song of the day – “Shadows Of The Night” | PAT BENATAR (1982 / 1983)

Recently, when I’ve been driving in the Batmobile (what I call my cross-bred compact-to-midsize car, or what Bruce Wayne would prolly drive if he wanted an unsuspecting vehicle, unlike say, the Batmobile), sometimes I take a break from my iPod or Spotify, and I tend to listen to Classic Rock or Classic Hits Radio (80s are apparently considered Oldies now, go figure).

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The real Batmobile, from 1989’s BATMAN.

One thing that has caught my attention is the amount of airplay given to songs that didn’t do as well as they should have back when they were released, and based on the huge amount of airplay they still get to this day, would have been bigger hits back in the day.

edge of 17

The first song that comes to mind is Stevie Nicks’ incredible “Edge Of Seventeen.”  One of the most-played Stevie Nicks solo hits played today.  And somehow, it only managed to peak at No. 11 on the BILLBOARD Hot 100 back in April 1982.  But, as I’ve mentioned before, with respect to Casey Kasem’s AMERICAN TOP 40 and BILLBOARD magazine, in the scheme of radio, sometimes it doesn’t matter what position you peaked at on the singles chart.

One of the best examples of this is “I Melt With You” by Modern English (from the album, AFTER THE SNOW).  Upon its original 1982 release on 4AD (the independent label’s first hit), it fared well on BILLBOARD’s Mainstream Rock chart (No. 7) and even charted on BILLBOARD’s Dance chart, but stopped at No. 78 on the Hot 100 in 1983.

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The 1982 single cover art for the original “I Melt With You.”

Fast forward to 1990, and a re-recorded version of “I Melt With You” (from the album, PILLOW LIPS) reached two positions higher on the Hot 100, peaking at No. 76 in the Summer of 1990.

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The single cover art for the 1990 reworking of “I Melt With You.”

But, regardless of chart position(s) attained, “I Melt With You” has been a radio staple for over 35 years, and rightfully so. 

Another song that was a Top 20 hit back in the day and would have been a Top 10 hit (with all the airplay it’s getting today) is “Shadows Of The Night” by 2020 Rock And Roll Hall Of Fame nominee (and future inductee) Pat Benatar.

get nervous

Released in September 1982 (a month in advance of the album, GET NERVOUS; my personal favorite), “Shadows Of The Night” was the lead single released from the album, her fourth studio release. It debuted on the BILLBOARD Hot 100 in mid-October at No. 69. 

In its fourth week on the chart, “Shadows Of The Night” reached No. Top 40.  The following week, it rocketed up to No. 23.  But, in November 1982, usually a relatively quiet time on the charts (at least back then), there was a lot of heavy activity in the Top 20, from songs like “Sexual Healing” by Marvin Gaye, “The Girl Is Mine” by Michael Jackson and Paul McCartney, Don Henley’s “Dirty Laundry,” “Rock This Town” by The Stray Cats, and “Maneater” by Daryl Hall & John Oates.

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The Stray Cats, rocking up the singles charts in late 1982.

This heavy activity on the chart slowed down Pat’s climb into the Top 20.  Starting a couple of weeks before Xmas and lasting into the first week of 1983, “Shadows Of The Night” occupied its respectable No. 13 peak for four weeks, and dropped off the Hot 100 a month later.

Around the globe, “Shadows Of The Night” also reached the Top 20 in Australia and Canada, No. 50 in the U.K. (in 1985) and charted in New Zealand as well. On BILLBOARD’s Mainstream Rock chart, it was one of her biggest Rock hits on that chart, peaking at No. 3.  “Shadows Of The Night” also scored Pat Benatar her third Grammy Award for Best Female Rock Vocal Performance in 1983.

shadows

The first time I recently heard “Shadows Of The Night” on the radio, I was pleasantly surprised to hear it.  Usually these stations play “Heartbreaker” (her first hit) or “Hit Me With Your Best Shot,” “Love Is A Battlefield” or “We Belong” (her biggest hits), and they still do, often. 

But, then I started hearing “Shadows Of The Night” more, and on different stations.  Maybe it’s the Rock Hall nod, maybe it’s radio stations branching out from the more familiar, it’s hard to say, though it’s quite welcomed.

Pat Benatar has been one of my all-time favorite artists for a long time.  She also has an incredible track record on the BILLBOARD charts.  Her first six albums were certified Platinum or Multi-Platinum, and on the Hot 100, she has an impressive Top 40 chart history.  Out of her 17 Hot 100 appearances between 1979 and 1988, only two of them didn’t reach the Top 40 (1980’s “You Better Run,” No. 42, and the second video to air on MTV; and, 1986’s underrated “Le Bel Age,” No. 54).

pat neil

After several missed attempts over the years to see Pat perform live, in February 2018, I finally saw Pat Benatar and her longtime guitarist, producer, songwriter, collaborator, and husband (since 1982), Neil Giraldo, perform an acoustic show in Cranston, Rhode Island.  It was totally worth the wait.

