan Boy.”

Fast forward to 1993, and a new remix of “Tarzan Boy” was used in a Cool Mint Listerine commercial (with animation by future film giant, Pixar).  Well, it didn’t stop there.  “Tarzan Boy” was also featured that year in the film, TEENAGE MUTANT NINJA TURTLES III, and the combination of the two sent “Tarzan Boy” back onto the BILLBOARD Hot 100, re-entering the chart in late March 1993. 

“Tarzan Boy” climbed as high as No. 51 and spent 12 additional weeks on the Hot 100, and a total of 38 weeks combined.  With new hits by Duran Duran, R.E.M., Madonna, INXS, New Order and Boy George’s Pet Shop Boys-produced theme to THE CRYING GAME, the 80s were still sticking around in 1993.  But it was pretty cool to hear “Tarzan Boy” on the radio again.

tarzan boy 93

The cover art for the 1993 reissue of “Tarzan Boy.”

Sadly, the following year, Jimmy McShane, the face of Baltimora, was diagnosed with AIDS while in Milan in 1994.  A few months later, he returned to his hometown of Derry, Northern Ireland, the place where his family had shunned him many years before for being gay.  He died in Derry in late March 1995 at the young age of 37.  And, despite his family’s earlier stance towards Jimmy’s homosexuality, after his death, a family spokesperson said, “He faced his illness with courage and died with great dignity.”

The legacy of Jimmy and “Tarzan Boy” live on today, and the song continues to be covered by other artists and has appeared in films, like Seth MacFarlane’s 2014 film, A MILLION WAYS TO DIE IN THE WEST.  And, “Tarzan Boy” is still heard on the radio today, as it should, because, who wouldn’t want to dance around to a fun, catchy song about being free and roaming around the jungle, removed from that city life?

“Jungle life, I’m far away from nowhere / On my own like Tarzan Boy / Hide and seek, I play along while rushing ‘cross the forest / Monkey business on a sunny afternoon…”

https://www.youtube.com/watch?v=_r0n9Dv6XnY

baltimora

song of the day – “The Bottom Line” | BIG AUDIO DYNAMITE | 1985.

“The horses are on the track…”

In September 1983, with what was prolly the beginning of the end for The Clash, Mick Jones, the legendary band’s lead guitarist, co-lead vocalist and songwriter since their inception in 1976, was fired from the band.  Punctuality (or lack thereof) was a prominent factor in his dismissal from The Clash. 

Not long after getting booted from “the only band that mattered,” Mick Jones did something that prolly felt natural for him – he helped start another band – General Public, which was founded with The English Beat’s Dave Wakeling and Ranking Roger, from the ashes of that band, which broke up in 1983.

But, the association Mick Jones had with General Public was quite short-lived.  Although his name is featured on the credits of General Public’s debut album, …ALL THE RAGE (he did play guitar on “Tenderness,” “Never You Done That” and at least three other songs), Mick left during the recording of the album.  I think had Mick stayed with Dave and Roger and General Public, it would have been quite interesting and amazing.  But, I can’t be mad at Mick and forgive him for leaving because…

…in 1984, Mick went on to co-found the Post-Punk, Alt-Dance band, Big Audio Dynamite, with film director Don Letts, who had previously directed a number of Clash videos and later the 2000 Clash documentary, WESTWAY TO THE WORLD, which picked up a Grammy Award in 2003 for Best Long Form Video.

this is BAD

The first album for Mick’s third band in two years, the appropriately-titled THIS IS BIG AUDIO DYNAMITE, was released in October 1985, interestingly enough, the month before the release of CUT THE CRAP, the last album by The Clash, which most folks thought was, well, crap (save for tracks like “This Is England”).

