song of the day – “Dancing In The Dark” | BRUCE SPRINGSTEEN | 1984.


On June 15, 2014, Casey Kasem, host of the longtime countdown program, AMERICAN TOP 40, passed away at the age of 82.  From my first blog post (and prolly some more inbetween then and now), I explained how, in 1979, I was a geeky, lanky and somewhat lost 12-year-old living in Central Maine, had a few friends and not a lot of interest in much of anything, but at some point early that year, I discovered AMERICAN TOP 40, and was glued to it every weekend.  Not only could I hear the 40 biggest songs in the country every week, but also Casey’s cool trivia and facts about the songs and the artists, a trait I treasure to this day.  For me, the show was No. 1 with a bullet.  And still is (thanks to the re-airing of broadcasts of AT40 on iHeart Radio).american-top-40-casey-kasem

In honor of my radio hero, Casey Kasem, since the start of June, I have been highlighting songs that peaked in the Top 40 of the BILLBOARD Hot 100 (including five (real) one-hit wonders of the 80s), just like on AMERICAN TOP 40, the hits have gotten bigger with each post.  On June 1, 2017, I featured a song that peaked at No. 40.  With the next post, I’ll feature a “song of the day” that went all the way to No. 1. 

As Casey used to say on AT40, “And on we go!”

If you listened to AMERICAN TOP 40 as faithfully as I did back in the 80s, before Nos. 2 and 1 were announced, he’d usually take a commercial break before announcing them, and would usually say, “The two biggies are coming right up!”  “The two biggies.”  Always cracked me up and still does.

But, when it came to AMERICAN TOP 40, “the two biggies” were, in fact, a big deal.  There a few positions on the chart that are the most frustrating, like Nos. 101, 41 and 11, but no other peak position on the BILLBOARD Hot 100 (or any singles chart, for that matter) was more frustrating to stop at than No. 2.

Foreigner endured the No. 2 position the longest in the 80s, spending 10 weeks in the runner-up spot in 1981 and 1982 with “Waiting For A Girl Like You,” a chart record Foreigner still shares to this day.  And I believe Madonna, who has six No. 2 songs to her credit (four of them in the 80s), still holds the chart record for most No. 2 singles in Hot 100 history.

waiting for a girl like you

All told, nearly 100 songs reached No. 2 between 1979 and 1989, including songs by three Beatles (Paul McCartney, John Lennon, and George Harrison, whose 1981 No. 2 hit, “All Those Years Ago,” was a tribute to John Lennon), two Jacksons (Michael and Janet), and a couple of (real) one-hit wonders, including the Cold War Classic by Nena, “99 Luftballons.”

99 luftballons

danger zoneSome of the biggest songs in history that maybe you thought were No. 1 hits in America were actually No. 2 hits, such as “Girls Just Want To Have Fun” by Cyndi Lauper, “Easy Lover” by Philip Bailey and Phil Collins, “We Got The Beat” by The Go-Go’s, “Electric Avenue” by Eddy Grant, “Danger Zone” by Kenny Loggins, “Hurts So Good” by John Mellencamp, “Start Me Up” by The Rolling Stones and “Purple Rain” by Prince And The Revolution.

Several artists peaked at No. 2 between 1979 and 1989 with two songs, including The Bangles, Culture Club (with their first two hits), Air Supply, Duran Duran, Glenn Frey, Kool & The Gang, John Mellencamp, Billy Ocean (including the guilty pleasure, “Loverboy,” which a DJ back in the day once referred to as “Heavy Metal Disco”; I would disagree), plus Robert Palmer, Pointer Sisters, Linda Ronstadt (in two big duets with James Ingram and Aaron Neville), Tina Turner and Jody Watley. 


Michael Jackson gets an honorable mention, as he peaked at No. 2 with “The Girl Is Mine” with Paul McCartney, and he is featured in an uncredited role backing up Rockwell on “Somebody’s Watching Me.”  Likewise with Sheena Easton, who backed up Prince uncredited on “U Got The Look” and had her own No. 2 hit in 1989 with the sexy Dance hit, “The Lover In Me” (a long way from when she took that “Morning Train” to No. 1 in 1981; I’m sure Prince may have had something to do with it).

the lover in me

Speaking of Prince, he had three No. 2 hits between 1979 and 1989, or in this case, 1984 through 1987, with the aforementioned “Purple Rain” and “U Got The Look,” but also with “Raspberry Beret.”  He, too, gets an honorable mention, as he composed the No. 2 hit for The Bangles, “Manic Monday.”