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Neil Giraldo and Pat Benatar, from their wedding day, 1982.

Can’t tell you how happy I was that they played acoustic versions of two of my favorite Pat Benatar songs, the lesser-remembered “Promises In The Dark” and “We Live For Love,” the latter a song for which their 2016 tour was named after.

NERDY MUSIC VIDEO FUN FACT: The World War II-themed music video (which unfortunately I can’t find) features actors Judge Reinhold and Bill Paxton (who appeared together in 1981’s STRIPES).

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From the “Shadows Of The Night” music video.

I am so hoping Pat Benatar gets inducted into the Rock Hall next year, not just because I’ve been a big fan for 40 years, but also because there were only 2.5 women (along with Whitney Houston and Chaka Khan, of Rufus And Chaka Khan) who were nominated out of the 16 total artists nominated.  I hope they all get inducted, actually.

2020 rock hall noms

Will the induction of more women into the Rock And Roll Hall Of Fame get commercial Classic Rock radio stations to play more women?  I hope so.  Right now, Pat Benatar is one member of an elite group of female artists heavily played currently on Classic Rock and Classic Hits radio, which also consists of artists like Joan Jett, The Go-Go’s and Fleetwood Mac. 

Maybe more female inductees will garner even more female nominations.  Maybe the upcoming (and highly anticipated) WONDER WOMAN 1984 movie will inspire the Rock Hall and Classic radio as well.  That soundtrack will kick much ass I’m sure!

ww84

In the meantime, I still haven’t given up on somehow fixing the algorithm commercial stations currently use on the warped ratio between the male artists played vs. the female artists played.  Let’s even it out already!  Damn…

“We’re running with the shadows of the night / So baby take my hand, it’ll be all right / Surrender all your dreams to me tonight / They’ll come true in the end…”

https://www.youtube.com/watch?v=J6hZ4NwFCg0

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song of the day – “Dazzle” | SIOUXSIE AND THE BANSHEES | 1984.

I was quite late jumping on to the Siouxsie And The Banshees train.  I was a fan of Top 40 music for many years, before branching out in 1987 (thanks to my new friend, Michael) into more Alternative music (called Modern Rock back in the day). 

The memory in my ginormous melon is a bit fuzzy on this, but I honestly believe my first introduction to Siouxsie And The Banshees was with 1988’s “Peek-A-Boo.”  The band had been together for 12 years at that point, and had been releasing music for 10 years. peek a boo

While American college radio had been enjoying the London band’s first eight studio albums and one live album, commercial American radio was late in hopping aboard on the Siouxsie train as well.  By 1988, Siouxsie Sioux and Co. had racked up 14 Top 40 hits in their U.K. homeland, while “Peek-A-Boo” was their first American hit.

The following year, The Creatures (a side project away from The Banshees featuring Siouxsie Sioux and drummer Budgie) released their second album, BOOMERANG, and I fell in love with the remixes of the gorgeous, pulsating “Standing There,” and the fun, playful “Fury Eyes.”  I still have the CD single.

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The Creatures (Siouxsie and Budgie), 1989.

From there, my love for the music of Siouxsie And The Banshees only grew.  Unlike 1989’s brilliant BATMAN, which featured an incredible score by Danny Elfman and songs by Prince, 1992’s BATMAN RETURNS primarily featured Danny Elfman’s score throughout the film, but with a lone song featured in the movie – the stunning and haunting “Face To Face.”  That song was co-written by Siouxsie And The Banshees and Danny Elfman, who orchestrated the song, and which was produced by Portland, Maine native, Stephen Hague.

face to face

Later that year, their second singles compilation, TWICE UPON A TIME: THE SINGLES, was released, and I was able to catch up some with the band that had eluded me for so long.  And by the time my STUCK IN THE 80s program first aired in 1996, Siouxsie And The Banshees became a regular staple throughout the show’s nearly 21 years.

It’s funny how you can love a band for so long, but become enamored with certain tracks much later after you discover them.  That happened with me and 1984’s “Dazzle.”  From their sixth studio album, HYÆNA(their only album to feature The Cure’s Robert Smith, on guitars and keyboards), “Dazzle” was dazzling from the start.  The band recruited a 27-piece orchestra by the name of the “Chandos Players,” which played strings from a piece written by Siouxsie Sioux that originated on piano (which itself was originally called “Baby Piano”).

hyaena

From there, “Dazzle” thrusts itself into an incredible anthematic marriage of pounding drums and guitars and strings, complimented by Siouxsie Sioux’s stirring vocals, enhanced with the perfect amount of reverb.

In a 1984 MELODY MAKER review of HYÆNA by critic Steve Sutherland, “Dazzle” was referred to as “naively daring.  Siouxsie’s voice, framed alone against the firmament of strings.  It could be [Andrew] Lloyd Webber’s CATS or something by Vaughn Williams.  You can get impressed, wrapped up and lost in this.” 

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The U.K. 12″ of “Dazzle,” featuring the beautiful 7-minute Glamour Mix.

