song of the day – “Love Shack” | THE B-52’s | 1989.

casey-kasem-at40-abc-billboard-650

On June 15, 2014, Casey Kasem, host of the longtime countdown program, AMERICAN TOP 40, passed away at the age of 82.  From my first blog post (and prolly some more inbetween then and now), I explained how, in 1979, I was a geeky, lanky and somewhat lost 12-year-old living in Central Maine, had a few friends and not a lot of interest in much of anything, but at some point early that year, I discovered AMERICAN TOP 40, and was glued to it every weekend.  Not only could I hear the 40 biggest songs in the country every week, but also Casey’s cool trivia and facts about the songs and the artists, a trait I treasure to this day.  For me, the show was No. 1 with a bullet.  And still is (thanks to the re-airing of broadcasts of AT40 on iHeart Radio).american-top-40-casey-kasem

In honor of my radio hero, Casey Kasem, for the entire month of June (and now through July), I will be highlighting a song each day (some days will have two songs!) that peaked in the Top 40 of the BILLBOARD Hot 100 (including five (real) one-hit wonders of the 80s), and with every blog post, just like on AMERICAN TOP 40, the hits will get bigger with each post.  On June 1, 2017, I featured a song that peaked at No. 40.  Sometime here in July, I’ll feature a “song of the day” that went all the way to No. 1. 

As Casey used to say on AT40, “And on we go!”

Casey Kasem used to also say, “As the numbers get smaller, the hits get bigger.”  And so does the number of songs that reached these “smaller” positions.  Between 1979 and 1989, more than 110 songs peaked at No. 3, and many artists stayed there more than once, including Bobby Brown, El DeBarge (solo and with DeBarge), Duran Duran, Genesis, The Jets, Billy Joel, Cyndi Lauper, Huey Lewis & The News, Richard Marx, Olivia Newton-John, The Pointer Sisters, The Police (Sting also had a No. 3 solo hit), Kenny Rogers, Barbra Streisand, Styx, Wham! and Donna Summer.  Chicago reached the No. 3 positions four times between 1979 and 1989.

hungry like the wolf

1988 was a popular year for No. 3 hits, when 17 songs reached that position, including songs by Taylor Dayne, Samantha Fox, Debbie Gibson, the “comeback” hit for Hall & Oates (“Everything Your Heart Desires”), Breathe, Anita Baker, Information Society, INXS, U2 and (real) one-hit wonder Patrick Swayze (from DIRTY DANCING). 

new sensation

No. 3 hits also included the first solo by David Lee Roth (his cover of The Beach Boys’ “California Girls”), as well as the first Van Halen hit without him, “Why Can’t This Be Love.”  There were also big No. 3 hits for Simple Minds, Belinda Carlisle, The Cars, Neneh Cherry, Charlie Daniels Band, Chris de Burgh, Earth, Wind & Fire, Corey Hart, Don Henley, Chaka Khan, Love & Rockets, Men At Work, Men Without Hats, Nu Shooz, Stevie Nicks with Tom Petty & The Heartbreakers, The S.O.S. Band, The Stray Cats, Tears For Fears, Thompson Twins, Madonna and the last Top 40 hit for the late, great Marvin Gaye (“Sexual Healing”).

sexual healing

Love was a constant theme among the No. 3 hits, and was featured in the title of 15 songs, and implied in many others.  One of the 15 hits with the “Love” connection (sorry, couldn’t be helped) was one of two No. 3 hits in a row for The B-52’s – “Love Shack.”

One of the 80s’ biggest success stories – some would say one of the biggest comebacks – belonged to Athens, GA’s New Wave / Alt-Rock / Alt-Dance legends, The B-52’s.  By 1989, The B-52’s had already released four albums and two EPs, and had reached the BILLBOARD Hot 100 three times – “Rock Lobster” (No. 56, 1980), “Private Idaho” (No. 74, 1980) and “Legal Tender” (No. 81, 1983). 

rock lobster

The B-52’s started recorded their fourth album – BOUNCING OFF THE SATELLITES – in July 1985.  At that time, the band was comprised of vocalist Fred Schneider, vocalist and keyboardist Kate Pierson, vocalist and percussionist Cindy Wilson, lead guitarist Ricky Wilson (Cindy’s brother), and drummer / rhythm guitarist and keyboardist Keith Strickland.  This had been the lineup since the band’s formation in 1976.

b-52's with ricky

During the recording of BOUNCING OFF THE SATELLITES, it was discovered that Ricky Wilson was suffering from AIDS.  None of the rest of The B-52’s (except for Keith Strickland) had known about it.  In an interview, Kate Pierson had said that Ricky Wilson kept his illness a secret from the rest of the band because he “did not want anyone to worry about him or fuss about him.” 

