song of the day – “You Can Call Me Al” | PAUL SIMON | 1986 / 1987.

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On June 15, 2014, Casey Kasem, host of the longtime countdown program, AMERICAN TOP 40, passed away at the age of 82.  From my first blog post (and prolly some more inbetween then and now), I explained how, in 1979, I was a geeky, lanky and somewhat lost 12-year-old living in Central Maine, had a few friends and not a lot of interest in much of anything, but at some point early that year, I discovered AMERICAN TOP 40, and was glued to it every weekend.  Not only could I hear the 40 biggest songs in the country every week, but also Casey’s cool trivia and facts about the songs and the artists, a trait I treasure to this day.  For me, the show was No. 1 with a bullet.  And still is (thanks to the re-airing of broadcasts of AT40 on iHeart Radio).american-top-40-casey-kasem

In honor of my radio hero, Casey Kasem, for the entire month of June, I will be highlighting a song each day (some days will have two songs!) that peaked in the Top 40 of the BILLBOARD Hot 100 (including five (real) one-hit wonders of the 80s), and with every blog post, just like on AMERICAN TOP 40, the hits will get bigger with each post.  On June 1, 2017, I featured a song that peaked at No. 40.  On June 30, I’ll feature a “song of the day” that went all the way to No. 1. 

As Casey used to say on AT40, “And on we go!”

Throughout the years, whether it’s because of an inclusion in a movie or a commercial or a TV show, or a radio station rediscovered it and started playing it again, songs sometimes have more one chart life.  The best example of this is Chubby Checker’s “The Twist,” which reached No. 1 on the BILLBOARD Hot 100 twice.  In its initial run, the dance craze favorite spent one week on top in September 1960, and again in January 1962 for two weeks.  No other song has done that here in America.  And, because of its two chart runs that ended at No. 1, “The Twist” is ranked at No. 1 on BILLBOARD’s Hot 100 for all time.

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The 1989 cassette single (or “cassingles” – remember those?!) for “In Your Eyes.”

I believe all decades have had songs re-enter the chart with new chart runs, but I think no other decade has as many as the 80s did.  There were “second-chance singles” (as I like to call them) that went to No. 1 on the Hot 100, like “At This Moment” by Billy Vera & The Beaters and “When I’m With You” by Sheriff, “second-chance singles” that were “(real) one-hit wonders,” like Sheriff (again), Benny Mardones (“Into The Night”) and Moving Pictures (“What About Me”),  and songs that benefited from appearing in movies, like Peter Gabriel’s “In Your Eyes” (…SAY ANYTHING) and Billy Idol’s “Hot In The City” (BIG).

Then you have songs that were hits in other decades and, also due to their inclusions in films, were reissued and hit the chart again, like The Beatles’ “Twist And Shout” (featured in both FERRIS BUELLER’S DAY OFF and BACK TO SCHOOL), Ben E. King’s “Stand By Me” (from the incredible film of the same name), and The Contours’ “Do You Love Me” (from DIRTY DANCING).

Prince’s “1999” reached the Hot 100 four time in three decades, and reached the Top 40 three of those times.  In its original 1982 chart run (as the debut single from the album of the same name), it stopped at No. 44.  After “Little Red Corvette” reached No. 6, “1999” was re-released and reached No. 12 in 1983.  When the calendar changed from 1998 to 1999 (even though the song wasn’t about the year 1999), it re-entered the Top 40 for one week at No. 40.  And, as BILLBOARD has been doing for several years now, a number of Prince songs re-entered the Hot 100 following his sad passing in April 2016.  In its fourth Hot 100 appearance, “1999” reached No. 27.

1999

These “second-chance singles” don’t always chart higher than their original chart runs (like the Moving Pictures, Peter Gabriel and Billy Idol singles mentioned above), but lots of times they do.  UB40’s “Red Red Wine” originally peaked at No. 34 in March 1984, but in a re-release (after being performed at Nelson Mandela’s 70th Birthday Concert in 1988), the album version of their Neil Diamond cover spent a week at No. 1 in October 1988.  And, the original version of The Pointer Sisters’ classic, “I’m So Excited,” stalled at No. 30 in late 1982, but after being remixed for their 1984 album, BREAK OUT, the song was reissued and did break out, reaching No. 9 on the Hot 100 about two years later.