From a review of the 25th anniversary reissue of the album, “[HYÆNA] was [Siouxsie And The Banshees’] most experimental work, [Robert] Smith’s presence is keenly felt on the disciplined execution of the grandiose ‘Dazzle’” (which Robert Smith co-wrote with the band).  “Dazzle” became the band’s 11th Top 40 U.K. hit (out of 18 total, between 1978 and 1994).

Eve since I’ve known the dazzling Maryhope, “Dazzle” has always been a huge part of playlists for any of her incredible radio shows on WMPG, and was on her playlist for the first time she filled in for me on STUCK IN THE 80s in late July 2006, not long after I had met her. 

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The July 30, 2006 playlist from the first time Maryhope filled on STUCK IN THE 80s. As you can see, it kicked much ass.

And because of Maryhope, I latched onto a song I had known for years but didn’t latch on to initially for whatever reason.  “Dazzle” may not be as well known as “Cities In Dust” or “Peek-A-Boo” or “Kiss Them For Me,” but it’s one of my favorite Siouxsie And The Banshees songs, and will dazzle for years to come.  You should revisit it if you haven’t heard it in awhile.  You’ll be dazzled too… 

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The dazzling Maryhope, Kettle Cove, Cape Elizabeth, ME, 10.09.17.

https://www.youtube.com/watch?v=94wZxJBbv3g

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Siouxsie And The Banshees with The Cure’s Robert Smith, 1984.

nothing compares 2 U.

niagara falls

Niagara Falls lit up in purple, in honor of Prince…

It’s been 5 hours and 6 whole days… since I heard the news that shocked and saddened the entire planet – Prince was gone.

I was at work in Central Maine on the afternoon of Thursday, April 21, 2016, and a couple of hours away from heading 2 the Portland, Maine area 2 see Colin Hay perform.  A co-worker walked over 2 my cubie and said, “Prince died.”  I said, “That’s not funny.”  He wasn’t kidding.  And, a minute later, I confirmed it on the Interweb.  I felt bad 4 not believing him, but then again, I’m still in a bit of denial about the whole thing, even though I know he’s really gone.

After the New Year, I had reset my 5th Generation iPod (the last one with the wheel), and since then, I had only put a handful of Prince songs back on there, and that’s all I had with me the day he died. 

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Colin Hay, live at the Westbrook (Maine) Performing Arts Center, 4.21.2016.

That afternoon, on my hour-plus drive 2 see Colin Hay at the Westbrook (Maine) Performing Arts Center just outside of Portland, I was going up and down the radio dial 2 see if any radio stations were playing Prince.  I heard “Raspberry Beret” twice, “When Doves Cry” a few times, and “Let’s Go Crazy” too.  The afternoon DJ at the “younger” station of the 2 Classic Rock stations in Portland talked about how the Portland NBC station had been there 2 talk about Prince, but did he play a Prince song after that?  No!  He went into a Boston song.  Really?  They try coming across as hip when they’re anything but…  Effing commercial radio.  As 4 the “older” of the 2 Classic Rock stations in Portland – I didn’t hear any Prince at all. 

eiffel tower

The Eiffel Tower in Paris, lit up for Prince, 4.21.2016.

I even scanned the AM band 4 a bit, and came across this AM talk station (not sure where it’s out of), but they were talking about Prince, and how he wasn’t Little Richard or this person or that person.  C’mon!  You can’t compare Prince 2 anybody, especially on the day he died.  Show some respect already!  Nothing compares 2 Prince.  Yet one more reason I don’t listen 2 talk radio.  Effing blowhards.  Did Prince have the most No. 1 songs or the most singles ever?  No.  What he did have was a sensational gift 4 music, and he shared that music, and is prolly the only one who could have gotten away with writing about love, sex and God – all in the same song.  And there were many of those songs…

Colin Hay put on another amazing show hour after learning Prince died, and even did a little bit of “Little Red Corvette” for Prince, and for those in attendance.  He said it was a “weird day,” and it was, and it still is, but seeing Colin perform that night helped get me through the day…

princePrince’s first album, FOR YOU, was released in April 1978, but I didn’t learn about Prince until the next year, the year I started getting into music – 1979 (my first blog post is about that very subject).  From his self-titled second album, “I Wanna Be Your Lover” debuted on the BILLBOARD Hot 100 the week of Thanksgiving 1979. 

I know I’ve said this before, but one of the things I loved most about listening 2 Casey Kasem and AMERICAN TOP 40 was the music trivia.  I’ve even incorporated it into my STUCK IN THE 80s radio shows on WMPG-FM and WMPG.org.  One of the first things I learned about “I Wanna Be Your Lover” is that Prince was just 21 when he released that song, and did everything on that song (and the PRINCE album too) – everything was written, arranged, composed, produced and performed by Prince.  I didn’t know of anyone else who did that.  And he was just 21 and recorded the album in 2 weeks!  Damn.