On October 12, 1985, while still in the recording process of BOUNCING OFF THE SATELLITES, Ricky Wilson died of AIDS at the heartbreakingly young age of 32 years old.

Ricky Wilson, Guitarist for the B-52s

After Ricky’s death, drummer Keith Strickland learned how to play guitar in Ricky’s own style and switched from drummer to lead guitarist.  The band hired session musicians to help out as well, including the album’s producer, Tony Mansfield (who had also worked with Naked Eyes, Captain Sensible, a-ha and After The Fire).

bouncing

Devastated beyond belief at the loss of Ricky Wilson, The B-52’s released BOUNCING OFF THE SATELLITES on September 8, 1986, with no fanfare and no tour, though they did make a music video for my favorite song on the album, “Girl From Ipanema Goes To Greenland.”

girl from ipanema

Cindy Wilson went into a deep depression following her brother’s death, Keith Strickland spent some time at Woodstock, NY, while Fred Schneider and Kate Pierson remained in New York City.  They all felt at that moment The B-52’s couldn’t continue without Ricky Wilson.

But, in time, Keith Strickland began composing songs again, and after playing some of the new music he had worked on to the rest of the band, they agreed to try and start writing together again.  The result was COSMIC THING, the biggest album the band would ever have.

cosmic thing

COSMIC THING’s production was smartly split up between Don Was (of Was (Not Was) fame) and Nile Rodgers.  It worked and then some, and the album’s first single, “Channel Z,” was not well-received anywhere except College and Modern Rock radio, who embraced it right away.  “Channel Z” would spend three weeks at No. 1 on BILLBOARD’s Modern Rock chart in August 1989.

channel z

“Channel Z” was also the B-side of the album’s second single, “Love Shack,” which was released a week in advance of COSMIC THING in late June 1989.  It took a month and a half to reach BILLBOARD’s Hot 100 chart and become the band’s fourth single to reach the chart. 

“Love Shack” debuted on the Hot 100 in early September 1989 at No. 84.  Within three weeks, “Love Shack” had already surpassed the peak of every B-52’s single which had reached the chart.  By the end of September 1989, it was the first Top 40 hit the band had in its U.S. homeland.

love shack

In early November 1989, The B-52’s landed their first Top 10 hit, with “Love Shack.”  That was also the week I saw them perform for the first time, when they came to the University of Maine at Orono and almost literally brought the roof of the venue down with their show.  They were amazing.  I would see them again on the COSMIC THING tour in 1990 at The Ballpark in Old Orchard Beach, Maine.

“Love Shack” would go on to spend a couple of weeks at No. 3 in November 1989, and just before Xmas 1989, it was certified Gold.  Follow-up single “Roam” debuted on the last Hot 100 of 1989, when “Love Shack” was still in the Top 30.  And, in late January 1990, “Roam” debuted within the Top 40 the last week “Love Shack” spent in the Top 40.  (“Roam” would also reach No. 3 and was certified Gold as well.)

roam

A total of 27 weeks was spent on the Hot 100 for “Love Shack,” one week more than half a year.  It was that lengthy time on the chart which saw it finish on the year-end BILLBOARD charts two years in a row.  Pretty impressive.  It also reached (with “Channel Z”) No. 7 on BILLBOARD’s Dance chart, spent four weeks at No. 1 on BILLBOARD’s Modern Rock chart, and received two MTV Video Music Awards, for Best Group Video and Best Art Direction.

b's 1989NERDY FUN FACT: “Love Shack” was produced by Don Was, and the inspiration for the song was this cabin around Athens, GA, which had a tin roof, and where the band conceived their first hit, “Rock Lobster.”  Kate Pierson even lived in the cabin back in the 70s (it burned down in 2004).  Prolly the most famous line in the song, where Cindy Wilson exclaims, “Tin roof…rusted,” was actually an outtake that was added to the song later on.

Around the globe, lots of love was felt for “Love Shack,” and it spent eight weeks at No. 1 in Australia, four weeks at No. 1 in New Zealand, a week at No. 1 in Ireland, plus it reached No. 2 in the U.K., and the Top 20 in Belgium and the Netherlands.

