song of the day – “On The Radio” | DONNA SUMMER | 1979 / 1980.

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For December 31, 2020, Maryhope, my partner in radio and my partner in love, and I remotely recorded some radio shows for WMPG-FM Community Radio out of Portland, Maine and WMPG.org.  Maryhope and I covered several shows at WMPG for New Year’s Eve a few years before (when it was on a Sunday night) in an eight-and-a-half hour marathon show to ring in the new year.  We had a blast, until the DJ with the first show of the New Year (the one who would replace us after our special New Year’s broadcast) overslept, because he thought, since it was a holiday, he didn’t have to go in (cue the eye roll).  Other than that, we had a an incredible time ringing in the New Year in the place we had first met many years before, and we certainly do make some amazing radio together!

In thinking about our fun time with that New Year’s Eve at WMPG, Maryhope had the excellent idea of ringing in 2021 at WMPG too!  But, when Covid-19 hit in March 2020, WMPG has been broadcasting remotely ever since.  First, they were airing recently-archived shows (WMPG keeps archives of their shows for five weeks on WMPG.org), and then just about everyone started recording shows remotely from home.  That’s when Maryhope and I joined in, submitting shows to air whenever there was an open spot in the schedule.  

Maryhope started airing her wonderful new badass retro show, PURPLE MONKEY DISHWASHER, eventually getting her old slot back, 9:00 – 11:00pm on Sundays, with me contributing a STUCK IN THE 80s spotlight!!  You can find the archives of her past five shows at wmpg.org/show/sun2100/.  And I resurrected our old radio show, STUCK IN THE 80s, for some new shows and rebroadcast some old ones as well.  It was a lot of fun bringing the show back after a few years!  

But, when Maryhope mentioned doing some shows for WMPG to air on New Year’s Eve 2020 and early New Year’s Day 2021 (she recorded somewhere in the vicinity of four shows, and I did a couple), at the time, I didn’t realize I would be writing about one of the shows I did a few months later.  

The show I’m referring to was a fill-in show for the WMPG Station Manager, Jim Rand, and his longtime Thursday afternoon Punk show, LAND OF THE LOST.  But, in my 25 years at WMPG, I learned a long time ago, that if you’re subbing for a show, you don’t always have to play what is normally played on that particular show.  Those hosts “encourage” you to play what they normally play, but it’s not usually required.  

My show that New Year’s Eve afternoon (from 3:00 – 5:00pm Eastern time) was called 1979.  That’s it; that’s the title.  It was the year I fell in love with music, and I wanted to highlight that.  I lovingly put together two hours of kickass music in a multitude of genres that included no less than Rock, Punk, Disco, Soul, Alternative (before it was called that), Rap, Country, New Wave, Ska….and Pop Muzik, which was also the song I started the show off with, by Robin Scott (better known as M, and one of my all-time favorite songs).

That first set of my 1979 show was admittedly one of THE BEST sets I have ever done in the 36 years I’ve been a DJ.  After “Pop Muzik,” I played “Dance This Mess Around” by The B-52’s, “Grinding Halt” by The Cure, “Do The Dog” by The Specials, Madness and “One Step Beyond…,” plus “Tears Of A Clown” by my friend, Dave Wakeling, and The English Beat, and “Train In Vain” by The Clash.  

In total, I played 30 full songs, a playlist that included songs from Blondie, Led Zeppelin, The Ramones, the Electric Light Orchestra, the Buzzcocks, Fleetwood Mac, The Jacksons, Nick Lowe, Sister Sledge and David Bowie.  I also played part of “Rapper’s Delight” by The Sugarhill Gang, in a special mix I put together with “Good Times” by Chic, and I played a comedy bit from Robin Williams’ brilliant 1979 comedy album, REALITY…WHAT A CONCEPT.  

I was pretty proud of the show.  I still am.  Maryhope loved it too, and I even got a piece of fan mail from a WMPG listener about my 1979 program, less than an hour into the show, with the email subject line to WMPG titled, “Today’s fabulous selection from 1979!”  

The email read, “Today doing laundry and plugged in my old boombox!  I searched for a station,  WMPG,  came in crystal clear!!  What a fabulous selection of ’79 music!!  The English Beat, the Clash, Blondie, and the Ramones, to name a few!  I am mighty impressed with your choices today!!  I grew up listening and have a few of the above artists’ albums!!  Thank you for going back in time…”

Well, not long after the start of 2021, Maryhope and I were still talking about that show.  I think I told her that I could do a 1979 show for a year.  And, I believe she said something along the lines of, “Well, why don’t you?”  I hadn’t planned on doing another show, to be honest, and was going to just submit the occasional STUCK IN THE 80s until Covid was finally behind us, and everything was back to the old normal.  Or maybe I thought I didn’t have time to work on a weekly show.  Of course, Maryhope was right.  She also reminded me, much to my surprise, that I had been talking about doing a 1979 show for years.  