Well, it impressed me enough 2 buy the single (and later, the album too), and “I Wanna Be Your Lover” stopped at a respectable No. 11 for 2 weeks in January / February 1980 (and spent 2 weeks at No. 1 on BILLBOARD’s R&B chart).

cyndi when u were mine japanSince I was listening 2 (mostly) Top 40 radio in the early 80s, Prince’s next 2 albums, DIRTY MIND and CONTROVERSY, weren’t even on my radar until several years later.  In fact, it was Cyndi Lauper’s 1983 album, SHE’S SO UNUSUAL, that introduced me 2 Prince’s song, “When You Were Mine” (originally from his 1980 album, DIRTY MIND).  I would see Cyndi perform that song as part of the 30th Anniversary tour for SHE’S SO UNUSUAL back in October 2013.  It was a dream come true.  I am seeing Cyndi perform songs from her first Country album, DETOUR, in May 2016.  I am hoping she’ll play “When You Were Mine” in honor of Prince.

1999 albumPrince’s music returned 2 my life with the 1982 album, 1999.  The video 4 the first single, “Little Red Corvette,” was a groundbreaking video, as it was one of the first videos on MTV 2 feature an black recording artist (along with Michael Jackson).  I have 2 confess, when “Little Red Corvette” was climbing the charts (to a No. 6 peak on the Hot 100, his first Top 10 hit), I was not a big fan of the song.  It was okay, but I wasn’t digging it as much as I would later in life.  But I did buy the 2-album set (I think it was the first 2-album, non-hits collection set I ever knew about, and thought it was cool that someone was releasing a double album just 4 the sake of releasing a double album). 

chevy prince tribute

A very classy tribute from Chevrolet in honor of Prince, quoting a line from “Little Red Corvette…”

The single 4 the Cold War Classic “1999” might have been the reason I purchased  1999 the album.  Loved loved loved that song.  Took me years 2 learn what it was really about; not the kind of party song I took it for in my youth.  “1999” was actually the leadoff single 4 the album, but it stopped at No. 44 on the Hot 100 for a quick couple of weeks at the end of 1982.

1999 singleWith “Little Red Corvette” still in the Top 10 in early June 1983, “1999” re-entered the Hot 100 at No. 70, and 2 weeks later, quickly landed in the Top 40.  “1999” was on its way 2 the Top 10, when it got held up at No. 12 for 2 weeks in late July 1983.  But that’s not the end of the story for “1999.”

In late 1998, just before the year the song is named for, “1999” was re-issued a third time, and it even landed at No. 40 on the Hot 100 for one week.  I was in Washington, D.C. 4 New Year’s 1999, and it was amazing 2 hear that the song and the album, 1999, were all sold out everywhere. 

For New Year’s Eve, I was at a big venue 4 a big D.C. New Year’s party, and when they played “1999” as the song turned into the actual year, I admit I was caught up in it.  It’s funny, though, because “1999” the song is not about 1999 at all.  It’s about the Cold War (very much happening in 1982), and was about Prince expressing himself and his fears of of nuclear war.  So, “1999” the song was actually about 1999 turning into the year 2000, and 2 enjoy it, because by 2000, we most likely wouldn’t be around (“Party over, oops, out of time…”).

delirious1999’s third (proper) single was the short but fun “Delirious,” which spent a month at No. 8 in October / November 1983.  1999 was the album that made Prince a star.  But it was his next album that would turn him into a superstar…

1984’s PURPLE RAIN was a massive album, not just 4 that year, but 4 any year.  PURPLE RAIN gave Prince the biggest album of the year (No. 1 for 24 weeks; no other recording artist has matched that feat until Adele’s 21 album did this decade).  The album generated 5 Top 40 hits, including 4 Top 10 hits, and two of those were No. 1 songs, “Let’s Go Crazy” (2 weeks, September / October 1984) and the biggest single of the year (“When Doves Cry,” 5 weeks, July / August 1984). 

purple rain

PURPLE RAIN also garnered Prince 2 Grammy Awards and gave him the last-ever Academy Award handed out 4 Best Song Score.  PURPLE RAIN has gone on 2 become not only one of THE biggest soundtracks ever recorded, but one of THE biggest albums of all-time, selling over 13 million copies in the U.S. alone.  On a ROLLING STONE magazine list of the Top 25 Greatest Soundtracks of All Time, PURPLE RAIN was ranked at No. 2, behind The Beatles’ “Help.” 

purple rain poster

Upon hearing the news of Prince’s passing on Thursday, 4.21.2016, I don’t know why, but I had this sudden urge 2 hear “The Beautiful Ones,” the third of 9 songs on the album.  2 be honest, it was one of the songs I tended 2 skip over back in 1984, but today, I love it’s soulfulness, it’s beauty, and it’s love for, well, love.  I was good 2 play it on the show again 4 the first time since my 25th Anniversary Tribute show to PURPLE RAIN back in 2009.

There was no question in anyone’s mind that Prince loved making music.  Save for 1983 (unless U count the 2 albums for 1999) and 1993, Prince released an album every year between his 1978 debut through his last album 4 Warner Bros., CHAOS AND DISORDER, in 1996. 