cut the crap

When ROLLING STONE’s David Fricke reviewed CUT THE CRAP in January 1986, THIS IS BIG AUDIO DYNAMITE got mentions as well: “If CUT THE CRAP is a cheat, then Mick Jones’ new band Big Audio Dynamite is an unexpected gamble.  ‘That old time groove is really nowhere,’ Jones shrugs in ‘The Bottom Line,’ brusquely dismissing [Joe] Strummer’s retropunk didacticism.  Instead, he continues, ‘I’m gonna take you to part two,’ which on THIS IS BIG AUDIO DYNAMITE is an intoxicating subversion of Eighties dance-floor cool with SANDINISTA!’s dub-funk turmoil…  THIS IS BIG AUDIO DYNAMITE hardly transcends the Clash’s finest hours, but for Jones it is a new beginning.  With CUT THE CRAP, one might well wonder if Joe Strummer’s at the end of the road.”  David was right – The Clash broke up in early 1986.  Many folks, yours truly included, thought they had already broken up long before then.

bad 2

No, that’s not Terence Trent D’Arby standing next to a seated Mick Jones.  That’s film and video director, DJ, musician and B.A.D. co-founder Don Letts.

But, with songs like “E=MC2,” “Medicine Show,” “C’Mon Every Beatbox” and “BAD” (featured in the 1986 John Hughes classic, FERRIS BUELLER’S DAY OFF), Big Audio Dynamite and THIS IS BIG AUDIO DYNAMITE were thriving.  The album was certified Gold in their U.K. homeland, and reached the Top 10 in New Zealand.

the bottom line UK

The first single released from the album (and the only song on the album solely written by Mick Jones) was “The Bottom Line.”  It was also the first song by B.A.D. that made me fall in love with the band, though not until 1987, when one of my (future) best friends, Michael, introduced me to them.  “The Bottom Line” did not fare well in the U.K. (where it reached a surprising No. 97 chart peak), but it was a Top 40 hit in Australia, New Zealand and BILLBOARD’s Dance chart.

There were at least a couple of different remixes for “The Bottom Line,” and though I enjoy the U.S. 12” mix by Rick Rubin, I have always favored (and will always prefer) the original and glorious 8-minute, 40-second U.K. 12” Remix.  Not only does it mirror the 4:35 album version, but when the album version is ready to cut out, in the U.K. Remix, Mick and Co. actually DO take you to Part Two (“I’m gonna take you to, I’m gonna take you to part two, part two…”)

bottom line US

Nearly 32 years after its release, it’s interesting how the song’s lyrics could still apply today:

Big_Audio_Dynamite-1-200-200-100-crop“A dance to the tune off economic decline / Is when you do the bottom line / Nagging questions always remain / Why did it happen and who was to blame

“When you reach the bottom line / The only thing to do is climb / Pick yourself up off the floor / Don’t know what you’re waiting for

“They’ve been doing it down at the zoo / And I can show ya here’s what to do / All of the States and over UK / Even the Soviets are swinging away…

“So when you reach the bottom line / The only thing to do is climb / Pick yourself up off the floor / Anything you want is yours…”

bottom line BACK

Apart from a 2011 reunion, Big Audio Dynamite (and later, the successful Big Audio Dynamite II) stopped years ago, but Mick (who turns 62 in June 2017) is still keeping busy, performing in recent years with the live band for the popular U.K. Alt-Rock / Electronica band, Gorillaz, and on albums for Alt-Rockers, The Wallflowers, and Algerian singer, Rachid Taha (who released a brilliant Arabic cover of “Rock The Casbah” in 2004).

rock el casbah

All these years later, my bottom line on “The Bottom Line” is that it’s still so infectious (especially the original 12” U.K. Remix) and amazing to dance to or listen to in the car, or anywhere.  And, if for some Godforsaken reason you have never heard this song, click on the link to the original video below, or take the next 10 minutes, find the link to the original 12” U.K. Remix and get ready to move.  It may not be that “new dance that’s going around” anymore, but “when the hits start flying,” you’re GONNA get down.  And then you’re gonna “pick yourself up off the floor” and do it again…

https://www.youtube.com/watch?v=4V5Zoe84BjE

bad

don’t you (forget about me).