So, with a request to see if there were any open slots on the WMPG schedule right now, I sent an email to Jessica Lockhart, the Program Director for WMPG, who has been with the station longer than I’ve been with the station, and who has been doing some absolutely incredible work scheduling all of these remote radio shows from everyone, and helping to keep WMPG on the air all this time.  

There was an open slot from Saturday nights 11:00pm to 1:00am Sunday mornings, and I snagged it right away.  I slightly reworked my New Year’s Eve show, and on January 23, 2021, WMPG aired the first installment of my new radio show, 1979 – THIS AIN’T JUST DISCO.

The poster for my new show, 1979 – This Ain’t Just Disco, on WMPG!

“This Ain’t Just Disco” is paraphrased, of course, in a line from “Life During Wartime,” a Talking Heads song from their 1979 album, FEAR OF MUSIC (“This ain’t no party / this ain’t no disco…”).  And, “This Ain’t Just Disco” fits perfectly because Disco was EVERYWHERE in 1979.  You couldn’t escape it.  Even non-Disco artists like Rod Stewart, Wings and Kiss had big Disco hits in 1979.  And Blondie’s “Heart Of Glass” united Punk and Disco fans alike.  No easy trick.

And the more I thought about subsequent 1979 shows, I thought of a tagline that is 1979% accurate:  “Songs from the year I fell in love with music, and songs from 1979 I fell in love with later on.”  And, for two hours every week, it’s a fun combination of songs that wouldn’t normally go together in (almost) any radio playlist.  Six shows in, I didn’t repeat a single artist (except a medley of “Hot Stuff” and “Bad Girls” by Donna Summer in the debut show).  Seven shows in, I hadn’t repeated a single song.  That’s not so bad!  AND, as an added bonus, like I’m doing for Maryhope’s show, she is doing a PURPLE MONKEY DISHWASHER 70s spotlight for each of my shows!  Pretty damn bleeping cool!!!

For Show No. 7, which aired at a special time Sunday, March 7th into International Women’s Day, March 8, 2021 (and was rebroadcasted in my normal Saturday night slot on March 13, 2021), I celebrated International Women’s Day 2021 with a show featuring all female artists.  One of those artists is the aforementioned late, great Donna Summer, from Boston, MA.  Donna Summer was not only the “Queen of Disco,” she was the Queen of 1979.  Donna Summer RULED 1979.  

On the first BILLBOARD Hot 100 chart of 1979, she was still in the Top 40 with her No. 1 cover of “MacArthur Park,” and two weeks later, she was back in the Top 40 with “Heaven Knows,” which peaked at No. 4.  She was only out of the Top 40 for one week in 1979.  

The No. 1 songs “Hot Stuff” and “Bad Girls” followed in the Summer of 1979, plus “Dim All The Lights” (also from the No. 1 BAD GIRLS album) reached No. 2 in November, and her duet with Barbra Streisand, “No More Tears (Enough Is Enough),” moved into No. 1 the following week, which was also the week her new single, “On The Radio” (and the title track of her greatest hits album) was released.  And Donna Summer was STILL in the Top 10 of the BILLBOARD Hot 100 the last week of 1979!  Phew!  Holy cats!

Some shots of Donna Summer for the (literally!) ON THE RADIO hits collection.

“On The Radio” was played on my International Women’s Day show.  It’s also one of my favorite “radio” songs, and before I proudly owned the double greatest hits album it’s named after, I proudly owned the single.  The history is fuzzy on this, but ON THE RADIO: GREATEST HITS VOLUMES I & II may have actually been the first album I ever owned (though not the first album I ever bought with my own money — that was 1981’s GREATEST HITS by Queen). 

The single for “On The Radio” debuted on the BILLBOARD Hot 100 in the first half of January 1980, and within two weeks, was already in the Top 40.  Three weeks later, it was already in the Top 10, and headed for No. 1.  Unfortunately, there was a lot of competition at the top of the chart in the early months of the new decade, and other songs had plans for No. 1, notably Queen’s “Crazy Little Thing Called Love” and Pink Floyd’s “Another Brick In The Wall (Part 2).”  The best “On The Radio” could settle for is two weeks at No. 5 (for two weeks) in March 1980.  

Still, “On The Radio” ended up as one of the biggest hits of 1980, and Donna Summer had another big year, reaching No. 3 with “The Wanderer,” the title song from her new album (and a new label for her, Donna was the first artist signed to the brand-new Geffen Records, founded by David Geffen, who had co-created Asylum Records back in 1971).

Donna Summer made four song appearances in the first seven shows of 1979 — THIS AIN’T JUST DISCO, and I KNOW she’ll make some more, especially with Show No. 10 (airing Saturday, April 3, 2021) devoted to the short-lived but popular labels Casablanca (Donna Summer’s first label), and RSO Records (responsible for the huge SATURDAY NIGHT FEVER and GREASE soundtracks).  