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The full album cover for 1985’s AROUND THE WORLD IN A DAY.

I loved the hits from 1985’s AROUND THE WORLD IN A DAY (“Raspberry Beret,” No. 2; “Pop Life,” No. 7), and even once played the full 22-minute remix of “America” (which just missed the Top 40, No. 46) on an Independence Day show on STUCK IN THE 80s.prince parade

Like AROUND THE WORLD IN A DAY, I enjoyed his hits from PARADE (songs from UNDER THE CHERRY MOON), notably his No. 1 song, “Kiss” (2 weeks at No. 1, April 1986) and the underrated follow-up single, “Mountains” (No. 23), which many folks have forgotten about I’m sure, but not me.  It was nice 2 actually get a request 4 this on my first of 2 Prince tributes this past Sunday night (4.24.2016).

As much as I adore PURPLE RAIN, it was Prince’s 1987 album, SIGN “O” THE TIMES, though, that ended up being my favorite Prince album of all-time.  SIGN “O” THE TIMES was another double album, which I again thought was pretty cool, and it a lot more depth and encompassed many genres – like Funk, Soul, Pop, Rock – than any other album I had ever heard from him. 

sign o the times

The cover art for Prince’s SIGN “O” THE TIMES…

The title track from SIGN “O” THE TIMES was the album’s first single, and right away, Prince was in groundbreaking mode again.  Infused in this classy Funk Pop song were lyrics about serious life issues concerning gang violence, drug abuse, the Challenger disaster, nuclear war and as much as he could include in 5 minutes.sign o the times single

Prince was not a fan of President Ronald Reagan, and was mentioned in Prince’s Cold War Classic “Ronnie, Talk To Russia” (from CONTROVERSY), and though Reagan knew about AIDS as early as the first year of his Presidency (1981), he was reluctant 2 talk about it for years.  “Sign ‘O’ The Times” was one of the first songs ever 2 mention AIDS, I think, in part, because Reagan wouldn’t.  “Sign ‘O’ The Times” was the first of 3 Top 10 hits from the album 4 Prince, and reached No. 3 in April 1987. 

if i was your girlfriendThe second single released from SIGN “O” THE TIMES was an interesting but bold choice, “If I Was Your Girlfriend.”  The song is told in a male perspective 2 a woman, or, would his girlfriend open up 2 him more if he was a female friend rather than her boyfriend.  TROUSER PRESS magazine said the song was one of the highlights on SIGN “O” THE TIMES, stating that the song “redefines a relationship in a surprisingly mature way.”  Though the song was a Top 20 U.K. hit, it was a little too intimate 4 U.S. radio, and it stopped at No. 67 (Keep in mind this was the same year that some U.S. radio stations wouldn’t even air the word “Sex” in George Michael’s “I Want Your Sex,” if they even aired the song at all.).

u got the look“U Got The Look” was the album’s third single, and with the help of Sheena Easton, it became the biggest single from the album, reaching No. 2 in October 1987.  The fourth and final single released from SIGN “O” THE TIMES was “I Could Never Take The Place Of Your Man,” which hit No. 10 in February 1988.  80s Alt-Rockers Flesh For Lulu and Sigue Sigue Sputnik have covered the song, as well as other bands like The Goo Goo Dolls and My Morning Jacket.  The song’s B-side, “Hot Thing,” wasn’t marketed as its own single, but got enough airplay 2 reach the Hot 100 on its own, peaking at No. 63.

I think all of SIGN “O” THE TIMES is brilliant, but some other songs from the album that stand out 4 me are the lovely “Starfish And Coffee,” the funky “Housequake” (“Shut up already! Damn.”), the epic 9-minute jam, “It’s Gonna Be A Beautiful Night,” and, the stirring, guitar-driven “The Cross,” which I think would have been an excellent choice 4 a single, but that’s me.lovesexy

Though I really didn’t get into Prince’s 1988 album, LOVESEXY, I did (and still do) enjoy “Alphabet St.” (No. 8) and “When 2 R In Love,” a ballad that was originally on 1987’s THE BLACK ALBUM, which was pulled so that the more radio-friendly LOVESEXY could be released instead (THE BLACK ALBUM remained a bootleg 4 many years, before finally getting a proper release in 1994; my favorite track on THE BLACK ALBUM, “Bob George,” prolly has more “motherfuckers” in it than the first DIE HARD movie).

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Fast forward to 1989.  BATMAN was the biggest film of the year.  In fact, at the time, its $251 million dollar gross 4 the movie starring Jack Nicholson as the Joker and Michael Keaton as the Caped Crusader (still my favorite Batman)  made it the fifth-biggest film of all-time, behind JAWS, RETURN OF THE JEDI, STAR WARS and E.T. THE EXTRA-TERRESTRIAL (nearly 30 years later, it’s ranked at No. 95 for all-time).  Prince had something 2 do with that success, as he was rightfully chosen 2 do the soundtrack. batdance

First single “Batdance” quickly became Prince’s fourth No. 1 song (August 1989), and the soundtrack spent 6 weeks at No. 1 on the BILLBOARD album chart.  Other Top 40 singles from the soundtrack included “Partyman” (No. 18) and another collaboration with Sheena Easton, the ballad “The Arms Of Orion” (No. 36).  Another single, “Scandalous!” was a Top 5 hit on the BILLBOARD R&B chart.  At a time where many cars came with cassette players in them, I played the hell out of the cassette version of this album.  One of my all-time favorite Prince albums, even if most people don’t even remember “Batdance.”