As I start this blog post, it’s in the 7:00pm hour on Sunday, February 26th, 2017, and during this time for the better part of the past 21 years, for the folks of Portland, Maine and beyond, I’d be playing a lexicon of the great 80s music you remember and much more on my little 80s radio program, STUCK IN THE 80s (on WMPG community radio).  More on the amazing last STUCK IN THE 80s show in a bit.

Once the show ended, I wanted to take a couple of weeks off from the blog, though truth be told, I’ve been thinking about this post since before the last show even aired.

original STUCK logo

The original STUCK IN THE 80s logo…

After nearly 21 years, over a thousand shows, thousands of requests, tens of thousands of songs played, these two weeks later, it’s still hard to believe that the last STUCK IN THE 80s has aired on WMPG, a radio station that has been like a second home for me for nearly half my life.  Though I’m still considered a volunteer there, I’ll miss being a regular part of it.

Back in August 2015, I first announced that I would be ending the show at the end of August 2016 after 20 years on WMPG, but in April 2016, I decided I wasn’t ready to end the show yet.  The show started part-time in the Spring of 1996 (I was 29 years old), and full-time on Sundays in the Fall of 1996.  When I realized that my 50th birthday in 2017 fell on a Sunday, it just felt right; it felt cathartic to end the show then.  I’m still happy with that decision.  But the last weekend for the show wasn’t without its moments.

omg-snow

This didn’t exactly happen here in Maine the weekend of the last STUCK IN THE 80s on WMPG, but it wasn’t too far off…

Many months ago, I half-joked about the last show, saying, “Wouldn’t it be funny if there was a blizzard and I couldn’t do my last show?”  Well…I’m not sure if it was an official blizzard in Portland, Maine, but the weather was more blizzard-like than blizzard-lite.  I always planned on co-hosting my last show with my dear, dear friends and regular STUCK co-hosts, Hope and Shawn.  Shawn lives in Portland, and Hope (who did a touching radio tribute for me in November 2016 and put together a wonderful tribute video for me recently) traveled all the way from Springfield, MA to be there.   I’m so grateful to both of them.

bayside-bowl-2-11-17

Hope, me and Shawn, having a fun time at Bayside Bowl, Portland, Maine 2.11.2017.

That Saturday night (2.11.2017) before the last show, I had planned on a “cheers and thanks” get-together at a Portland venue, but with the inclement weather, most folks weren’t able to attend.  The last show’s attendance was another story.

Before the last show could happen, though, I needed to contact WMPG’s fantastic Program Director, Jessica, to see if the station was going to be shut down due to the storm, which was in full force before Sunday night.  Jessica was indeed planning on shutting down the station but knew it was my last show that night, and was kind enough to let Hope, Shawn and I go on with the last STUCK IN THE 80s and then shut the station down, which was actually kinda cool in a way.

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The show’s STUCK IN THE 80s “Parting Shot” playlist featured songs Hope and Shawn wanted to hear, and songs that meant a lot to me over the years (and many of those songs have appeared on this blog so far): 