I’m not how long the show will be on.  Like I said, I could prolly do the show for a year, though, honestly, I’d happily give it up to bring WMPG back to its normal schedule, because that would mean that Covid-19 is behind us, which, after a year already, is already a year too long.  

For now, though, I’m enjoying the show and putting together new shows every week!  One of the best parts of doing this show is discovering new-to-me music that is 42 years old!  Kickass.  You can find the archives of the show at wmpg.org/show/sat2300/.  And that is where you will find me, Maryhope’s PURPLE MONKEY DISHWASHER 70s SPOTLIGHT,  and where you will find Donna Summer…“On The Radio.”  

song of the day – “Hungry Like The Wolf” | DURAN DURAN | 1982 / 1983.

Happy Star Wars Day (it’s still Star Wars Day somewhere)!  May The 4th Be With You! (and also with you!  aaah, Catholic humor, I never tire of it…)

may the 4th

Being the singles chart nerd that I am, I was looking through the BILLBOARD Hot 100 charts from the 80s to see if there was (1) a chart dated May 4 (1985 was the only one in the decade), and (2) to see if there was anything out of this world (like Star Wars) that was new and noteworthy to write about.  Mmmm not so much.  But, over in the U.K., I did find a single that might as well have been out of this world, and it was released on May 4, 1982: “Hungry Like The Wolf” by Duran Duran.

rooftop-duran

I’ve always loved this rooftop picture from the RIO album! From L to R: Andy Taylor, Nick Rhodes, Simon Le Bon, Roger Taylor, John Taylor.

Unbeknownst to me and most of the United States, Birmingham England’s Fab 5, Duran Duran — consisting of lead singer Simon Le Bon, keyboardist Nick Rhodes, bassist John Taylor, guitarist Andy Taylor and drummer Roger Taylor (all three Taylors are unrelated) — was pretty successful in their homeland prior to the first time I had discovered “Hungry Like The Wolf” on the radio. 

Duran Duran formed in 1978, and in 1981, released their eponymous debut album, a No. 3 Platinum release that remained on the U.K. Top 100 album chart for over two years and generated three U.K. Top 40 hits, including the big No. 5 hit, “Girls On Film.”

duran 81 LP

The original 1981 release of Duran Duran’s eponymous debut album.

But, despite being successful in the U.K. and other parts of the globe, Duran Duran initially had a hard time reaching an audience here in the U.S. with their debut album, and their second album, RIO, which was released globally on May 10, 1982.

At the time of its initial release, “Hungry Like The Wolf” reached No. 5 in the U.K., and No. 4 on the Irish Singles Chart, which was Duran Duran’s first Top 10 hit in Ireland.  “Hungry Like The Wolf” was released in the U.S. in early June 1982, but did not even make the Billboard Hot 100.  U.S. radio wasn’t interested.

hungry night UK

A U.K. 12″ single version of “Hungry Like The Wolf.”

But Duran Duran wanted success in America, and then an unexpected part of the equation came to fruition: the untapped resource that was MTV.

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One of the many MTV logos in 1982.

MTV (or MTV Music Television as it was known back in the day) was less than a year old at that point, and Duran Duran was not getting any airplay on the new music video channel AT ALL. 

But, in a smart move by music video director Russell Mulcahy, who had directed the band’s first video, for “Planet Earth,”  the video for “Hungry Like The Wolf” (and two other songs on RIO) was filmed in Sri Lanka, was inspired by RAIDERS OF THE LOST ARK, and the exotic, slick and creative video paid off.

The powers that be at MTV absolutely loved the video for “Hungry Like The Wolf,” and less than a couple of months after the video was shot, it was already in heavy rotation at MTV.  By then, it was only a matter of time before Duran Duran would get their wish for success in America. 

On Xmas Day 1982, “Hungry Like The Wolf” finally made its debut on the BILLBOARD Hot 100, at No. 77.  Within a month, it worked its way inside the Top 40, and for awhile, it seemed to be a chart race between “Hungry Like The Wolf” and Culture Club’s debut single, “Do You Really Want To Hurt Me,” which had been on the chart for a few weeks more.

culture club

Both songs reached the Top 10 of the BILLBOARD Hot 100 the same week in the second half of February 1983, with Culture Club consistently and directly in front of Duran Duran every week for 10 consecutive weeks.  Starting for three weeks at the end of March 1983, “Do You Really Want To Hurt Me” peaked at No. 2 (behind Michael Jackson’s monster hit, “Billie Jean”), and true to form, for the same three weeks, “Hungry Like The Wolf” peaked at No. 3.  Both songs finished the year in the Top 20 for all of 1983 here in America.