And a number longtime recording artists saw their biggest hits stop at No. 2, like The Cure (“Lovesong”), Journey (“Open Arms”), The Greg Kihn Band (“Jeopardy”), and Bruce Springsteen’s “Dancing In The Dark.”

If there was any one huge artist in the 80s I wanted to see reach No. 1 on the BILLBOARD Hot 100 singles chart, it was Bruce Springsteen.  I was first introduced to Bruce’s music with 1980’s “Hungry Heart,” from his first No. 1 album, THE RIVER.  At the time, I had no idea he had already released four critically-acclaimed and successful albums.

hungry heart

After “Hungry Heart,” I was a Bruce fan for life – granted, not the superfan that Hope is, but I don’t think anyone loves Bruce’s work more than Hope, except maybe for Bruce’s wife, Patti Scialfa.

“Dancing In The Dark” was released in early May 1984, a month before the BORN IN THE U.S.A. album was released.  And, right out of the gate, it was a hit.  “Dancing In The Dark” blasted onto the BILLBOARD Hot 100 the last week of May 1984 all the way into the Top 40, at No. 36.  By the next week, it was already No. 18, with its eyes set on No. 1.

dancing in the dark

Bruce had hit No. 1 before – as a songwriter.  A song from his 1973 debut album, GREETINGS FROM ASBURY PARK, N.J. – “Blinded By The Light” – was recorded by the London Rock band, Manfred Mann’s Earth Band, in 1977, and spent a week at No. 1 on the Hot 100 in February 1977, exactly four years to the month when Bruce’s original was released as a single.

bruce blinded

“Dancing In The Dark” had a lot going for it – a popular video directed by Brian de Palma (SCARFACE, THE UNTOUCHABLES, CARRIE, DRESSED TO KILL and the first MISSION: IMPOSSIBLE film) with actress Courtney Cox (FAMILY TIES, FRIENDS) dancing with Bruce on the stage (the video would win the MTV Video Music Award for Best Stage Performance). 

courtney n bruce

It also had a 12” Dance remix courtesy of Arthur Baker (who’s remixed songs for Daryl Hall & John Oates, Afrika Bambaataa, Cyndi Lauper, Pet Shop Boys and New Order).  The “Blaster Mix” was miles away from anything on 1982’s NEBRASKA or 1980’s THE RIVER, but people loved it.  Not only did it reach No. 7 on BILLBOARD’s Dance chart, it was the biggest-selling 12” single for all of 1984.  Arthur Baker would also go on to remix the follow-up Bruce singles “Cover Me” and “Born In The U.S.A.” as well.

blaster mix

As much as “Dancing In The Dark” had going for it in its second week on the Hot 100, another single debuting on the same chart that early June was “When Doves Cry” by Prince, released in advance of the album and film, PURPLE RAIN.  “When Doves Cry” reached the Top 40 a week later, and just like “Dancing In The Dark,” made a big move into the Top 20 the following week.

By late June 1984, “Dancing In The Dark” had climbed to No. 4, while “When Doves Cry” was closing in at No. 8.  The following week, “When Doves Cry” had jumped to No. 3, and “Dancing In The Dark” was at No. 2, right behind Duran Duran’s “The Reflex.”

“When Doves Cry” proved to be too powerful for “Dancing In The Dark,” which stayed for four weeks in the runner-up position.  “When Doves Cry” was the biggest song of 1984 here in America.

when doves cry back

Though “Dancing In The Dark” didn’t reach No. 1, Bruce Springsteen still had a lot to be proud of.  The song gave Bruce his first Grammy Award, winning for Best Rock Vocal Performance.  In the 1984 ROLLING STONE readers poll, “Dancing In The Dark” was voted “Single Of The Year.”  It’s also listed as one of The Rock And Roll Hall Of Fame’s 500 Songs That Shaped Rock And Roll.”  It sold a million copies in the U.S. alone, and the single’s B-side (one of the best ever), “Pink Cadillac,” was a Top 5 hit for Natalie Cole in 1988.

pink cadillac

Around the globe, “Dancing In The Dark” was an international smash (though in some countries it took awhile), reaching No. 1 in Belgium and the Netherlands, No. 2 in Ireland, New Zealand and Sweden, No. 4 in South Africa and the U.K., No. 7 in Canada and Norway, No. 11 in Finland and No. 12 in Italy.  In Australia, though it stopped at No. 5, it was the No. 1 song of the year, spending 40 weeks on the singles chart there.