  • ALPHAVILLE – FOREVER YOUNG (SPECIAL EXTENDED MIX) (1984) – This Cold War Classic was part of the inspiration for my blog.
  • BOOK OF LOVE – MODIGLIANI (LOST IN YOUR EYES) (1986 / 1987) – One of my “Desert Island” songs, or rather, one of the songs I would want to have with me if I was stranded on a desert island.
  • BLONDIE – DREAMING (1979) – Another of my “Desert Island” songs, this is my all-time favorite Blondie song, from the Fall of 1979.  I remember it well.
  • THE ENGLISH BEAT – I CONFESS (DAVE ALLEN REMIX) (1982) – One of my best memories during the show was interviewing and meeting Dave Wakeling in 2009.  I’ve seen him and the band perform in Portland almost every year since.  Hearing this song live gives me such joy!
  • THE CLASH – THIS IS RADIO CLASH (1981) – Released as a stand-alone single between 1980’s SANDINISTA! and 1982’s COMBAT ROCK, this was requested for DJ HopeyT!
  • BAUHAUS – SPIRIT (ALTERNATIVE VERSION) (1982) – The original version from THE SKY’S GONE OUT and requested for DJ Shawn!
  • PRINCE & THE REVOLUTION – TAKE ME WITH U (1984 / 1985) – This gem from PURPLE RAIN is one of my all-time favorite Prince songs that doesn’t get nearly enough love as it should, so I wanted to play it.
  • THE THE – THIS IS THE DAY (EXTENDED 12” MIX) (1983) – A true statement that night…  The end of an era and the beginning of a new one…
  • TALKING HEADS FEAT. JOHN GOODMAN – PEOPLE LIKE US (1986) – My favorite version of this spirited T-Heads gem from TRUE STORIES…
  • JOE JACKSON – CANCER – Recorded live during the NIGHT AND DAY tour on 5/8/83 at the Hordern Pavilion, Sydney, Australia.  One of my all-time favorites (of many) by Joe Jackson.
  • DAVID BOWIE feat. THOMAS DOLBY – HEROES – Like many others, David Bowie’s sad passing in 2016 did a number on me.  But, ever since, I’ve been inspired too.  On July 13th, 1985 (at LIVE AID), he dedicated this song to his son, “to all our children, and the children of the world.”
  • ROBYN HITCHCOCK – CHINESE WATER PYTHON (1990) – One of the most beautiful pieces of music I’ve ever heard, from one of the most brilliant singer / songwriter / storytellers in the world.
  • THE DREAM ACADEMY – PLEASE PLEASE PLEASE LET ME GET WHAT I WANT (instrumental version) (1985 / 1986) – I couldn’t leave STUCK IN THE 80s on WMPG without playing this gorgeous Smiths cover by one of my favorite 80s bands, and from a pivotal scene in one of my favorite John Hughes films (FERRIS BUELLER’S DAY OFF).
  • INXS – DON’T CHANGE (1982 / 1983) – A favorite gem from my favorite album by my favorite band…
  • PET SHOP BOYS – WEST END GIRLS (1986) – I remember hearing this for the first time like it was yesterday, and it was around this time 31 years ago…
  • YELLO – DOMINGO (1985) – When DJ Hope and her sister, DJ Weez, teamed up for a 4-hour edition of her awesome show, POWERHAUS, in early 2016, they played this song.  I don’t know how it was off my radar for so long, but I’m glad it’s there now!
  • THE KLF feat. TAMMY WYNETTE – JUSTIFIED & ANCIENT (12” MIX) (1991) – The origins of this song date back to 1987, when The KLF were still The Timelords.  One of THE best one-time collaborations of all-time.
  • PETER GABRIEL – IN YOUR EYES (2011 NEW BLOOD ORCHESTRAL VERSION) – Hope and I were so glad to see Peter Gabriel perform in 2016, but I wish I had also seen him on this tour, featuring orchestral versions of his amazing songs.  This is my favorite, originally from 1986’s brilliant SO album.
  • CYNDI LAUPER – TIME AFTER TIME (1983 / 1984) – Meeting and interviewing Cyndi Lauper in 2002 was a moment, much like Cyndi herself, that I’ll treasure forever.
  • SIMPLE MINDS – A BRASS BAND IN AFRICA (1985) – This amazing instrumental was the B-side of “Don’t You (Forget About Me).”
  • SIMPLE MINDS – DON’T YOU (FORGET ABOUT ME) – Recorded live from The Ahoy in Rotterdam, 12.3.1985.  My favorite song for all-time.