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The U.S. 7″ single version of “Hungry Like The Wolf.”

A lot of the global success of “Hungry Like The Wolf” can also be attributed to famed American producer, David Kershenbaum, who remastered the RIO album in November 1982, and remixed a number of the songs on the album, including “Hungry Like The Wolf.”  These remixes were part of an EP called CARNIVAL and included “Night Versions” of “Rio,” “Planet Earth,” “Girls On Film” and the aforementioned “Hungry Like The Wolf.”

carnival europe

The European version of the CARNIVAL EP.

Some Carnival remixes that didn’t make the CARNIVAL EP ended up on the U.S. Harvest Records version of RIO, a version of the album that I have had in my collection for almost 40 years.  For the longest time, I didn’t know certain other versions of some of RIO’s songs even existed.  That’s the way I will always remember RIO though — the “U.S. Kershenbaum version 2” release.  It will forever be one of my all-time favorite albums.

RIO LP

Around the globe, fans of the Fab 5 were hungry for “Hungry Like The Wolf,” and it spent five weeks at No. 2 in Canada, reached No. 4 in Finland, Italy, New Zealand and South Africa, No. 5 in Australia, No. 25 in Poland, No. 36 on BILLBOARD’s Dance chart, and spent three weeks at No. 1 on BILLBOARD’s Rock chart.

Between 1982 and 2004, Duran Duran racked up 21 BILLBOARD Hot 100 hits.  15 of those reached the Top 40, 11 of those reached the Top 10, and two went to No. 1 – 1984’s “The Reflex” (also aided by a remix, this one by Nile Rodgers, a longtime collaborator with the band), and 1985’s “A View To A Kill,” still the only James Bond theme to reach No. 1 here in the U.S., despite strong Top 10 attempts by Paul McCartney and Wings, Sheena Easton, Madonna, Adele and the unforgettable Shirley Bassey.

a view to a kill

The U.K. version of “A View To A Kill.”

Duran Duran is no longer the Fab 5 (Andy Taylor left the band again after their 2004 reunion album, ASTRONAUT), but in 2015, they released their most recent studio album, the excellent PAPER GODS, which brought them back to the Top 10 of the BILLBOARD Album Chart for the first time in 22 years!

paper gods

The cover art for the 2015 PAPER GODS album.

The band is still together and thriving today, with their 15th studio album in the works for a Fall 2020 release!  Four years ago, with Duran Duran promoting PAPER GODS, my dear friend Shawn and I got to see them perform (with Nile Rodgers and Chic opening!) in Brooklyn, NYC for one of THE BEST concerts we have ever seen.  And we’ve seen some.  It was totally worth the 34-year wait!

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Duran Duran in 2015.

So, even though “Hungry Like The Wolf” may not be “out of this world,” I’m grateful, because it introduced me to a world with Duran Duran in it, a band that remains as one of my all-time favorite bands, and is from an album I will treasure forever.  I also take comfort in the fact that, after nearly 40 years, “Hungry Like The Wolf” is still a staple on radio stations today, and will be for all time, thankfully in a galaxy not so far, far away…

“Burning the ground, I break from the crowd / I’m on the hunt down, I’m after you / I smell like I sound, I’m lost and I’m found / And I’m hungry like the wolf…”

https://www.youtube.com/watch?v=oJL-lCzEXgI

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Duran Duran, 1982.  I may actually have this poster somewhere!

song of the day – “Abracadabra” | STEVE MILLER BAND | 1982.

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Waiting for the real Colin Hay to begin, Rockland, Maine, 8.16.2017. He was, of course, fantastic and soulful.

Hey everyone!  Thanks so much for being patient with me, as I’ve taken an unexpected (but quite enjoyable) absence from the bloggy thing since the end of July.  There’s been work stuff, home stuff, I had a fun time attending concerts featuring Blondie, the 80s Retro Futura Tour (including Howard Jones, Modern English, Men Without Hats, Paul Young, Katrina of Katrina And The Waves, and The English Beat!), and most recently, seeing the wonderful Colin Hay in beautiful Rockland, Maine. 

I’ve also been spending a lot of quality time with the incredible and awesome Hope, my superfriend, sassy radio co-host and writing hero, which included a swim in the cold Atlantic Ocean here in Maine that changed me forever.  There’s a lot more to say, and I will, in a post coming soon that will be about Hope and that swim in the ocean and much more!  And Hope comes up again later in this post, so stay tuned!!

HopeyT and me

That’s the absolutely lovely HopeyT and me, Kettle Cove State Park, Cape Elizabeth, Maine, 9.2.2017!

When I started my tribute to my radio hero, Casey Kasem, back on June 1, school was in session and Summer was weeks away.  Well, it’s now September 9, 2017, school is back in session and Fall is less than two weeks away.  I’ve had fun bringing you this tribute to Casey (who passed away in June 2014 at the age of 82), and wanted to make sure (1) you all didn’t think I would hold out on the Number One song of this tribute, and (2) that I get this in ASAFP, because what’s a Top 40 countdown without a Number One song?