With the advent of the 1990s, I started 2 lose touch with Prince’s music, though it wasn’t all lost – I loved 2 songs from 1990’s PURPLE RAIN sequel, GRAFFITI BRIDGE: “Thieves In The Temple” (No. 6), and, a song he wrote, produced and sang backup vocals on for 13-year-old newcomer Tevin Campbell, “Round And Round” (No. 12). diamonds and pearls

I also loved the Top 40 singles from 1991’s DIAMONDS AND PEARLS album: “Gett Off” (No. 21), “Cream” (No. 1, 2 weeks, November 1991), the gorgeous “Diamonds And Pearls” (featuring Rosie Gaines; No. 3, February 1992), and the severely underrated “Money Don’t Matter 2 Night” (No. 23). 

1992’s LOVE SYMBOL ALBUM would be the last studio album 4 Prince released on Warner Bros. 2 go Platinum.  It gave us the gems “Sexy MF” (No. 66), “My Name Is Prince” (No. 36), “The Morning Papers” (No. 44), and, “7,” whose peak position gave chart nerds like me something 2 get extra nerdy about – it peaked at No. 7 in February 1993.love symbol album

After the LOVE SYMBOL ALBUM, much of my interest in the rest of Prince’s 90s work and beyond, much like that of the wonderful David Bowie, had waned.  I did, however, enjoy some of Prince’s later work, starting with “The Most Beautiful Girl In The World” (3 weeks at No. 3, April / May 1994; to date his last Top 10 U.S. hit). 

I also enjoyed his cover of The Stylistics’ No. 3 1972 hit, “Betcha By Golly Wow!” (from his first album after leaving Warner Bros., a 1996 3-CD set appropriately titled EMANCIPATION).  Apparently, Prince had always wanted 2 do a cover of this song, but Warner Bros. never allowed him 2 do it.  Once he was out of his Warner Bros. contract, it gave him the freedom 2 not just do that cover song on EMANCIPATION, but covers of Bonnie Raitt’s “I Can’t Make U Love Me,” “The Delfonics’ “La, La, La Means I Love You” and Joan Osborne’s 1995 hit, “One Of Us” (written by The Hooters’ Eric Bazilian). emancipation

In 1999, Warner Bros. released THE VAULT: OLD FRIENDS FOR SALE, an album submitted by Prince three years earlier, with songs recorded between 1985 and 1994.  It was the last album of his Warner Bros. contract, and it appears that they wanted 2 get a jump on Prince’s actual new album that year, RAVE UN2 THE JOY FANTASTIC, with a fantastic cover of Sheryl Crow’s “Every Day Is A Winding Road.”  The strategy of Warner Bros. did not work.  RAVE not only charted higher (No. 18 vs. No. 85 for VAULT), but it was certified Gold.

musicologyIn January 2001, I became the Music Director 4 WMPG, originally a volunteer position that turned into a University of Southern Maine job 3 1/2 years later.  It was the best job I ever had, something that was truly tailored 4 me.  In that time, at least 3 of his albums that decade were released to college radio – 2004’s MUSICOLOGY, his first double-platinum album since 1991’s DIAMONDS AND PEARLS.  A great deal of the success of this album came with Prince’s brilliant idea 2 include a copy of the album with tickets 2 his concerts, a feature that has become more commonplace today with many artists (my tickets 2 Duran Duran included copies of the new album). 

3121The 2006 album 3121 brought Prince back 2 the top of the BILLBOARD Album chart, and included the funky “Black Sweat” and beautiful “Te Amo Corazón,” a No. 7 hit in Italy.  His 2007 album, PLANET EARTH featured my favorite on the album, “Guitar,” which was a favorite in Japan as well, reaching the Top 10 there.  After PLANET EARTH, Prince left my music radar again until last year’s brilliant and poignant protest song “Baltimore.”

“Baltimore” was initially a digital-only single eventually released on Prince’s HITnRUN PHASE TWO album earlier this year, and was in response 2 the fatal police shooting of Freddie Gray in Baltimore in April 2015.  Six Baltimore police officers were charged in the death of Freddie Gray.  I think “Baltimore” is one of THE best songs Prince ever did.  He even did a Rally 4 Peace concert in Baltimore on Mother’s Day 2015.  I hope those who didn’t know the song “Baltimore” existed while Prince was still alive will discover it now.

baltimore

The poster 4 Prince’s Baltimore Concert / Rally, Mother’s Day, 2015.