The response to the last STUCK IN THE 80s on WMPG was incredibly overwhelming and heartfelt.  It was prolly the most-listened-to show I’ve ever had.  Wanted to share just some of the truly amazing and kind comments shared by my WMPG family, friends and fans:

  • “Better safe than sorry, I suppose…  Better to Be Stuck in the 80’s than in the low teens and a blizzard…  Big shout out to Ron for all his years on the air, and his show to end all shows, tonight… at least for a day or two…  cheers!”
  • “Thank you Ron.  Our Sunday nights won’t be the same without you.”
  • “Ron …….Rock it….tear the roof off……and then shut it down buddy!”
  • “What an end to a great run.  SHUT IT DOWN, Ron!”
  • “What a way to go – a birthday, a blizzard, and then shutting down the station.  Tonight will be epic – thank you for the tunes and enjoy the next great adventures in Life!”
  • “Thanks Ron for one last – and hopefully not final – Sunday night kitchen dance party.”
  • “Ron, Sunday nights will not be the same.  Thank you so much.  It has been a pleasure listening to your programs.  It was a thrill to program and co-host a show.  You will be missed.  All the best in what lies ahead.”
  • “Wow your birthday, last show and an epic nor’easter on its way.  You certainly know how to party!!!!”
  • “Congrats on such a great show.  I’ll miss tuning in to you.”
  • “Happy birthday Ron!  Forever grateful for your show!  You truly are the King of the 80’s!”
  • “What the hell am I supposed to do on Sunday evenings; be sociable?”
  • “REALITY sets in as Sunday evening approaches without STUCK IN THE 80s.  It’s kinda going to be like a zombie achieving consciousness and understanding that everyone’s a zombie and there are no fresh brains.”
  • “You’re gonna get me crying again…forget you?  You, Hope and Shawn were our Sunday nights….we’ll never forget.”
  • “This will be a last show you can never forget!”
  • “Happy Birthday, Ron! Congratulations on an incredible radio run!”
  • “This is the end of an era!!  No 80s show on the radio even came close to yours.  The research, the knowledge and the vast music catalog are unparalleled.  Sad to see it go, but glad you gave Portland a proper 80s experience for so many years.  I hope the next phase in your life is great as well.”
  • “What do you do when the radio show you love and have been listening to for the last 15-plus years goes silent (Wow, Ron, you really went out in dramatic fashion, this blizzard and all!)?!  Will and I miss you already!  Thank you so much, Ron – all the best to your next chapter!”
  • “Happy Birthday to you, my brother!  Today is bittersweet for sure.  Can’t wait for your next musical adventure.  Peace & Love (and birthday spankings) to you!”
  • “Mike drop!!! Thanks for 20 years Ron & crew!!!”
  • “Ron does final show.  Shuts down transmitter.  /mic drop/”  (more on that in a bit…)
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DJ Shaxx, Whitney and me, 1.29.2017…

And from my radio neighbor for the past 11 months, host of the wonderful LEFT OF THE DIAL, the incredibly talented DJ Shaxx:

“First, Happy birthday, friend!

“Can’t believe I won’t be there tonight for you to pass the broadcasting baton to me as I begin LEFT OF THE DIAL.  One of the reasons I love doing my show is that it has always followed STUCK IN THE 80s.  I come into the studio on a wave of positivity and grooving to your music; your legendary presence in the big chair as I walk into the on air studio.  Your personality and music has always helped me start my show with a bang.  In fact, my intro, my first song… you’re the audience.  I have so much enjoyed our conversations transitioning between shows.  And then, as you hit the road, I continue to spin music and speak on the mic and imagine you driving up interstate 295.

“With your departure, Ron Raymond Jr., a big part of what I do will change.

“Changes…  The only constant in life, right?  But change is good.  I’m excited for you and the changes coming up in your life.  The opportunities for great things to happen.  Your future is bright, Ronnie.  You gotta wear shades.

“Man, I’m gonna miss you.  I will miss your DJ mentorship, extensive knowledge and impeccable taste in music.  I will miss your humor and your kindness.