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Much like AMERICAN TOP 40, this post will be full of nerdy chart facts and then some, but first, I wanted to recap the songs I’ve posted in this series so far.  These songs (which include five (real) one-hit wonders of the 80s), are ranked at the positions they peaked at on the BILLBOARD Hot 100 (with peak year), and though they do not represent a definitive Top 40 list for me, but I love all of them, and hope you’ve enjoyed reading about them!

40. CLONES (WE’RE ALL) – ALICE COOPER (1980)

39. SLIPPING AWAY – DAVE EDMUNDS (1983)

38. PROMISES IN THE DARK – PAT BENATAR (1981)

37. WHISPER TO A SCREAM (BIRDS FLY) – ICICLE WORKS (1984; (real) one-hit wonder of the 80s)

36. SOMETIMES A FANTASY – BILLY JOEL (1980)

35. FAKE FRIENDS – JOAN JETT & THE BLACKHEARTS (1983)

34. ME MYSELF AND I – DE LA SOUL (1989)

33. PRIDE (IN THE NAME OF LOVE) – U2 (1984)

32. VALLEY GIRL – FRANK & MOON ZAPPA (1982)

31. (GHOST) RIDERS IN THE SKY – THE OUTLAWS (1981)

30. LIES – THOMPSON TWINS (1983)

29. TURN UP THE RADIO – AUTOGRAPH (1985; (real) one-hit wonder of the 80s)

28. POINT OF NO RETURN – NU SHOOZ (1986)

27. THE RIGHT THING – SIMPLY RED (1987)

26. NOT JUST ANOTHER GIRL – IVAN NEVILLE (1988)

25. TAKE ME WITH YOU – PRINCE & THE REVOLUTION featuring APOLLONIA (1985)

24. ONE WAY OR ANOTHER – BLONDIE (1979)

23. YOU CAN CALL ME AL – PAUL SIMON (1986 / 1987)

22. AIN’T NOBODY – RUFUS & CHAKA KHAN (1983)

21. FOOL IN THE RAIN – LED ZEPPELIN (1980)

20. OUR LIPS ARE SEALED – THE GO-GO’S (1982)

19. PUSH IT – SALT-N-PEPA (1988)

18. LET ME TICKLE YOUR FANCY – JERMAINE JACKSON with DEVO (1982)

17. YOU ARE THE GIRL – THE CARS (1987)

16. HOLIDAY – MADONNA (1984)

15. ONE OF THE LIVING – TINA TURNER (1985)

14. DIGGING YOUR SCENE – THE BLOW MONKEYS (1986; (real) one-hit wonder of the 80s)

13. TARZAN BOY – BALTIMORA (1986)

12. WHAT’S GOING ON – CYNDI LAUPER (1987)

11. EDGE OF SEVENTEEN – STEVEIE NICKS (1982)

10. RELAX – FRANKIE GOES TO HOLLYWOOD (1985)

09. THE ONE I LOVE – R.E.M. (1987)

08. LET THE MUSIC PLAY – SHANNON (1984)

07. WHAT I AM – EDIE BRICKELL & NEW BOHEMIANS (1989)

06. INFATUATION – ROD STEWART (1984)

05. WANNA BE STARTIN’ SOMETHIN’ – MICHAEL JACKSON (1983)

04. HEART AND SOUL – T’PAU (1987; (real) one-hit wonder of the 80s)

03. LOVE SHACK – THE B-52’S (1989)

02. DANCING IN THE DARK – BRUCE SPRINGSTEEN (1984)

Throughout this series, I’ve been mentioned how many songs peaked at each position between 1979 and 1989.  It’s only fitting that songs which reached No. 1 would have the highest number of songs hitting the apex of the BILLBOARD Hot 100.  For this post, I am only counting the songs that reached No. 1 between January 1980 and December 1989, and for that 80s time period, 232 songs went all the way to No. 1.  Let’s get nerdy now (if you’re not already there), with some chart feats about No. 1 songs during the 80s and the BILLBOARD Hot 100:

  • FOUR (REAL) ONE-HIT WONDERS reached No. 1 during the 80s – Bobby McFerrin (“Don’t Worry, Be Happy”), the second-chance single, “When I’m With You” by Sheriff, Jan Hammer’s “Miami Vice Theme,” and Vangelis (“Chariots Of Fire (Titles)”), though the composer did reach the chart separately twice in the early 80s as part of the duo Jon & Vangelis, with Jon Anderson of Yes.