In a 2002 interview with ROLLING STONE (which named “Love Shack” as the Best Single of 1989), Fred Schneider spoke of the album’s success: “We thought it would be good, but we didn’t know how good.  We don’t really set out saying, ‘Oh, this is going to be commercial,’ or ‘This is going to be this or that.’  We just wanted good songs, and we thought the songs were really good.  We were pretty shocked, because we didn’t expect it to go that big.  The success of it brings problems because it’s really hard to do tours.  I’m not one to want to go tour at all, but to do eighteen months is like torture.  You just get offers that are really good and you’re going to New Zealand and Australia and all over Europe, and it’s pretty exciting.  It all went way beyond what you’d think.”

flintstones

After COSMIC THING, The B-52’s continued to record and chart for a few more years, including a fun cover of the TV theme song, “(Meet) The Flintstones” (from the 1994 FLINTSTONES movie starring John Goodman).  It snuck onto the Top 40 for one week in early June 1994.

Apart from recording (as The BC-52’s) for Fred, Wilma, Barney and Betty (and a couple of popular compilations), the band took a lengthy hiatus, and in March 2008, released FUNPLEX, their first album in nearly 16 years.  It was worth the wait. 

funplex

In October 2011, they released a CD and a DVD of a live concert from earlier that year, WITH THE WILD CROWD! LIVE IN ATHENS, GA.  To borrow from a line out of FERRIS BUELLER’S DAY OFF, “It is so choice.  If you have the means, I highly recommend picking one up.”  Seriously, it’s that good.  One of the best live performances I’ve ever seen on the small screen, from one of the bands with two of the best live performances I’ve seen in person.

with the wild crowd

Though the band hasn’t released a solo album since 2008’s FUNPLEX, The B-52’s continue to tour and perform 50-60 shows a year (minus Keith Strickland, who is still with the band, but who stopped performing live with them in 2012).  Sadly, I missed them this Summer, when they came to Hampton Beach, New Hampshire (where I saw Billy Idol in 2014), and when they performed with the Boston Pops.  That must have been incredible!  Prolly the only Pops show where you can’t control people from dancing on their seats, in the aisles and everywhere!

b's n pops

I gotta be honest, after years of playing it at wedding receptions, “Love Shack” is not my favorite B-52’s song.  But, if you were in a jam and tried to get people out onto the dance floor, that was THE go-to song, and people loved it, and loved dancing to it.  Though it’s not my favorite from the band, I do love the song to death, and I’m so glad it finally got The B-52’s the recognition they deserved after so many years of struggling despite putting out great music, and with the terrible loss they suffered when they lost Ricky Wilson. 

Both COSMIC THING and “Love Shack” are a testament to Ricky’s memory, and I’m so proud to call The B-52’s one of my all-time favorite bands, even if it took me awhile to get there.  They are a heluva lot of fun to listen to and dance to, play on the radio and see perform live, which I hope to do again sometime soon…

“Hop in my Chrysler, it’s as big as a whale and it’s about to set sail / I got me a car, like, it seats about 20 / So come on and bring your jukebox money…  The Love Shack is a little old place where we can get together / Love Shack, ba-by….”

https://www.youtube.com/watch?v=9SOryJvTAGs

b's 1989 v2

song of the day – “Our Lips Are Sealed” | THE GO-GO’s | 1981 / 1982.

casey-kasem-at40-abc-billboard-650

On June 15, 2014, Casey Kasem, host of the longtime countdown program, AMERICAN TOP 40, passed away at the age of 82.  From my first blog post (and prolly some more inbetween then and now), I explained how, in 1979, I was a geeky, lanky and somewhat lost 12-year-old living in Central Maine, had a few friends and not a lot of interest in much of anything, but at some point early that year, I discovered AMERICAN TOP 40, and was glued to it every weekend.  Not only could I hear the 40 biggest songs in the country every week, but also Casey’s cool trivia and facts about the songs and the artists, a trait I treasure to this day.  For me, the show was No. 1 with a bullet.  And still is (thanks to the re-airing of broadcasts of AT40 on iHeart Radio).american-top-40-casey-kasem

You know, time is a funny thing, not just for hit singles, but for life too.  For the month of June 2017, in honor of my radio hero, Casey Kasem, I’ve been highlighting songs that peaked in the Top 40 of the BILLBOARD Hot 100 (including some (real) one-hit wonders of the 80s), and with every blog post, just like on AMERICAN TOP 40, the hits have been getting bigger with each post.  On June 1, 2017, I featured a song that peaked at No. 40. 