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And, sometimes, “second-chance singles” get another shot at the Hot 100 for multiple reasons.  In the case of Paul Simon’s “You Can Call Me Al,” its success can be attributed to growing praise and sales for its brilliant parent album, GRACELAND (and its big Album Of The Year Grammy Award), and a smart change in music videos.

“You Can Call Me Al” (a song about someone going through a midlife crisis), the first single released from GRACELAND, debuted on the BILLBOARD Hot 100 at No. 83 in early August 1986, about a month before the album was released.  The original video for “You Can Call Me Al” was a performance Paul Simon gave (in the perspective of a video monitor) during a monologue when he hosted SATURDAY NIGHT LIVE. 

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Well, Paul Simon wasn’t happy with the video, which didn’t seem to attract many fans to buy the record, and GRACELAND had just been released (and wasn’t the brilliant classic most people associate with it now).  “You Can Call Me Al” spent a couple of weeks at No. 44 in September and October, and dropped off the chart in November 1986 after 14 weeks.

A new video was commissioned, and Paul Simon stayed with his friend and SNL creator, Lorne Michaels, to put together another video.  This one (one of my all-time favorite music videos) pairs Paul with another friend (and SNL alum), Chevy Chase, who lip-syncs Paul Simon’s vocals, leaving Paul to twiddle his thumbs, although Paul ends up lip-syncing his backing vocals throughout, and in the last 30 seconds of the video, the focus switches from Chevy to Paul (although Chevy almost takes Paul’s head off with a trumpet).  It’s an incredibly funny and smartly done video, and I think it resonated with fans, MTV watchers, and radio stations alike. 

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Paul Simon and his friend, Chevy Chase, from the hilarious video for “You Can Call Me Al.”

Between a hilarious new music video and a big Grammy win for GRACELAND in late February 1987, “You Can Call Me Al” re-entered the BILLBOARD Hot 100 in late March 1987 at No. 92.  About a month later, it surpassed its original No. 44 peak, and reached the Top 40.  About a month after that, it spent a couple of weeks at its (new) peak position of No. 23, departing the chart in early July 1987, with a total of 27 weeks spent on the Hot 100 (strangely enough, in its highe-charting second run, it spent one less week than the first chart run).  To date, it’s Paul Simon’s last Top 40 hit here in America.

you can call me al

Around the globe, “You Can Call Me Al” said, “You can call me a big hit in” Australia, Belgium, Ireland, New Zealand and South Africa (where it reached No. 2), plus the U.K. (No. 4), the Netherlands (No. 5), Finland (No. 9), France (No. 16) and Canada (No. 19). hyde park

Paul Simon is 75 now, and still very much active in the music scene.  In 2016, he released his 13th studio album, STRANGER TO STRANGER, which reached No. 3 on BILLBOARD’s Album chart, his highest-charting album since GRACELAND went to No. 3 three decades ago.  And, just this month, he released his fourth live solo album, PAUL SIMON – THE CONCERT IN HYDE PARK.

I don’t know what it is, but I love the idea of songs getting a second chance – for whatever reason – to do better on the chart than they did before.  And, though sometimes it doesn’t work out, the times it does happen can be pretty amazing.  And other times you just need a gifted comedic actor and friend to play off against, who’s a full foot taller than you to create a really fucking hilarious music video to help out a really cool song about trying to cope with middle age.

https://www.youtube.com/watch?v=uq-gYOrU8bA

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(real) one-hit wonder of the week – “Tainted Love” | SOFT CELL | 1981 / 1982.

Between late 1979 and the end of 1989, there were nearly 500 (real) one-hit wonders of the 80s that reached the BILLBOARD Hot 100 just one time, a list that includes Gary Numan, Timbuk 3, The Church, Bronski Beat, Nik Kershaw, The Buggles, The Waitresses, Ultravox and two different bands named The Silencers.  Once a week, I’ll highlight a (real) one-hit wonder for you.

It occurred to me this past weekend (4.8-9.2017) that it’s been nearly three months since I shared a (real) one-hit wonder from the 80s with you!  So, I thought I’d share one of THE biggest – “Tainted Love” by Soft Cell.