miami vice theme

  • MOST WEEKS SPENT AT NO. 1 IN THE 80s (27); MOST NO. 1 SONGS FROM ONE ALBUM (5); MOST NO. 1 SONGS IN THE 80s (9) – Michael Jackson.  The King Of Pop reached No. 1 in the 80s with “Rock With You” (1980; 4 weeks at No. 1), “Billie Jean” (1983; 7 weeks), “Beat It” (1983; 3 weeks), “Say Say Say,” with Paul McCartney (1983 / 1984; 6 weeks), “I Just Can’t Stop Loving You,” with Siedah Garrett (1987; 1 week), “Bad” (1987; 2 weeks), “The Way You Make Me Feel” (1988; 1 week), “Man In The Mirror” (1988; 2 weeks); “Dirty Diana” (1988; 1 week).beat it
  • MOST NO. 1 SONGS IN THE 80s (if you’re NOT Michael Jackson): Madonna (7), Phil Collins (7 solo hits), Whitney Houston (7), George Michael (6 solo hits, which includes “Careless Whisper”), Daryl Hall & John Oates (5), Lionel Richie (5).

crazy 4 U

  • NO. 1 WITH MOST WEEKS SPENT ON THE HOT 100 – 40 – “Red Red Wine” – UB40. It spent 25 weeks on the Hot 100, including a week at No. 1 in 1988, and had charted for 15 weeks in its first chart run in 1984.

red red wine

  • MOST CONFIGURATIONS AT NO. 1 – PAUL McCARTNEY, with Wings (“Coming Up (Live At Glasgow),” 1980), with Stevie Wonder (“Ebony And Ivory,” 1982), and with Michael Jackson (“Say Say Say,” 1983 / 1984).

coming up

  • NO. 1 WITH MOST WEEKS SPENT IN THE TOP 10 OF THE HOT 100 (15) – “Physical – OLIVIA NEWTON-JOHN (1981 / 1982), and “Eye Of The Tiger” – SURVIVOR (1982).  SUPER NERDY FUN FACT: the song which spent the most weeks in the Top 10 in the 80s didn’t even reach No. 1 – “Hurts So Good” by John Mellencamp spent 16 weeks in the Top 10, with four of those weeks in the runner-up spot.

survivor

  • MOST WEEKS SPENT AT NO. 1 IN THE 80s (10) – “Physical” by Olivia Newton-John (1981 / 1982).  While it’s more commonplace on the Hot 100 these days, the biggest song of the 1980s would be the only song to spend at least 10 weeks at No. 1 on the chart for next 10 years.  In 1992, Boyz II Men spent a then-record 13 weeks at No. 1 with “End Of The Road.”  Two No. 1 songs later, Whitney Houston would break that record with “I Will Always Love You,” which spent its 14th and final week on top in late February 1993.  The current record is 16 weeks at No. 1.

physical

In the most recent tabulation of the Greatest Of All Time Hot 100 songs for BILLBOARD’s legendary singles chart, many songs from the 80s were represented, and are currently ranked as follows:

08. “Physical” – OLIVIA NEWTON-JOHN (1981 / 1982; 10 weeks at No. 1)

15. “Bette Davis Eyes” – KIM CARNES (1981; 9 weeks)

16. “Endless Love” – DIANA ROSS & LIONEL RICHIE (1981; 9 weeks)

24. “Eye Of The Tiger” – SURVIVOR (1982; 6 weeks)

29. “Every Breath You Take” – THE POLICE (1983; 8 weeks)

31. “Flashdance…What A Feeling” – IRENE CARA (1983; 6 weeks)

40. “Another One Bites The Dust” – QUEEN (1980; 3 weeks)

41. “Say Say Say” – PAUL McCARTNEY & MICHAEL JACKSON (1983 / 1984; 6 weeks)

54. “Call Me” – BLONDIE (1980; 6 weeks)

57. “Lady” – KENNY ROGERS (1980; 6 weeks)

63. “Centerfold” – THE J. GEILS BAND (1982; 6 weeks)

64. “(Just Like) Starting Over” – JOHN LENNON (1980 / 1981; 5 weeks)

68. “I Love Rock ’N Roll” – JOAN JETT & THE BLACKHEARTS (1982; 7 weeks)

73. “Ebony And Ivory” – PAUL McCARTNEY & STEVIE WONDER (1982; 7 weeks)

75. “That’s What Friends Are For” – DIONNE & FRIENDS (1986; 4 weeks)

77. “Upside Down” – DIANA ROSS (1980; 4 weeks)

83. “Billie Jean” – MICHAEL JACKSON (1983; 7 weeks)

86. “Abracadabra” – THE STEVE MILLER BAND (1982; 2 weeks)

89. “Say You, Say Me” – LIONEL RICHIE (1985 / 1986; 4 weeks)

91. “All Night Long (All Night)” – LIONEL RICHIE (1983; 4 weeks)