“Dancing In The Dark” was just the first part of an amazing journey for Bruce Springsteen and the BORN IN THE U.S.A. album.  Seven out of the album’s 12 songs were released as singles, and all seven reached the Top 10 on the Hot 100 between 1984 and 1986, tying a record set in 1984 by Michael Jackson’s THRILLER album. 

born in the usa LP


The first compact disc manufactured in the U.S.A. was BORN IN THE U.S.A.

BORN IN THE U.S.A. was No. 1 on BILLBOARD’s album chart twice, in July / August 1984 and January / February 1985.  PURPLE RAIN may have been the album of the year here in the U.S. for 1984 (BORN IN THE U.S.A. was No. 28), but for 1985, BORN IN THE U.S.A. was the No. 1 album of the year in America (and even No. 16 for 1986).

NERDY FUN FACT: BORN IN THE U.S.A. was the first compact disc manufactured in the U.S. for commercial release.  I remember seeing it at a DeOrsey’s in Waterville, Maine, and think it sold for something like $25.00.  And the record album still sounds better.

NERDY FUN FACT 2: According to a 1984 ROLLING STONE interview, the “Dancing In The Dark” Blaster Mix by Arthur Baker happened because Bruce had heard the remix Arthur did for Cyndi Lauper’s “Girls Just Want To Have Fun,” and he thought it was incredible: “It sounded like fun, so I hooked up with Arthur.  He’s a character, a great guy.  He had another fellow with him, and they were really pretty wild.  They’d get on that mixing board and just crank them knobs, you know?  The meters were goin’ wild.”

cyndi girls

Bruce Springsteen is one of those rare artists who have been on the same record label from the start – Columbia.  Two other Columbia artists instantly come to mind – Barbra Streisand and Bob Dylan.  There won’t be anyone else like them.  Ever. 

bob n bruce

Bob Dylan and Bruce Springsteen (along with many other familiar faces) at the “We Are The World” recording session, 1985.

If you pull away the catchy dance beat, “Dancing In The Dark” is a personal song about the difficulty of writing a hit song and Bruce’s frustration of trying to write songs that will please everyone.  Though I’m thinking Bruce would have liked to have another of his more personal songs become his biggest hit, I would almost bet my record collection he’s alright with that hit being “Dancing In The Dark.”

e st band

Bruce Springsteen with The E Street Band, 1984.

“You can’t start a fire / You can’t start a fire without a spark / This gun’s for hire / Even if we’re just dancing in the dark…”

bruce 84


(real) one-hit wonder of the week – “Miami Vice Theme” | JAN HAMMER | 1985.

Between late 1979 and the end of 1989, there were nearly 500 (real) one-hit wonders of the 80s that reached the BILLBOARD Hot 100 just one time, a list that includes Soft Cell, Gary Numan, Timbuk 3, The Church, Bronski Beat, Nik Kershaw, The Buggles, The Waitresses, Ultravox and two different bands named The Silencers.  Once a week, I’ll highlight a (real) one-hit wonder for you.

In April 2004, I put together a theme show for my little 80s radio program, STUCK IN THE 80s (on WMPG community radio in Portland, Maine).  This wasn’t your ordinary theme show – it was actually about themes, TV themes to be exact.  The show was called DO NOT ATTEMPT TO ADJUST YOUR SET.  In the course of 120 minutes, I played a total of 63 80s TV themes, along with some bits from shows like WKRP IN CINCINNATI and CHEERS.  I also played a special remix on TeeVee Toons Records (later TVT Records), named after a line in one of the favorite cartoons of my youth (THE JETSONS), “Jane, Get Me Off This Crazy Thing!”  It was co-produced by Ivan Ivan (who produced Book Of Love’s wonderful debut album), and featured TV themes from the 50s and 60s. 