When “Tainted Love” came to my attention around Xmas 1981, there was nothing tainted about it.  I really loved that song from the start.  Soft Cell’s Synthpop / New Wave sound was unique, not to mention very cool.  And, strangely enough, it took me years, right up through adulthood, to realize “Tainted Love” was NOT written by Soft Cell, but was in fact a cover of an R&B song from 1964.

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Written and produced by Ed Cobb, “Tainted Love” was first recorded by R&B singer / songwriter Gloria Jones, who was in her late teens at the time.  Ed Cobb, who was with the popular quartet, The Four Preps (who had a couple of big hits back in the late 1950s), discovered Gloria Jones, and she signed with his production company.

NERDY FUN FACT: The baritone member of The Four Preps, Glen Larson (who passed away in 2014), would be best known as a television producer, writer and creator of some of the favorite shows of my youth – including BATTLESTAR GALACTICA, BUCK ROGERS IN THE 25th CENTURY, MAGNUM, P.I. and KNIGHT RIDER. 

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Gloria Jones, the original voice of “Tainted Love,” joined the Glam Rock band, T. Rex, in 1973, and was the girlfriend of the band’s charismatic leader, Marc Bolan.  Gloria and Marc also had a child in 1975.  Sadly, early in the morning of September 16, 1977, she was driving the car that crashed and killed Marc Bolan.    It was ruled an accidental death. 

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T. Rex’s Marc Bolan and the original voice of “Tainted Love,” Gloria Jones.

While Gloria Jones had some success here in her American homeland, in Northern England, she was incredibly popular, and she was labeled as the “Northern Queen Of Soul.”  Marc Almond, the vocal half of Soft Cell, once heard the original “Tainted Love” in a nightclub in Northern England, and was inspired to rework it.

The duo of Soft Cell was formed in Leeds, England in 1977, consisting of singer Marc Almond and multi-instrumentalist David Ball.  Like many bands and recording artists early in their careers, Soft Cell’s first few years were not successful.  They twice-released their memorable song, “Memorabilia,” in the first part of 1981, but the best they could muster was a No. 35 ranking on BILLBOARD’s Dance chart with the second release.  When Marc and David decided to record a cover of “Tainted Love,” however, the music world as they knew it would change forever.    

For Soft Cell’s version of “Tainted Love” (which appears on their debut album, NON-STOP EROTIC CABARET), they reworked the song from a Soulful, fast arrangement to a slower tempo, replacing horns, bass, drums and guitars with synthesizers.  Soft Cell’s record label released “Tainted Love” in the U.K. on July 7, 1981, and would have been their last single if it didn’t do well.  Suffice it to say, it was NOT their last record.

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“Tainted Love” was so popular, in fact, that it reached No. 1 on the U.K. singles chart about two months after its release, spending two weeks on top, and was the biggest-selling song in the U.K. for all of 1981.

Around the globe, “Tainted Love” was a monster hit, reaching No. 1 in Australia, Belgium, Canada, Germany, and South Africa, and reaching the Top 10 in Austria, France, Holland, Ireland, New Zealand, Spain, Sweden and Switzerland.

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The U.S. singles chart history for “Tainted Love” is like chart nerd heaven, especially for this chart nerd.  “Tainted Love” debuted on the BILLBOARD Hot 100 at No. 90 in mid-January 1982.  Less than a month in, it started losing steam, and by the end of February 1982, it fell from a peak of No. 64 all way down to No. 100.

Well, after staying at No. 100 for a couple of weeks (which almost never happens, by the way), “Tainted Love” started climbing the chart again.  Two months after debuting on the Hot 100, it was back to its debut position of No. 90.  By the end of March 1982, it had climbed back up to its peak position of No. 64. 

And it continued to climb.  By mid-April 1982, it had reached No. 50, the halfway point of the Hot 100, but the following week, it lost its chart “bullet” (which notates a significant gain).  But, as it had seemed to peaked for a second time, it kept climbing, and by late May 1982, in its 19th week on the Hot 100, it finally debuted in the Top 40.  (To make a comparison, the 1983 No. 1 song by Billy Joel, “Tell Her About It,” spent just 18 weeks in its entire chart run.)