95. “Waiting For A Girl Like You” – FOREIGNER (1981 / 1982; 10 weeks at No. 2; still tied for a record for spending the most weeks peaked at No. 2 on the Hot 100)

98. “Hurts So Good” – JOHN MELLENCAMP (1982; 4 weeks at No. 2)

So, for now, the 80s represent more than a fifth of the greatest hits to grace the BILLBOARD HOT 100.  Pretty damn cool.  I know it won’t always be like that, and I always wonder why some huge hits like Prince’s “When Doves Cry” (No. 1 for 1984) or Pink Floyd’s “Another Brick In The Wall” (No. 2 for 1980) aren’t up there, but songs these days tend to stay atop the Hot 100 (and the chart as a whole) a lot longer than they did back in the day, but honestly, I’m grateful for the songs that are still there. 

When I was preparing for this hefty blog post (prolly my second-longest, save for the Prince tribute post in April 2016), I was going through the list of No. 1 songs, and there are some songs I’ve already featured as a “song of the day” (Tears For Fears’ “Everybody Wants To Rule The World” comes to mind, and has often as of late), and there are many others I love. 

TFF

U2_des_7But, I concede that there are some real stinkers in there, too: Will To Power’s awful covers medley of “Baby, I Love Your Way” and “Freebird” (subtitled “Freebaby,” which is just heinous)?!  How in THE HELL did that get to go to No. 1 and “I Don’t Want Your Love” by Duran Duran stops at No. 4, and U2’s “Desire” stops at No. 3?!  For the love of all things holy!  And though I admit enjoying the movie MANNEQUIN, “Nothing’s Gonna Stop Us Now” by Starship?!  Are you kidding me?!  Even Grace Slick denounced that piece of shit.  While the go-to “worst song of the 80s” award is usually 1985’s “We Built This City,” I can tolerate that way more over “Nothing’s Gonna Stop Us Now.”  Yes, I’m THAT guy.

If I was going for my absolute favorite No. 1 song of the 80s, there’s no competition.  It’s “Don’t You (Forget About Me)” by Simple Minds.  It’s also my all-time favorite song.  But it’s a post I want to save for another time.  So, I thought it would be fun to bring in Hope, my writing hero, who, unlike yours truly, doesn’t obsess and write about nerdy chart facts or Top 40 hits, let alone ones that hit No. 1.  I thought it would be cool to have her choose the song for this post.

don't you

On August 11, 2017, Hope was kind enough to send me her list of her picks for No. 1 songs from the 80s, many of which have been already mentioned in this post!  One of those songs, and a song that is almost universally loved (like “Let’s Dance” by David Bowie, “Time After Time” by Cyndi Lauper, or the aforementioned Tears For Fears, Prince and Simple Minds gems) is “Abracadabra” by The Steve Miller Band.abracadabra7

Hope had included “Abracadabra” under the category of “Situational” No. 1 songs.  For Hope, “Abracadabra” was popular during the Summer after her high school graduation (“the glamorous Summer in The Hamptons!”), and she loves the line, “black panties with an angel’s face.”  Who wouldn’t love that line?!  It’s awesome (much like Hope herself)!

Milwaukee, Wisconsin native Steve Miller formed his Psychedelic Rock / Blues Rock band in San Francisco back in 1966.  Since his first two albums were released in 1968, through to his 1988 Jazz album, BORN 2 B BLUE, Steve Miller had been on Capitol Records, and he had some huge albums in the 70s. 

heart like a wheel

After 1981’s CIRCLE OF LOVE album (with the sweet Top 40 hit and criminally-forgotten gem, “Heart Like A Wheel”) failed to become his fourth consecutive platinum album here in America (though it was certified Gold), Steve was undeterred, got to work, and released the ABRACADABRA album in mid-June 1982.

abracadabra LP

Of the album, ROLLING STONE said, “The essence of good magic is deception, and with the release of this album, Steve Miller has earned the right to twirl his wand and shout, ‘Abracadabra!’”

Well, Steve thought so too, but Capitol wasn’t so sure.  The song inspired by Diana Ross (whom Steve met on a Pop music TV show in the 60s) told THE HOWARD STERN SHOW in 2016 that Capitol Records didn’t see a hit with the song “Abracadabra”:

“Capitol didn’t believe in [“Abracadabra”] and didn’t want to release it.  I had a different deal with Phonogram in Europe.  When it came out in Europe, I cancelled my American tour because it was Number One everywhere in the world, except the States.”  Once again, the record label got it wrong.

Well, after seeing the success of “Abracadabra” overseas, Capitol gave in and released it in the U.S., a month before the ABRACADABRA album was released.  “Abracadabra” debuted on the BILLBOARD Hot 100 in late May 1982 at No. 75, and took just four weeks to debut within the Top 40. 