Fast forward 12-and-a-half years, and on tomorrow night’s show (10.23.2016), I’m going to revisit the show – DO NOT ATTEMPT TO ADJUST YOUR SET: THE SERIES FINALE.  In listening to the 2004 show this week, apparently I  concentrated more on quantity than quality, but this time I’ll bring back the coolest and most memorable themes of the 80s, and some I didn’t get to last time, including “Falling” by Julee Cruise (the vocal version of the theme from TWIN PEAKS), and an entire set dedicated to 80s TV theme show legend, Mike Post.


One song I did get to last time and will play again tomorrow night was the biggest TV theme song of the 80s, and the last instrumental to reach No. 1 on BILLBOARD’s Hot 100 singles chart until 2013 – The “Miami Vice Theme” by Jan

MIAMI VICE, starring Don Johnson, Philip Michael Thomas and Edward James Olmos was prolly the flashiest (and grittiest?) crime drama of the decade, and was one of the biggest TV shows during the second half of the 80s.  The show debuted on NBC in September 1984, and in August 1985, the show’s theme, by the Prague-born American musician, composer and producer, was released.

While Jan Hammer will forever be best known for his Synthpop work on MIAMI VICE, his specialty has been Experimental music and Prog Rock, and over the years, he has contributed to and collaborated on several albums with the NYC Jazz / Rock Fusion group, The Mahavishnu Orchestra, legendary Rocker Jeff Beck, Jazz Fusion guitarist Al Di Meola, plus work with Carlos Santana, Joni Mitchell, Mick Jagger (on his 1985 solo album, SHE’S THE BOSS), Journey’s Neil Schon, the late, great Clarence Clemons and many more.

In August 1985, the popular theme from MIAMI VICE was released as a single, in advance of the TV soundtrack.  Another song that would appear on the soundtrack, “Smuggler’s Blues” by Glenn Frey, originally appeared on his 1984 album, THE ALLNIGHTER, but due to its inclusion on the TV show, it became a Top 15 hit in late June 1985.


Jan Hammer’s “Miami Vice Theme” debuted on the Hot 100 in early September 1985, reaching the Top 40 a couple of weeks later.  It was climbing the Top 10 this week in October, and in November 1985, it spent a week at No. 1 and a total of 22 weeks on the chart.  It was also a big multi-format hit, charting on BILLBOARD’s Adult Contemporary, Dance, Rock and even the R&B chart, where it reached No. 10.

Around the globe, the “Miami Vice Theme” reached the Top 10 in the U.K., Austria, Canada, Germany, Ireland, New Zealand and Switzerland.  And though his follow-up from the MIAMI VICE soundtrack, “Crockett’s Theme,” was a big hit in the U.K., Germany, Ireland, Switzerland, and Holland (where it spent four weeks at No. 1), the “Miami Vice Theme” was the only hit Jan Hammer had on the Hot 100.


With music from Jan Hammer, Glenn Frey (“Smuggler’s Blues” and the No. 2 hit, “You Belong To The City”), Phil Collins, Tina Turner and more, the first MIAMI VICE soundtrack spent 11 weeks at No. 1 on BILLBOARD’s album chart.  It was the biggest TV soundtrack ever until Disney Channel’s HIGH SCHOOL MUSICAL in 2006.

On top of composing the theme for MIAMI VICE and music for 90 of its 112 episodes, Jan Hammer has composed and produced music for at least 14 films, and 20 episodes for a popular early 90s British television show called CHANCER, starring Academy Award nominee Clive Owen.

Jan Hammer turned 68 this year, is still working nearly 50 years after his start in the music business.  In a 2014 interview with ROLLING STONE about MIAMI VICE and the show’s 30th anniversary, Jan was asked about the show’s legacy (and that of his one American hit), and he said, “We definitely shook up the TV world.  You can still feel certain aftershocks, even at this late date.  [Musical] shades of it show up here and there, but it’s more of an intangible thing.  I get [Google News] alerts with reviews, and they’ll say, ‘There’s this synth, and it’s very much Jan Hammer-like…’  It’s really amusing.  And then I’ll go and listen to it and I’m like, ‘Yeah, they have a point’.”


(real) one-hit wonder of the week – “Axel F” | HAROLD FALTERMEYER | 1985.

Between late 1979 and the end of 1989, there were nearly 500 (real) one-hit wonders of the 80s that reached the BILLBOARD Hot 100 just one time, a list that includes Soft Cell, Gary Numan, Timbuk 3, The Church, Bronski Beat, Nik Kershaw, The Buggles, The Waitresses, Ultravox and two different bands named The Silencers.  Once a week, I’ll highlight a (real) one-hit wonder for you.