“Thank you for all that you’ve given to WMPG.  Thank you for sharing your great, great knowledge of the 80s every week.  You can feel it tonight.  Everyone tuning in.  Theirs are invisible airwaves crackling with life.  Ripe and tender, whistling with energy (as Geddy Lee would sing).  Thanks for carrying on that great Spirit of Radio.  Because of what you’ve done.  It will live on.  For a long, long time.  Someday inhabitants of a distant universe will be hearing these broadcasts and they will say, ‘Geez!  These people are stuck in the 80s.  We must rescue them.’  And then our planet will never be the same.

“Excelsior!”

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When you host a radio show for as long as I did with STUCK IN THE 80s, I had 20 years of thank-you’s and shout-outs to announce.  Of course, I wasn’t able to get to everyone.  That alone would have taken a whole entire show.  The last of my deserved thank-you’s were dedicated to two of my dearest and closest friends in the whole world – DJs extraordinaire Hope and Shawn, who I’d like to truly love to thank again, for their love and knowledge of music and the 80s, their mad DJ skillz, and their passion, dedication and innumerable contributions to STUCK IN THE 80s!  I couldn’t have done it all these years without them!  (BTW, at the end of the show, since we were shutting down the station, Hope came back on the air and said, “STUCK IN THE 80s OUT!”  And then, in sorta dramatic fashion, Shawn and I did drop out mics…  It was great.)

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Shawn, me and Hope, WMPG-FM and WMPG.org, 2.12.2017, hiding from the blizzard outside and truly STUCK IN THE 80s!

For over a year now, people have been asking me why I’m ending the show.  Well, there’s a number of reasons, but mainly, for now, I want to take a break and take some time for me, do some screenwriting, maybe some voiceover work, continue with the little bloggy thing here, and with me turning 50 a couple of weeks ago, to figure out the next step of my path in this next chapter of my life. 

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Thank you, for 20 years and then some…

I don’t know where, and I don’t know when, but STUCK IN THE 80s will be back, I guaRONtee.  I’ll be back too.  And don’t worry ‘bout a thing, ‘cause every little thing is gonna be alright.  And please know that STUCK IN THE 80s has been the proudest moment of the first half of my life.  Thank you.  I love you and I’ll miss you all.

So, until the next time you hear me on your radio, take care, be good, talk hard, and don’t you forget about me.  I’ll catch you on the flip side.  And as Mr. David Bowie once said, “I don’t know where I’m going from here, but I promise it won’t be boring.”  So stay tuned…

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Hope and Shawn, I couldn’t have done it without you.  Thank you!

song of the day – “Please Please Please Let Me Get What I Want” (Instrumental Version) | THE DREAM ACADEMY | 1986.

On Saturday, August 6, 2016, it will be the seventh anniversary of the passing the brilliant writer / producer / director / 80s film hero and a personal hero of mine, John Hughes.  John was in NYC when he died of a heart attack at the far too young age of 59.John Hughes 2

Many of John’s films are among the top of my all-time favorite movies list.  One of those films is John’s biggest film of the 80s, FERRIS BUELLER’S DAY OFF, from 1986.  John Hughes was an amazingly talented producer and director, but I think it was his writing that I noticed most of all.  John was an insanely gifted writer.  It was rumored that he wrote 1984’s SIXTEEN CANDLES over a weekend, and it took him just a week to write FERRIS.

John Hughes moved to the Chicago area when he was 13, and he resided in The Windy City for a good portion of his life.  Many of his films are set there, or in the surrounding areas, and as for the filming for FERRIS, John once said, “Chicago is what I am.  A lot of FERRIS is sort of my love letter to the city.  And the more people who get upset with the fact that I film there, the more I’ll make sure that’s exactly where I film.  It’s funny – nobody ever says anything to Woody Allen about always filming in New York.  America has this great reverence for New York.  I look at it as this decaying horror pit.  So let the people in Chicago enjoy FERRIS BUELLER.”

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Matthew Broderick and John Hughes chatting on the parade route for FERRIS BUELLER’S DAY OFF.