My goal was to feature a “song of the day” on June 30 (today) that went all the way to No. 1.  Well, life happens.  I wanted to do 40 posts in 30 days, but during the last half of the month, it got crazy busy for yours truly, visiting with dear friends I hadn’t seen in awhile, including a kick-ass concert in Boston with Tears For Fears and Daryl Hall & John Oates, guesting on a couple of radio shows, plus work stuff, family stuff, home stuff, and more of each…

Anyhoo, long story longer, I promised a countdown and a proper tribute to Casey Kasem on the bloggy thing here, and I humbly apologize for the delay, but I’m going to proudly honor my tribute to Casey, and keep going through July until we count down all the way to No. 1! 

So, as Casey used to say on AT40, “And on we go!”

In Los Angeles in 1978, four young female Punk Rock upstarts from the area – including vocalist Belinda Carlisle and guitarist and vocalist Jane Wiedlin – got together and formed a band called The Go-Go’s. 

The Go-Go’s played on the same bills as bands like revered L.A. Punk bands Fear and X and others.  Later in 1978, vocalist and lead guitarist Charlotte Caffey joined the band, and in the Summer of 1979, Gina Schock signed on as the drummer. 

By the time they recorded a five-song demo in late 1979, The Go-Go’s went from a Punk Rock sound to a more Power Pop sound.  In 1980, they got a huge break by touring with Madness in Los Angeles and in England, spending half the year on tour over in England.  A demo version of “We Got The Beat” (released on Stiff Records) ended up being a minor hit in the U.K., and gave The Go-Go’s their first bout with fame.

we got the beat original

In December 1980, guitarist Kathy Valentine came aboard as the band’s bassist, and thus became the final member of the quintet, or rather, the future history-making lineup of The Go-Go’s. 

Four months later, in April 1981, the band signed on with I.R.S. Records.  Within three months, they recorded and released their debut album, BEAUTY AND THE BEAT.  It was not an instant smash here in America.  In England and Europe, however, the New Wave / Power Pop appeal of BEAUTY AND THE BEAT was definitely a hit.

beauty v2

The first single from BEAUTY AND THE BEAT (and the album’s opening track), “Our Lips Are Sealed” (co-written by Jane Wiedlin and Terry Hall, singer for The Specials and Fun Boy Three), was released in mid-June 1981, a few weeks in advance of the album.

“Our Lips Are Sealed” took a couple of months to reach on the BILLBOARD Hot 100, debuting in late August 1981, and coming in as the lowest-debuting song on the Hot 100 that week (No. 90).  About two months into its chart run, “Our Lips Are Sealed” squeaked onto the Top 40 (at No. 40), having lost its “chart bullet” (representing strength in airplay and sales) for two consecutive weeks.

our lips are sealed

It inched up “bullet-less” to No. 39 the following week, and regained its bullet in week No. 11 on the Hot 100.  A couple of weeks before Xmas 1981, lips and ears and wallets of fans were no longer sealed, as both the single “Our Lips Are Sealed” and parent album, BEAUTY AND THE BEAT, picked up momentum.  “Our Lips Are Sealed” spent a couple of weeks at No. 20 in December 1981, and was still in the Top 40 by mid-January 1982.

In late January 1982, “We Got The Beat,” the second single from BEAUTY AND THE BEAT, was the highest-debuting song of the week, coming in at No. 79.  Within three short weeks, “We Got The Beat” was already at No. 31 on the Hot 100, on its way to a No. 2 peak for three weeks in April 1982.  That also helped bring the BEAUTY AND THE BEAT album to No. 1 on BILLBOARD’s album chart for six weeks in March and April 1982.

we got the beat

As for the debut single, “Our Lips Are Sealed,” it left the BILLBOARD Hot 100 in late March 1982 and spent a more-than-impressive 30 weeks on the chart.  Wanna be even more impressed?  “Our Lips Are Sealed” spent four more weeks on the chart than the biggest song of the 80s, Olivia Newton-John’s “Physical” (which was the No. 1 song at the time “Our Lips Are Sealed” peaked on the Hot 100).

1982 was certainly the year for The Go-Go’s, who placed three singles among the Top 100 songs in the U.S. that year.  “We Got The Beat” ranked at No. 25 for 1982, and “Vacation,” the title song from their second album, a No. 8 hit, and the first-ever cassette single (then a novelty item), was ranked at No. 87 for the year. 

vacation cassingle

The unusually long chart run for “Our Lips Are Sealed” (even though it stopped at No. 20) placed it at No. 63 for the year, higher than many songs that were Top 10 hits, including “Don’t Stop Believin’” by Journey, “I Ran (So Far Away)” by A Flock Of Seagulls, and even the gorgeous No. 3 hit by The Police, “Every Little Thing She Does Is Magic.”