Released in December 1984, the critically-acclaimed film BEVERLY HILLS COP not only shot Eddie Murphy into superstardom, the action comedy was one of the biggest films of the 1980s, and for nearly 20 years, it was the biggest R-rated film of all-time (today, it’s ranked at No. 7). 


BEVERLY HILLS COP was even nominated for an Academy Award (Best Original Screenplay), two Golden Globe Awards, and won a Grammy Award for Best Soundtrack Score Album.  Thirteen people shared that Grammy Award, including Keith Forsey (Billy Idol, THE BREAKFAST CLUB score) and a Munich, Germany-born musician, composer and producer – Harold Faltermeyer.

Harold Faltermeyer has scored nearly 20 films, including BEVERLY HILLS COP II, FLETCH, THE RUNNING MAN, THIEF OF HEARTS and TOP GUN (both with Giorgio Moroder), and contributed to several more, including MIDNIGHT EXPRESS and AMERICAN GIGOLO (again, with Giorgio Moroder).  But, Harold Faltermeyer didn’t get his start in films.  Over the years, he’s worked as a songwriter, producer, arranger, musician and remixer for artists like The Sylvers, Janis Ian, Sparks, Laura Branigan, Billy Idol, Pet Shop Boys and Bonnie Tyler. Bad_Girls_LP

What started as a 1978 trip to Los Angeles to help Giorgio Moroder with the MIDNIGHT EXPRESS soundtrack turned into a 10-year collaboration between Giorgio Moroder and Harold Faltermeyer.  In 1979, Harold was involved with Giorgio on the making of BAD GIRLS, the double album by the Queen of Disco, Donna Summer.  Harold co-wrote five songs on the the album, including the first single, “Hot Stuff.” 

“Hot Stuff” was a massive hit that spent 3 weeks at No. 1 on the BILLBOARD Hot 100 and 14 weeks in the Top 10.  For 4 of those weeks, “Hot Stuff” and 5-week No. 1 “Bad Girls” (which Harold Faltermeyer arranged) were in the Top 3 simultaneously.

In 1984 and 1985, Harold got his big break with the BEVERLY HILLS COP soundtrack.  In addition to scoring the film, Harold also co-wrote (with Keith Forsey) Glenn Frey’s hit from the film, “The Heat Is On” (which spent a week at No. 2 on the Hot 100 in March 1985) and “Axel F,” the Synthpop instrumental theme from the film.

banana in the tailpipe

Sticking bananas in the tailpipe of an unmarked police vehicle – the inspiration behind the instrumental “Axel F.”

Originally referred to by Harold Faltermeyer as “the banana theme” (“You’re not gonna fall for the banana in the tailpipe?!”), “Axel F” (short for Eddie Murphy’s character, Axel Foley) was a huge hit in its own right, spending three weeks at No. 3 on the Hot 100 in June 1985 (held out of the top spot by two big No. 1 songs – “Everything She Wants” by Wham! and “Everybody Wants To Rule The World” by Tears For Fears).

axel f

Around the globe, “Axel F” was a huge hit, reaching No. 1 in Holland and Ireland, and the Top 10 in the U.K., Austria, Belgium, Canada, Germany, New Zealand and Switzerland, plus No. 1 on BILLBOARD’s Dance chart AND Adult Contemporary chart (no easy feat), and No. 13 on the R&B chart.

In 2005, “Axel F” became a massive hit again, this time in the form of a novelty song by Crazy Frog (also known as the “Crazy Frog Song” – some of my youngest nieces enjoyed that version, God help me).  Somehow, this version was even bigger than the original, reaching No. 1 in 11 countries, while here in the U.S., it stopped (thankfully) at No. 50.cop_out

Most recently, Harold Faltermeyer scored – at the request of one of my all-time favorite directors, Kevin Smith – the 2010 film, COP OUT, starring Bruce Willis and Tracy Morgan.

Though “Axel F” was Harold only American hit, he did reach No. 1 on the Hot 100 one more time as a writer, on Bob Seger’s “Shakedown” (from BEVERLY HILLS COP II; co-written with Bob Seger and Keith Forsey).  It was nominated for an Academy Award and a Golden Globe Award.