In mid-July 1982, six months and one week after debuting on the Hot 100, “Tainted Love” reached its actual peak position of No. 8, where it stayed for two weeks.  A couple of months later, in its 36th chart week, “Tainted Love” was nearly off the chart, falling to No. 99.  But, for another incredible seven weeks (or nearly two months), it continued to hang on in the lower region of the Hot 100, spending its last five weeks on the chart all at No. 97. 

On the BILLBOARD Hot 100 chart dated November 13, 1982, “Tainted Love” was finally gone after 43 weeks, setting a new (then) chart record for most weeks spent on the Hot 100, a record it would hold onto for seven years, when a 1989 re-release of Moving Pictures’ 1982 / 1983 Top 30 hit, “What About Me,” spent 17 weeks on the chart, matching the 43-week run of “Tainted Love.”  The incredibly long run for “Tainted Love” placed it quite high on the year-end BILLBOARD Hot 100 chart, and it ranked at No. 11 for all of 1982.

The current BILLBOARD Hot 100 longevity holder (and prolly will be for all time) is by the Las Vegas, NV Pop / Rock band, Imagine Dragons, and their 2012 / 2013 / 2014 hit, “Radioactive.”  It spent an unthinkable 87 weeks on the Hot 100 (well over a year and a half), and is currently THE best-selling Rock song in the history of digital downloads.

tainted love US 12

The 12” single version of “Tainted Love” featured an awesome nine-minute medley of “Tainted Love” and The Supremes’ “Where Did Our Love Go?”  I should know, because it was the first 12” single I ever bought.  Other folks seemed to like it too, as it reached No. 4 on BILLBOARD’s Dance chart.  The medley of the two covers was so popular that an edited version of the medley was serviced to radio stations, and years later, to the public.

One of the cool things about “Tainted Love” is that, despite two failed attempts at making “Memorabilia” a hit, Soft Cell put “Memorabilia” as the “Tainted Love” B-side.  So, in a way, this great song finally got its due. 

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Though Marc Almond and David Ball would not chart again on the BILLBOARD Hot 100 (their No. 3 hit, “What!” came close, reaching No. 101), they would go on to have five more Top 5 songs in the U.K., and six other U.K. Top 40 hits through 2003. 

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Away from Soft Cell, singer Marc Almond has released a whopping 21 solo studio albums and eight live albums between 1984 and 2015, not including compilations or EPs.  On the U.K. singles chart, he spent four weeks at No. 1 (with the late Gene Pitney) on “Something’s Gotten Hold Of My Heart,” a 1989 reworking of a song Gene Pitney himself released in 1967.  Marc sure had a penchant for cover songs, and another 1967 hit he covered reached No. 4 on the U.K. singles chart for him in 1992 – “The Days Of Pearly Spencer.”  Marc’s gorgeous reworking is from his 1991 album, TENEMENT SYMPHONY.

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The other half of Soft Cell, David Ball, released his own album, IN STRICT TEMPO, in 1983, and has worked as a producer and / or remixer for folks like David Bowie  and Pet Shop Boys.

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Soft Cell broke up in 1984, and again in 1992, and reunited for a tour in 2001.  According to Marc Almond’s website, HITS AND PIECES – THE BEST OF MARC ALMOND AND SOFT CELL, is available now and is the first comprehensive Marc Almond and Soft Cell singles album since 1991, and features a new single, “A Kind Of Love.” 

hits + pieces

The legacy of Soft Cell continues today, with their huge cover of “Tainted Love” appearing in a number of films, TV shows and commercials (remember that cool emergency room-set, Spike Jonze-directed Levi’s commercial from 1996?).  Plus, their version of “Tainted Love” has been, in turn, covered by acts like Impedance, Marilyn Manson, Flying Pickets, Inspiral Carpets, The Pussycat Dolls, Paul Young and Straight No Chaser.  Their song “Memorabilia” has been covered by Nine Inch Nails and their “Say Hello, Wave Goodbye” has been brilliantly covered by Nouvelle Vague and David Gray (whose incredible cover – one of the best I’ve heard – clocks in at nine minutes, about four minutes longer than the Soft Cell original).

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Thinking back, it may have taken me awhile to realize “Tainted Love” wasn’t originally a Soft Cell song, but thinking now, there’s no mistaking that it was indeed Soft Cell who made “Tainted Love” their own…

https://www.youtube.com/watch?v=UARn9GLnhow

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song of the day – “Iko Iko” | THE BELLE STARS | 1982 / 1989.