Well, many people in Chicago, and in New York, in America and the world did enjoy FERRIS BUELLER’S DAY OFF.  It ended up being the tenth highest-grossing film here in the U.S. for all of 1986 (fellow Paramount film TOP GUN was No. 1).

I know I’ve said this in the blog before, but John Hughes was the most influential person in music for me that I DIDN’T meet.  In 1984, The Dream Academy, at the time a London Alt-Folk Pop band without a record deal, recorded two cover versions (one vocal and one instrumental) of a then-new song by the Manchester, England Alt-Rock band The Smiths – “Please Please Please Let Me Get What I Want.”  Little did The Dream Academy know that within two years, the instrumental version of The Smiths song they covered would be cemented in film history, as it appeared in a pivotal and moving scene of a teen film at The Art Institute of Chicago. 

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In the film commentary John Hughes did for FERRIS BUELLER’S DAY OFF, he said that The Art Institute of Chicago was “a self-indulgent scene of mine – which was a place of refuge for me, I went there quite a bit, I loved it.  I knew all the paintings, the building.  This was a chance for me to go back into this building and show the paintings that were my favorite.”  It’s also one of my all-time favorite scenes from any film. 

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Ferris Bueller’s best friend, Cameron (Alan Ruck), reacting to George Seurat’s 1884 painting, “A Sunday Afternoon on the Island of Le Grande Jatte.”

After The Dream Academy’s self-titled debut album and singles had been released in 1985 and 1986, their cover(s) of “Please Please Please Let Me Get What I Want” were released as a stand-alone single around the time FERRIS BUELLER was released into theaters, and released inbetween their debut album and their second album, 1987’s REMEMBRANCE DAYS.  The single was even a minor hit in their U.K. homeland.

Over the past 20 years on my little 80s radio show, STUCK IN THE 80s (on WMPG community radio in Portland, Maine), there have been various tributes to John and the music from his films.  On the Sunday following his passing in 2009, I vowed to dedicate a show every August as a tribute to John.  On Sunday, August 7, 2016, it will be my eighth and last John Hughes tribute on STUCK IN THE 80s and WMPG.  And in every year, every tribute show I’ve done for John, the instrumental version of The Dream Academy’s brilliant cover of “Please Please Please Let Me Get What I Want” is always played. 

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Harkening back to the year 2000, when blank, recordable CDs were a new thing, and Napster was letting people share music before the plug was pulled, I knew a couple of friends that were on Napster, and they had the capability of recording CDs.  Both versions of this song were on my list, but especially the instrumental version.  This goes above and beyond the museum scene in FERRIS BUELLER’S DAY OFF – it just moves me every time I hear it. 

I was moved by the song when I saw FERRIS in the theater the first time in 1986, for the 30th anniversary in the theater this year, anytime I watch it at home, and it will move me again when I play it Sunday night.  I was already enjoying the music of The Dream Academy by the time FERRIS was in theaters, but when I heard their “Please Please Please” cover, between that and “Life Is A Northern Town,” I was forever madly in love with The Dream Academy and their music.  Lord knows it won’t be the first time I admit that.

Since there’s never been an official FERRIS BUELLER’S DAY OFF soundtrack (John didn’t think people would be interested), there’s been talk of finally releasing one for the 30th anniversary of the film’s release.  And it better the hell have this version on there, and maybe the other one too.  It has been 30 years, after all, and the instrumental version has never seen a proper album release, and isn’t even on iTunes.  So, I look forward to finally having an official copy in my collection.

In the meantime, for John, I miss you and I love you and am grateful for your films, your writing, producing, directing, introducing me to incredible music I prolly would never have learned about on my own.  And, to borrow from a line in your own movie, you’re a righteous dude and then some.  And, you were right – as I’m getting older, I realize more and more that life does move pretty fast.  You’ll be happy to know I’m doing my best not to miss it.  Take care and be good, wherever you are…

https://www.youtube.com/watch?v=sgcR3qGnBPk

museum chain