“Our Lips Are Sealed” wasn’t just a big hit on the BILLBOARD Hot 100.  It also reached No. 10 on BILLBOARD’s Dance chart and No. 15 on BILLBOARD’s Rock chart.  Around the globe, “Our Lips Are Sealed” enjoyed success in Australia (No. 2), Canada (No. 4), Sweden (No. 14) and New Zealand (No. 23).  Oddly enough, in the U.K., where the band had its first success, it stopped at No. 47, though it would reappear a couple of years later.

waiting

In 1983, Fun Boy Three released their own version (as it was co-written by FB3 singer Terry Hall), from the album, WAITING, which was produced by Talking Heads’ David Byrne.  This version ended up being a big hit in both the U.K. and Ireland, reaching Nos. 7 and 13, respectively.

our lips FB3

The Go-Go’s broke up in 1985, and Belinda Carlisle and Jane Wiedlin went on to successful solo careers in the second half of the 80s and early 90s.  The band got back together a couple of times in the 90s, and 2001, Belinda, Jane, Charlotte, Gina and Kathy reunited and released GOD BLESS THE GO-GO’S, their first studio album together since 1984’s TALK SHOW.

Though the band has already had their “farewell” tour, the legacy of The Go-Go’s lives on.  BEAUTY AND THE BEAT was once described as one of “the cornerstone albums of American New Wave” and 35 years later remains as the first and THE ONLY all-female band to reach No. 1 on BILLBOARD’s album chart.

beauty n the beat

I love “We Got The Beat,” and I am so glad it brought deserved huge success to The Go-Go’s, but I’ve always found myself more partial to “Our Lips Are Sealed,” which is two minutes and 44 seconds of simple and pure New Wave / Pop perfection.

“It doesn’t matter what they say / In the jealous games people play / Our lips are sealed / Pay no mind to what they say / It doesn’t matter anyway / Our lips are sealed…”

go-go's 82

https://www.youtube.com/watch?v=r3kQlzOi27M

go-go's 81 (for CREEM)

song of the day – “Get It On (Bang A Gong)” | THE POWER STATION | 1985.

What do you do when one of your favorite bands splits up and goes their separate ways?  Well, in the case of Talking Heads, you keep listening to the music you fell in love with, enjoy the solo projects they all have, and keep wishin’ and hopin’ and thinkin’ and prayin’ that they’ll get back together for a reunion tour (or just watch STOP MAKING SENSE again). 

In the case of The Police, you keep listening to the music you fell in love with, enjoy the solo projects they all have, and see them on their 2007 reunion tour (like I did), because it’ll prolly never happen again.

And, in the case of Duran Duran in 1985 – one of the first bands that meant a lot to me during the early 80s – you keep hoping they’ll get back together in some form and keep listening to the music you fell in love with.  Duran Duran actually made it easy.  After their 1983 album, SEVEN AND THE RAGGED TIGER, the band went on a “planned” hiatus, splitting into two side projects, but not without giving us the live ARENA album and their second No. 1 song, “A View To A Kill,” from the James Bond film of the same name. 

arcadiaband

Arcadia: Simon LeBon, Nick Rhodes and Roger Taylor.

Frontman and lead singer Simon LeBon, keyboardist Nick Rhodes and drummer Roger Taylor went on to form Arcadia, which was reminiscent of their work with Duran Duran.  Bassist John Taylor and guitarist Andy Taylor went a different route with their band, what would become the “supergroup” The Power Station.

The Power Station had an edgier Rock / Funk sound that John and Andy Taylor weren’t able to pull off with Duran Duran.  In 1984, Bebe Buell, singer and former model, part-time Portlander and the biological mother to actress Liv Tyler, was dating John Taylor, and she wanted to do a cover of T. Rex’s 1972 classic, “Get It On (Bang A Gong).”  John proceeded to get some of his famous music friends together to help out, and instead, it turned into something more.

bebe buell john taylor

Bebe Buell and John Taylor.

John and Andy reached out to their idols from the 70s Dance/Soul band, Chic.  The amazing Tony Thompson was on board as the drummer, and Bernard Edwards would be the producer.  Now, they needed a singer.  John and Andy approached folks like Billy Idol, Mick Jagger, Richard Butler of The Psychedelic Furs and Mick Ronson, who had worked with David Bowie and Morrissey. 