One of the things I loved about Prince was that he fought hard 2 put out the music he wanted 2 put out, even if it always didn’t work out with his record label.  Prince was unwavered as he was at the top of the Parents Music Resource Center (PMRC)’s 1985 list of the “Filthy Fifteen,” a list of songs (mostly Pop and Metal songs) the group, co-founded by Tipper Gore, found “objectionable.” parental advisory

This is the group that gave us those “parental advisory” stickers on CDs and albums that everyone loves so much, and is pretty much irrelevant today.  I’m sure such a group couldn’t keep up with all the “filthy” lyrics in today’s music.  Prince’s “Darling Nikki” and “Sugar Walls,” the song he wrote 4 birthday girl Sheena Easton under pseudonym “Alexander Nevermind”) topped the list.  (4 some reason, Tipper Gore must have skipped over his song, “Erotic City.”  Or maybe, she really liked it and that’s why it wasn’t on the list.)  Madonna’s “Dress You Up” and Cyndi Lauper’s “She Bop” were on the list as well.

a love bizarrePrince was so incredibly talented, a truly gifted musician, singer, songwriter and actor who never forgot where he came from.  He was also very generous.  He contributed countless dollars 2 charities in the Minneapolis, MN area (where he lived his entire life), he gave parties at his Paisley Park estate (on the conditions of no smoking, no drinking and no swearing), and he wrote many songs that ended up being hits 4 other recording artists, like “Nothing Compares 2 U” by Sinéad O’Connor, “The Glamorous Life” and “A Love Bizarre” 4 Sheila E., “Jungle Love” by The Time, “I Feel For You” by Chaka Khan (originally from his self-titled second album), the aforementioned “Sugar Walls” by Sheena Easton, and “Manic Monday” by The Bangles (under the pseudonym “Christopher”), which was ranked at No. 2 behind his own “Kiss” at No. 1 in 1986. 

AON tom jones kissSpeaking of “Kiss,” two great cover versions of that song were released – in 1986 by U.K. Alt-Rock band Age Of Chance, and the only American Top 40 hit 4 The Art Of Noise out of London featuring the pride of Wales, Tom Jones.  It spent 2 weeks at No. 31 on the Hot 100 in January 1989, reached No. 1 in New Zealand and Spain, and the Top 10 in 8 countries, including the U.K.

It’s funny – I’d like 2 think I know a lot about 80s music, but it’s kinda cool 2 learn something new, even after more than 25 years since the end of the decade.  After Prince died, all of these stories surfaced throughout the Internet about him, including lists of the songs he wrote that were hits for other artists.  One of these songs was the Top 5 1983 Stevie Nicks hit, “Stand Back.”  Stevie Nicks wrote the song, but according a ROLLING STONE piece, she says the song “belongs to Prince.”

stand backIt was the day of her wedding, and on the way to her honeymoon, she heard “Little Red Corvette” for the first time.  Humming along 2 Prince’s song, Stevie Nicks wrote all of “Stand Back” that day.  The day she was 2 record “Stand Back,” Stevie Nicks called Prince 2 tell him the story of how the song came about.  Less than a half hour later, Prince showed up at her studio, and “walked over to the synthesizers that were set up, was absolutely brilliant for about 25 minutes and then left.  He spoiled me for every band I’ve ever had because nobody can exactly recreate – not even with two piano players – what Prince did all by his little self.”

One of the many things I admired about Prince is that he did extended remixes of his B-sides, like “Erotic City” (the B-side of “Let’s Go Crazy”) and “La, La, La, He, He, Hee” (the B-side of “Sign ‘O’ The Times”).  I can’t think of anyone else who did that!

erotic city

prince gold purple rain award4 a short time in late 2005 and early 2006, I owned a copy of an authentic Recording Association Industry Association of America (RIAA) Gold record 4 PURPLE RAIN.  I had just quit a longtime job in Portland, cashed out my 401K (which I don’t recommend) at the end of the year (which I especially don’t recommend), and it was an impulse purchase while i was inbetween jobs.  But, when I couldn’t find another job right away, I  needed the money, and basically got my money back.  I don’t even have a picture of it, though the small picture included here is what it would have looked like.  Now some people online are selling their gold records similar 2 this 4 thousands of dollars.  Greedy bastards.

4 U prince tributes 2016

I’m doing 2 tribute shows 2 Prince (called 4 U).  The first tribute show aired this past Sunday (4.24.2016) and it was weird, mainly in the sense that I was constantly getting choked up and jamming 2 the music at the same time.  Never had a feeling like that before, not even with David Bowie.  But, the show was well-received, a lot of people tuned in and contributed.  Some folks commented on how I played songs they hadn’t heard of before (prolly like “Baltimore” and “4 The Tears In Your Eyes,” a song that originally appeared on the WE ARE THE WORLD album in 1985).  There was even a Prince song I had forgotten about that was requested by a listener – “Good Love,” from the 1988 soundtrack 2 the Michael J. Fox film, BRIGHT LIGHTS, BIG CITY.

empire state

The Empire State Building lit up in Purple for Prince…

This week, the outpouring 4 Prince’s music has been phenomenal.  With just a half-day of tracking 4 the charts, Prince is now at No. 1 with the 2001 compilation, THE VERY BEST OF PRINCE, and No. 2 with PURPLE RAIN. 