The decade of excess gave us an excess of songs that were given a second chance on the BILLBOARD Hot 100 singles chart, songs like “Relax” by Frankie Goes To Hollywood, Ben E. King’s “Stand By Me,” “Twist And Shout” by The Beatles, “Do You Love Me?” by The Contours and “At This Moment” by Billy Vera & The Beaters, to name a handful. 

For whatever reason, 1989 was an especially popular year for singles to have a second go on the BILLBOARD Hot 100, including Peter Gabriel’s “In Your Eyes” (1986), “What About Me?” by Moving Pictures (1983), “When I’m With You” by Sheriff (1983), “Where Are You Now?” by Jimmy Harnen with Synch (1986) and “Into The Night” by Benny Mardones (1980). 

Another song that achieved success in 1989 but not originally from that year was “Iko Iko” by the seven-member, all-female New Wave band out of London, The Belle Stars, who formed in London in 1980 and broke up in 1986.

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The origin of “Iko Iko” dates back to the early 1950s, when it was titled “Jock-A-Mo,” and was a 1953 single written and recorded by New Orleans group Sugar Boy And His Cane Cutters. 

jock-a-moAccording to a 2002 interview with the late James “Sugar Boy” Crawford (who passed away in 2012), he said the story of “Iko Iko” is about a “spy boy” [a lookout for one band of Indians] encountering the “flag boy” [the flag carrier for another “tribe”].  The “spy boy” threatens to “set the flag on fire.” 

“Sugar Boy” Crawford said “Jock-A-Mo” “came from two Indian chants that I put music to.  ‘Iko Iko’ was like a victory chant that the Indians would shout. ‘Jock-A-Mo’ was a chant that was called when the Indians went into battle.  I just put them together and made a song out of them.” 

Though it was not a hit, the next incarnation of “Jock-A-Mo” in 1965 – “Iko Iko” – was.  The Dixie Cups, an all-female Pop group out of New Orleans, best known for their hit, “Chapel Of Love,” recorded their version in 1964, and the following year, it was a global smash.

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In 1982, The Belle Stars released their version of “Iko Iko” in their homeland of the U.K. on Stiff Records, and it was a Top 40 U.K. hit, reaching No. 35.  Their cover would appear on the only studio album they released, their self-titled effort released in January 1983, and which featured the U.K. hits, “The Clapping Song” (a version of this was an American Top 40 hit for Pia Zadora in 1983), “Indian Summer” and “Sign Of The Times,” which reached No. 3 in the U.K. and No. 75 on the BILLBOARD Hot 100.

The Belle Stars’ version of “Iko Iko” went virtually unnoticed here in America until its opening appearance in the wonderful Academy Award-winning film, RAIN MAN, starring Dustin Hoffman and Tom Cruise, and released at the end of 1988.

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Their version of “Iko Iko” was included on the soundtrack to RAIN MAN, and it didn’t take long for it to catch the ears of folks like yours truly here in America.  It debuted on the BILLBOARD Hot 100 in early March 1989, and reached the Top 40 four weeks later. 

The Belle Stars’ version of “Iko Iko” would go on to spend a lone week at No. 14 in mid-May 1989, and remained on the charts for about four months.  It also reached No. 7 in Australia and No. 17 in Canada.  Since then, it has been featured in a number of other films, including THE HANGOVER in 2009.

“Iko Iko” remains as one of the most-covered songs of all-time.  Cyndi Lauper recorded a version for her second album, 1986’s TRUE COLORS.  It’s been also covered by Dr. John, Warren Zevon, Zap Mama (whose version appeared in the 2000 film, MISSION: IMPOSSIBLE II), and most recently, on THE TONIGHT SHOW featuring Sia, Jimmy Fallon, Natalie Portman and The Roots.

the belle stars LP

It’s the 1982 / 1989 version by The Belle Stars, though, that is the version that stays close to me to this day, and I’m forever grateful that someone involved with the film, RAIN MAN, discovered it and thought it was good enough to include in the movie, and ultimately, release it as a single, so many folks (like yours truly) could, in turn, discover it too. “IKO!”

https://www.youtube.com/watch?v=T9RxSDgesKk

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