Originally the band was to be called Big Brother, and the initial idea was to have a revolving door of lead singers, each one singing on a different track on the album.  English singer / songwriter Robert Palmer – who had released several albums since 1975, but with limited success around the globe – had performed live with Duran Duran once in 1983, and was the invited vocalist for the song, “Communication.”  Robert had heard they were doing a cover of “Get It On” and wanted to try out for it, and instead, the band ended up doing the whole album with Robert Palmer.

the power station 2

The Power Station: Tony Thompson, John Taylor, Robert Palmer and Andy Taylor.

The entire band – Robert Palmer on vocals, John Taylor on bass, Andy Taylor on guitar, and Tony Thompson on those amazing drums – appeared on SATURDAY NIGHT LIVE on February 16, 1985, and were introduced to the world.  And from there, The Power Station was a hit, as was their self-titled album, which was certified Gold in the U.K. and reached the Top 10 on the BILLBOARD album chart. 

the power station LPThe “supergroup” also had three Top 40 singles on the BILLBOARD Hot 100, “Some Like It Hot” (No. 6 for 2 weeks, May 1985), their cover of “Get It On (Bang A Gong)” (No. 9 for 2 weeks, August 1985, surpassing the No. 10 peak of the T. Rex original) and “Communication” (No. 34 for 2 weeks, October 1985).  (“Get It On” also reached No. 22 in the U.K., and No. 8 in Australia.) 

For those keeping score, The Power Station did fare better overall than the other equally short-lived Duran Duran side project, Arcadia, whose album, SO RED THE ROSE, was certified Platinum here in the U.S., and they had a couple of Top 40 singles – “Election Day” (No. 6, 1985) and “Goodbye Is Forever” (No. 33), as well as a MTV video hit with “The Flame.”

By the end of 1985, The Power Station was no more.  But, the experience breathed new Addicted_to_Lovelife and then some into Robert Palmer’s career.  Before the year was out, his eighth studio album, RIPTIDE, was released (recruiting fellow Power Stationers Bernard Edwards as producer, Andy Taylor on guitar, and Tony Thompson on drums).  It was the biggest album of Robert Palmer’s career.  Remember those memorable drums and that guitar solo on his No. 1 hit, “Addicted To Love?” – it was courtesy of Tony and Andy. 

Tony Thompson went on to provide drum support for some acts, and appeared in a few bands, along with the brief return of Chic in 1992.  John Taylor opted to return to Duran Duran, while Andy Taylor did not return in lieu of a solo career.  Both John and Andy had separate Top 30 singles on the Hot 100 in 1986, and both were movie songs.  Andy Taylor could also be found on other hit singles in the second half of the 80s, providing his guitar talents for several artists, notably on Belinda Carlisle’s “Mad About You” (1986) and “Lost In You” and “Forever Young,” from Rod Stewart’s 1989 album, OUT OF ORDER.

They would all get back together in 1996 for their second album, LIVING IN FEAR, though John Taylor had to drop out of the project and wasn’t on the record.  Bernard Edwards was all set to tour with The Power Station, but tragically died during a trip to Japan.  Robert Palmer and Tony Thompson both sadly passed away in 2003, within a couple months of each other.  Robert had just released a Blues album. 

duran 2016

Duran Duran, 2015: Roger Taylor, John Taylor, Nick Rhodes Simon LeBon.

Today, Duran Duran is touring in support of their fourteenth studio album, the wonderful PAPER GODS (Andy Taylor did rejoin the band for their 2004 album, ASTRONAUT, but it was not to be, and the other band members have continued on without him).  With my dear friend Shawn, we saw Duran Duran (with Chic opening) in Brooklyn back in April 2016.  Both bands were brilliant, and both paid tribute to David Bowie.  It is one of THE best shows I’ve ever seen in my life.

And “Get It On (Bang A Gong)” is one of THE best covers I’ve ever heard.  You can hear John Taylor’s impressive, funky bass work; Andy Taylor’s killer guitar; the booming drums courtesy of Tony Thompson; and, the memorable, passionate vocals of Robert Palmer.  One of the things I loved most about The Power Station – and you can especially hear it on this song – is that every member of the “supergroup” is represented, and they never let you forget that… 

get it on

https://www.youtube.com/watch?v=O2vHbXI2p4k

the power station