The next few weeks were a steady climb, and by late July 1982, “Abracadabra” had become Steve Miller’s first Top 10 hit in five years, to the month.  With John Mellencamp’s “Hurts So Good” camped out at No. 2, and Survivor’s “Eye Of The Tiger” camped out at No. 1, “Abracadabra” was stuck at No. 3 for four weeks before it could work its magic on reaching No. 1. 

In early September 1982, after 15 weeks on the chart, “Abracadabra” finally hit No. 1 on the BILLBOARD Hot 100, giving Steve Miller his third No. 1 U.S. single overall, and his first No. 1 single since 1976’s “Rock’n Me” spent a week on top.  The No. 1 run of “Abracadabra” was just as quick as “Rock’n Me,” and his first No. 1 song, 1974’s “The Joker,” which also spent a lone week at No. 1.

SMB 82

The Steve Miller Band, 1982.

The following week, Chicago’s “Hard To Say I’m Sorry” snuck into the No. 1 position when no one was looking and stayed there for two weeks.  “Abracadabra” dropped to No. 3 (behind previous No. 1, “Eye Of The Tiger”).  But, in a magical chart feat, “Abracadabra” moved back up to No. 2 the next week, and by the end of September, “Abracadabra” reclaimed the No. 1 spot for one more week, before John Mellencamp’s little ditty about “Jack And Diane” started its four-week run at No. 1.  “Abracadabra” stayed on the Hot 100 until mid-Novemer 1982, and left the chart after nearly half a year.  It finished the year at No. 9 here in America. 

Around the globe, “Abracadabra” worked its magic on the singles charts of many countries, reaching No. 1 in Switzerland (six weeks), Sweden (four weeks), Australia and Canada (two weeks), and Austria, No. 2 in the U.K., Germany and Ireland, No. 4 in Norway, No. 8 in New Zealand, and No. 26 in the Netherlands.

“Abracadabra” was the last song The Steve Miller Band placed inside of the Top 40 of the BILLBOARD Hot 100, though they charted several more times through 1993, including the brilliant but oddly-underrated “I Want To Make The World Turn Around” from 1986.

i want to make the world turn around

Steve Miller continues to tour today, and in 2016, he was inducted as a solo artist into the Rock And Roll Hall Of Fame, where he had some not so nice things to say about the whole thing, calling the Hall a “private boys’ club full of fucking gangsters and crooks,” and vowing to make it better. 

SMB 2015

The Steve Miller Band, 2015.

He suggested taking the Rock And Roll Hall Of Fame nominating committee, replace every one of them and start over.  I hope it works out, because Devo, from Akron, Ohio (less than an hour south of Cleveland, where the Hall is based), should have been inducted years ago, much like the incomparable Cyndi Lauper, who has taken on Blues, Standards, Folk, Dance and Country music in the past 15 years, not to mention writing a book, winning a Tony Award and co-founding the True Colors Fund, which works to end homelessness among LGBT youth, and even testified before Maine Senator Susan Collins in 2015 about this very subject. 

Steve-Miller-Rock-and-Roll-Hall-of-Fame-Press-Room-Photo

This photo of Steve at the 2016 Rock And Roll Hall Of Fame induction ceremony speaks volumes, and not favorably for the Hall…

As for me and Hope and many others for “Abracadabra,” it’s one of those infectious songs that deserved to go to No. 1, and 35 years later, it still holds up.  At least the five-minute, eleven-second album version.  When the single was released, I bought it, but was instantly pissed it wasn’t the long version!  Sure, it’s only a minute and change difference, but if you hear the single version vs. the album version, you can tell the single version is a bit sped up, and the kick-ass instrumental that closes out the rest of the song isn’t there.  That’s even why I chose the video link below.  It’s not a link to the actual video, but to the album version.  You know, all these years later, I’m still impressed that sped up, edited single version got the song to No. 1.  Maybe that was magic too.

Speaking of magic, Hope inspired me recently to start training for a 5K using the Couch To 5K app (C25K); we’re both training for it, and finishing Week 5 of 8 this weekend!  Hope and I haven’t run a proper 5K in our adult lives, and the last time I ran the equivalent of a 5K was in high school during Cross Country, where I lettered my senior year.  Holy cats, that was 33 years ago! 

run ron run

Post-run workout, 9.7.2017! (With a kick-ass playlist by DJ HopeyT to keep me going!)

But, you know what?  Maybe it’s not magic after all that’s got us training for our first 5K ever – and in our early 50s!  Maybe you just need to believe.  Just like Steve Miller believed he had a hit with “Abracadabra,” even as his longtime record label disagreed – and he was right!  It’s one of THE BEST songs of the 80s and of all-time.  And I believe getting through this 5K (and other aspects of my life) will happen with belief over magic, though I have to say, when it happens, it will feel pretty damn magical and then some…

https://www.youtube.com/watch?v=dKCV8gzSlYw

abacadabra poster