And, six of his Top 40 gems are back on the Hot 100, led by “Purple Rain” at No. 17.  With just that half a day of tracking, I’m betting he’ll have an even bigger week next week.  I always thought that Prince’s signature song, “Purple Rain,” should have reigned at No. 1 in late 1984, but was denied the top spot by Wham!’s “Wake Me Up Before You Go-Go.”  Wouldn’t it be something if “Purple Rain” could be his last No. 1 song?  At the very least, it was the No. 1-selling song of last week, which is pretty impressive 4 a 1984 song in a 21st-century digital world…

On the day Prince died, my dear and über-talented friend, Hope, put out a short but fitting post on her amazing blog, HEXBREAKER (hexbreaker9.wordpress.com), which included a cool quote from Eric Clapton I never knew existed until her post: When asked what it feels like to be the best guitarist alive, Eric Clapton said, “I don’t know. Ask Prince.”

purple rain single

A future No. 1 song in America, more than 30 years after its release?  Would be nice to have Prince’s signature song reach the top of the BILLBOARD Hot 100…

My goal was 2 have this blog post out over the past weekend.  When I started on Sunday, 4.24.2016, it had only been 0 hours and 3 days since Prince had passed away.  But, as it turned out, I had a lot 2 say; I couldn’t stop writing.  4 those folks who have been kind enough 2 read through 4,000+ words of my love 4 Prince, I thank U.  I’ll be back 2 regular posts soon, but I wanted 2 get this one 2 U first, and remember Prince in the best way I know how. 

We’ve lost a lot of heavy hitters in the music world this year.  I had just gotten my David Bowie tattoo 8 days before Prince’s passing.  While I won’t get be getting a tattoo of Prince, or a “Little Red Corvette” anytime soon (budget won’t allow it), I’m betting my next car’s color will be purple.  Perhaps I’ll name her Nikki too.  Maybe Prince would have like that. 

R.I.P. Prince and thank U, 4 your music, your generosity, your energy, and 4 standing up 4 what U believed in.  I believe at some point it’s going 2 finally hit me hard that U R gone, and when that happens, I’ll cry, I’ll say a couple prayers, and I’ll thank U again, 4 being a part of my life 4 all these years.  Peace and love 2 U, wherever you are. 

P.S: Chevy was right – “Baby that was much too fast…”

Prince UK 2011

song of the day – “Batdance” | PRINCE | 1989.

With the opening of BATMAN V SUPERMAN: DAWN OF JUSTICE today (3.25.16), I am reminded of “Batdance,” Prince’s No. 1 hit from the first BATMAN film, directed by Tim Burton and starring Jack Nicholson as The Joker and Michael Keaton as the Caped Crusader.

batman

The poster for the 1989 film…

“Batdance” was Prince’s fourth of 5 No. 1 songs (so far), and it has the weird distinction of being his most-forgotten No. 1 hit, but not by me.  In the Summer of 1989, though, much like the film BATMAN, “Batdance” was hot.

With BATMAN being released by Warner Bros. Pictures, an accompanying soundtrack would be released on Warner Bros. Records, and Warner Bros. music powerhouse Prince had already done 2 soundtracks in the 80s, led by 1984’s monster PURPLE RAIN soundtrack.  So, it was a natural decision to have Prince do the BATMAN soundtrack.  And it paid off.  The soundtrack was No. 1 for 6 consecutive weeks in the Summer of 1989, selling over 2 million copies in the U.S. alone and 11 million copies worldwide.

batdanceIt took just 8 weeks for the “Batdance” single to reach No. 1 on the BILLBOARD Hot 100, spending a week on top in early August 1989, and a total of 18 weeks on the chart.  Despite being on the chart for a relatively short time for a No. 1 hit, “Batdance” managed to go platinum in America. 

“Batdance” was a huge global hit as well, reaching No. 1 in Canada, New Zealand, Norway, Switzerland, plus Top 10 rankings in the U.K., Australia, Germany, Holland, Ireland and Sweden.

Both “Batdance” and parent soundtrack album BATMAN were nominated for Grammy Awards, and “Batdance” was nominated for an MTV Video Music Award for Best Video from a Film. 

While many folks may have forgotten about this No. 1 gem by Prince, I think musically it’s an amazing performance.  Not only did he play all of the instruments on the song, the guitar solo on the album version is one of the best I’ve ever heard. 

Prince is very protective of his videos on the Interweb, so I don’t know how long the attached video link will last, but it’s worth watching the brilliant (then-just-31 year-old) Prince Rogers Nelson at work, a music superhero in support of my favorite comic book superhero…

http://en.musicplayon.com/play?v=478997

prince

Prince, channeling The Joker in the “Batdance” video…