Now 63, Harold Faltermeyer’s been pretty quiet for the past several years, but to me, he’ll always be a hit-writing, film-scoring, Synthpop pioneer, and the lone hit under his own name lives on for eternity through one of THE best films ever, by way of a banana…

harold faltermeyer

song of the day – “Days Gone Down (Still Got The Light In Your Eyes)” | GERRY RAFFERTY | 1979.

As I write on this warm August night in Central Maine, it’s still often hard to think about all of the many musicians we’ve lost this year, after I started the blog in January, in the middle of winter in Maine – heavy-hitters that included Maurice White of Earth, Wind & Fire, Glenn Frey of The Eagles, Merle Haggard, and of course, David Bowie and Prince.

On January 4, 2011, a musician who I wasn’t a huge fan of but whose music I did enjoy – Scottish singer / songwriter Gerry Rafferty – died at the age of 63.  Gerry was prolly best known for two monster international hits – “Stuck In The Middle With You,” with Steelers Wheel, in 1973 (a song he co-wrote), and “Baker Street,” his huge 1978 solo hit (from the album, CITY TO CITY).  Hard to imagine now, but Gerry Rafferty actually had to beg his record label to release “Baker Street” as a single.  The record label said it was “too good for the public.”  Little did they know – it reached No. 1 in Australia, and the Top 10 in 10 countries, including the U.S., where it spent six weeks at No. 2.

After Gerry’s death, I was going through his 70s catalog, and he had some really great solo songs besides “Baker Street” – songs like “Right Down The Line” and “Home And Dry” (both from his 1978 BILLBOARD No. 1 album, CITY TO CITY), and “Get It Right Next Time” (from 1979’s NIGHT OWL album).  But, it was another song from the NIGHT OWL album I had completely forgotten about, rediscovered and fell in love with (again): “Days Gone Down (Still Got The Light In Your Eyes).”

night owl LP

“Days Gone Down” is a love song and though slower than his other big hits, I wouldn’t necessarily consider it a ballad.  He’s got several musicians on this song, and the album version is a cool two-and-a-half minutes longer than the single version.  On the first weekend in June 1979, “Days Gone Down” was the highest-debuting song on the BILLBOARD Hot 100, coming in at No. 68.  In just three weeks’ time, it was already No. 30 on the Hot 100 and seemed like it would be another big hit. 

Well, 1979 was the last big year for Disco, and in late July, the week “Days Gone Down” peaked at No. 17 on the Hot 100, the Disco genre was well-represented in the Top 40, inbetween a few Rock gems like The Knack’s “My Sharona,” ELO’s “Shine A Little Love,” Joe Jackson’s “Is She Really Going Out With Him” and Blondie’s “One Way Or Another” (even the big 1979 hit for Kiss, “I Was Made For Lovin’ You,” catered to the Disco crowd more than the Rock crowd).

“Days Gone Down” sadly dropped from the Hot 100 as fast as it climbed the chart.  Though it’s his third highest-charting hit here in the U.S., it’s been largely forgotten (though not by me).  Gerry would reach the Top 40 of the Hot 100 one more time, with “Get It Right Next Time” spending a couple of weeks at No. 21 in October 1979.

Night Owl Sleeve 2

Photos from the NIGHT OWL inner album sleeve.

Despite being certified Gold in the U.K. and the U.S., Gerry Rafferty’s NIGHT OWL album was not well-received by critics, but Gerry continued to make music, releasing six more studio albums between 1980 and 2000, and he appeared on the 1983 soundtrack / score to the film, LOCAL HERO, the first soundtrack album (of nine to date) by Dire Straits frontman Mark Knopfler. 

I know most people will forever remember Gerry Rafferty for “Stuck In The Middle With You” and “Baker Street,” but I’m not like most people.  Sure, I remember Gerry for those big hits, but on a cold Maine winter day in 2011, following Gerry’s passing, I rediscovered a song I hadn’t thought about in maybe 20 years – and that song is “Days Gone Down.”  Rediscovering that song did something for me that I can’t explain, but I can safely say, five years down the line, I don’t plan on forgetting it anytime soon…

“You still got that light in your eye / And our day is comin’ by and by / I’m travelin’ this long road to be with you / We still gotta long way, still gotta long way to go…”

gerry rafferty